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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 171 143 it is the complementary color RGB 12 84 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 171 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 171 143 shade: RGB 248 171 138, RGB 255 189 157, RGB 255 207 176, RGB 255 225 195 and RGB 255 243 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 171 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 171 143 shade: RGB 243 171 143, RGB 226 153 124, RGB 209 135 105, RGB 192 117 86 and RGB 175 99 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 171 143 shade: RGB 243 171 144, RGB 243 145 144 and RGB 243 144 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 171 143 shade: RGB 243 171 144, RGB 243 198 144, RGB 243 225 144, RGB 234 243 144 and RGB 207 243 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 171 143 shade matches the following richer shades: RGB 243 171 144 and RGB 253 167 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 171 143 shade: RGB 243 171 144, RGB 233 176 154, RGB 223 180 164, RGB 213 185 173 and RGB 203 189 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 171 143 shade: RGB 243 144 170, RGB 243 144 144, RGB 243 170 144, RGB 243 197 144 and RGB 243 223 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 171 143 shade: RGB 235 116 69, RGB 239 144 106, RGB 243 171 144, RGB 247 199 181 and RGB 251 227 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 171 143 shade: RGB 243 171 143, RGB 197 243 144 and RGB 144 157 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 171 143 shade: RGB 243 171 143, RGB 144 243 170 and RGB 170 144 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 171 143 shade: RGB 243 171 143, RGB 197 243 144, RGB 144 216 243 and RGB 190 144 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 171 143 shade: RGB 243 171 143, RGB 167 243 144, RGB 144 216 243 and RGB 220 144 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 41 / 5

HEX #F3AB8F

RGB 243 171 143

HSL 16.8, 0.81%, 0.76%

LAB 76.17, 23.09, 24.99

 

Complementary color

CMYK 89 / 25 / 0 / 56

HEX #0C5470

RGB 12 84 112

HSL 196.8, 0.81%, 0.24%

LAB 33.11, -9.91, -21.88

 

CMYK 0 / 31 / 44 / 3

HEX #F8AB8A

RGB 248 171 138

HSL 18, 0.89%, 0.76%

LAB 76.63, 24.5, 28.38

 

CMYK 0 / 26 / 38 / 0

HEX #FFBD9D

RGB 255 189 157

HSL 19.59, 1%, 0.81%

LAB 81.89, 19.77, 25.48

 

CMYK 0 / 19 / 31 / 0

HEX #FFCFB0

RGB 255 207 176

HSL 23.54, 1%, 0.85%

LAB 86.51, 12.63, 21.8

 

CMYK 0 / 12 / 24 / 0

HEX #FFE1C3

RGB 255 225 195

HSL 30, 1%, 0.88%

LAB 91.26, 5.83, 18.47

 

CMYK 0 / 5 / 16 / 0

HEX #FFF3D6

RGB 255 243 214

HSL 42.44, 1%, 0.92%

LAB 96.09, -0.6, 15.43

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB8F

RGB 243 171 143

HSL 16.8, 0.81%, 0.76%

LAB 76.17, 23.09, 24.99

 

CMYK 0 / 32 / 45 / 11

HEX #E2997C

RGB 226 153 124

HSL 17.06, 0.64%, 0.69%

LAB 69.76, 24.03, 26.34

 

CMYK 0 / 35 / 50 / 18

HEX #D18769

RGB 209 135 105

HSL 17.31, 0.53%, 0.62%

LAB 63.26, 25.1, 27.83

 

CMYK 0 / 39 / 55 / 25

HEX #C07556

RGB 192 117 86

HSL 17.55, 0.46%, 0.55%

LAB 56.68, 26.3, 29.47

 

CMYK 0 / 43 / 62 / 31

HEX #AF6343

RGB 175 99 67

HSL 17.78, 0.45%, 0.47%

LAB 50.03, 27.66, 31.32

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB90

RGB 243 171 144

HSL 16.36, 0.8%, 0.76%

LAB 76.19, 23.19, 24.48

 

CMYK 0 / 40 / 41 / 5

HEX #F39190

RGB 243 145 144

HSL 0.61, 0.8%, 0.76%

LAB 70.4, 36.85, 16.53

 

CMYK 0 / 41 / 41 / 5

HEX #F39090

RGB 243 144 144

HSL 0, 0.8%, 0.76%

LAB 70.19, 37.37, 16.23

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB90

RGB 243 171 144

HSL 16.36, 0.8%, 0.76%

LAB 76.19, 23.19, 24.48

 

CMYK 0 / 19 / 41 / 5

HEX #F3C690

RGB 243 198 144

HSL 32.73, 0.8%, 0.76%

LAB 82.62, 8.97, 33.08

 

CMYK 0 / 7 / 41 / 5

HEX #F3E190

RGB 243 225 144

HSL 49.09, 0.8%, 0.76%

LAB 89.35, -4.91, 41.81

 

CMYK 4 / 0 / 41 / 5

HEX #EAF390

RGB 234 243 144

HSL 65.45, 0.8%, 0.76%

LAB 93.28, -17.32, 46.64

 

CMYK 15 / 0 / 41 / 5

HEX #CFF390

RGB 207 243 144

HSL 81.82, 0.8%, 0.76%

LAB 91.41, -27.43, 43.88

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB90

RGB 243 171 144

HSL 16.36, 0.8%, 0.76%

LAB 76.19, 23.19, 24.48

 

CMYK 0 / 34 / 47 / 1

HEX #FDA786

RGB 253 167 134

HSL 16.64, 0.97%, 0.76%

LAB 76.22, 28.14, 30.08

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB90

RGB 243 171 144

HSL 16.36, 0.8%, 0.76%

LAB 76.19, 23.19, 24.48

 

CMYK 0 / 24 / 34 / 9

HEX #E9B09A

RGB 233 176 154

HSL 16.71, 0.64%, 0.76%

LAB 76.5, 17.85, 19.34

 

CMYK 0 / 19 / 26 / 13

HEX #DFB4A4

RGB 223 180 164

HSL 16.27, 0.48%, 0.76%

LAB 76.69, 13.21, 14.04

 

CMYK 0 / 13 / 19 / 16

HEX #D5B9AD

RGB 213 185 173

HSL 18, 0.32%, 0.76%

LAB 77.2, 8.09, 9.76

 

CMYK 0 / 7 / 10 / 20

HEX #CBBDB7

RGB 203 189 183

HSL 18, 0.16%, 0.76%

LAB 77.59, 3.91, 4.8

 

CMYK 0 / 41 / 30 / 5

HEX #F390AA

RGB 243 144 170

HSL 344.24, 0.8%, 0.76%

LAB 70.8, 40.45, 2.63

 

CMYK 0 / 41 / 41 / 5

HEX #F39090

RGB 243 144 144

HSL 0, 0.8%, 0.76%

LAB 70.19, 37.37, 16.23

 

CMYK 0 / 30 / 41 / 5

HEX #F3AA90

RGB 243 170 144

HSL 15.76, 0.8%, 0.76%

LAB 75.96, 23.72, 24.16

 

CMYK 0 / 19 / 41 / 5

HEX #F3C590

RGB 243 197 144

HSL 32.12, 0.8%, 0.76%

LAB 82.38, 9.5, 32.75

 

CMYK 0 / 8 / 41 / 5

HEX #F3DF90

RGB 243 223 144

HSL 47.88, 0.8%, 0.76%

LAB 88.85, -3.9, 41.16

 

CMYK 0 / 51 / 71 / 8

HEX #EB7445

RGB 235 116 69

HSL 16.99, 0.81%, 0.6%

LAB 62.15, 42.7, 46.54

 

CMYK 0 / 40 / 56 / 6

HEX #EF906A

RGB 239 144 106

HSL 17.14, 0.81%, 0.68%

LAB 69, 32.29, 35.39

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB90

RGB 243 171 144

HSL 16.36, 0.8%, 0.76%

LAB 76.19, 23.19, 24.48

 

CMYK 0 / 19 / 27 / 3

HEX #F7C7B5

RGB 247 199 181

HSL 16.36, 0.8%, 0.84%

LAB 83.94, 14.47, 15.46

 

CMYK 0 / 10 / 13 / 2

HEX #FBE3DA

RGB 251 227 218

HSL 16.36, 0.8%, 0.92%

LAB 91.91, 6.76, 7.36

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB8F

RGB 243 171 143

HSL 16.8, 0.81%, 0.76%

LAB 76.17, 23.09, 24.99

 

CMYK 19 / 0 / 41 / 5

HEX #C5F390

RGB 197 243 144

HSL 87.88, 0.8%, 0.76%

LAB 90.77, -31.05, 42.95

 

CMYK 41 / 35 / 0 / 5

HEX #909DF3

RGB 144 157 243

HSL 232.12, 0.8%, 0.76%

LAB 66.91, 16.49, -44.57

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB8F

RGB 243 171 143

HSL 16.8, 0.81%, 0.76%

LAB 76.17, 23.09, 24.99

 

CMYK 41 / 0 / 30 / 5

HEX #90F3AA

RGB 144 243 170

HSL 135.76, 0.8%, 0.76%

LAB 88.42, -44.28, 26.32

 

CMYK 30 / 41 / 0 / 5

HEX #AA90F3

RGB 170 144 243

HSL 255.76, 0.8%, 0.76%

LAB 65.72, 30.78, -46.31

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB8F

RGB 243 171 143

HSL 16.8, 0.81%, 0.76%

LAB 76.17, 23.09, 24.99

 

CMYK 19 / 0 / 41 / 5

HEX #C5F390

RGB 197 243 144

HSL 87.88, 0.8%, 0.76%

LAB 90.77, -31.05, 42.95

 

CMYK 41 / 11 / 0 / 5

HEX #90D8F3

RGB 144 216 243

HSL 196.36, 0.8%, 0.76%

LAB 82.65, -15.68, -20.29

 

CMYK 22 / 41 / 0 / 5

HEX #BE90F3

RGB 190 144 243

HSL 267.88, 0.8%, 0.76%

LAB 67.55, 36.34, -43.3

 

CMYK 0 / 30 / 41 / 5

HEX #F3AB8F

RGB 243 171 143

HSL 16.8, 0.81%, 0.76%

LAB 76.17, 23.09, 24.99

 

CMYK 31 / 0 / 41 / 5

HEX #A7F390

RGB 167 243 144

HSL 106.06, 0.8%, 0.76%

LAB 89.08, -41.33, 40.43

 

CMYK 41 / 11 / 0 / 5

HEX #90D8F3

RGB 144 216 243

HSL 196.36, 0.8%, 0.76%

LAB 82.65, -15.68, -20.29

 

CMYK 9 / 41 / 0 / 5

HEX #DC90F3

RGB 220 144 243

HSL 286.06, 0.8%, 0.76%

LAB 70.62, 44.98, -38.28

 

Description

Color code: RGB 243 171 143 | qconv.com Color code: RGB 243 171 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 171 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 171 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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