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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 232 237 it is the complementary color RGB 11 23 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 232 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 232 237: RGB 249 232 232, RGB 255 250 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 232 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 232 237: RGB 244 232 237, RGB 227 214 218, RGB 210 196 199, RGB 193 178 180 and RGB 176 160 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

Complementary color

CMYK 52 / 0 / 22 / 91

HEX #0B1712

RGB 11 23 18

HSL 155, 0.35%, 0.07%

LAB 6.57, -5.65, 1.55

 

CMYK 0 / 7 / 7 / 2

HEX #F9E8E8

RGB 249 232 232

HSL 0, 0.59%, 0.94%

LAB 93.31, 5.76, 2.07

 

CMYK 0 / 2 / 2 / 0

HEX #FFFAFB

RGB 255 250 251

HSL 348, 1%, 0.99%

LAB 98.67, 1.83, 0.1

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 0 / 6 / 4 / 11

HEX #E3D6DA

RGB 227 214 218

HSL 341.54, 0.19%, 0.86%

LAB 86.74, 5.16, -0.37

 

CMYK 0 / 7 / 5 / 18

HEX #D2C4C7

RGB 210 196 199

HSL 347.14, 0.13%, 0.8%

LAB 80.35, 5.42, 0.25

 

CMYK 0 / 8 / 7 / 24

HEX #C1B2B4

RGB 193 178 180

HSL 352, 0.11%, 0.73%

LAB 73.85, 5.7, 0.91

 

CMYK 0 / 9 / 9 / 31

HEX #B0A0A1

RGB 176 160 161

HSL 356.25, 0.09%, 0.66%

LAB 67.24, 6.01, 1.59

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 0 / 5 / 4 / 5

HEX #F3E6EA

RGB 243 230 234

HSL 341.54, 0.35%, 0.93%

LAB 92.39, 5.09, -0.37

 

CMYK 0 / 5 / 5 / 5

HEX #F3E6E7

RGB 243 230 231

HSL 355.38, 0.35%, 0.93%

LAB 92.32, 4.58, 1.08

 

CMYK 0 / 5 / 5 / 5

HEX #F3E7E6

RGB 243 231 230

HSL 4.62, 0.35%, 0.93%

LAB 92.54, 3.89, 1.93

 

CMYK 0 / 4 / 5 / 5

HEX #F3EAE6

RGB 243 234 230

HSL 18.46, 0.35%, 0.93%

LAB 93.28, 2.35, 3.01

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 0 / 5 / 2 / 84

HEX #282627

RGB 40 38 39

HSL 330, 0.03%, 0.15%

LAB 15.4, 1.16, -0.34

 

CMYK 0 / 4 / 3 / 64

HEX #5B5758

RGB 91 87 88

HSL 345, 0.02%, 0.35%

LAB 37.38, 1.82, -0.01

 

CMYK 0 / 5 / 3 / 44

HEX #8E878A

RGB 142 135 138

HSL 334.29, 0.03%, 0.54%

LAB 56.99, 3.19, -0.68

 

CMYK 0 / 5 / 3 / 24

HEX #C1B8BB

RGB 193 184 187

HSL 340, 0.07%, 0.74%

LAB 75.58, 3.72, -0.39

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 0 / 1 / 5 / 5

HEX #F3F0E6

RGB 243 240 230

HSL 46.15, 0.35%, 0.93%

LAB 94.78, -0.71, 5.17

 

CMYK 5 / 1 / 0 / 5

HEX #E6F1F3

RGB 230 241 243

HSL 189.23, 0.35%, 0.93%

LAB 94.4, -3.25, -2.23

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 3 / 0 / 5 / 5

HEX #ECF3E6

RGB 236 243 230

HSL 92.31, 0.35%, 0.93%

LAB 95.01, -4.6, 5.45

 

CMYK 5 / 3 / 0 / 5

HEX #E6ECF3

RGB 230 236 243

HSL 212.31, 0.35%, 0.93%

LAB 93.14, -0.7, -4.08

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 0 / 1 / 5 / 5

HEX #F3F0E6

RGB 243 240 230

HSL 46.15, 0.35%, 0.93%

LAB 94.78, -0.71, 5.17

 

CMYK 5 / 0 / 2 / 5

HEX #E6F3EE

RGB 230 243 238

HSL 156.92, 0.35%, 0.93%

LAB 94.78, -5.18, 0.91

 

CMYK 5 / 4 / 0 / 5

HEX #E6E9F3

RGB 230 233 243

HSL 226.15, 0.35%, 0.93%

LAB 92.39, 0.84, -5.19

 

CMYK 0 / 5 / 3 / 4

HEX #F4E8ED

RGB 244 232 237

HSL 335, 0.35%, 0.93%

LAB 93.04, 4.92, -0.98

 

CMYK 0 / 0 / 5 / 5

HEX #F2F3E6

RGB 242 243 230

HSL 64.62, 0.35%, 0.93%

LAB 95.45, -2.57, 6.14

 

CMYK 5 / 0 / 2 / 5

HEX #E6F3EE

RGB 230 243 238

HSL 156.92, 0.35%, 0.93%

LAB 94.78, -5.18, 0.91

 

CMYK 5 / 5 / 0 / 5

HEX #E7E6F3

RGB 231 230 243

HSL 244.62, 0.35%, 0.93%

LAB 91.71, 2.71, -6.18

 

Description

Color code: RGB 244 232 237 | qconv.com Color code: RGB 244 232 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 232 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 232 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 3 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 3% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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