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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245.14 108 37 it is the complementary color RGB 9.86 147 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245.14 108 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245.14 108 37 shade: RGB 250.14 108 32, RGB 255 126 51, RGB 255 144 70, RGB 255 162 89 and RGB 255 180 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245.14 108 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245.14 108 37 shade: RGB 245.14 108 37, RGB 228.14 90 18, RGB 211.14 72 0, RGB 194.14 54 0 and RGB 177.14 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245.14 108 37 shade: RGB 245 107 36, RGB 245 51 36 and RGB 245 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245.14 108 37 shade: RGB 245 107 36, RGB 245 163 36, RGB 245 220 36, RGB 213 245 36 and RGB 157 245 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245.14 108 37 shade matches the following richer shades: RGB 245 107 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245.14 108 37 shade: RGB 245 107 36, RGB 226 113 54, RGB 208 119 73, RGB 189 125 92 and RGB 170 131 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245.14 108 37 shade: RGB 245 36 78, RGB 245 50 36, RGB 245 105 36, RGB 245 161 36 and RGB 245 217 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245.14 108 37 shade: RGB 189 70 9, RGB 228 85 11, RGB 245 107 36, RGB 247 134 75 and RGB 248 160 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245.14 108 37 shade: RGB 245.14 108 37, RGB 133 245 36 and RGB 36 50 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245.14 108 37 shade: RGB 245.14 108 37, RGB 36 245 105 and RGB 105 36 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245.14 108 37 shade: RGB 245.14 108 37, RGB 133 245 36, RGB 36 175 245 and RGB 147 36 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245.14 108 37 shade: RGB 245.14 108 37, RGB 71 245 36, RGB 36 175 245 and RGB 210 36 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 85 / 4

HEX #F56C25

RGB 245.14 108 37

HSL 20.47, 0.91%, 0.55%

LAB 61.91, 49.21, 61.25

 

Complementary color

CMYK 95 / 33 / 0 / 15

HEX #0993DA

RGB 9.86 147 218

HSL 200.47, 0.91%, 0.45%

LAB 58.03, -6.56, -45.08

 

CMYK 0 / 57 / 87 / 2

HEX #FA6C20

RGB 250.14 108 32

HSL 20.9, 0.96%, 0.55%

LAB 62.66, 50.93, 63.96

 

CMYK 0 / 51 / 80 / 0

HEX #FF7E33

RGB 255 126 51

HSL 22.06, 1%, 0.6%

LAB 66.84, 44.66, 60.61

 

CMYK 0 / 44 / 73 / 0

HEX #FF9046

RGB 255 144 70

HSL 24, 1%, 0.64%

LAB 70.63, 36.38, 56

 

CMYK 0 / 36 / 65 / 0

HEX #FFA259

RGB 255 162 89

HSL 26.39, 1%, 0.67%

LAB 74.71, 28.07, 51.45

 

CMYK 0 / 29 / 58 / 0

HEX #FFB46C

RGB 255 180 108

HSL 29.39, 1%, 0.71%

LAB 79.03, 19.93, 47.16

 

CMYK 0 / 56 / 85 / 4

HEX #F56C25

RGB 245.14 108 37

HSL 20.47, 0.91%, 0.55%

LAB 61.91, 49.21, 61.25

 

CMYK 0 / 61 / 92 / 11

HEX #E45A12

RGB 228.14 90 18

HSL 20.56, 0.85%, 0.48%

LAB 55.96, 50.93, 61.76

 

CMYK 0 / 66 / 100 / 17

HEX #D34800

RGB 211.14 72 0

HSL 20.46, 1%, 0.41%

LAB 50.1, 52.54, 60.92

 

CMYK 0 / 72 / 100 / 24

HEX #C23600

RGB 194.14 54 0

HSL 16.69, 1%, 0.38%

LAB 44.41, 53.88, 56.4

 

CMYK 0 / 80 / 100 / 31

HEX #B12400

RGB 177.14 36 0

HSL 12.19, 1%, 0.35%

LAB 38.94, 54.48, 52.02

 

CMYK 0 / 56 / 85 / 4

HEX #F56B24

RGB 245 107 36

HSL 20.38, 0.91%, 0.55%

LAB 61.7, 49.61, 61.44

 

CMYK 0 / 79 / 85 / 4

HEX #F53324

RGB 245 51 36

HSL 4.31, 0.91%, 0.55%

LAB 53.93, 70.63, 55.01

 

CMYK 0 / 85 / 85 / 4

HEX #F52424

RGB 245 36 36

HSL 0, 0.91%, 0.55%

LAB 52.73, 74.03, 54.02

 

CMYK 0 / 56 / 85 / 4

HEX #F56B24

RGB 245 107 36

HSL 20.38, 0.91%, 0.55%

LAB 61.7, 49.61, 61.44

 

CMYK 0 / 33 / 85 / 4

HEX #F5A324

RGB 245 163 36

HSL 36.46, 0.91%, 0.55%

LAB 73.37, 21.26, 71.01

 

CMYK 0 / 10 / 85 / 4

HEX #F5DC24

RGB 245 220 36

HSL 52.82, 0.91%, 0.55%

LAB 87.35, -8.23, 82.38

 

CMYK 13 / 0 / 85 / 4

HEX #D5F524

RGB 213 245 36

HSL 69.19, 0.91%, 0.55%

LAB 91.5, -33.45, 84.76

 

CMYK 36 / 0 / 85 / 4

HEX #9DF524

RGB 157 245 36

HSL 85.26, 0.91%, 0.55%

LAB 88.26, -54.34, 80.74

 

CMYK 0 / 56 / 85 / 4

HEX #F56B24

RGB 245 107 36

HSL 20.38, 0.91%, 0.55%

LAB 61.7, 49.61, 61.44

 

CMYK 0 / 56 / 85 / 4

HEX #F56B24

RGB 245 107 36

HSL 20.38, 0.91%, 0.55%

LAB 61.7, 49.61, 61.44

 

CMYK 0 / 50 / 76 / 11

HEX #E27136

RGB 226 113 54

HSL 20.58, 0.75%, 0.55%

LAB 60.11, 40.07, 51.32

 

CMYK 0 / 43 / 65 / 18

HEX #D07749

RGB 208 119 73

HSL 20.44, 0.59%, 0.55%

LAB 59.05, 30.78, 39.93

 

CMYK 0 / 34 / 51 / 26

HEX #BD7D5C

RGB 189 125 92

HSL 20.41, 0.42%, 0.55%

LAB 58.28, 21.2, 28.1

 

CMYK 0 / 23 / 35 / 33

HEX #AA836E

RGB 170 131 110

HSL 21, 0.26%, 0.55%

LAB 57.95, 12, 17.12

 

CMYK 0 / 85 / 68 / 4

HEX #F5244E

RGB 245 36 78

HSL 347.94, 0.91%, 0.55%

LAB 53.19, 75.39, 31.49

 

CMYK 0 / 80 / 85 / 4

HEX #F53224

RGB 245 50 36

HSL 4.02, 0.91%, 0.55%

LAB 53.84, 70.89, 54.94

 

CMYK 0 / 57 / 85 / 4

HEX #F56924

RGB 245 105 36

HSL 19.81, 0.91%, 0.55%

LAB 61.34, 50.53, 61.15

 

CMYK 0 / 34 / 85 / 4

HEX #F5A124

RGB 245 161 36

HSL 35.89, 0.91%, 0.55%

LAB 72.91, 22.32, 70.63

 

CMYK 0 / 11 / 85 / 4

HEX #F5D924

RGB 245 217 36

HSL 51.96, 0.91%, 0.55%

LAB 86.59, -6.72, 81.76

 

CMYK 0 / 63 / 95 / 26

HEX #BD4609

RGB 189 70 9

HSL 20.33, 0.91%, 0.39%

LAB 45.93, 45.64, 54.26

 

CMYK 0 / 63 / 95 / 11

HEX #E4550B

RGB 228 85 11

HSL 20.46, 0.91%, 0.47%

LAB 55.09, 53, 62.85

 

CMYK 0 / 56 / 85 / 4

HEX #F56B24

RGB 245 107 36

HSL 20.38, 0.91%, 0.55%

LAB 61.7, 49.61, 61.44

 

CMYK 0 / 46 / 70 / 3

HEX #F7864B

RGB 247 134 75

HSL 20.58, 0.91%, 0.63%

LAB 67.53, 38.57, 49.95

 

CMYK 0 / 35 / 54 / 3

HEX #F8A073

RGB 248 160 115

HSL 20.3, 0.9%, 0.71%

LAB 73.76, 28.17, 36.88

 

CMYK 0 / 56 / 85 / 4

HEX #F56C25

RGB 245.14 108 37

HSL 20.47, 0.91%, 0.55%

LAB 61.91, 49.21, 61.25

 

CMYK 46 / 0 / 85 / 4

HEX #85F524

RGB 133 245 36

HSL 92.15, 0.91%, 0.55%

LAB 87.2, -62.06, 79.42

 

CMYK 85 / 80 / 0 / 4

HEX #2432F5

RGB 36 50 245

HSL 235.98, 0.91%, 0.55%

LAB 36.46, 62.86, -95.29

 

CMYK 0 / 56 / 85 / 4

HEX #F56C25

RGB 245.14 108 37

HSL 20.47, 0.91%, 0.55%

LAB 61.91, 49.21, 61.25

 

CMYK 85 / 0 / 57 / 4

HEX #24F569

RGB 36 245 105

HSL 139.81, 0.91%, 0.55%

LAB 85.35, -75.33, 53.36

 

CMYK 57 / 85 / 0 / 4

HEX #6924F5

RGB 105 36 245

HSL 259.81, 0.91%, 0.55%

LAB 39.34, 72.76, -90.37

 

CMYK 0 / 56 / 85 / 4

HEX #F56C25

RGB 245.14 108 37

HSL 20.47, 0.91%, 0.55%

LAB 61.91, 49.21, 61.25

 

CMYK 46 / 0 / 85 / 4

HEX #85F524

RGB 133 245 36

HSL 92.15, 0.91%, 0.55%

LAB 87.2, -62.06, 79.42

 

CMYK 85 / 29 / 0 / 4

HEX #24AFF5

RGB 36 175 245

HSL 200.1, 0.91%, 0.55%

LAB 67.75, -11.19, -44.64

 

CMYK 40 / 85 / 0 / 4

HEX #9324F5

RGB 147 36 245

HSL 271.87, 0.91%, 0.55%

LAB 44.32, 77.19, -82

 

CMYK 0 / 56 / 85 / 4

HEX #F56C25

RGB 245.14 108 37

HSL 20.47, 0.91%, 0.55%

LAB 61.91, 49.21, 61.25

 

CMYK 71 / 0 / 85 / 4

HEX #47F524

RGB 71 245 36

HSL 109.95, 0.91%, 0.55%

LAB 85.39, -76.7, 77.13

 

CMYK 85 / 29 / 0 / 4

HEX #24AFF5

RGB 36 175 245

HSL 200.1, 0.91%, 0.55%

LAB 67.75, -11.19, -44.64

 

CMYK 14 / 85 / 0 / 4

HEX #D224F5

RGB 210 36 245

HSL 289.95, 0.91%, 0.55%

LAB 53.55, 86.08, -66.55

 

Description

Color code: RGB 245.14 108 37 | qconv.com Color code: RGB 245.14 108 37 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245.14 red, 108 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245.14 108 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 85 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 85% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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