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Color name
RGB 244 53 43

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 53 43 it is the complementary color RGB 11 202 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 53 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 53 43 shade: RGB 249 53 38, RGB 255 71 57, RGB 255 89 76, RGB 255 107 95 and RGB 255 125 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 53 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 53 43 shade: RGB 244 53 43, RGB 227 35 24, RGB 210 17 5, RGB 193 0 0 and RGB 176 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 53 43 shade: RGB 244 52 42 and RGB 244 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 53 43 shade: RGB 244 52 42, RGB 244 106 42, RGB 244 161 42, RGB 244 215 42 and RGB 218 244 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 53 43 shade matches the following richer shades: RGB 244 52 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 53 43 shade: RGB 244 52 42, RGB 226 68 60, RGB 207 85 78, RGB 189 101 96 and RGB 171 117 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 53 43 shade: RGB 244 42 143, RGB 244 42 89, RGB 244 49 42, RGB 244 102 42 and RGB 244 156 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 53 43 shade: RGB 193 19 10, RGB 232 23 12, RGB 244 52 42, RGB 246 89 81 and RGB 248 127 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 53 43 shade: RGB 244 53 43, RGB 197 244 42 and RGB 42 116 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 53 43 shade: RGB 244 53 43, RGB 42 244 49 and RGB 49 42 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 53 43 shade: RGB 244 53 43, RGB 197 244 42, RGB 42 237 244 and RGB 89 42 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 53 43 shade: RGB 244 53 43, RGB 136 244 42, RGB 42 237 244 and RGB 150 42 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 82 / 4

HEX #F4352B

RGB 244 53 43

HSL 2.99, 0.9%, 0.56%

LAB 53.98, 69.97, 51.68

 

Complementary color

CMYK 95 / 5 / 0 / 17

HEX #0BCAD4

RGB 11 202 212

HSL 182.99, 0.9%, 0.44%

LAB 74.23, -37, -16.73

 

CMYK 0 / 79 / 85 / 2

HEX #F93526

RGB 249 53 38

HSL 4.27, 0.95%, 0.56%

LAB 54.89, 71.26, 55.22

 

CMYK 0 / 72 / 78 / 0

HEX #FF4739

RGB 255 71 57

HSL 4.24, 1%, 0.61%

LAB 58.1, 68.09, 49.31

 

CMYK 0 / 65 / 70 / 0

HEX #FF594C

RGB 255 89 76

HSL 4.36, 1%, 0.65%

LAB 60.72, 62.22, 42.06

 

CMYK 0 / 58 / 63 / 0

HEX #FF6B5F

RGB 255 107 95

HSL 4.5, 1%, 0.69%

LAB 63.84, 55.6, 35.38

 

CMYK 0 / 51 / 55 / 0

HEX #FF7D72

RGB 255 125 114

HSL 4.68, 1%, 0.72%

LAB 67.38, 48.5, 29.38

 

CMYK 0 / 78 / 82 / 4

HEX #F4352B

RGB 244 53 43

HSL 2.99, 0.9%, 0.56%

LAB 53.98, 69.97, 51.68

 

CMYK 0 / 85 / 89 / 11

HEX #E32318

RGB 227 35 24

HSL 3.25, 0.81%, 0.49%

LAB 49.01, 69.24, 54.85

 

CMYK 0 / 92 / 98 / 18

HEX #D21105

RGB 210 17 5

HSL 3.51, 0.95%, 0.42%

LAB 44.4, 67.57, 56.67

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 79 / 83 / 4

HEX #F4342A

RGB 244 52 42

HSL 2.97, 0.9%, 0.56%

LAB 53.87, 70.22, 52.07

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 0 / 79 / 83 / 4

HEX #F4342A

RGB 244 52 42

HSL 2.97, 0.9%, 0.56%

LAB 53.87, 70.22, 52.07

 

CMYK 0 / 57 / 83 / 4

HEX #F46A2A

RGB 244 106 42

HSL 19.01, 0.9%, 0.56%

LAB 61.4, 49.85, 58.79

 

CMYK 0 / 34 / 83 / 4

HEX #F4A12A

RGB 244 161 42

HSL 35.35, 0.9%, 0.56%

LAB 72.82, 22.05, 68.69

 

CMYK 0 / 12 / 83 / 4

HEX #F4D72A

RGB 244 215 42

HSL 51.39, 0.9%, 0.56%

LAB 86.01, -5.99, 79.86

 

CMYK 11 / 0 / 83 / 4

HEX #DAF42A

RGB 218 244 42

HSL 67.72, 0.9%, 0.56%

LAB 91.58, -30.83, 83.74

 

CMYK 0 / 79 / 83 / 4

HEX #F4342A

RGB 244 52 42

HSL 2.97, 0.9%, 0.56%

LAB 53.87, 70.22, 52.07

 

CMYK 0 / 79 / 83 / 4

HEX #F4342A

RGB 244 52 42

HSL 2.97, 0.9%, 0.56%

LAB 53.87, 70.22, 52.07

 

CMYK 0 / 70 / 73 / 11

HEX #E2443C

RGB 226 68 60

HSL 2.89, 0.74%, 0.56%

LAB 52.54, 60.36, 40.2

 

CMYK 0 / 59 / 62 / 19

HEX #CF554E

RGB 207 85 78

HSL 3.26, 0.57%, 0.56%

LAB 52.19, 47.86, 28.77

 

CMYK 0 / 47 / 49 / 26

HEX #BD6560

RGB 189 101 96

HSL 3.23, 0.41%, 0.56%

LAB 52.92, 34.65, 18.72

 

CMYK 0 / 32 / 33 / 33

HEX #AB7572

RGB 171 117 114

HSL 3.16, 0.25%, 0.56%

LAB 54.65, 20.84, 10.25

 

CMYK 0 / 83 / 41 / 4

HEX #F42A8F

RGB 244 42 143

HSL 330, 0.9%, 0.56%

LAB 54.94, 78.34, -5.07

 

CMYK 0 / 83 / 64 / 4

HEX #F42A59

RGB 244 42 89

HSL 346.04, 0.9%, 0.56%

LAB 53.61, 74.46, 25.43

 

CMYK 0 / 80 / 83 / 4

HEX #F4312A

RGB 244 49 42

HSL 2.08, 0.9%, 0.56%

LAB 53.6, 71, 51.82

 

CMYK 0 / 58 / 83 / 4

HEX #F4662A

RGB 244 102 42

HSL 17.82, 0.9%, 0.56%

LAB 60.7, 51.69, 58.17

 

CMYK 0 / 36 / 83 / 4

HEX #F49C2A

RGB 244 156 42

HSL 33.86, 0.9%, 0.56%

LAB 71.68, 24.68, 67.71

 

CMYK 0 / 90 / 95 / 24

HEX #C1130A

RGB 193 19 10

HSL 2.95, 0.9%, 0.4%

LAB 40.94, 62.87, 51.36

 

CMYK 0 / 90 / 95 / 9

HEX #E8170C

RGB 232 23 12

HSL 3, 0.9%, 0.48%

LAB 49.25, 72.48, 59.65

 

CMYK 0 / 79 / 83 / 4

HEX #F4342A

RGB 244 52 42

HSL 2.97, 0.9%, 0.56%

LAB 53.87, 70.22, 52.07

 

CMYK 0 / 64 / 67 / 4

HEX #F65951

RGB 246 89 81

HSL 2.91, 0.9%, 0.64%

LAB 59.28, 59.54, 37.24

 

CMYK 0 / 49 / 52 / 3

HEX #F87F78

RGB 248 127 120

HSL 3.28, 0.9%, 0.72%

LAB 66.89, 45.49, 25.22

 

CMYK 0 / 78 / 82 / 4

HEX #F4352B

RGB 244 53 43

HSL 2.99, 0.9%, 0.56%

LAB 53.98, 69.97, 51.68

 

CMYK 19 / 0 / 83 / 4

HEX #C5F42A

RGB 197 244 42

HSL 73.96, 0.9%, 0.56%

LAB 90.2, -39.11, 82.01

 

CMYK 83 / 52 / 0 / 4

HEX #2A74F4

RGB 42 116 244

HSL 218.02, 0.9%, 0.56%

LAB 51.28, 23.93, -70.37

 

CMYK 0 / 78 / 82 / 4

HEX #F4352B

RGB 244 53 43

HSL 2.99, 0.9%, 0.56%

LAB 53.98, 69.97, 51.68

 

CMYK 83 / 0 / 80 / 4

HEX #2AF431

RGB 42 244 49

HSL 122.08, 0.9%, 0.56%

LAB 84.7, -79.59, 73.28

 

CMYK 80 / 83 / 0 / 4

HEX #312AF4

RGB 49 42 244

HSL 242.08, 0.9%, 0.56%

LAB 35.68, 66.63, -96.01

 

CMYK 0 / 78 / 82 / 4

HEX #F4352B

RGB 244 53 43

HSL 2.99, 0.9%, 0.56%

LAB 53.98, 69.97, 51.68

 

CMYK 19 / 0 / 83 / 4

HEX #C5F42A

RGB 197 244 42

HSL 73.96, 0.9%, 0.56%

LAB 90.2, -39.11, 82.01

 

CMYK 83 / 3 / 0 / 4

HEX #2AEDF4

RGB 42 237 244

HSL 182.08, 0.9%, 0.56%

LAB 85.8, -41.83, -16.34

 

CMYK 64 / 83 / 0 / 4

HEX #592AF4

RGB 89 42 244

HSL 253.96, 0.9%, 0.56%

LAB 38.4, 69.13, -91.42

 

CMYK 0 / 78 / 82 / 4

HEX #F4352B

RGB 244 53 43

HSL 2.99, 0.9%, 0.56%

LAB 53.98, 69.97, 51.68

 

CMYK 44 / 0 / 83 / 4

HEX #88F42A

RGB 136 244 42

HSL 92.08, 0.9%, 0.56%

LAB 87.05, -60.56, 78.04

 

CMYK 83 / 3 / 0 / 4

HEX #2AEDF4

RGB 42 237 244

HSL 182.08, 0.9%, 0.56%

LAB 85.8, -41.83, -16.34

 

CMYK 39 / 83 / 0 / 4

HEX #962AF4

RGB 150 42 244

HSL 272.08, 0.9%, 0.56%

LAB 45.18, 75.71, -80

 

Description

Color code: RGB 244 53 43 | qconv.com Color code: RGB 244 53 43 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 53 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 53 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 82% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - Home
Link: http://www.cellvision.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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