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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 209 202 it is the complementary color RGB 10 46 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 209 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 209 202 shade: RGB 250 209 197, RGB 255 227 216, RGB 255 245 235 and RGB 255 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 209 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 209 202 shade: RGB 245 209 202, RGB 228 191 183, RGB 211 173 164, RGB 194 155 145 and RGB 177 137 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 209 202 shade: RGB 245 210 204 and RGB 245 204 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 209 202 shade: RGB 245 210 204, RGB 245 222 204, RGB 245 233 204, RGB 245 244 204 and RGB 235 245 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 209 202 shade matches the following richer shades: RGB 245 210 204 and RGB 250 207 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 209 202 shade: RGB 245 210 204, RGB 240 214 209, RGB 235 217 213, RGB 230 220 218 and RGB 225 224 223

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 209 202 shade: RGB 245 204 220, RGB 245 204 208, RGB 245 210 204, RGB 245 221 204 and RGB 245 232 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 209 202 shade: RGB 232 150 134, RGB 239 180 169, RGB 245 210 204, RGB 252 240 238 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 209 202 shade: RGB 245 209 202, RGB 231 245 204 and RGB 204 214 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 209 202 shade: RGB 245 209 202, RGB 204 245 210 and RGB 210 204 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 209 202 shade: RGB 245 209 202, RGB 231 245 204, RGB 204 239 245 and RGB 218 204 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 209 202 shade: RGB 245 209 202, RGB 218 245 204, RGB 204 239 245 and RGB 231 204 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 18 / 4

HEX #F5D1CA

RGB 245 209 202

HSL 9.77, 0.68%, 0.88%

LAB 86.64, 11.5, 8.13

 

Complementary color

CMYK 81 / 13 / 0 / 79

HEX #0A2E35

RGB 10 46 53

HSL 189.77, 0.68%, 0.12%

LAB 16.87, -9.79, -8.2

 

CMYK 0 / 16 / 21 / 2

HEX #FAD1C5

RGB 250 209 197

HSL 13.58, 0.84%, 0.88%

LAB 86.98, 12.57, 11.32

 

CMYK 0 / 11 / 15 / 0

HEX #FFE3D8

RGB 255 227 216

HSL 16.92, 1%, 0.92%

LAB 92.2, 7.86, 8.87

 

CMYK 0 / 4 / 8 / 0

HEX #FFF5EB

RGB 255 245 235

HSL 30, 1%, 0.96%

LAB 97.05, 1.67, 5.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 15 / 18 / 4

HEX #F5D1CA

RGB 245 209 202

HSL 9.77, 0.68%, 0.88%

LAB 86.64, 11.5, 8.13

 

CMYK 0 / 16 / 20 / 11

HEX #E4BFB7

RGB 228 191 183

HSL 10.67, 0.45%, 0.81%

LAB 80.28, 11.95, 8.95

 

CMYK 0 / 18 / 22 / 17

HEX #D3ADA4

RGB 211 173 164

HSL 11.49, 0.35%, 0.74%

LAB 73.81, 12.44, 9.82

 

CMYK 0 / 20 / 25 / 24

HEX #C29B91

RGB 194 155 145

HSL 12.24, 0.29%, 0.66%

LAB 67.24, 12.99, 10.74

 

CMYK 0 / 23 / 29 / 31

HEX #B1897E

RGB 177 137 126

HSL 12.94, 0.25%, 0.59%

LAB 60.56, 13.61, 11.75

 

CMYK 0 / 14 / 17 / 4

HEX #F5D2CC

RGB 245 210 204

HSL 8.78, 0.67%, 0.88%

LAB 86.93, 11.28, 7.49

 

CMYK 0 / 17 / 17 / 4

HEX #F5CCCC

RGB 245 204 204

HSL 0, 0.67%, 0.88%

LAB 85.48, 14.43, 5.41

 

CMYK 0 / 14 / 17 / 4

HEX #F5D2CC

RGB 245 210 204

HSL 8.78, 0.67%, 0.88%

LAB 86.93, 11.28, 7.49

 

CMYK 0 / 9 / 17 / 4

HEX #F5DECC

RGB 245 222 204

HSL 26.34, 0.67%, 0.88%

LAB 89.87, 5.05, 11.69

 

CMYK 0 / 5 / 17 / 4

HEX #F5E9CC

RGB 245 233 204

HSL 42.44, 0.67%, 0.88%

LAB 92.6, -0.58, 15.56

 

CMYK 0 / 0 / 17 / 4

HEX #F5F4CC

RGB 245 244 204

HSL 58.54, 0.67%, 0.88%

LAB 95.36, -6.14, 19.44

 

CMYK 4 / 0 / 17 / 4

HEX #EBF5CC

RGB 235 245 204

HSL 74.63, 0.67%, 0.88%

LAB 94.88, -10.17, 18.65

 

CMYK 0 / 14 / 17 / 4

HEX #F5D2CC

RGB 245 210 204

HSL 8.78, 0.67%, 0.88%

LAB 86.93, 11.28, 7.49

 

CMYK 0 / 17 / 20 / 2

HEX #FACFC7

RGB 250 207 199

HSL 9.41, 0.84%, 0.88%

LAB 86.54, 13.91, 9.64

 

CMYK 0 / 14 / 17 / 4

HEX #F5D2CC

RGB 245 210 204

HSL 8.78, 0.67%, 0.88%

LAB 86.93, 11.28, 7.49

 

CMYK 0 / 11 / 13 / 6

HEX #F0D6D1

RGB 240 214 209

HSL 9.68, 0.51%, 0.88%

LAB 87.59, 8.2, 5.75

 

CMYK 0 / 8 / 9 / 8

HEX #EBD9D5

RGB 235 217 213

HSL 10.91, 0.35%, 0.88%

LAB 88.01, 5.52, 4.19

 

CMYK 0 / 4 / 5 / 10

HEX #E6DCDA

RGB 230 220 218

HSL 10, 0.19%, 0.88%

LAB 88.48, 3.07, 2.19

 

CMYK 0 / 0 / 1 / 12

HEX #E1E0DF

RGB 225 224 223

HSL 30, 0.03%, 0.88%

LAB 89.23, 0.16, 0.6

 

CMYK 0 / 17 / 10 / 4

HEX #F5CCDC

RGB 245 204 220

HSL 336.59, 0.67%, 0.88%

LAB 85.89, 16.97, -2.5

 

CMYK 0 / 17 / 15 / 4

HEX #F5CCD0

RGB 245 204 208

HSL 354.15, 0.67%, 0.88%

LAB 85.58, 15.04, 3.42

 

CMYK 0 / 14 / 17 / 4

HEX #F5D2CC

RGB 245 210 204

HSL 8.78, 0.67%, 0.88%

LAB 86.93, 11.28, 7.49

 

CMYK 0 / 10 / 17 / 4

HEX #F5DDCC

RGB 245 221 204

HSL 24.88, 0.67%, 0.88%

LAB 89.62, 5.57, 11.34

 

CMYK 0 / 5 / 17 / 4

HEX #F5E8CC

RGB 245 232 204

HSL 40.98, 0.67%, 0.88%

LAB 92.35, -0.08, 15.2

 

CMYK 0 / 35 / 42 / 9

HEX #E89686

RGB 232 150 134

HSL 9.8, 0.68%, 0.72%

LAB 69.96, 29.01, 21.24

 

CMYK 0 / 25 / 29 / 6

HEX #EFB4A9

RGB 239 180 169

HSL 9.43, 0.69%, 0.8%

LAB 78.38, 19.91, 13.95

 

CMYK 0 / 14 / 17 / 4

HEX #F5D2CC

RGB 245 210 204

HSL 8.78, 0.67%, 0.88%

LAB 86.93, 11.28, 7.49

 

CMYK 0 / 5 / 6 / 1

HEX #FCF0EE

RGB 252 240 238

HSL 8.57, 0.7%, 0.96%

LAB 95.66, 3.69, 2.39

 

CMYK 0 / 15 / 18 / 4

HEX #F5D1CA

RGB 245 209 202

HSL 9.77, 0.68%, 0.88%

LAB 86.64, 11.5, 8.13

 

CMYK 6 / 0 / 17 / 4

HEX #E7F5CC

RGB 231 245 204

HSL 80.49, 0.67%, 0.88%

LAB 94.59, -11.57, 18.21

 

CMYK 17 / 13 / 0 / 4

HEX #CCD6F5

RGB 204 214 245

HSL 225.37, 0.67%, 0.88%

LAB 85.77, 2.83, -16.3

 

CMYK 0 / 15 / 18 / 4

HEX #F5D1CA

RGB 245 209 202

HSL 9.77, 0.68%, 0.88%

LAB 86.64, 11.5, 8.13

 

CMYK 17 / 0 / 14 / 4

HEX #CCF5D2

RGB 204 245 210

HSL 128.78, 0.67%, 0.88%

LAB 92.92, -19.72, 12.51

 

CMYK 14 / 17 / 0 / 4

HEX #D2CCF5

RGB 210 204 245

HSL 248.78, 0.67%, 0.88%

LAB 83.69, 10.01, -19.38

 

CMYK 0 / 15 / 18 / 4

HEX #F5D1CA

RGB 245 209 202

HSL 9.77, 0.68%, 0.88%

LAB 86.64, 11.5, 8.13

 

CMYK 6 / 0 / 17 / 4

HEX #E7F5CC

RGB 231 245 204

HSL 80.49, 0.67%, 0.88%

LAB 94.59, -11.57, 18.21

 

CMYK 17 / 2 / 0 / 4

HEX #CCEFF5

RGB 204 239 245

HSL 188.78, 0.67%, 0.88%

LAB 92.2, -10.08, -6.7

 

CMYK 11 / 17 / 0 / 4

HEX #DACCF5

RGB 218 204 245

HSL 260.49, 0.67%, 0.88%

LAB 84.32, 12.55, -18.37

 

CMYK 0 / 15 / 18 / 4

HEX #F5D1CA

RGB 245 209 202

HSL 9.77, 0.68%, 0.88%

LAB 86.64, 11.5, 8.13

 

CMYK 11 / 0 / 17 / 4

HEX #DAF5CC

RGB 218 245 204

HSL 99.51, 0.67%, 0.88%

LAB 93.7, -16.06, 16.82

 

CMYK 17 / 2 / 0 / 4

HEX #CCEFF5

RGB 204 239 245

HSL 188.78, 0.67%, 0.88%

LAB 92.2, -10.08, -6.7

 

CMYK 6 / 17 / 0 / 4

HEX #E7CCF5

RGB 231 204 245

HSL 279.51, 0.67%, 0.88%

LAB 85.39, 16.73, -16.66

 

Description

Color code: RGB 245 209 202 | qconv.com Color code: RGB 245 209 202 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 209 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 209 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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