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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245.14 108 41 it is the complementary color RGB 9.86 147 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245.14 108 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245.14 108 41 shade: RGB 250.14 108 36, RGB 255 126 55, RGB 255 144 74, RGB 255 162 93 and RGB 255 180 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245.14 108 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245.14 108 41 shade: RGB 245.14 108 41, RGB 228.14 90 22, RGB 211.14 72 3, RGB 194.14 54 0 and RGB 177.14 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245.14 108 41 shade: RGB 245 108 41, RGB 245 53 41 and RGB 245 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245.14 108 41 shade: RGB 245 108 41, RGB 245 163 41, RGB 245 218 41, RGB 217 245 41 and RGB 162 245 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245.14 108 41 shade matches the following richer shades: RGB 245 108 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245.14 108 41 shade: RGB 245 108 41, RGB 227 114 59, RGB 209 120 77, RGB 190 126 95 and RGB 172 133 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245.14 108 41 shade: RGB 245 41 85, RGB 245 51 41, RGB 245 105 41, RGB 245 160 41 and RGB 245 214 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245.14 108 41 shade: RGB 194 70 9, RGB 233 84 11, RGB 245 108 41, RGB 247 135 80 and RGB 249 162 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245.14 108 41 shade: RGB 245.14 108 41, RGB 139 245 41 and RGB 41 58 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245.14 108 41 shade: RGB 245.14 108 41, RGB 41 245 105 and RGB 105 41 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245.14 108 41 shade: RGB 245.14 108 41, RGB 139 245 41, RGB 41 180 245 and RGB 146 41 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245.14 108 41 shade: RGB 245.14 108 41, RGB 78 245 41, RGB 41 180 245 and RGB 207 41 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245.14 108 41

HSL 19.69, 0.91%, 0.56%

LAB 61.93, 49.31, 59.72

 

Complementary color

CMYK 95 / 31 / 0 / 16

HEX #0993D6

RGB 9.86 147 214

HSL 199.69, 0.91%, 0.44%

LAB 57.83, -8.05, -43.15

 

CMYK 0 / 57 / 86 / 2

HEX #FA6C24

RGB 250.14 108 36

HSL 20.17, 0.96%, 0.56%

LAB 62.68, 51.02, 62.57

 

CMYK 0 / 51 / 78 / 0

HEX #FF7E37

RGB 255 126 55

HSL 21.3, 1%, 0.61%

LAB 66.87, 44.79, 58.94

 

CMYK 0 / 44 / 71 / 0

HEX #FF904A

RGB 255 144 74

HSL 23.2, 1%, 0.65%

LAB 70.66, 36.56, 54.17

 

CMYK 0 / 36 / 64 / 0

HEX #FFA25D

RGB 255 162 93

HSL 25.56, 1%, 0.68%

LAB 74.76, 28.32, 49.54

 

CMYK 0 / 29 / 56 / 0

HEX #FFB470

RGB 255 180 112

HSL 28.53, 1%, 0.72%

LAB 79.08, 20.23, 45.22

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245.14 108 41

HSL 19.69, 0.91%, 0.56%

LAB 61.93, 49.31, 59.72

 

CMYK 0 / 61 / 90 / 11

HEX #E45A16

RGB 228.14 90 22

HSL 19.79, 0.82%, 0.49%

LAB 55.97, 50.99, 60.62

 

CMYK 0 / 66 / 99 / 17

HEX #D34803

RGB 211.14 72 3

HSL 19.89, 0.97%, 0.42%

LAB 50.11, 52.57, 60.19

 

CMYK 0 / 72 / 100 / 24

HEX #C23600

RGB 194.14 54 0

HSL 16.69, 1%, 0.38%

LAB 44.41, 53.88, 56.4

 

CMYK 0 / 80 / 100 / 31

HEX #B12400

RGB 177.14 36 0

HSL 12.19, 1%, 0.35%

LAB 38.94, 54.48, 52.02

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245 108 41

HSL 19.71, 0.91%, 0.56%

LAB 61.91, 49.26, 59.7

 

CMYK 0 / 78 / 83 / 4

HEX #F53529

RGB 245 53 41

HSL 3.53, 0.91%, 0.56%

LAB 54.15, 70.21, 52.88

 

CMYK 0 / 83 / 83 / 4

HEX #F52929

RGB 245 41 41

HSL 0, 0.91%, 0.56%

LAB 53.12, 73.12, 51.96

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245 108 41

HSL 19.71, 0.91%, 0.56%

LAB 61.91, 49.26, 59.7

 

CMYK 0 / 33 / 83 / 4

HEX #F5A329

RGB 245 163 41

HSL 35.88, 0.91%, 0.56%

LAB 73.39, 21.39, 69.55

 

CMYK 0 / 11 / 83 / 4

HEX #F5DA29

RGB 245 218 41

HSL 52.06, 0.91%, 0.56%

LAB 86.86, -7.1, 80.85

 

CMYK 11 / 0 / 83 / 4

HEX #D9F529

RGB 217 245 41

HSL 68.24, 0.91%, 0.56%

LAB 91.78, -31.72, 84.1

 

CMYK 34 / 0 / 83 / 4

HEX #A2F529

RGB 162 245 41

HSL 84.41, 0.91%, 0.56%

LAB 88.52, -52.46, 80.01

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245 108 41

HSL 19.71, 0.91%, 0.56%

LAB 61.91, 49.26, 59.7

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245 108 41

HSL 19.71, 0.91%, 0.56%

LAB 61.91, 49.26, 59.7

 

CMYK 0 / 50 / 74 / 11

HEX #E3723B

RGB 227 114 59

HSL 19.64, 0.75%, 0.56%

LAB 60.5, 40.17, 49.39

 

CMYK 0 / 43 / 63 / 18

HEX #D1784D

RGB 209 120 77

HSL 19.55, 0.59%, 0.56%

LAB 59.46, 30.91, 38.31

 

CMYK 0 / 34 / 50 / 25

HEX #BE7E5F

RGB 190 126 95

HSL 19.58, 0.42%, 0.56%

LAB 58.69, 21.35, 26.98

 

CMYK 0 / 23 / 34 / 33

HEX #AC8571

RGB 172 133 113

HSL 20.34, 0.26%, 0.56%

LAB 58.73, 12.08, 16.52

 

CMYK 0 / 83 / 65 / 4

HEX #F52955

RGB 245 41 85

HSL 347.06, 0.91%, 0.56%

LAB 53.66, 74.72, 27.92

 

CMYK 0 / 79 / 83 / 4

HEX #F53329

RGB 245 51 41

HSL 2.94, 0.91%, 0.56%

LAB 53.96, 70.74, 52.71

 

CMYK 0 / 57 / 83 / 4

HEX #F56929

RGB 245 105 41

HSL 18.82, 0.91%, 0.56%

LAB 61.37, 50.65, 59.23

 

CMYK 0 / 35 / 83 / 4

HEX #F5A029

RGB 245 160 41

HSL 35, 0.91%, 0.56%

LAB 72.7, 22.97, 68.96

 

CMYK 0 / 13 / 83 / 4

HEX #F5D629

RGB 245 214 41

HSL 50.88, 0.91%, 0.56%

LAB 85.84, -5.09, 80

 

CMYK 0 / 64 / 95 / 24

HEX #C24609

RGB 194 70 9

HSL 19.78, 0.91%, 0.4%

LAB 46.8, 47.45, 55.24

 

CMYK 0 / 64 / 95 / 9

HEX #E9540B

RGB 233 84 11

HSL 19.73, 0.91%, 0.48%

LAB 55.77, 55.17, 63.7

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245 108 41

HSL 19.71, 0.91%, 0.56%

LAB 61.91, 49.26, 59.7

 

CMYK 0 / 45 / 68 / 3

HEX #F78750

RGB 247 135 80

HSL 19.76, 0.91%, 0.64%

LAB 67.79, 38.32, 47.75

 

CMYK 0 / 35 / 52 / 2

HEX #F9A278

RGB 249 162 120

HSL 19.53, 0.91%, 0.72%

LAB 74.4, 27.93, 35.08

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245.14 108 41

HSL 19.69, 0.91%, 0.56%

LAB 61.93, 49.31, 59.72

 

CMYK 43 / 0 / 83 / 4

HEX #8BF529

RGB 139 245 41

HSL 91.18, 0.91%, 0.56%

LAB 87.46, -60.05, 78.68

 

CMYK 83 / 76 / 0 / 4

HEX #293AF5

RGB 41 58 245

HSL 235, 0.91%, 0.56%

LAB 38, 59.11, -92.72

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245.14 108 41

HSL 19.69, 0.91%, 0.56%

LAB 61.93, 49.31, 59.72

 

CMYK 83 / 0 / 57 / 4

HEX #29F569

RGB 41 245 105

HSL 138.82, 0.91%, 0.56%

LAB 85.4, -74.92, 53.43

 

CMYK 57 / 83 / 0 / 4

HEX #6929F5

RGB 105 41 245

HSL 258.82, 0.91%, 0.56%

LAB 39.88, 71.15, -89.47

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245.14 108 41

HSL 19.69, 0.91%, 0.56%

LAB 61.93, 49.31, 59.72

 

CMYK 43 / 0 / 83 / 4

HEX #8BF529

RGB 139 245 41

HSL 91.18, 0.91%, 0.56%

LAB 87.46, -60.05, 78.68

 

CMYK 83 / 27 / 0 / 4

HEX #29B4F5

RGB 41 180 245

HSL 199.12, 0.91%, 0.56%

LAB 69.26, -13.55, -42.26

 

CMYK 40 / 83 / 0 / 4

HEX #9229F5

RGB 146 41 245

HSL 270.88, 0.91%, 0.56%

LAB 44.65, 75.7, -81.46

 

CMYK 0 / 56 / 83 / 4

HEX #F56C29

RGB 245.14 108 41

HSL 19.69, 0.91%, 0.56%

LAB 61.93, 49.31, 59.72

 

CMYK 68 / 0 / 83 / 4

HEX #4EF529

RGB 78 245 41

HSL 109.12, 0.91%, 0.56%

LAB 85.55, -75.29, 76.25

 

CMYK 83 / 27 / 0 / 4

HEX #29B4F5

RGB 41 180 245

HSL 199.12, 0.91%, 0.56%

LAB 69.26, -13.55, -42.26

 

CMYK 16 / 83 / 0 / 4

HEX #CF29F5

RGB 207 41 245

HSL 288.82, 0.91%, 0.56%

LAB 53.43, 84.58, -66.77

 

Description

Color code: RGB 245.14 108 41 | qconv.com Color code: RGB 245.14 108 41 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245.14 red, 108 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245.14 108 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 83% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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