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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244.7 74.6 19 it is the complementary color RGB 10.3 180.4 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244.7 74.6 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244.7 74.6 19 shade: RGB 249.7 74.6 14, RGB 255 92.6 33, RGB 255 110.6 52, RGB 255 128.6 71 and RGB 255 146.6 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244.7 74.6 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244.7 74.6 19 shade: RGB 244.7 74.6 19, RGB 227.7 56.6 0, RGB 210.7 38.6 0, RGB 193.7 20.6 0 and RGB 176.7 2.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244.7 74.6 19 shade: RGB 245 75 20 and RGB 245 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244.7 74.6 19 shade: RGB 245 75 20, RGB 245 136 20, RGB 245 197 20, RGB 233 245 20 and RGB 172 245 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244.7 74.6 19 shade matches the following richer shades: RGB 245 75 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244.7 74.6 19 shade: RGB 245 75 20, RGB 225 86 40, RGB 206 96 60, RGB 186 106 79 and RGB 166 116 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244.7 74.6 19 shade: RGB 245 20 88, RGB 245 20 27, RGB 245 73 20, RGB 245 133 20 and RGB 245 193 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244.7 74.6 19 shade: RGB 175 49 7, RGB 215 60 9, RGB 245 75 20, RGB 247 106 60 and RGB 249 136 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244.7 74.6 19 shade: RGB 244.7 74.6 19, RGB 148 245 20 and RGB 20 58 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244.7 74.6 19 shade: RGB 244.7 74.6 19, RGB 20 245 73 and RGB 73 20 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244.7 74.6 19 shade: RGB 244.7 74.6 19, RGB 148 245 20, RGB 20 193 245 and RGB 118 20 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244.7 74.6 19 shade: RGB 244.7 74.6 19, RGB 80 245 20, RGB 20 193 245 and RGB 185 20 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 92 / 4

HEX #F44A13

RGB 244.7 74.6 19

HSL 14.78, 0.92%, 0.52%

LAB 56.47, 62.82, 63.19

 

Complementary color

CMYK 96 / 24 / 0 / 7

HEX #0AB4EC

RGB 10.3 180.4 236

HSL 194.78, 0.92%, 0.48%

LAB 68.7, -18.44, -38.27

 

CMYK 0 / 70 / 94 / 2

HEX #F94A0E

RGB 249.7 74.6 14

HSL 15.43, 0.96%, 0.52%

LAB 57.35, 64.35, 65.47

 

CMYK 0 / 64 / 87 / 0

HEX #FF5C21

RGB 255 92.6 33

HSL 16.11, 1%, 0.56%

LAB 60.89, 59.39, 62.58

 

CMYK 0 / 57 / 80 / 0

HEX #FF6E34

RGB 255 110.6 52

HSL 17.32, 1%, 0.6%

LAB 63.99, 52, 57.51

 

CMYK 0 / 50 / 72 / 0

HEX #FF8047

RGB 255 128.6 71

HSL 18.78, 1%, 0.64%

LAB 67.51, 44.14, 52.21

 

CMYK 0 / 43 / 65 / 0

HEX #FF925A

RGB 255 146.6 90

HSL 20.58, 1%, 0.68%

LAB 71.38, 36.09, 47.12

 

CMYK 0 / 70 / 92 / 4

HEX #F44A13

RGB 244.7 74.6 19

HSL 14.78, 0.92%, 0.52%

LAB 56.47, 62.82, 63.19

 

CMYK 0 / 75 / 100 / 11

HEX #E33800

RGB 227.7 56.6 0

HSL 14.91, 1%, 0.45%

LAB 51.07, 63.53, 63.1

 

CMYK 0 / 82 / 100 / 17

HEX #D22600

RGB 210.7 38.6 0

HSL 10.99, 1%, 0.41%

LAB 45.95, 63.65, 58.96

 

CMYK 0 / 89 / 100 / 24

HEX #C11400

RGB 193.7 20.6 0

HSL 6.38, 1%, 0.38%

LAB 41.14, 62.7, 54.96

 

CMYK 0 / 99 / 100 / 31

HEX #B00200

RGB 176.7 2.6 0

HSL 0.88, 1%, 0.35%

LAB 36.68, 60.53, 51.02

 

CMYK 0 / 69 / 92 / 4

HEX #F54B14

RGB 245 75 20

HSL 14.67, 0.92%, 0.52%

LAB 56.58, 62.78, 63

 

CMYK 0 / 92 / 92 / 4

HEX #F51414

RGB 245 20 20

HSL 0, 0.92%, 0.52%

LAB 51.8, 76.22, 59.96

 

CMYK 0 / 69 / 92 / 4

HEX #F54B14

RGB 245 75 20

HSL 14.67, 0.92%, 0.52%

LAB 56.58, 62.78, 63

 

CMYK 0 / 44 / 92 / 4

HEX #F58814

RGB 245 136 20

HSL 30.93, 0.92%, 0.52%

LAB 67.33, 35.04, 70.37

 

CMYK 0 / 20 / 92 / 4

HEX #F5C514

RGB 245 197 20

HSL 47.2, 0.92%, 0.52%

LAB 81.51, 3.19, 80.73

 

CMYK 5 / 0 / 92 / 4

HEX #E9F514

RGB 233 245 20

HSL 63.2, 0.92%, 0.52%

LAB 92.87, -25.66, 88.92

 

CMYK 30 / 0 / 92 / 4

HEX #ACF514

RGB 172 245 20

HSL 79.47, 0.92%, 0.52%

LAB 88.98, -49.44, 84.2

 

CMYK 0 / 69 / 92 / 4

HEX #F54B14

RGB 245 75 20

HSL 14.67, 0.92%, 0.52%

LAB 56.58, 62.78, 63

 

CMYK 0 / 69 / 92 / 4

HEX #F54B14

RGB 245 75 20

HSL 14.67, 0.92%, 0.52%

LAB 56.58, 62.78, 63

 

CMYK 0 / 62 / 82 / 12

HEX #E15628

RGB 225 86 40

HSL 14.92, 0.76%, 0.52%

LAB 54.88, 52.04, 52.66

 

CMYK 0 / 53 / 71 / 19

HEX #CE603C

RGB 206 96 60

HSL 14.79, 0.6%, 0.52%

LAB 53.83, 41.15, 40.73

 

CMYK 0 / 43 / 58 / 27

HEX #BA6A4F

RGB 186 106 79

HSL 15.14, 0.44%, 0.52%

LAB 53.29, 29.27, 28.94

 

CMYK 0 / 30 / 40 / 35

HEX #A67463

RGB 166 116 99

HSL 15.22, 0.27%, 0.52%

LAB 53.49, 17.48, 17.26

 

CMYK 0 / 92 / 64 / 4

HEX #F51458

RGB 245 20 88

HSL 341.87, 0.92%, 0.52%

LAB 52.53, 78.27, 24.66

 

CMYK 0 / 92 / 89 / 4

HEX #F5141B

RGB 245 20 27

HSL 358.13, 0.92%, 0.52%

LAB 51.83, 76.32, 57.3

 

CMYK 0 / 70 / 92 / 4

HEX #F54914

RGB 245 73 20

HSL 14.13, 0.92%, 0.52%

LAB 56.32, 63.5, 62.82

 

CMYK 0 / 46 / 92 / 4

HEX #F58514

RGB 245 133 20

HSL 30.13, 0.92%, 0.52%

LAB 66.7, 36.57, 69.92

 

CMYK 0 / 21 / 92 / 4

HEX #F5C114

RGB 245 193 20

HSL 46.13, 0.92%, 0.52%

LAB 80.52, 5.26, 79.99

 

CMYK 0 / 72 / 96 / 31

HEX #AF3107

RGB 175 49 7

HSL 15, 0.92%, 0.36%

LAB 40.12, 49.49, 49.96

 

CMYK 0 / 72 / 96 / 16

HEX #D73C09

RGB 215 60 9

HSL 14.85, 0.92%, 0.44%

LAB 49.13, 58.53, 58.57

 

CMYK 0 / 69 / 92 / 4

HEX #F54B14

RGB 245 75 20

HSL 14.67, 0.92%, 0.52%

LAB 56.58, 62.78, 63

 

CMYK 0 / 57 / 76 / 3

HEX #F76A3C

RGB 247 106 60

HSL 14.76, 0.92%, 0.6%

LAB 62.01, 51.52, 51.4

 

CMYK 0 / 45 / 60 / 2

HEX #F98863

RGB 249 136 99

HSL 14.8, 0.93%, 0.68%

LAB 68.5, 39.75, 38.79

 

CMYK 0 / 70 / 92 / 4

HEX #F44A13

RGB 244.7 74.6 19

HSL 14.78, 0.92%, 0.52%

LAB 56.47, 62.82, 63.19

 

CMYK 40 / 0 / 92 / 4

HEX #94F514

RGB 148 245 20

HSL 85.87, 0.92%, 0.52%

LAB 87.8, -57.74, 82.76

 

CMYK 92 / 76 / 0 / 4

HEX #143AF5

RGB 20 58 245

HSL 229.87, 0.92%, 0.52%

LAB 37.42, 58.36, -93.7

 

CMYK 0 / 70 / 92 / 4

HEX #F44A13

RGB 244.7 74.6 19

HSL 14.78, 0.92%, 0.52%

LAB 56.47, 62.82, 63.19

 

CMYK 92 / 0 / 70 / 4

HEX #14F549

RGB 20 245 73

HSL 134.13, 0.92%, 0.52%

LAB 84.96, -79.75, 65.9

 

CMYK 70 / 92 / 0 / 4

HEX #4914F5

RGB 73 20 245

HSL 254.13, 0.92%, 0.52%

LAB 35.02, 74.87, -97.62

 

CMYK 0 / 70 / 92 / 4

HEX #F44A13

RGB 244.7 74.6 19

HSL 14.78, 0.92%, 0.52%

LAB 56.47, 62.82, 63.19

 

CMYK 40 / 0 / 92 / 4

HEX #94F514

RGB 148 245 20

HSL 85.87, 0.92%, 0.52%

LAB 87.8, -57.74, 82.76

 

CMYK 92 / 21 / 0 / 4

HEX #14C1F5

RGB 20 193 245

HSL 193.87, 0.92%, 0.52%

LAB 72.81, -21.59, -36.74

 

CMYK 52 / 92 / 0 / 4

HEX #7614F5

RGB 118 20 245

HSL 266.13, 0.92%, 0.52%

LAB 39.49, 77.75, -90.08

 

CMYK 0 / 70 / 92 / 4

HEX #F44A13

RGB 244.7 74.6 19

HSL 14.78, 0.92%, 0.52%

LAB 56.47, 62.82, 63.19

 

CMYK 67 / 0 / 92 / 4

HEX #50F514

RGB 80 245 20

HSL 104, 0.92%, 0.52%

LAB 85.53, -75.59, 79.97

 

CMYK 92 / 21 / 0 / 4

HEX #14C1F5

RGB 20 193 245

HSL 193.87, 0.92%, 0.52%

LAB 72.81, -21.59, -36.74

 

CMYK 24 / 92 / 0 / 4

HEX #B914F5

RGB 185 20 245

HSL 284, 0.92%, 0.52%

LAB 48.77, 85.05, -74.49

 

Description

Color code: RGB 244.7 74.6 19 | qconv.com Color code: RGB 244.7 74.6 19 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244.7 red, 74.6 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244.7 74.6 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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