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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 112 117 it is the complementary color RGB 11 143 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 112 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 112 117 shade: RGB 249 112 112, RGB 255 130 131, RGB 255 148 150, RGB 255 166 169 and RGB 255 184 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 112 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 227 94 98, RGB 210 76 79, RGB 193 58 60 and RGB 176 40 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 112 117 shade: RGB 244 112 117 and RGB 244 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 244 112 153, RGB 244 112 188, RGB 244 112 224 and RGB 228 112 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 112 117 shade matches the following richer shades: RGB 244 112 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 231 125 129, RGB 219 137 140, RGB 207 149 152 and RGB 194 162 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 112 117 shade: RGB 244 112 189, RGB 244 112 154, RGB 244 112 119, RGB 244 141 112 and RGB 244 176 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 112 117 shade: RGB 238 35 43, RGB 241 74 80, RGB 244 112 117, RGB 247 151 154 and RGB 250 189 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 224 244 112 and RGB 112 171 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 119 244 112 and RGB 112 119 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 224 244 112, RGB 112 244 237 and RGB 132 112 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 112 117 shade: RGB 244 112 117, RGB 185 244 112, RGB 112 244 237 and RGB 171 112 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

Complementary color

CMYK 92 / 0 / 3 / 44

HEX #0B8F8A

RGB 11 143 138

HSL 177.73, 0.86%, 0.3%

LAB 53.55, -32.31, -6.42

 

CMYK 0 / 55 / 55 / 2

HEX #F97070

RGB 249 112 112

HSL 0, 0.92%, 0.71%

LAB 64.08, 52.41, 25.99

 

CMYK 0 / 49 / 49 / 0

HEX #FF8283

RGB 255 130 131

HSL 359.52, 1%, 0.75%

LAB 68.65, 47.49, 21.61

 

CMYK 0 / 42 / 41 / 0

HEX #FF9496

RGB 255 148 150

HSL 358.88, 1%, 0.79%

LAB 72.66, 40.34, 16.57

 

CMYK 0 / 35 / 34 / 0

HEX #FFA6A9

RGB 255 166 169

HSL 357.98, 1%, 0.83%

LAB 76.92, 33.21, 12.13

 

CMYK 0 / 28 / 26 / 0

HEX #FFB8BC

RGB 255 184 188

HSL 356.62, 1%, 0.86%

LAB 81.39, 26.23, 8.2

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 0 / 59 / 57 / 11

HEX #E35E62

RGB 227 94 98

HSL 358.2, 0.7%, 0.63%

LAB 57.29, 52.08, 24.4

 

CMYK 0 / 64 / 62 / 18

HEX #D24C4F

RGB 210 76 79

HSL 358.66, 0.6%, 0.56%

LAB 51.19, 52.97, 27.03

 

CMYK 0 / 70 / 69 / 24

HEX #C13A3C

RGB 193 58 60

HSL 359.11, 0.54%, 0.49%

LAB 45.21, 53.61, 30.15

 

CMYK 0 / 77 / 77 / 31

HEX #B02829

RGB 176 40 41

HSL 359.56, 0.63%, 0.42%

LAB 39.42, 53.78, 33.85

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 0 / 54 / 54 / 4

HEX #F47070

RGB 244 112 112

HSL 0, 0.86%, 0.7%

LAB 63.34, 50.68, 24.87

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 0 / 54 / 37 / 4

HEX #F47099

RGB 244 112 153

HSL 341.36, 0.86%, 0.7%

LAB 64.26, 54.57, 2.75

 

CMYK 0 / 54 / 23 / 4

HEX #F470BC

RGB 244 112 188

HSL 325.45, 0.86%, 0.7%

LAB 65.32, 58.89, -15.6

 

CMYK 0 / 54 / 8 / 4

HEX #F470E0

RGB 244 112 224

HSL 309.09, 0.86%, 0.7%

LAB 66.67, 64.19, -33.72

 

CMYK 7 / 54 / 0 / 4

HEX #E470F4

RGB 228 112 244

HSL 292.73, 0.86%, 0.7%

LAB 65.45, 63.35, -46.86

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 0 / 46 / 44 / 9

HEX #E77D81

RGB 231 125 129

HSL 357.74, 0.69%, 0.7%

LAB 64.36, 41.16, 16.32

 

CMYK 0 / 37 / 36 / 14

HEX #DB898C

RGB 219 137 140

HSL 357.8, 0.53%, 0.7%

LAB 65.63, 31.67, 11.65

 

CMYK 0 / 28 / 27 / 19

HEX #CF9598

RGB 207 149 152

HSL 356.9, 0.38%, 0.7%

LAB 67.3, 22.24, 7.1

 

CMYK 0 / 16 / 16 / 24

HEX #C2A2A3

RGB 194 162 163

HSL 358.13, 0.21%, 0.7%

LAB 69.44, 11.91, 3.87

 

CMYK 0 / 54 / 23 / 4

HEX #F470BD

RGB 244 112 189

HSL 325, 0.86%, 0.7%

LAB 65.35, 59.03, -16.11

 

CMYK 0 / 54 / 37 / 4

HEX #F4709A

RGB 244 112 154

HSL 340.91, 0.86%, 0.7%

LAB 64.29, 54.68, 2.22

 

CMYK 0 / 54 / 51 / 4

HEX #F47077

RGB 244 112 119

HSL 356.82, 0.86%, 0.7%

LAB 63.47, 51.25, 21.08

 

CMYK 0 / 42 / 54 / 4

HEX #F48D70

RGB 244 141 112

HSL 13.18, 0.86%, 0.7%

LAB 69.08, 36.26, 32.39

 

CMYK 0 / 28 / 54 / 4

HEX #F4B070

RGB 244 176 112

HSL 29.09, 0.86%, 0.7%

LAB 76.95, 17.9, 42.33

 

CMYK 0 / 85 / 82 / 7

HEX #EE232B

RGB 238 35 43

HSL 357.64, 0.86%, 0.54%

LAB 51.33, 72.55, 48.8

 

CMYK 0 / 69 / 67 / 5

HEX #F14A50

RGB 241 74 80

HSL 357.84, 0.86%, 0.62%

LAB 56.27, 63.74, 33.94

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 0 / 39 / 38 / 3

HEX #F7979A

RGB 247 151 154

HSL 358.13, 0.86%, 0.78%

LAB 72.39, 36.32, 13.84

 

CMYK 0 / 24 / 24 / 2

HEX #FABDBF

RGB 250 189 191

HSL 358.03, 0.86%, 0.86%

LAB 82.1, 22.21, 7.54

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 8 / 0 / 54 / 4

HEX #E0F470

RGB 224 244 112

HSL 69.09, 0.86%, 0.7%

LAB 92.45, -24.66, 60.37

 

CMYK 54 / 30 / 0 / 4

HEX #70ABF4

RGB 112 171 244

HSL 213.18, 0.86%, 0.7%

LAB 68.83, 1.34, -42.25

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 51 / 0 / 54 / 4

HEX #77F470

RGB 119 244 112

HSL 116.82, 0.86%, 0.7%

LAB 86.9, -60.03, 52.47

 

CMYK 54 / 51 / 0 / 4

HEX #7077F4

RGB 112 119 244

HSL 236.82, 0.86%, 0.7%

LAB 55.25, 31.84, -63.81

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 8 / 0 / 54 / 4

HEX #E0F470

RGB 224 244 112

HSL 69.09, 0.86%, 0.7%

LAB 92.45, -24.66, 60.37

 

CMYK 54 / 0 / 3 / 4

HEX #70F4ED

RGB 112 244 237

HSL 176.82, 0.86%, 0.7%

LAB 89.05, -37.85, -7.68

 

CMYK 46 / 54 / 0 / 4

HEX #8470F4

RGB 132 112 244

HSL 249.09, 0.86%, 0.7%

LAB 55.1, 40.06, -63.97

 

CMYK 0 / 54 / 52 / 4

HEX #F47075

RGB 244 112 117

HSL 357.73, 0.86%, 0.7%

LAB 63.43, 51.08, 22.16

 

CMYK 24 / 0 / 54 / 4

HEX #B9F470

RGB 185 244 112

HSL 86.82, 0.86%, 0.7%

LAB 89.95, -39.29, 56.83

 

CMYK 54 / 0 / 3 / 4

HEX #70F4ED

RGB 112 244 237

HSL 176.82, 0.86%, 0.7%

LAB 89.05, -37.85, -7.68

 

CMYK 30 / 54 / 0 / 4

HEX #AB70F4

RGB 171 112 244

HSL 266.82, 0.86%, 0.7%

LAB 58.77, 49.01, -57.88

 

Description

Color code: RGB 244 112 117 | qconv.com Color code: RGB 244 112 117 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 112 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 112 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 52 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 52% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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