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Color name
RGB 243 36 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 36 104 it is the complementary color RGB 12 219 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 36 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 36 104 shade: RGB 248 36 99, RGB 255 54 118, RGB 255 72 137, RGB 255 90 156 and RGB 255 108 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 36 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 36 104 shade: RGB 243 36 104, RGB 226 18 85, RGB 209 0 66, RGB 192 0 47 and RGB 175 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 36 104 shade: RGB 244 37 105, RGB 244 37 49 and RGB 244 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 36 104 shade: RGB 244 37 105, RGB 244 37 161, RGB 244 37 216, RGB 215 37 244 and RGB 159 37 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 36 104 shade matches the following richer shades: RGB 244 37 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 36 104 shade: RGB 244 37 105, RGB 225 56 111, RGB 206 74 118, RGB 188 93 124 and RGB 169 111 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 36 104 shade: RGB 244 37 216, RGB 244 37 161, RGB 244 37 106, RGB 244 37 51 and RGB 244 78 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 36 104 shade: RGB 188 10 68, RGB 227 12 83, RGB 244 37 105, RGB 246 76 132 and RGB 248 115 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 36 104 shade: RGB 243 36 104, RGB 244 216 37 and RGB 37 188 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 36 104 shade: RGB 243 36 104, RGB 106 244 37 and RGB 37 106 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 36 104 shade: RGB 243 36 104, RGB 244 216 37, RGB 37 244 175 and RGB 37 65 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 36 104 shade: RGB 243 36 104, RGB 209 244 37, RGB 37 244 175 and RGB 71 37 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 57 / 5

HEX #F32468

RGB 243 36 104

HSL 340.29, 0.9%, 0.55%

LAB 53.29, 76.3, 15.95

 

Complementary color

CMYK 95 / 0 / 31 / 14

HEX #0CDB97

RGB 12 219 151

HSL 160.29, 0.9%, 0.45%

LAB 77.86, -60.14, 21.18

 

CMYK 0 / 85 / 60 / 3

HEX #F82463

RGB 248 36 99

HSL 342.17, 0.94%, 0.56%

LAB 54.15, 77.22, 20.29

 

CMYK 0 / 79 / 54 / 0

HEX #FF3676

RGB 255 54 118

HSL 340.9, 1%, 0.61%

LAB 57.28, 76.23, 13.43

 

CMYK 0 / 72 / 46 / 0

HEX #FF4889

RGB 255 72 137

HSL 338.69, 1%, 0.64%

LAB 59.62, 72.44, 5.54

 

CMYK 0 / 65 / 39 / 0

HEX #FF5A9C

RGB 255 90 156

HSL 336, 1%, 0.68%

LAB 62.48, 67.73, -1.36

 

CMYK 0 / 58 / 31 / 0

HEX #FF6CAF

RGB 255 108 175

HSL 332.65, 1%, 0.71%

LAB 65.81, 62.35, -7.33

 

CMYK 0 / 85 / 57 / 5

HEX #F32468

RGB 243 36 104

HSL 340.29, 0.9%, 0.55%

LAB 53.29, 76.3, 15.95

 

CMYK 0 / 92 / 62 / 11

HEX #E21255

RGB 226 18 85

HSL 340.67, 0.85%, 0.48%

LAB 48.58, 73.83, 20.59

 

CMYK 0 / 100 / 68 / 18

HEX #D10042

RGB 209 0 66

HSL 341.05, 1%, 0.41%

LAB 44.16, 70.5, 25.92

 

CMYK 0 / 100 / 76 / 25

HEX #C0002F

RGB 192 0 47

HSL 345.31, 1%, 0.38%

LAB 40.27, 65.64, 32.12

 

CMYK 0 / 100 / 84 / 31

HEX #AF001C

RGB 175 0 28

HSL 350.4, 1%, 0.34%

LAB 36.36, 60.84, 38.12

 

CMYK 0 / 85 / 57 / 4

HEX #F42569

RGB 244 37 105

HSL 340.29, 0.9%, 0.55%

LAB 53.57, 76.42, 15.77

 

CMYK 0 / 85 / 80 / 4

HEX #F42531

RGB 244 37 49

HSL 356.52, 0.9%, 0.55%

LAB 52.71, 73.88, 47.39

 

CMYK 0 / 85 / 85 / 4

HEX #F42525

RGB 244 37 37

HSL 0, 0.9%, 0.55%

LAB 52.61, 73.6, 53.36

 

CMYK 0 / 85 / 57 / 4

HEX #F42569

RGB 244 37 105

HSL 340.29, 0.9%, 0.55%

LAB 53.57, 76.42, 15.77

 

CMYK 0 / 85 / 34 / 4

HEX #F425A1

RGB 244 37 161

HSL 324.06, 0.9%, 0.55%

LAB 55.21, 81.05, -15.33

 

CMYK 0 / 85 / 11 / 4

HEX #F425D8

RGB 244 37 216

HSL 308.12, 0.9%, 0.55%

LAB 57.57, 87.48, -43.46

 

CMYK 12 / 85 / 0 / 4

HEX #D725F4

RGB 215 37 244

HSL 291.59, 0.9%, 0.55%

LAB 54.35, 86.53, -64.67

 

CMYK 35 / 85 / 0 / 4

HEX #9F25F4

RGB 159 37 244

HSL 275.36, 0.9%, 0.55%

LAB 45.94, 78.25, -78.7

 

CMYK 0 / 85 / 57 / 4

HEX #F42569

RGB 244 37 105

HSL 340.29, 0.9%, 0.55%

LAB 53.57, 76.42, 15.77

 

CMYK 0 / 85 / 57 / 4

HEX #F42569

RGB 244 37 105

HSL 340.29, 0.9%, 0.55%

LAB 53.57, 76.42, 15.77

 

CMYK 0 / 75 / 51 / 12

HEX #E1386F

RGB 225 56 111

HSL 340.47, 0.74%, 0.55%

LAB 51.82, 67.2, 9.16

 

CMYK 0 / 64 / 43 / 19

HEX #CE4A76

RGB 206 74 118

HSL 340, 0.57%, 0.55%

LAB 51.07, 55.72, 3.43

 

CMYK 0 / 51 / 34 / 26

HEX #BC5D7C

RGB 188 93 124

HSL 340.42, 0.41%, 0.55%

LAB 51.81, 41.56, 0.57

 

CMYK 0 / 34 / 23 / 34

HEX #A96F82

RGB 169 111 130

HSL 340.34, 0.25%, 0.55%

LAB 53.4, 25.75, -0.95

 

CMYK 0 / 85 / 11 / 4

HEX #F425D8

RGB 244 37 216

HSL 308.12, 0.9%, 0.55%

LAB 57.57, 87.48, -43.46

 

CMYK 0 / 85 / 34 / 4

HEX #F425A1

RGB 244 37 161

HSL 324.06, 0.9%, 0.55%

LAB 55.21, 81.05, -15.33

 

CMYK 0 / 85 / 57 / 4

HEX #F4256A

RGB 244 37 106

HSL 340, 0.9%, 0.55%

LAB 53.6, 76.48, 15.19

 

CMYK 0 / 85 / 79 / 4

HEX #F42533

RGB 244 37 51

HSL 355.94, 0.9%, 0.55%

LAB 52.72, 73.94, 46.33

 

CMYK 0 / 68 / 85 / 4

HEX #F44E25

RGB 244 78 37

HSL 11.88, 0.9%, 0.55%

LAB 56.9, 61.63, 56.98

 

CMYK 0 / 95 / 64 / 26

HEX #BC0A44

RGB 188 10 68

HSL 340.45, 0.9%, 0.39%

LAB 40.12, 64.57, 18.6

 

CMYK 0 / 95 / 63 / 11

HEX #E30C53

RGB 227 12 83

HSL 340.19, 0.9%, 0.47%

LAB 48.53, 74.57, 21.79

 

CMYK 0 / 85 / 57 / 4

HEX #F42569

RGB 244 37 105

HSL 340.29, 0.9%, 0.55%

LAB 53.57, 76.42, 15.77

 

CMYK 0 / 69 / 46 / 4

HEX #F64C84

RGB 246 76 132

HSL 340.24, 0.9%, 0.63%

LAB 58.44, 68.12, 6.58

 

CMYK 0 / 54 / 36 / 3

HEX #F8739F

RGB 248 115 159

HSL 340.15, 0.9%, 0.71%

LAB 65.53, 55.14, 1.25

 

CMYK 0 / 85 / 57 / 5

HEX #F32468

RGB 243 36 104

HSL 340.29, 0.9%, 0.55%

LAB 53.29, 76.3, 15.95

 

CMYK 0 / 11 / 85 / 4

HEX #F4D825

RGB 244 216 37

HSL 51.88, 0.9%, 0.55%

LAB 86.25, -6.62, 81.23

 

CMYK 85 / 23 / 0 / 4

HEX #25BCF4

RGB 37 188 244

HSL 196.23, 0.9%, 0.55%

LAB 71.48, -18.44, -38.26

 

CMYK 0 / 85 / 57 / 5

HEX #F32468

RGB 243 36 104

HSL 340.29, 0.9%, 0.55%

LAB 53.29, 76.3, 15.95

 

CMYK 57 / 0 / 85 / 4

HEX #6AF425

RGB 106 244 37

HSL 100, 0.9%, 0.55%

LAB 85.96, -69.1, 77.76

 

CMYK 85 / 57 / 0 / 4

HEX #256AF4

RGB 37 106 244

HSL 220, 0.9%, 0.55%

LAB 48.55, 29.89, -74.82

 

CMYK 0 / 85 / 57 / 5

HEX #F32468

RGB 243 36 104

HSL 340.29, 0.9%, 0.55%

LAB 53.29, 76.3, 15.95

 

CMYK 0 / 11 / 85 / 4

HEX #F4D825

RGB 244 216 37

HSL 51.88, 0.9%, 0.55%

LAB 86.25, -6.62, 81.23

 

CMYK 85 / 0 / 28 / 4

HEX #25F4AF

RGB 37 244 175

HSL 160, 0.9%, 0.55%

LAB 86.1, -62.76, 20.14

 

CMYK 85 / 73 / 0 / 4

HEX #2541F4

RGB 37 65 244

HSL 231.88, 0.9%, 0.55%

LAB 39.08, 54.85, -90.38

 

CMYK 0 / 85 / 57 / 5

HEX #F32468

RGB 243 36 104

HSL 340.29, 0.9%, 0.55%

LAB 53.29, 76.3, 15.95

 

CMYK 14 / 0 / 85 / 4

HEX #D1F425

RGB 209 244 37

HSL 70.14, 0.9%, 0.55%

LAB 90.96, -34.55, 84.01

 

CMYK 85 / 0 / 28 / 4

HEX #25F4AF

RGB 37 244 175

HSL 160, 0.9%, 0.55%

LAB 86.1, -62.76, 20.14

 

CMYK 71 / 85 / 0 / 4

HEX #4725F4

RGB 71 37 244

HSL 249.86, 0.9%, 0.55%

LAB 36.36, 69.67, -94.84

 

Description

Color code: RGB 243 36 104 | qconv.com Color code: RGB 243 36 104 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 36 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 36 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 57 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 57% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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