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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 177 247 it is the complementary color RGB 12 78 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 177 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 177 247 shade: RGB 248 177 242, RGB 255 195 255, RGB 255 213 255, RGB 255 231 255 and RGB 255 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 177 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 226 159 228, RGB 209 141 209, RGB 192 123 190 and RGB 175 105 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 247 177 232, RGB 247 177 213, RGB 247 177 194 and RGB 247 177 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 224 177 247, RGB 205 177 247, RGB 186 177 247 and RGB 177 177 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 177 247 shade matches the following richer shades: RGB 243 177 247 and RGB 249 170 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 237 184 240, RGB 230 191 233, RGB 224 198 226 and RGB 218 205 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 177 247 shade: RGB 205 177 247, RGB 223 177 247, RGB 242 177 247, RGB 247 177 233 and RGB 247 177 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 177 247 shade: RGB 231 102 239, RGB 237 139 243, RGB 243 177 247, RGB 249 214 251 and RGB 254 251 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 247 186 177 and RGB 177 247 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 247 242 177 and RGB 177 247 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 247 186 177, RGB 181 247 177 and RGB 177 237 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 177 247 shade: RGB 243 177 247, RGB 247 207 177, RGB 181 247 177 and RGB 177 216 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

Complementary color

CMYK 85 / 0 / 90 / 69

HEX #0C4E08

RGB 12 78 8

HSL 116.57, 0.81%, 0.17%

LAB 28.23, -34.06, 32.43

 

CMYK 0 / 29 / 2 / 3

HEX #F8B1F2

RGB 248 177 242

HSL 305.07, 0.84%, 0.83%

LAB 80.63, 36, -22.09

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 1 / 30 / 0 / 11

HEX #E29FE4

RGB 226 159 228

HSL 298.26, 0.56%, 0.76%

LAB 73.91, 35.98, -24.95

 

CMYK 0 / 33 / 0 / 18

HEX #D18DD1

RGB 209 141 209

HSL 300, 0.43%, 0.69%

LAB 67.43, 36.68, -24.56

 

CMYK 0 / 36 / 1 / 25

HEX #C07BBE

RGB 192 123 190

HSL 301.74, 0.35%, 0.62%

LAB 60.86, 37.42, -24.13

 

CMYK 0 / 40 / 2 / 31

HEX #AF69AB

RGB 175 105 171

HSL 303.43, 0.3%, 0.55%

LAB 54.19, 38.18, -23.66

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 0 / 28 / 6 / 3

HEX #F7B1E8

RGB 247 177 232

HSL 312.86, 0.81%, 0.83%

LAB 80.2, 33.93, -17.37

 

CMYK 0 / 28 / 14 / 3

HEX #F7B1D5

RGB 247 177 213

HSL 329.14, 0.81%, 0.83%

LAB 79.63, 30.78, -7.97

 

CMYK 0 / 28 / 21 / 3

HEX #F7B1C2

RGB 247 177 194

HSL 345.43, 0.81%, 0.83%

LAB 79.11, 27.89, 1.56

 

CMYK 0 / 28 / 28 / 3

HEX #F7B1B1

RGB 247 177 177

HSL 0, 0.81%, 0.83%

LAB 78.69, 25.52, 10.18

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 9 / 28 / 0 / 3

HEX #E0B1F7

RGB 224 177 247

HSL 280.29, 0.81%, 0.83%

LAB 78.47, 29.35, -28.3

 

CMYK 17 / 28 / 0 / 3

HEX #CDB1F7

RGB 205 177 247

HSL 264, 0.81%, 0.83%

LAB 76.76, 23.49, -31.06

 

CMYK 25 / 28 / 0 / 3

HEX #BAB1F7

RGB 186 177 247

HSL 247.71, 0.81%, 0.83%

LAB 75.2, 17.81, -33.6

 

CMYK 28 / 28 / 0 / 3

HEX #B1B1F7

RGB 177 177 247

HSL 240, 0.81%, 0.83%

LAB 74.51, 15.21, -34.72

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 2 / 33 / 0 / 0

HEX #F9AAFE

RGB 249 170 254

HSL 296.43, 0.98%, 0.83%

LAB 79.64, 42.14, -30.04

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 1 / 23 / 0 / 6

HEX #EDB8F0

RGB 237 184 240

HSL 296.79, 0.65%, 0.83%

LAB 81.06, 28.38, -20.47

 

CMYK 1 / 18 / 0 / 9

HEX #E6BFE9

RGB 230 191 233

HSL 295.71, 0.49%, 0.83%

LAB 81.82, 21.06, -15.63

 

CMYK 1 / 12 / 0 / 11

HEX #E0C6E2

RGB 224 198 226

HSL 295.71, 0.33%, 0.83%

LAB 82.77, 14.03, -10.53

 

CMYK 0 / 6 / 0 / 14

HEX #DACDDB

RGB 218 205 219

HSL 295.71, 0.16%, 0.83%

LAB 83.8, 7, -5.31

 

CMYK 17 / 28 / 0 / 3

HEX #CDB1F7

RGB 205 177 247

HSL 264, 0.81%, 0.83%

LAB 76.76, 23.49, -31.06

 

CMYK 10 / 28 / 0 / 3

HEX #DFB1F7

RGB 223 177 247

HSL 279.43, 0.81%, 0.83%

LAB 78.37, 29.04, -28.45

 

CMYK 2 / 28 / 0 / 3

HEX #F2B1F7

RGB 242 177 247

HSL 295.71, 0.81%, 0.83%

LAB 80.2, 35, -25.49

 

CMYK 0 / 28 / 6 / 3

HEX #F7B1E9

RGB 247 177 233

HSL 312, 0.81%, 0.83%

LAB 80.24, 34.1, -17.86

 

CMYK 0 / 28 / 13 / 3

HEX #F7B1D6

RGB 247 177 214

HSL 328.29, 0.81%, 0.83%

LAB 79.66, 30.94, -8.47

 

CMYK 3 / 57 / 0 / 6

HEX #E766EF

RGB 231 102 239

HSL 296.5, 0.81%, 0.67%

LAB 63.94, 67.73, -46.46

 

CMYK 2 / 43 / 0 / 5

HEX #ED8BF3

RGB 237 139 243

HSL 296.54, 0.81%, 0.75%

LAB 71.51, 52.5, -36.74

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 1 / 15 / 0 / 2

HEX #F9D6FB

RGB 249 214 251

HSL 296.76, 0.82%, 0.91%

LAB 89.49, 18.44, -13.53

 

CMYK 0 / 2 / 0 / 0

HEX #FEFBFF

RGB 254 251 255

HSL 285, 1%, 0.99%

LAB 98.94, 1.7, -1.57

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 0 / 25 / 28 / 3

HEX #F7BAB1

RGB 247 186 177

HSL 7.71, 0.81%, 0.83%

LAB 80.78, 20.77, 13.14

 

CMYK 28 / 0 / 13 / 3

HEX #B1F7D6

RGB 177 247 214

HSL 151.71, 0.81%, 0.83%

LAB 92.01, -28.38, 8.93

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 0 / 2 / 28 / 3

HEX #F7F2B1

RGB 247 242 177

HSL 55.71, 0.81%, 0.83%

LAB 94.51, -8.11, 32.05

 

CMYK 28 / 0 / 2 / 3

HEX #B1F7F2

RGB 177 247 242

HSL 175.71, 0.81%, 0.83%

LAB 92.7, -22.61, -4.59

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 0 / 25 / 28 / 3

HEX #F7BAB1

RGB 247 186 177

HSL 7.71, 0.81%, 0.83%

LAB 80.78, 20.77, 13.14

 

CMYK 27 / 0 / 28 / 3

HEX #B5F7B1

RGB 181 247 177

HSL 116.57, 0.81%, 0.83%

LAB 91.47, -33.71, 27.21

 

CMYK 28 / 4 / 0 / 3

HEX #B1EDF7

RGB 177 237 247

HSL 188.57, 0.81%, 0.83%

LAB 90.15, -16.57, -10.96

 

CMYK 2 / 28 / 0 / 3

HEX #F3B1F7

RGB 243 177 247

HSL 296.57, 0.81%, 0.83%

LAB 80.3, 35.31, -25.33

 

CMYK 0 / 16 / 28 / 3

HEX #F7CFB1

RGB 247 207 177

HSL 25.71, 0.81%, 0.83%

LAB 85.79, 9.75, 20.16

 

CMYK 27 / 0 / 28 / 3

HEX #B5F7B1

RGB 181 247 177

HSL 116.57, 0.81%, 0.83%

LAB 91.47, -33.71, 27.21

 

CMYK 28 / 13 / 0 / 3

HEX #B1D8F7

RGB 177 216 247

HSL 206.57, 0.81%, 0.83%

LAB 84.57, -5.84, -19.33

 

Description

Color code: RGB 243 177 247 | qconv.com Color code: RGB 243 177 247 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 177 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 177 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 28 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 28% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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