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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 10 120 it is the complementary color RGB 11 245 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 10 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 10 120 shade: RGB 249 10 115, RGB 255 28 134, RGB 255 46 153, RGB 255 64 172 and RGB 255 82 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 10 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 10 120 shade: RGB 244 10 120, RGB 227 0 101, RGB 210 0 82, RGB 193 0 63 and RGB 176 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 10 120 shade: RGB 245 10 121, RGB 245 10 57 and RGB 245 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 10 120 shade: RGB 245 10 121, RGB 245 10 184, RGB 243 10 245, RGB 179 10 245 and RGB 116 10 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 10 120 shade matches the following richer shades: RGB 245 10 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 10 120 shade: RGB 245 10 121, RGB 224 31 122, RGB 204 51 123, RGB 183 72 124 and RGB 162 93 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 10 120 shade: RGB 241 10 245, RGB 245 10 186, RGB 245 10 124, RGB 245 10 61 and RGB 245 22 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 10 120 shade: RGB 166 7 82, RGB 205 9 101, RGB 245 10 121, RGB 246 50 142 and RGB 248 89 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 10 120 shade: RGB 244 10 120, RGB 245 178 10 and RGB 10 217 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 10 120 shade: RGB 244 10 120, RGB 124 245 10 and RGB 10 124 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 10 120 shade: RGB 244 10 120, RGB 245 178 10, RGB 10 245 131 and RGB 10 77 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 10 120 shade: RGB 244 10 120, RGB 241 245 10, RGB 10 245 131 and RGB 14 10 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 51 / 4

HEX #F40A78

RGB 244 10 120

HSL 331.79, 0.92%, 0.5%

LAB 52.74, 80.92, 5.52

 

Complementary color

CMYK 96 / 0 / 45 / 4

HEX #0BF587

RGB 11 245 135

HSL 151.79, 0.92%, 0.5%

LAB 85.57, -72.17, 39.54

 

CMYK 0 / 96 / 54 / 2

HEX #F90A73

RGB 249 10 115

HSL 333.64, 0.95%, 0.51%

LAB 53.59, 81.68, 9.9

 

CMYK 0 / 89 / 47 / 0

HEX #FF1C86

RGB 255 28 134

HSL 331.98, 1%, 0.55%

LAB 55.9, 82.54, 1.94

 

CMYK 0 / 82 / 40 / 0

HEX #FF2E99

RGB 255 46 153

HSL 329.28, 1%, 0.59%

LAB 57.57, 80.96, -6.86

 

CMYK 0 / 75 / 33 / 0

HEX #FF40AC

RGB 255 64 172

HSL 326.07, 1%, 0.63%

LAB 59.8, 78.28, -14.61

 

CMYK 0 / 68 / 25 / 0

HEX #FF52BF

RGB 255 82 191

HSL 322.2, 1%, 0.66%

LAB 62.56, 74.65, -21.35

 

CMYK 0 / 96 / 51 / 4

HEX #F40A78

RGB 244 10 120

HSL 331.79, 0.92%, 0.5%

LAB 52.74, 80.92, 5.52

 

CMYK 0 / 100 / 56 / 11

HEX #E30065

RGB 227 0 101

HSL 333.3, 1%, 0.45%

LAB 48.6, 76.59, 10.79

 

CMYK 0 / 100 / 61 / 18

HEX #D20052

RGB 210 0 82

HSL 336.57, 1%, 0.41%

LAB 44.68, 71.56, 16.65

 

CMYK 0 / 100 / 67 / 24

HEX #C1003F

RGB 193 0 63

HSL 340.41, 1%, 0.38%

LAB 40.73, 66.55, 22.76

 

CMYK 0 / 100 / 75 / 31

HEX #B0002C

RGB 176 0 44

HSL 345, 1%, 0.35%

LAB 36.77, 61.59, 29.05

 

CMYK 0 / 96 / 51 / 4

HEX #F50A79

RGB 245 10 121

HSL 331.66, 0.92%, 0.5%

LAB 52.96, 81.21, 5.26

 

CMYK 0 / 96 / 77 / 4

HEX #F50A39

RGB 245 10 57

HSL 348, 0.92%, 0.5%

LAB 51.75, 77.93, 42.05

 

CMYK 0 / 96 / 96 / 4

HEX #F50A0A

RGB 245 10 10

HSL 0, 0.92%, 0.5%

LAB 51.44, 77.07, 62.75

 

CMYK 0 / 96 / 51 / 4

HEX #F50A79

RGB 245 10 121

HSL 331.66, 0.92%, 0.5%

LAB 52.96, 81.21, 5.26

 

CMYK 0 / 96 / 25 / 4

HEX #F50AB8

RGB 245 10 184

HSL 315.57, 0.92%, 0.5%

LAB 55.17, 87, -28.83

 

CMYK 1 / 96 / 0 / 4

HEX #F30AF5

RGB 243 10 245

HSL 299.49, 0.92%, 0.5%

LAB 57.91, 94.4, -59.26

 

CMYK 27 / 96 / 0 / 4

HEX #B30AF5

RGB 179 10 245

HSL 283.15, 0.92%, 0.5%

LAB 47.49, 85.35, -76.62

 

CMYK 53 / 96 / 0 / 4

HEX #740AF5

RGB 116 10 245

HSL 267.06, 0.92%, 0.5%

LAB 38.76, 79.06, -91.28

 

CMYK 0 / 96 / 51 / 4

HEX #F50A79

RGB 245 10 121

HSL 331.66, 0.92%, 0.5%

LAB 52.96, 81.21, 5.26

 

CMYK 0 / 96 / 51 / 4

HEX #F50A79

RGB 245 10 121

HSL 331.66, 0.92%, 0.5%

LAB 52.96, 81.21, 5.26

 

CMYK 0 / 86 / 46 / 12

HEX #E01F7A

RGB 224 31 122

HSL 331.71, 0.76%, 0.5%

LAB 49.78, 73.98, -0.47

 

CMYK 0 / 75 / 40 / 20

HEX #CC337B

RGB 204 51 123

HSL 331.76, 0.6%, 0.5%

LAB 47.8, 64.16, -4.42

 

CMYK 0 / 61 / 32 / 28

HEX #B7487C

RGB 183 72 124

HSL 331.89, 0.44%, 0.5%

LAB 47.18, 50.08, -6.34

 

CMYK 0 / 43 / 23 / 36

HEX #A25D7D

RGB 162 93 125

HSL 332.17, 0.27%, 0.5%

LAB 48.25, 32.45, -5.68

 

CMYK 2 / 96 / 0 / 4

HEX #F10AF5

RGB 241 10 245

HSL 298.98, 0.92%, 0.5%

LAB 57.57, 94.09, -59.82

 

CMYK 0 / 96 / 24 / 4

HEX #F50ABA

RGB 245 10 186

HSL 315.06, 0.92%, 0.5%

LAB 55.25, 87.22, -29.86

 

CMYK 0 / 96 / 49 / 4

HEX #F50A7C

RGB 245 10 124

HSL 330.89, 0.92%, 0.5%

LAB 53.04, 81.43, 3.56

 

CMYK 0 / 96 / 75 / 4

HEX #F50A3D

RGB 245 10 61

HSL 346.98, 0.92%, 0.5%

LAB 51.8, 78.06, 39.81

 

CMYK 0 / 91 / 96 / 4

HEX #F5160A

RGB 245 22 10

HSL 3.06, 0.92%, 0.5%

LAB 51.85, 75.89, 62.95

 

CMYK 0 / 96 / 51 / 35

HEX #A60752

RGB 166 7 82

HSL 331.7, 0.92%, 0.34%

LAB 35.73, 60.53, 2.78

 

CMYK 0 / 96 / 51 / 20

HEX #CD0965

RGB 205 9 101

HSL 331.84, 0.92%, 0.42%

LAB 44.4, 70.87, 4.2

 

CMYK 0 / 96 / 51 / 4

HEX #F50A79

RGB 245 10 121

HSL 331.66, 0.92%, 0.5%

LAB 52.96, 81.21, 5.26

 

CMYK 0 / 80 / 42 / 4

HEX #F6328E

RGB 246 50 142

HSL 331.84, 0.92%, 0.58%

LAB 55.91, 76.9, -3

 

CMYK 0 / 64 / 34 / 3

HEX #F859A4

RGB 248 89 164

HSL 331.7, 0.92%, 0.66%

LAB 61.47, 66.97, -7.61

 

CMYK 0 / 96 / 51 / 4

HEX #F40A78

RGB 244 10 120

HSL 331.79, 0.92%, 0.5%

LAB 52.74, 80.92, 5.52

 

CMYK 0 / 27 / 96 / 4

HEX #F5B20A

RGB 245 178 10

HSL 42.89, 0.92%, 0.5%

LAB 76.85, 12.98, 78.62

 

CMYK 96 / 11 / 0 / 4

HEX #0AD9F5

RGB 10 217 245

HSL 187.15, 0.92%, 0.5%

LAB 79.77, -33.75, -26.03

 

CMYK 0 / 96 / 51 / 4

HEX #F40A78

RGB 244 10 120

HSL 331.79, 0.92%, 0.5%

LAB 52.74, 80.92, 5.52

 

CMYK 49 / 0 / 96 / 4

HEX #7CF50A

RGB 124 245 10

HSL 90.89, 0.92%, 0.5%

LAB 86.81, -65.28, 82.54

 

CMYK 96 / 49 / 0 / 4

HEX #0A7CF5

RGB 10 124 245

HSL 210.89, 0.92%, 0.5%

LAB 53.03, 17.67, -68.12

 

CMYK 0 / 96 / 51 / 4

HEX #F40A78

RGB 244 10 120

HSL 331.79, 0.92%, 0.5%

LAB 52.74, 80.92, 5.52

 

CMYK 0 / 27 / 96 / 4

HEX #F5B20A

RGB 245 178 10

HSL 42.89, 0.92%, 0.5%

LAB 76.85, 12.98, 78.62

 

CMYK 96 / 0 / 47 / 4

HEX #0AF583

RGB 10 245 131

HSL 150.89, 0.92%, 0.5%

LAB 85.51, -72.87, 41.4

 

CMYK 96 / 69 / 0 / 4

HEX #0A4DF5

RGB 10 77 245

HSL 222.89, 0.92%, 0.5%

LAB 41.16, 47.3, -87.52

 

CMYK 0 / 96 / 51 / 4

HEX #F40A78

RGB 244 10 120

HSL 331.79, 0.92%, 0.5%

LAB 52.74, 80.92, 5.52

 

CMYK 2 / 0 / 96 / 4

HEX #F1F50A

RGB 241 245 10

HSL 61.02, 0.92%, 0.5%

LAB 93.46, -22.49, 90.57

 

CMYK 96 / 0 / 47 / 4

HEX #0AF583

RGB 10 245 131

HSL 150.89, 0.92%, 0.5%

LAB 85.51, -72.87, 41.4

 

CMYK 94 / 96 / 0 / 4

HEX #0E0AF5

RGB 14 10 245

HSL 241.02, 0.92%, 0.5%

LAB 31.59, 75.33, -103.43

 

Description

Color code: RGB 244 10 120 | qconv.com Color code: RGB 244 10 120 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 10 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 10 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 51 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 51% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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