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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 159 24 it is the complementary color RGB 12 96 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 159 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 243 159 24: RGB 248 159 19, RGB 255 177 38, RGB 255 195 57, RGB 255 213 76 and RGB 255 231 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 159 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 243 159 24: RGB 243 159 24, RGB 226 141 5, RGB 209 123 0, RGB 192 105 0 and RGB 175 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

 

Complementary color

CMYK 95 / 58 / 0 / 9

HEX #0C60E7

RGB 12 96 231

HSL 216.99, 0.9%, 0.48%

LAB 44.54, 30.17, -74.09

 

CMYK 0 / 36 / 92 / 3

HEX #F89F13

RGB 248 159 19

HSL 36.68, 0.94%, 0.52%

LAB 72.76, 24.32, 74.62

 

CMYK 0 / 31 / 85 / 0

HEX #FFB126

RGB 255 177 38

HSL 38.43, 1%, 0.57%

LAB 77.78, 18.18, 74.53

 

CMYK 0 / 24 / 78 / 0

HEX #FFC339

RGB 255 195 57

HSL 41.82, 1%, 0.61%

LAB 82.16, 9.36, 72.49

 

CMYK 0 / 16 / 70 / 0

HEX #FFD54C

RGB 255 213 76

HSL 45.92, 1%, 0.65%

LAB 86.69, 0.9, 69.92

 

CMYK 0 / 9 / 63 / 0

HEX #FFE75F

RGB 255 231 95

HSL 51, 1%, 0.69%

LAB 91.34, -7.14, 67.12

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 0 / 38 / 98 / 11

HEX #E28D05

RGB 226 141 5

HSL 36.92, 0.96%, 0.45%

LAB 65.93, 24.4, 70.67

 

CMYK 0 / 41 / 100 / 18

HEX #D17B00

RGB 209 123 0

HSL 35.31, 1%, 0.41%

LAB 59.64, 26.74, 66.27

 

CMYK 0 / 45 / 100 / 25

HEX #C06900

RGB 192 105 0

HSL 32.81, 1%, 0.38%

LAB 53.29, 29.18, 61.13

 

CMYK 0 / 50 / 100 / 31

HEX #AF5700

RGB 175 87 0

HSL 29.83, 1%, 0.34%

LAB 46.88, 31.64, 55.97

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 0 / 21 / 91 / 5

HEX #F2BF16

RGB 242 191 22

HSL 46.09, 0.89%, 0.52%

LAB 79.73, 5.04, 78.95

 

CMYK 0 / 6 / 91 / 5

HEX #F2E416

RGB 242 228 22

HSL 56.18, 0.89%, 0.52%

LAB 89.12, -13.71, 86.1

 

CMYK 9 / 0 / 91 / 5

HEX #DCF216

RGB 220 242 22

HSL 66, 0.89%, 0.52%

LAB 91.13, -29.53, 86.92

 

CMYK 24 / 0 / 91 / 5

HEX #B8F216

RGB 184 242 22

HSL 75.82, 0.89%, 0.52%

LAB 88.81, -43.69, 84.09

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 0 / 33 / 90 / 85

HEX #271A04

RGB 39 26 4

HSL 37.71, 0.81%, 0.08%

LAB 10.4, 3.53, 13.96

 

CMYK 0 / 34 / 90 / 65

HEX #5A3B09

RGB 90 59 9

HSL 37.04, 0.82%, 0.19%

LAB 27.63, 9.12, 33.65

 

CMYK 0 / 35 / 90 / 45

HEX #8D5C0E

RGB 141 92 14

HSL 36.85, 0.82%, 0.3%

LAB 43.28, 14.01, 47.68

 

CMYK 0 / 34 / 90 / 25

HEX #C07E13

RGB 192 126 19

HSL 37.11, 0.82%, 0.41%

LAB 58.2, 17.99, 60.77

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 73 / 0 / 91 / 5

HEX #42F216

RGB 66 242 22

HSL 108, 0.89%, 0.52%

LAB 84.34, -77.06, 78.59

 

CMYK 73 / 91 / 0 / 5

HEX #4216F2

RGB 66 22 242

HSL 252, 0.89%, 0.52%

LAB 34.28, 73.36, -97.18

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 91 / 0 / 36 / 5

HEX #16F29A

RGB 22 242 154

HSL 156, 0.89%, 0.52%

LAB 85, -67.28, 29.35

 

CMYK 36 / 91 / 0 / 5

HEX #9A16F2

RGB 154 22 242

HSL 276, 0.89%, 0.52%

LAB 44.02, 80.34, -80.75

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 73 / 0 / 91 / 5

HEX #42F216

RGB 66 242 22

HSL 108, 0.89%, 0.52%

LAB 84.34, -77.06, 78.59

 

CMYK 91 / 55 / 0 / 5

HEX #166EF2

RGB 22 110 242

HSL 216, 0.89%, 0.52%

LAB 49.17, 25.78, -72.7

 

CMYK 18 / 91 / 0 / 5

HEX #C616F2

RGB 198 22 242

HSL 288, 0.89%, 0.52%

LAB 50.68, 86.05, -69.62

 

CMYK 0 / 35 / 90 / 5

HEX #F39F18

RGB 243 159 24

HSL 36.99, 0.9%, 0.52%

LAB 72.17, 22.29, 72.94

RAL® 1037

CMYK 91 / 0 / 82 / 5

HEX #16F22C

RGB 22 242 44

HSL 126, 0.89%, 0.52%

LAB 83.89, -80.79, 73.76

 

CMYK 91 / 55 / 0 / 5

HEX #166EF2

RGB 22 110 242

HSL 216, 0.89%, 0.52%

LAB 49.17, 25.78, -72.7

 

CMYK 0 / 91 / 9 / 5

HEX #F216DC

RGB 242 22 220

HSL 306, 0.89%, 0.52%

LAB 56.7, 89.78, -47.13

 

Description

Color code: RGB 243 159 24 | qconv.com Color code: RGB 243 159 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 159 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 159 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 90 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 90% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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