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Color name
RGB 244.1 72.8 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244.1 72.8 114 it is the complementary color RGB 10.9 182.2 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244.1 72.8 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244.1 72.8 114 shade: RGB 249.1 72.8 109, RGB 255 90.8 128, RGB 255 108.8 147, RGB 255 126.8 166 and RGB 255 144.8 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244.1 72.8 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244.1 72.8 114 shade: RGB 244.1 72.8 114, RGB 227.1 54.8 95, RGB 210.1 36.8 76, RGB 193.1 18.8 57 and RGB 176.1 0.8 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244.1 72.8 114 shade: RGB 244 72 113 and RGB 244 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244.1 72.8 114 shade: RGB 244 72 113, RGB 244 72 160, RGB 244 72 206, RGB 236 72 244 and RGB 189 72 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244.1 72.8 114 shade matches the following richer shades: RGB 244 72 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244.1 72.8 114 shade: RGB 244 72 113, RGB 229 88 121, RGB 213 103 130, RGB 197 119 138 and RGB 182 135 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244.1 72.8 114 shade: RGB 244 72 207, RGB 244 72 161, RGB 244 72 115, RGB 244 75 72 and RGB 244 121 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244.1 72.8 114 shade: RGB 221 13 63, RGB 242 33 83, RGB 244 72 113, RGB 247 111 143 and RGB 249 150 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244.1 72.8 114 shade: RGB 244.1 72.8 114, RGB 244 236 72 and RGB 72 184 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244.1 72.8 114 shade: RGB 244.1 72.8 114, RGB 115 244 72 and RGB 72 115 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244.1 72.8 114 shade: RGB 244.1 72.8 114, RGB 244 236 72, RGB 72 244 201 and RGB 72 80 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244.1 72.8 114 shade: RGB 244.1 72.8 114, RGB 201 244 72, RGB 72 244 201 and RGB 115 72 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244.1 72.8 114

HSL 345.57, 0.89%, 0.62%

LAB 57.27, 67.25, 15.5

 

Complementary color

CMYK 94 / 0 / 23 / 29

HEX #0AB68D

RGB 10.9 182.2 141

HSL 165.57, 0.89%, 0.38%

LAB 66.16, -48.48, 10.21

 

CMYK 0 / 71 / 56 / 2

HEX #F9486D

RGB 249.1 72.8 109

HSL 347.68, 0.94%, 0.63%

LAB 58.04, 68.34, 19.63

 

CMYK 0 / 64 / 50 / 0

HEX #FF5A80

RGB 255 90.8 128

HSL 346.41, 1%, 0.68%

LAB 61.88, 64.83, 13.99

 

CMYK 0 / 57 / 42 / 0

HEX #FF6C93

RGB 255 108.8 147

HSL 344.32, 1%, 0.71%

LAB 65.17, 58.95, 7.7

 

CMYK 0 / 50 / 35 / 0

HEX #FF7EA6

RGB 255 126.8 166

HSL 341.65, 1%, 0.75%

LAB 68.85, 52.64, 2.23

 

CMYK 0 / 43 / 27 / 0

HEX #FF90B9

RGB 255 144.8 185

HSL 338.11, 1%, 0.78%

LAB 72.86, 46.12, -2.53

 

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244.1 72.8 114

HSL 345.57, 0.89%, 0.62%

LAB 57.27, 67.25, 15.5

 

CMYK 0 / 76 / 58 / 11

HEX #E3365F

RGB 227.1 54.8 95

HSL 346, 0.76%, 0.55%

LAB 51.71, 66.98, 18.73

 

CMYK 0 / 82 / 64 / 18

HEX #D2244C

RGB 210.1 36.8 76

HSL 346.43, 0.7%, 0.48%

LAB 46.38, 66.06, 22.63

 

CMYK 0 / 90 / 70 / 24

HEX #C11239

RGB 193.1 18.8 57

HSL 346.85, 0.82%, 0.42%

LAB 41.38, 64.18, 27.34

 

CMYK 0 / 100 / 78 / 31

HEX #B00026

RGB 176.1 0.8 38

HSL 347.27, 0.99%, 0.35%

LAB 36.74, 61.31, 32.73

 

CMYK 0 / 70 / 54 / 4

HEX #F44871

RGB 244 72 113

HSL 345.7, 0.89%, 0.62%

LAB 57.13, 67.43, 15.89

 

CMYK 0 / 70 / 70 / 4

HEX #F44848

RGB 244 72 72

HSL 0, 0.89%, 0.62%

LAB 56.42, 65, 38.8

 

CMYK 0 / 70 / 54 / 4

HEX #F44871

RGB 244 72 113

HSL 345.7, 0.89%, 0.62%

LAB 57.13, 67.43, 15.89

 

CMYK 0 / 70 / 34 / 4

HEX #F448A0

RGB 244 72 160

HSL 329.3, 0.89%, 0.62%

LAB 58.42, 71.7, -9.9

 

CMYK 0 / 70 / 16 / 4

HEX #F448CE

RGB 244 72 206

HSL 313.26, 0.89%, 0.62%

LAB 60.18, 77.31, -33.69

 

CMYK 3 / 70 / 0 / 4

HEX #EC48F4

RGB 236 72 244

HSL 297.21, 0.89%, 0.62%

LAB 60.78, 81.21, -54.18

 

CMYK 23 / 70 / 0 / 4

HEX #BD48F4

RGB 189 72 244

HSL 280.81, 0.89%, 0.62%

LAB 54.01, 71.77, -65.41

 

CMYK 0 / 70 / 54 / 4

HEX #F44871

RGB 244 72 113

HSL 345.7, 0.89%, 0.62%

LAB 57.13, 67.43, 15.89

 

CMYK 0 / 70 / 54 / 4

HEX #F44871

RGB 244 72 113

HSL 345.7, 0.89%, 0.62%

LAB 57.13, 67.43, 15.89

 

CMYK 0 / 62 / 47 / 10

HEX #E55879

RGB 229 88 121

HSL 345.96, 0.73%, 0.62%

LAB 57.09, 57.29, 10.75

 

CMYK 0 / 52 / 39 / 16

HEX #D56782

RGB 213 103 130

HSL 345.27, 0.57%, 0.62%

LAB 57.52, 45.94, 5.75

 

CMYK 0 / 40 / 30 / 23

HEX #C5778A

RGB 197 119 138

HSL 345.38, 0.4%, 0.62%

LAB 58.88, 32.9, 2.78

 

CMYK 0 / 26 / 20 / 29

HEX #B68792

RGB 182 135 146

HSL 345.96, 0.24%, 0.62%

LAB 61.09, 19.66, 1.18

 

CMYK 0 / 70 / 15 / 4

HEX #F448CF

RGB 244 72 207

HSL 312.91, 0.89%, 0.62%

LAB 60.22, 77.45, -34.19

 

CMYK 0 / 70 / 34 / 4

HEX #F448A1

RGB 244 72 161

HSL 328.95, 0.89%, 0.62%

LAB 58.45, 71.81, -10.43

 

CMYK 0 / 70 / 53 / 4

HEX #F44873

RGB 244 72 115

HSL 345, 0.89%, 0.62%

LAB 57.18, 67.58, 14.77

 

CMYK 0 / 69 / 70 / 4

HEX #F44B48

RGB 244 75 72

HSL 1.05, 0.89%, 0.62%

LAB 56.81, 63.92, 39.25

 

CMYK 0 / 50 / 70 / 4

HEX #F47948

RGB 244 121 72

HSL 17.09, 0.89%, 0.62%

LAB 64.46, 43.78, 47.94

 

CMYK 0 / 94 / 71 / 13

HEX #DD0D3F

RGB 221 13 63

HSL 345.58, 0.89%, 0.46%

LAB 47, 72.11, 31.81

 

CMYK 0 / 86 / 66 / 5

HEX #F22153

RGB 242 33 83

HSL 345.65, 0.89%, 0.54%

LAB 52.5, 75.42, 27.51

 

CMYK 0 / 70 / 54 / 4

HEX #F44871

RGB 244 72 113

HSL 345.7, 0.89%, 0.62%

LAB 57.13, 67.43, 15.89

 

CMYK 0 / 55 / 42 / 3

HEX #F76F8F

RGB 247 111 143

HSL 345.88, 0.89%, 0.7%

LAB 64.26, 54.96, 8.54

 

CMYK 0 / 40 / 30 / 2

HEX #F996AE

RGB 249 150 174

HSL 345.45, 0.89%, 0.78%

LAB 72.9, 39.97, 3.53

 

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244.1 72.8 114

HSL 345.57, 0.89%, 0.62%

LAB 57.27, 67.25, 15.5

 

CMYK 0 / 3 / 70 / 4

HEX #F4EC48

RGB 244 236 72

HSL 57.21, 0.89%, 0.62%

LAB 91.55, -15.34, 75.85

 

CMYK 70 / 25 / 0 / 4

HEX #48B8F4

RGB 72 184 244

HSL 200.93, 0.89%, 0.62%

LAB 71, -12.77, -38.96

 

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244.1 72.8 114

HSL 345.57, 0.89%, 0.62%

LAB 57.27, 67.25, 15.5

 

CMYK 53 / 0 / 70 / 4

HEX #73F448

RGB 115 244 72

HSL 105, 0.89%, 0.62%

LAB 86.41, -64.9, 68.3

 

CMYK 70 / 53 / 0 / 4

HEX #4873F4

RGB 72 115 244

HSL 225, 0.89%, 0.62%

LAB 52.03, 27.69, -69.11

 

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244.1 72.8 114

HSL 345.57, 0.89%, 0.62%

LAB 57.27, 67.25, 15.5

 

CMYK 0 / 3 / 70 / 4

HEX #F4EC48

RGB 244 236 72

HSL 57.21, 0.89%, 0.62%

LAB 91.55, -15.34, 75.85

 

CMYK 70 / 0 / 18 / 4

HEX #48F4C9

RGB 72 244 201

HSL 165, 0.89%, 0.62%

LAB 87.14, -53.25, 8.21

 

CMYK 70 / 67 / 0 / 4

HEX #4850F4

RGB 72 80 244

HSL 237.21, 0.89%, 0.62%

LAB 43.72, 48.97, -82.67

 

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244.1 72.8 114

HSL 345.57, 0.89%, 0.62%

LAB 57.27, 67.25, 15.5

 

CMYK 18 / 0 / 70 / 4

HEX #C9F448

RGB 201 244 72

HSL 75, 0.89%, 0.62%

LAB 90.59, -36.3, 73.87

 

CMYK 70 / 0 / 18 / 4

HEX #48F4C9

RGB 72 244 201

HSL 165, 0.89%, 0.62%

LAB 87.14, -53.25, 8.21

 

CMYK 53 / 70 / 0 / 4

HEX #7348F4

RGB 115 72 244

HSL 255, 0.89%, 0.62%

LAB 45.37, 58.85, -79.83

 

Description

Color code: RGB 244.1 72.8 114 | qconv.com Color code: RGB 244.1 72.8 114 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244.1 red, 72.8 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244.1 72.8 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 53 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 53% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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