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Color name
RGB 244 194 166

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 194 166 it is the complementary color RGB 11 61 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 194 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 194 166 shade: RGB 249 194 161, RGB 255 212 180, RGB 255 230 199, RGB 255 248 218 and RGB 255 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 194 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 194 166 shade: RGB 244 194 166, RGB 227 176 147, RGB 210 158 128, RGB 193 140 109 and RGB 176 122 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 194 166 shade: RGB 244 193 164, RGB 244 171 164 and RGB 244 164 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 194 166 shade: RGB 244 193 164, RGB 244 214 164, RGB 244 236 164, RGB 230 244 164 and RGB 209 244 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 194 166 shade matches the following richer shades: RGB 244 193 164 and RGB 252 190 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 194 166 shade: RGB 244 193 164, RGB 236 195 172, RGB 227 197 181, RGB 219 200 189 and RGB 211 202 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 194 166 shade: RGB 244 164 179, RGB 244 171 164, RGB 244 192 164, RGB 244 213 164 and RGB 244 234 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 194 166 shade: RGB 235 142 91, RGB 239 168 127, RGB 244 193 164, RGB 248 218 201 and RGB 253 243 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 194 166 shade: RGB 244 194 166, RGB 200 244 164 and RGB 164 168 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 194 166 shade: RGB 244 194 166, RGB 164 244 192 and RGB 192 164 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 194 166 shade: RGB 244 194 166, RGB 200 244 164, RGB 164 216 244 and RGB 208 164 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 194 166 shade: RGB 244 194 166, RGB 176 244 164, RGB 164 216 244 and RGB 232 164 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 32 / 4

HEX #F4C2A6

RGB 244 194 166

HSL 21.54, 0.78%, 0.8%

LAB 82.15, 14.01, 20.88

 

Complementary color

CMYK 88 / 31 / 0 / 65

HEX #0B3D59

RGB 11 61 89

HSL 201.54, 0.78%, 0.2%

LAB 24.1, -4.76, -21.28

 

CMYK 0 / 22 / 35 / 2

HEX #F9C2A1

RGB 249 194 161

HSL 22.5, 0.88%, 0.8%

LAB 82.54, 15.31, 24.15

 

CMYK 0 / 17 / 29 / 0

HEX #FFD4B4

RGB 255 212 180

HSL 25.6, 1%, 0.85%

LAB 87.8, 10.54, 21.47

 

CMYK 0 / 10 / 22 / 0

HEX #FFE6C7

RGB 255 230 199

HSL 33.21, 1%, 0.89%

LAB 92.56, 3.83, 18.22

 

CMYK 0 / 3 / 15 / 0

HEX #FFF8DA

RGB 255 248 218

HSL 48.65, 1%, 0.93%

LAB 97.41, -2.52, 15.25

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 20 / 32 / 4

HEX #F4C2A6

RGB 244 194 166

HSL 21.54, 0.78%, 0.8%

LAB 82.15, 14.01, 20.88

 

CMYK 0 / 22 / 35 / 11

HEX #E3B093

RGB 227 176 147

HSL 21.75, 0.59%, 0.73%

LAB 75.75, 14.68, 21.99

 

CMYK 0 / 25 / 39 / 18

HEX #D29E80

RGB 210 158 128

HSL 21.95, 0.48%, 0.66%

LAB 69.27, 15.42, 23.19

 

CMYK 0 / 27 / 44 / 24

HEX #C18C6D

RGB 193 140 109

HSL 22.14, 0.4%, 0.59%

LAB 62.67, 16.28, 24.49

 

CMYK 0 / 31 / 49 / 31

HEX #B07A5A

RGB 176 122 90

HSL 22.33, 0.35%, 0.52%

LAB 55.97, 17.26, 25.93

 

CMYK 0 / 21 / 33 / 4

HEX #F4C1A4

RGB 244 193 164

HSL 21.75, 0.78%, 0.8%

LAB 81.87, 14.29, 21.56

 

CMYK 0 / 30 / 33 / 4

HEX #F4ABA4

RGB 244 171 164

HSL 5.25, 0.78%, 0.8%

LAB 76.7, 25.91, 14.38

 

CMYK 0 / 33 / 33 / 4

HEX #F4A4A4

RGB 244 164 164

HSL 0, 0.78%, 0.8%

LAB 75.12, 29.6, 12.14

 

CMYK 0 / 21 / 33 / 4

HEX #F4C1A4

RGB 244 193 164

HSL 21.75, 0.78%, 0.8%

LAB 81.87, 14.29, 21.56

 

CMYK 0 / 12 / 33 / 4

HEX #F4D6A4

RGB 244 214 164

HSL 37.5, 0.78%, 0.8%

LAB 87, 3.35, 28.56

 

CMYK 0 / 3 / 33 / 4

HEX #F4ECA4

RGB 244 236 164

HSL 54, 0.78%, 0.8%

LAB 92.53, -7.83, 35.94

 

CMYK 6 / 0 / 33 / 4

HEX #E6F4A4

RGB 230 244 164

HSL 70.5, 0.78%, 0.8%

LAB 93.54, -17.03, 37.07

 

CMYK 14 / 0 / 33 / 4

HEX #D1F4A4

RGB 209 244 164

HSL 86.25, 0.78%, 0.8%

LAB 92.1, -24.67, 34.91

 

CMYK 0 / 21 / 33 / 4

HEX #F4C1A4

RGB 244 193 164

HSL 21.75, 0.78%, 0.8%

LAB 81.87, 14.29, 21.56

 

CMYK 0 / 25 / 38 / 1

HEX #FCBE9C

RGB 252 190 156

HSL 21.25, 0.94%, 0.8%

LAB 81.8, 17.98, 25.83

 

CMYK 0 / 21 / 33 / 4

HEX #F4C1A4

RGB 244 193 164

HSL 21.75, 0.78%, 0.8%

LAB 81.87, 14.29, 21.56

 

CMYK 0 / 17 / 27 / 7

HEX #ECC3AC

RGB 236 195 172

HSL 21.56, 0.63%, 0.8%

LAB 81.75, 11.24, 17.03

 

CMYK 0 / 13 / 20 / 11

HEX #E3C5B5

RGB 227 197 181

HSL 20.87, 0.45%, 0.8%

LAB 81.62, 8.11, 11.92

 

CMYK 0 / 9 / 14 / 14

HEX #DBC8BD

RGB 219 200 189

HSL 22, 0.29%, 0.8%

LAB 81.86, 4.83, 7.9

 

CMYK 0 / 4 / 7 / 17

HEX #D3CAC5

RGB 211 202 197

HSL 21.43, 0.14%, 0.8%

LAB 81.9, 2.25, 3.6

 

CMYK 0 / 33 / 27 / 4

HEX #F4A4B3

RGB 244 164 179

HSL 348.75, 0.78%, 0.8%

LAB 75.48, 31.56, 4.43

 

CMYK 0 / 30 / 33 / 4

HEX #F4ABA4

RGB 244 171 164

HSL 5.25, 0.78%, 0.8%

LAB 76.7, 25.91, 14.38

 

CMYK 0 / 21 / 33 / 4

HEX #F4C0A4

RGB 244 192 164

HSL 21, 0.78%, 0.8%

LAB 81.63, 14.82, 21.23

 

CMYK 0 / 13 / 33 / 4

HEX #F4D5A4

RGB 244 213 164

HSL 36.75, 0.78%, 0.8%

LAB 86.75, 3.86, 28.22

 

CMYK 0 / 4 / 33 / 4

HEX #F4EAA4

RGB 244 234 164

HSL 52.5, 0.78%, 0.8%

LAB 92.02, -6.83, 35.27

 

CMYK 0 / 40 / 61 / 8

HEX #EB8E5B

RGB 235 142 91

HSL 21.25, 0.78%, 0.64%

LAB 67.85, 30.65, 41.8

 

CMYK 0 / 30 / 47 / 6

HEX #EFA87F

RGB 239 168 127

HSL 21.96, 0.78%, 0.72%

LAB 74.75, 21.47, 31.59

 

CMYK 0 / 21 / 33 / 4

HEX #F4C1A4

RGB 244 193 164

HSL 21.75, 0.78%, 0.8%

LAB 81.87, 14.29, 21.56

 

CMYK 0 / 12 / 19 / 3

HEX #F8DAC9

RGB 248 218 201

HSL 21.7, 0.77%, 0.88%

LAB 89.07, 7.75, 12.17

 

CMYK 0 / 4 / 6 / 1

HEX #FDF3EE

RGB 253 243 238

HSL 20, 0.79%, 0.96%

LAB 96.47, 2.5, 3.59

 

CMYK 0 / 20 / 32 / 4

HEX #F4C2A6

RGB 244 194 166

HSL 21.54, 0.78%, 0.8%

LAB 82.15, 14.01, 20.88

 

CMYK 18 / 0 / 33 / 4

HEX #C8F4A4

RGB 200 244 164

HSL 93, 0.78%, 0.8%

LAB 91.53, -27.85, 34.05

 

CMYK 33 / 31 / 0 / 4

HEX #A4A8F4

RGB 164 168 244

HSL 237, 0.78%, 0.8%

LAB 71.17, 15.83, -38.36

 

CMYK 0 / 20 / 32 / 4

HEX #F4C2A6

RGB 244 194 166

HSL 21.54, 0.78%, 0.8%

LAB 82.15, 14.01, 20.88

 

CMYK 33 / 0 / 21 / 4

HEX #A4F4C0

RGB 164 244 192

HSL 141, 0.78%, 0.8%

LAB 90.04, -35.01, 17.42

 

CMYK 21 / 33 / 0 / 4

HEX #C0A4F4

RGB 192 164 244

HSL 261, 0.78%, 0.8%

LAB 72.42, 26.08, -36.24

 

CMYK 0 / 20 / 32 / 4

HEX #F4C2A6

RGB 244 194 166

HSL 21.54, 0.78%, 0.8%

LAB 82.15, 14.01, 20.88

 

CMYK 18 / 0 / 33 / 4

HEX #C8F4A4

RGB 200 244 164

HSL 93, 0.78%, 0.8%

LAB 91.53, -27.85, 34.05

 

CMYK 33 / 11 / 0 / 4

HEX #A4D8F4

RGB 164 216 244

HSL 201, 0.78%, 0.8%

LAB 83.72, -10.19, -19.1

 

CMYK 15 / 33 / 0 / 4

HEX #D0A4F4

RGB 208 164 244

HSL 273, 0.78%, 0.8%

LAB 73.86, 30.86, -33.89

 

CMYK 0 / 20 / 32 / 4

HEX #F4C2A6

RGB 244 194 166

HSL 21.54, 0.78%, 0.8%

LAB 82.15, 14.01, 20.88

 

CMYK 28 / 0 / 33 / 4

HEX #B0F4A4

RGB 176 244 164

HSL 111, 0.78%, 0.8%

LAB 90.14, -35.97, 31.95

 

CMYK 33 / 11 / 0 / 4

HEX #A4D8F4

RGB 164 216 244

HSL 201, 0.78%, 0.8%

LAB 83.72, -10.19, -19.1

 

CMYK 5 / 33 / 0 / 4

HEX #E8A4F4

RGB 232 164 244

HSL 291, 0.78%, 0.8%

LAB 76.22, 38.2, -30.07

 

Description

Color code: RGB 244 194 166 | qconv.com Color code: RGB 244 194 166 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 194 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 194 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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