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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 103 251 it is the complementary color RGB 11 152 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 103 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 103 251 shade: RGB 249 103 246, RGB 255 121 255, RGB 255 139 255, RGB 255 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 103 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 103 251 shade: RGB 244 103 251, RGB 227 85 232, RGB 210 67 213, RGB 193 49 194 and RGB 176 31 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 103 251 shade: RGB 244 101 251, RGB 251 101 218, RGB 251 101 177, RGB 251 101 137 and RGB 251 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 103 251 shade: RGB 244 101 251, RGB 203 101 251, RGB 163 101 251, RGB 122 101 251 and RGB 101 101 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 103 251 shade matches the following richer shades: RGB 244 101 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 103 251 shade: RGB 244 101 251, RGB 232 114 238, RGB 221 126 225, RGB 209 139 213 and RGB 198 152 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 103 251 shade: RGB 163 101 251, RGB 203 101 251, RGB 244 101 251, RGB 251 101 219 and RGB 251 101 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 103 251 shade: RGB 238 20 249, RGB 241 61 250, RGB 244 101 251, RGB 247 141 252 and RGB 250 181 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 103 251 shade: RGB 244 103 251, RGB 251 123 101 and RGB 101 251 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 103 251 shade: RGB 244 103 251, RGB 251 244 101 and RGB 101 251 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 103 251 shade: RGB 244 103 251, RGB 251 123 101, RGB 108 251 101 and RGB 101 229 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 103 251 shade: RGB 244 103 251, RGB 251 168 101, RGB 108 251 101 and RGB 101 183 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 59 / 0 / 2

HEX #F467FB

RGB 244 103 251

HSL 297.16, 0.95%, 0.69%

LAB 66.44, 72.54, -49.01

 

Complementary color

CMYK 93 / 0 / 97 / 40

HEX #0B9804

RGB 11 152 4

HSL 117.16, 0.95%, 0.31%

LAB 54.59, -57.78, 55.98

 

CMYK 0 / 59 / 1 / 2

HEX #F967F6

RGB 249 103 246

HSL 301.23, 0.92%, 0.69%

LAB 66.9, 72.92, -45.49

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 3 / 59 / 0 / 2

HEX #F467FB

RGB 244 103 251

HSL 297.16, 0.95%, 0.69%

LAB 66.44, 72.54, -49.01

 

CMYK 2 / 63 / 0 / 9

HEX #E355E8

RGB 227 85 232

HSL 297.96, 0.76%, 0.62%

LAB 60.48, 72.62, -48.06

 

CMYK 1 / 69 / 0 / 16

HEX #D243D5

RGB 210 67 213

HSL 298.77, 0.63%, 0.55%

LAB 54.57, 72.35, -46.86

 

CMYK 1 / 75 / 0 / 24

HEX #C131C2

RGB 193 49 194

HSL 299.59, 0.6%, 0.48%

LAB 48.8, 71.52, -45.28

 

CMYK 0 / 82 / 1 / 31

HEX #B01FAF

RGB 176 31 175

HSL 300.41, 0.7%, 0.41%

LAB 43.22, 69.87, -43.19

 

CMYK 3 / 60 / 0 / 2

HEX #F465FB

RGB 244 101 251

HSL 297.2, 0.95%, 0.69%

LAB 66.14, 73.37, -49.48

 

CMYK 0 / 60 / 13 / 2

HEX #FB65DA

RGB 251 101 218

HSL 313.2, 0.95%, 0.69%

LAB 65.65, 69.92, -31.87

 

CMYK 0 / 60 / 29 / 2

HEX #FB65B1

RGB 251 101 177

HSL 329.6, 0.95%, 0.69%

LAB 64.15, 64.43, -11

 

CMYK 0 / 60 / 45 / 2

HEX #FB6589

RGB 251 101 137

HSL 345.6, 0.95%, 0.69%

LAB 63.03, 60.14, 10.31

 

CMYK 0 / 60 / 60 / 2

HEX #FB6565

RGB 251 101 101

HSL 0, 0.95%, 0.69%

LAB 62.3, 57.28, 29.94

 

CMYK 3 / 60 / 0 / 2

HEX #F465FB

RGB 244 101 251

HSL 297.2, 0.95%, 0.69%

LAB 66.14, 73.37, -49.48

 

CMYK 19 / 60 / 0 / 2

HEX #CB65FB

RGB 203 101 251

HSL 280.8, 0.95%, 0.69%

LAB 60.75, 63.69, -58.37

 

CMYK 35 / 60 / 0 / 2

HEX #A365FB

RGB 163 101 251

HSL 264.8, 0.95%, 0.69%

LAB 56.15, 54.67, -66.01

 

CMYK 51 / 60 / 0 / 2

HEX #7A65FB

RGB 122 101 251

HSL 248.4, 0.95%, 0.69%

LAB 52.3, 46.4, -72.43

 

CMYK 60 / 60 / 0 / 2

HEX #6565FB

RGB 101 101 251

HSL 240, 0.95%, 0.69%

LAB 50.73, 42.79, -75.04

 

CMYK 3 / 60 / 0 / 2

HEX #F465FB

RGB 244 101 251

HSL 297.2, 0.95%, 0.69%

LAB 66.14, 73.37, -49.48

 

CMYK 3 / 60 / 0 / 2

HEX #F465FB

RGB 244 101 251

HSL 297.2, 0.95%, 0.69%

LAB 66.14, 73.37, -49.48

 

CMYK 3 / 52 / 0 / 7

HEX #E872EE

RGB 232 114 238

HSL 297.1, 0.78%, 0.69%

LAB 66.03, 62.39, -42.6

 

CMYK 2 / 44 / 0 / 12

HEX #DD7EE1

RGB 221 126 225

HSL 297.58, 0.62%, 0.69%

LAB 66.31, 51.16, -35.06

 

CMYK 2 / 35 / 0 / 16

HEX #D18BD5

RGB 209 139 213

HSL 296.76, 0.47%, 0.69%

LAB 67.15, 38.5, -27.22

 

CMYK 1 / 24 / 0 / 22

HEX #C698C8

RGB 198 152 200

HSL 297.5, 0.3%, 0.69%

LAB 68.48, 25.38, -18.06

 

CMYK 35 / 60 / 0 / 2

HEX #A365FB

RGB 163 101 251

HSL 264.8, 0.95%, 0.69%

LAB 56.15, 54.67, -66.01

 

CMYK 19 / 60 / 0 / 2

HEX #CB65FB

RGB 203 101 251

HSL 280.8, 0.95%, 0.69%

LAB 60.75, 63.69, -58.37

 

CMYK 3 / 60 / 0 / 2

HEX #F465FB

RGB 244 101 251

HSL 297.2, 0.95%, 0.69%

LAB 66.14, 73.37, -49.48

 

CMYK 0 / 60 / 13 / 2

HEX #FB65DB

RGB 251 101 219

HSL 312.8, 0.95%, 0.69%

LAB 65.69, 70.06, -32.37

 

CMYK 0 / 60 / 29 / 2

HEX #FB65B2

RGB 251 101 178

HSL 329.2, 0.95%, 0.69%

LAB 64.19, 64.55, -11.52

 

CMYK 4 / 92 / 0 / 2

HEX #EE14F9

RGB 238 20 249

HSL 297.12, 0.95%, 0.53%

LAB 57.58, 93.39, -62.07

 

CMYK 4 / 76 / 0 / 2

HEX #F13DFA

RGB 241 61 250

HSL 297.14, 0.95%, 0.61%

LAB 60.73, 86.43, -57.55

 

CMYK 3 / 60 / 0 / 2

HEX #F465FB

RGB 244 101 251

HSL 297.2, 0.95%, 0.69%

LAB 66.14, 73.37, -49.48

 

CMYK 2 / 44 / 0 / 1

HEX #F78DFC

RGB 247 141 252

HSL 297.3, 0.95%, 0.77%

LAB 73.45, 55.98, -38.55

 

CMYK 1 / 28 / 0 / 1

HEX #FAB5FD

RGB 250 181 253

HSL 297.5, 0.95%, 0.85%

LAB 82.09, 36.51, -25.75

 

CMYK 3 / 59 / 0 / 2

HEX #F467FB

RGB 244 103 251

HSL 297.16, 0.95%, 0.69%

LAB 66.44, 72.54, -49.01

 

CMYK 0 / 51 / 60 / 2

HEX #FB7B65

RGB 251 123 101

HSL 8.8, 0.95%, 0.69%

LAB 66.22, 47.09, 34.94

 

CMYK 60 / 0 / 27 / 2

HEX #65FBB7

RGB 101 251 183

HSL 152.8, 0.95%, 0.69%

LAB 89.48, -55.34, 20.9

 

CMYK 3 / 59 / 0 / 2

HEX #F467FB

RGB 244 103 251

HSL 297.16, 0.95%, 0.69%

LAB 66.44, 72.54, -49.01

 

CMYK 0 / 3 / 60 / 2

HEX #FBF465

RGB 251 244 101

HSL 57.2, 0.95%, 0.69%

LAB 94.38, -14.79, 67.81

 

CMYK 60 / 0 / 3 / 2

HEX #65FBF4

RGB 101 251 244

HSL 177.2, 0.95%, 0.69%

LAB 90.91, -41.19, -8.6

 

CMYK 3 / 59 / 0 / 2

HEX #F467FB

RGB 244 103 251

HSL 297.16, 0.95%, 0.69%

LAB 66.44, 72.54, -49.01

 

CMYK 0 / 51 / 60 / 2

HEX #FB7B65

RGB 251 123 101

HSL 8.8, 0.95%, 0.69%

LAB 66.22, 47.09, 34.94

 

CMYK 57 / 0 / 60 / 2

HEX #6CFB65

RGB 108 251 101

HSL 117.2, 0.95%, 0.69%

LAB 88.51, -66.53, 59.11

 

CMYK 60 / 9 / 0 / 2

HEX #65E5FB

RGB 101 229 251

HSL 188.8, 0.95%, 0.69%

LAB 84.88, -29.06, -21.31

 

CMYK 3 / 59 / 0 / 2

HEX #F467FB

RGB 244 103 251

HSL 297.16, 0.95%, 0.69%

LAB 66.44, 72.54, -49.01

 

CMYK 0 / 33 / 60 / 2

HEX #FBA865

RGB 251 168 101

HSL 26.8, 0.95%, 0.69%

LAB 75.73, 24.1, 46.6

 

CMYK 57 / 0 / 60 / 2

HEX #6CFB65

RGB 108 251 101

HSL 117.2, 0.95%, 0.69%

LAB 88.51, -66.53, 59.11

 

CMYK 60 / 27 / 0 / 2

HEX #65B7FB

RGB 101 183 251

HSL 207.2, 0.95%, 0.69%

LAB 71.96, -5.34, -41.18

 

Description

Color code: RGB 244 103 251 | qconv.com Color code: RGB 244 103 251 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 103 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 103 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 59 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 59% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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