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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 103 81 it is the complementary color RGB 11 152 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 103 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 103 81 shade: RGB 249 103 76, RGB 255 121 95, RGB 255 139 114, RGB 255 157 133 and RGB 255 175 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 103 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 103 81 shade: RGB 244 103 81, RGB 227 85 62, RGB 210 67 43, RGB 193 49 24 and RGB 176 31 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 103 81 shade: RGB 244 104 82 and RGB 244 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 103 81 shade: RGB 244 104 82, RGB 244 148 82, RGB 244 191 82, RGB 244 235 82 and RGB 209 244 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 103 81 shade matches the following richer shades: RGB 244 104 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 103 81 shade: RGB 244 104 82, RGB 229 115 97, RGB 214 126 112, RGB 199 137 127 and RGB 185 148 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 103 81 shade: RGB 244 82 147, RGB 244 82 104, RGB 244 104 82, RGB 244 147 82 and RGB 244 190 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 103 81 shade: RGB 229 44 15, RGB 242 70 44, RGB 244 104 82, RGB 246 138 121 and RGB 249 172 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 103 81 shade: RGB 244 103 81, RGB 190 244 82 and RGB 82 126 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 103 81 shade: RGB 244 103 81, RGB 82 244 104 and RGB 104 82 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 103 81 shade: RGB 244 103 81, RGB 190 244 82, RGB 82 222 244 and RGB 136 82 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 103 81 shade: RGB 244 103 81, RGB 142 244 82, RGB 82 222 244 and RGB 185 82 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 67 / 4

HEX #F46751

RGB 244 103 81

HSL 8.1, 0.88%, 0.64%

LAB 61.24, 52.79, 39.52

 

Complementary color

CMYK 94 / 13 / 0 / 32

HEX #0B98AE

RGB 11 152 174

HSL 188.1, 0.88%, 0.36%

LAB 57.64, -25.03, -20.88

 

CMYK 0 / 59 / 69 / 2

HEX #F9674C

RGB 249 103 76

HSL 9.36, 0.94%, 0.64%

LAB 61.97, 54.28, 43.25

 

CMYK 0 / 53 / 63 / 0

HEX #FF795F

RGB 255 121 95

HSL 9.75, 1%, 0.69%

LAB 66.34, 49.11, 38.47

 

CMYK 0 / 45 / 55 / 0

HEX #FF8B72

RGB 255 139 114

HSL 10.64, 1%, 0.72%

LAB 70.13, 41.59, 32.95

 

CMYK 0 / 38 / 48 / 0

HEX #FF9D85

RGB 255 157 133

HSL 11.8, 1%, 0.76%

LAB 74.23, 34.02, 28.02

 

CMYK 0 / 31 / 40 / 0

HEX #FFAF98

RGB 255 175 152

HSL 13.4, 1%, 0.8%

LAB 78.57, 26.55, 23.63

 

CMYK 0 / 58 / 67 / 4

HEX #F46751

RGB 244 103 81

HSL 8.1, 0.88%, 0.64%

LAB 61.24, 52.79, 39.52

 

CMYK 0 / 63 / 73 / 11

HEX #E3553E

RGB 227 85 62

HSL 8.36, 0.75%, 0.57%

LAB 55.25, 53.96, 42.18

 

CMYK 0 / 68 / 80 / 18

HEX #D2432B

RGB 210 67 43

HSL 8.62, 0.66%, 0.5%

LAB 49.36, 54.95, 45.07

 

CMYK 0 / 75 / 88 / 24

HEX #C13118

RGB 193 49 24

HSL 8.88, 0.78%, 0.43%

LAB 43.65, 55.6, 47.86

 

CMYK 0 / 82 / 97 / 31

HEX #B01F05

RGB 176 31 5

HSL 9.12, 0.94%, 0.35%

LAB 38.24, 55.58, 49.69

 

CMYK 0 / 57 / 66 / 4

HEX #F46852

RGB 244 104 82

HSL 8.15, 0.88%, 0.64%

LAB 61.43, 52.39, 39.2

 

CMYK 0 / 66 / 66 / 4

HEX #F45252

RGB 244 82 82

HSL 0, 0.88%, 0.64%

LAB 57.92, 61.76, 34.95

 

CMYK 0 / 57 / 66 / 4

HEX #F46852

RGB 244 104 82

HSL 8.15, 0.88%, 0.64%

LAB 61.43, 52.39, 39.2

 

CMYK 0 / 39 / 66 / 4

HEX #F49452

RGB 244 148 82

HSL 24.44, 0.88%, 0.64%

LAB 70.19, 30.55, 49.38

 

CMYK 0 / 22 / 66 / 4

HEX #F4BF52

RGB 244 191 82

HSL 40.37, 0.88%, 0.64%

LAB 80.24, 7.96, 60.44

 

CMYK 0 / 4 / 66 / 4

HEX #F4EB52

RGB 244 235 82

HSL 56.67, 0.88%, 0.64%

LAB 91.35, -14.35, 72.03

 

CMYK 14 / 0 / 66 / 4

HEX #D1F452

RGB 209 244 82

HSL 72.96, 0.88%, 0.64%

LAB 91.17, -32.64, 71.03

 

CMYK 0 / 57 / 66 / 4

HEX #F46852

RGB 244 104 82

HSL 8.15, 0.88%, 0.64%

LAB 61.43, 52.39, 39.2

 

CMYK 0 / 57 / 66 / 4

HEX #F46852

RGB 244 104 82

HSL 8.15, 0.88%, 0.64%

LAB 61.43, 52.39, 39.2

 

CMYK 0 / 50 / 58 / 10

HEX #E57361

RGB 229 115 97

HSL 8.18, 0.72%, 0.64%

LAB 61.47, 42.66, 30.46

 

CMYK 0 / 41 / 48 / 16

HEX #D67E70

RGB 214 126 112

HSL 8.24, 0.55%, 0.64%

LAB 61.99, 32.57, 22.34

 

CMYK 0 / 31 / 36 / 22

HEX #C7897F

RGB 199 137 127

HSL 8.33, 0.39%, 0.64%

LAB 62.98, 22.42, 14.93

 

CMYK 0 / 20 / 23 / 27

HEX #B9948E

RGB 185 148 142

HSL 8.37, 0.23%, 0.64%

LAB 64.52, 12.94, 8.43

 

CMYK 0 / 66 / 40 / 4

HEX #F45293

RGB 244 82 147

HSL 335.93, 0.88%, 0.64%

LAB 59.32, 66.75, -0.98

 

CMYK 0 / 66 / 57 / 4

HEX #F45268

RGB 244 82 104

HSL 351.85, 0.88%, 0.64%

LAB 58.29, 63.1, 22.74

 

CMYK 0 / 57 / 66 / 4

HEX #F46852

RGB 244 104 82

HSL 8.15, 0.88%, 0.64%

LAB 61.43, 52.39, 39.2

 

CMYK 0 / 40 / 66 / 4

HEX #F49352

RGB 244 147 82

HSL 24.07, 0.88%, 0.64%

LAB 69.97, 31.07, 49.13

 

CMYK 0 / 22 / 66 / 4

HEX #F4BE52

RGB 244 190 82

HSL 40, 0.88%, 0.64%

LAB 79.99, 8.49, 60.18

 

CMYK 0 / 81 / 93 / 10

HEX #E52C0F

RGB 229 44 15

HSL 8.13, 0.88%, 0.48%

LAB 50.09, 67.61, 58.93

 

CMYK 0 / 71 / 82 / 5

HEX #F2462C

RGB 242 70 44

HSL 7.88, 0.88%, 0.56%

LAB 55.52, 64.09, 52.48

 

CMYK 0 / 57 / 66 / 4

HEX #F46852

RGB 244 104 82

HSL 8.15, 0.88%, 0.64%

LAB 61.43, 52.39, 39.2

 

CMYK 0 / 44 / 51 / 4

HEX #F68A79

RGB 246 138 121

HSL 8.16, 0.87%, 0.72%

LAB 68.86, 39.31, 27.23

 

CMYK 0 / 31 / 36 / 2

HEX #F9ACA0

RGB 249 172 160

HSL 8.09, 0.88%, 0.8%

LAB 77.39, 26.77, 17.59

 

CMYK 0 / 58 / 67 / 4

HEX #F46751

RGB 244 103 81

HSL 8.1, 0.88%, 0.64%

LAB 61.24, 52.79, 39.52

 

CMYK 22 / 0 / 66 / 4

HEX #BEF452

RGB 190 244 82

HSL 80, 0.88%, 0.64%

LAB 89.98, -39.87, 69.42

 

CMYK 66 / 48 / 0 / 4

HEX #527EF4

RGB 82 126 244

HSL 223.7, 0.88%, 0.64%

LAB 55.33, 22.33, -63.77

 

CMYK 0 / 58 / 67 / 4

HEX #F46751

RGB 244 103 81

HSL 8.1, 0.88%, 0.64%

LAB 61.24, 52.79, 39.52

 

CMYK 66 / 0 / 57 / 4

HEX #52F468

RGB 82 244 104

HSL 128.15, 0.88%, 0.64%

LAB 85.75, -69.19, 54.45

 

CMYK 57 / 66 / 0 / 4

HEX #6852F4

RGB 104 82 244

HSL 248.15, 0.88%, 0.64%

LAB 46.32, 51.96, -78.32

 

CMYK 0 / 58 / 67 / 4

HEX #F46751

RGB 244 103 81

HSL 8.1, 0.88%, 0.64%

LAB 61.24, 52.79, 39.52

 

CMYK 22 / 0 / 66 / 4

HEX #BEF452

RGB 190 244 82

HSL 80, 0.88%, 0.64%

LAB 89.98, -39.87, 69.42

 

CMYK 66 / 9 / 0 / 4

HEX #52DEF4

RGB 82 222 244

HSL 188.15, 0.88%, 0.64%

LAB 82.15, -30.68, -21.8

 

CMYK 44 / 66 / 0 / 4

HEX #8852F4

RGB 136 82 244

HSL 260, 0.88%, 0.64%

LAB 49.25, 57.27, -73.42

 

CMYK 0 / 58 / 67 / 4

HEX #F46751

RGB 244 103 81

HSL 8.1, 0.88%, 0.64%

LAB 61.24, 52.79, 39.52

 

CMYK 42 / 0 / 66 / 4

HEX #8EF452

RGB 142 244 82

HSL 97.78, 0.88%, 0.64%

LAB 87.51, -56.4, 66.08

 

CMYK 66 / 9 / 0 / 4

HEX #52DEF4

RGB 82 222 244

HSL 188.15, 0.88%, 0.64%

LAB 82.15, -30.68, -21.8

 

CMYK 24 / 66 / 0 / 4

HEX #B952F4

RGB 185 82 244

HSL 278.15, 0.88%, 0.64%

LAB 54.95, 66.85, -63.92

 

Description

Color code: RGB 244 103 81 | qconv.com Color code: RGB 244 103 81 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 103 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 103 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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