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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 103 90 it is the complementary color RGB 10 152 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 103 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 103 90 shade: RGB 250 103 85, RGB 255 121 104, RGB 255 139 123, RGB 255 157 142 and RGB 255 175 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 103 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 103 90 shade: RGB 245 103 90, RGB 228 85 71, RGB 211 67 52, RGB 194 49 33 and RGB 177 31 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 103 90 shade: RGB 245 104 91 and RGB 245 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 103 90 shade: RGB 245 104 91, RGB 245 145 91, RGB 245 187 91, RGB 245 228 91 and RGB 220 245 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 103 90 shade matches the following richer shades: RGB 245 104 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 103 90 shade: RGB 245 104 91, RGB 231 115 105, RGB 217 127 119, RGB 203 139 133 and RGB 189 150 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 103 90 shade: RGB 245 91 160, RGB 245 91 119, RGB 245 103 91, RGB 245 145 91 and RGB 245 186 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 103 90 shade: RGB 240 32 13, RGB 243 68 52, RGB 245 104 91, RGB 247 139 130 and RGB 250 175 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 103 90 shade: RGB 245 103 90, RGB 201 245 91 and RGB 91 140 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 103 90 shade: RGB 245 103 90, RGB 91 245 103 and RGB 103 91 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 103 90 shade: RGB 245 103 90, RGB 201 245 91, RGB 91 232 245 and RGB 134 91 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 103 90 shade: RGB 245 103 90, RGB 155 245 91, RGB 91 232 245 and RGB 181 91 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 63 / 4

HEX #F5675A

RGB 245 103 90

HSL 5.03, 0.89%, 0.66%

LAB 61.53, 53.66, 34.94

 

Complementary color

CMYK 94 / 8 / 0 / 35

HEX #0A98A5

RGB 10 152 165

HSL 185.03, 0.89%, 0.34%

LAB 57.31, -28.07, -16.27

 

CMYK 0 / 59 / 66 / 2

HEX #FA6755

RGB 250 103 85

HSL 6.55, 0.94%, 0.66%

LAB 62.24, 55.09, 38.75

 

CMYK 0 / 53 / 59 / 0

HEX #FF7968

RGB 255 121 104

HSL 6.75, 1%, 0.7%

LAB 66.47, 49.7, 33.73

 

CMYK 0 / 45 / 52 / 0

HEX #FF8B7B

RGB 255 139 123

HSL 7.27, 1%, 0.74%

LAB 70.28, 42.32, 28.23

 

CMYK 0 / 38 / 44 / 0

HEX #FF9D8E

RGB 255 157 142

HSL 7.96, 1%, 0.78%

LAB 74.4, 34.89, 23.36

 

CMYK 0 / 31 / 37 / 0

HEX #FFAFA1

RGB 255 175 161

HSL 8.94, 1%, 0.82%

LAB 78.75, 27.56, 19.03

 

CMYK 0 / 58 / 63 / 4

HEX #F5675A

RGB 245 103 90

HSL 5.03, 0.89%, 0.66%

LAB 61.53, 53.66, 34.94

 

CMYK 0 / 63 / 69 / 11

HEX #E45547

RGB 228 85 71

HSL 5.35, 0.74%, 0.59%

LAB 55.53, 54.72, 37.62

 

CMYK 0 / 68 / 75 / 17

HEX #D34334

RGB 211 67 52

HSL 5.66, 0.64%, 0.52%

LAB 49.63, 55.61, 40.64

 

CMYK 0 / 75 / 83 / 24

HEX #C23121

RGB 194 49 33

HSL 5.96, 0.71%, 0.45%

LAB 43.91, 56.13, 43.89

 

CMYK 0 / 82 / 92 / 31

HEX #B11F0E

RGB 177 31 14

HSL 6.26, 0.85%, 0.37%

LAB 38.48, 55.99, 46.75

 

CMYK 0 / 58 / 63 / 4

HEX #F5685B

RGB 245 104 91

HSL 5.06, 0.89%, 0.66%

LAB 61.71, 53.26, 34.61

 

CMYK 0 / 63 / 63 / 4

HEX #F55B5B

RGB 245 91 91

HSL 0, 0.89%, 0.66%

LAB 59.57, 58.95, 31.93

 

CMYK 0 / 58 / 63 / 4

HEX #F5685B

RGB 245 104 91

HSL 5.06, 0.89%, 0.66%

LAB 61.71, 53.26, 34.61

 

CMYK 0 / 41 / 63 / 4

HEX #F5915B

RGB 245 145 91

HSL 21.04, 0.89%, 0.66%

LAB 69.77, 33.05, 44.39

 

CMYK 0 / 24 / 63 / 4

HEX #F5BB5B

RGB 245 187 91

HSL 37.4, 0.89%, 0.66%

LAB 79.45, 11.01, 55.56

 

CMYK 0 / 7 / 63 / 4

HEX #F5E45B

RGB 245 228 91

HSL 53.38, 0.89%, 0.66%

LAB 89.7, -9.97, 66.77

 

CMYK 10 / 0 / 63 / 4

HEX #DCF55B

RGB 220 245 91

HSL 69.74, 0.89%, 0.66%

LAB 92.25, -28.24, 68.92

 

CMYK 0 / 58 / 63 / 4

HEX #F5685B

RGB 245 104 91

HSL 5.06, 0.89%, 0.66%

LAB 61.71, 53.26, 34.61

 

CMYK 0 / 58 / 63 / 4

HEX #F5685B

RGB 245 104 91

HSL 5.06, 0.89%, 0.66%

LAB 61.71, 53.26, 34.61

 

CMYK 0 / 50 / 55 / 9

HEX #E77369

RGB 231 115 105

HSL 4.76, 0.72%, 0.66%

LAB 61.89, 44.01, 26.57

 

CMYK 0 / 41 / 45 / 15

HEX #D97F77

RGB 217 127 119

HSL 4.9, 0.56%, 0.66%

LAB 62.73, 33.89, 19.45

 

CMYK 0 / 32 / 34 / 20

HEX #CB8B85

RGB 203 139 133

HSL 5.14, 0.4%, 0.66%

LAB 64.04, 23.63, 13.1

 

CMYK 0 / 21 / 22 / 26

HEX #BD9693

RGB 189 150 147

HSL 4.29, 0.24%, 0.66%

LAB 65.54, 14.12, 7.14

 

CMYK 0 / 63 / 35 / 4

HEX #F55BA0

RGB 245 91 160

HSL 333.12, 0.89%, 0.66%

LAB 61.16, 64.87, -5.8

 

CMYK 0 / 63 / 51 / 4

HEX #F55B77

RGB 245 91 119

HSL 349.09, 0.89%, 0.66%

LAB 60.09, 60.92, 16.48

 

CMYK 0 / 58 / 63 / 4

HEX #F5675B

RGB 245 103 91

HSL 4.68, 0.89%, 0.66%

LAB 61.54, 53.72, 34.4

 

CMYK 0 / 41 / 63 / 4

HEX #F5915B

RGB 245 145 91

HSL 21.04, 0.89%, 0.66%

LAB 69.77, 33.05, 44.39

 

CMYK 0 / 24 / 63 / 4

HEX #F5BA5B

RGB 245 186 91

HSL 37.01, 0.89%, 0.66%

LAB 79.21, 11.53, 55.29

 

CMYK 0 / 87 / 95 / 6

HEX #F0200D

RGB 240 32 13

HSL 5.02, 0.9%, 0.5%

LAB 51.37, 73.13, 61.38

 

CMYK 0 / 72 / 79 / 5

HEX #F34434

RGB 243 68 52

HSL 5.03, 0.89%, 0.58%

LAB 55.52, 65.32, 48.57

 

CMYK 0 / 58 / 63 / 4

HEX #F5685B

RGB 245 104 91

HSL 5.06, 0.89%, 0.66%

LAB 61.71, 53.26, 34.61

 

CMYK 0 / 44 / 47 / 3

HEX #F78B82

RGB 247 139 130

HSL 4.62, 0.88%, 0.74%

LAB 69.36, 39.99, 22.95

 

CMYK 0 / 30 / 32 / 2

HEX #FAAFA9

RGB 250 175 169

HSL 4.44, 0.89%, 0.82%

LAB 78.37, 26.65, 14.11

 

CMYK 0 / 58 / 63 / 4

HEX #F5675A

RGB 245 103 90

HSL 5.03, 0.89%, 0.66%

LAB 61.53, 53.66, 34.94

 

CMYK 18 / 0 / 63 / 4

HEX #C9F55B

RGB 201 245 91

HSL 77.14, 0.89%, 0.66%

LAB 91, -35.57, 67.2

 

CMYK 63 / 43 / 0 / 4

HEX #5B8CF5

RGB 91 140 245

HSL 220.91, 0.89%, 0.66%

LAB 59.5, 15.65, -57.61

 

CMYK 0 / 58 / 63 / 4

HEX #F5675A

RGB 245 103 90

HSL 5.03, 0.89%, 0.66%

LAB 61.53, 53.66, 34.94

 

CMYK 63 / 0 / 58 / 4

HEX #5BF567

RGB 91 245 103

HSL 124.68, 0.89%, 0.66%

LAB 86.26, -67.92, 55.53

 

CMYK 58 / 63 / 0 / 4

HEX #675BF5

RGB 103 91 245

HSL 244.68, 0.89%, 0.66%

LAB 48.21, 47.05, -75.8

 

CMYK 0 / 58 / 63 / 4

HEX #F5675A

RGB 245 103 90

HSL 5.03, 0.89%, 0.66%

LAB 61.53, 53.66, 34.94

 

CMYK 18 / 0 / 63 / 4

HEX #C9F55B

RGB 201 245 91

HSL 77.14, 0.89%, 0.66%

LAB 91, -35.57, 67.2

 

CMYK 63 / 5 / 0 / 4

HEX #5BE8F5

RGB 91 232 245

HSL 185.06, 0.89%, 0.66%

LAB 85.27, -33.8, -17.59

 

CMYK 45 / 63 / 0 / 4

HEX #865BF5

RGB 134 91 245

HSL 256.75, 0.89%, 0.66%

LAB 50.85, 52.47, -71.38

 

CMYK 0 / 58 / 63 / 4

HEX #F5675A

RGB 245 103 90

HSL 5.03, 0.89%, 0.66%

LAB 61.53, 53.66, 34.94

 

CMYK 37 / 0 / 63 / 4

HEX #9BF55B

RGB 155 245 91

HSL 95.06, 0.89%, 0.66%

LAB 88.46, -51.93, 63.71

 

CMYK 63 / 5 / 0 / 4

HEX #5BE8F5

RGB 91 232 245

HSL 185.06, 0.89%, 0.66%

LAB 85.27, -33.8, -17.59

 

CMYK 26 / 63 / 0 / 4

HEX #B55BF5

RGB 181 91 245

HSL 275.06, 0.89%, 0.66%

LAB 55.99, 62.14, -62.84

 

Description

Color code: RGB 245 103 90 | qconv.com Color code: RGB 245 103 90 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 103 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 103 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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