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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 142 247 it is the complementary color RGB 12 113 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 142 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 142 247 shade: RGB 248 142 242, RGB 255 160 255, RGB 255 178 255, RGB 255 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 142 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 142 247 shade: RGB 243 142 247, RGB 226 124 228, RGB 209 106 209, RGB 192 88 190 and RGB 175 70 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 142 247 shade: RGB 242 140 247, RGB 247 140 222, RGB 247 140 193, RGB 247 140 164 and RGB 247 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 142 247 shade: RGB 242 140 247, RGB 214 140 247, RGB 185 140 247, RGB 156 140 247 and RGB 140 140 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 142 247 shade matches the following richer shades: RGB 242 140 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 142 247 shade: RGB 242 140 247, RGB 233 150 237, RGB 224 160 227, RGB 215 170 217 and RGB 206 180 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 142 247 shade: RGB 184 140 247, RGB 213 140 247, RGB 241 140 247, RGB 247 140 223 and RGB 247 140 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 142 247 shade: RGB 234 63 241, RGB 238 101 244, RGB 242 140 247, RGB 247 179 249 and RGB 251 217 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 142 247 shade: RGB 243 142 247, RGB 247 156 140 and RGB 140 247 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 142 247 shade: RGB 243 142 247, RGB 247 241 140 and RGB 140 247 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 142 247 shade: RGB 243 142 247, RGB 247 156 140, RGB 145 247 140 and RGB 140 231 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 142 247 shade: RGB 243 142 247, RGB 247 188 140, RGB 145 247 140 and RGB 140 199 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 43 / 0 / 3

HEX #F38EF7

RGB 243 142 247

HSL 297.71, 0.87%, 0.76%

LAB 72.97, 53.44, -36.61

 

Complementary color

CMYK 89 / 0 / 93 / 56

HEX #0C7108

RGB 12 113 8

HSL 117.71, 0.87%, 0.24%

LAB 41.07, -45.78, 43.86

 

CMYK 0 / 43 / 2 / 3

HEX #F88EF2

RGB 248 142 242

HSL 303.4, 0.88%, 0.76%

LAB 73.36, 54.01, -33.23

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 2 / 43 / 0 / 3

HEX #F38EF7

RGB 243 142 247

HSL 297.71, 0.87%, 0.76%

LAB 72.97, 53.44, -36.61

 

CMYK 1 / 46 / 0 / 11

HEX #E27CE4

RGB 226 124 228

HSL 298.85, 0.66%, 0.69%

LAB 66.66, 54.14, -36.14

 

CMYK 0 / 49 / 0 / 18

HEX #D16AD1

RGB 209 106 209

HSL 300, 0.53%, 0.62%

LAB 60.31, 54.79, -35.58

 

CMYK 0 / 54 / 1 / 25

HEX #C058BE

RGB 192 88 190

HSL 301.15, 0.45%, 0.55%

LAB 53.92, 55.34, -34.89

 

CMYK 0 / 60 / 2 / 31

HEX #AF46AB

RGB 175 70 171

HSL 302.29, 0.43%, 0.48%

LAB 47.54, 55.7, -34.01

 

CMYK 2 / 43 / 0 / 3

HEX #F28CF7

RGB 242 140 247

HSL 297.2, 0.87%, 0.76%

LAB 72.46, 54.16, -37.41

 

CMYK 0 / 43 / 10 / 3

HEX #F78CDE

RGB 247 140 222

HSL 314.02, 0.87%, 0.76%

LAB 72.1, 51.37, -24.23

 

CMYK 0 / 43 / 22 / 3

HEX #F78CC1

RGB 247 140 193

HSL 330.28, 0.87%, 0.76%

LAB 71.13, 46.97, -9.64

 

CMYK 0 / 43 / 34 / 3

HEX #F78CA4

RGB 247 140 164

HSL 346.54, 0.87%, 0.76%

LAB 70.32, 43.15, 5.35

 

CMYK 0 / 43 / 43 / 3

HEX #F78C8C

RGB 247 140 140

HSL 0, 0.87%, 0.76%

LAB 69.77, 40.47, 17.96

 

CMYK 2 / 43 / 0 / 3

HEX #F28CF7

RGB 242 140 247

HSL 297.2, 0.87%, 0.76%

LAB 72.46, 54.16, -37.41

 

CMYK 13 / 43 / 0 / 3

HEX #D68CF7

RGB 214 140 247

HSL 281.5, 0.87%, 0.76%

LAB 69.3, 46.17, -42.57

 

CMYK 25 / 43 / 0 / 3

HEX #B98CF7

RGB 185 140 247

HSL 265.23, 0.87%, 0.76%

LAB 66.36, 38.08, -47.41

 

CMYK 37 / 43 / 0 / 3

HEX #9C8CF7

RGB 156 140 247

HSL 248.97, 0.87%, 0.76%

LAB 63.79, 30.4, -51.63

 

CMYK 43 / 43 / 0 / 3

HEX #8C8CF7

RGB 140 140 247

HSL 240, 0.87%, 0.76%

LAB 62.55, 26.46, -53.68

 

CMYK 2 / 43 / 0 / 3

HEX #F28CF7

RGB 242 140 247

HSL 297.2, 0.87%, 0.76%

LAB 72.46, 54.16, -37.41

 

CMYK 2 / 43 / 0 / 3

HEX #F28CF7

RGB 242 140 247

HSL 297.2, 0.87%, 0.76%

LAB 72.46, 54.16, -37.41

 

CMYK 2 / 37 / 0 / 7

HEX #E996ED

RGB 233 150 237

HSL 297.24, 0.71%, 0.76%

LAB 73.06, 44.57, -31.12

 

CMYK 1 / 30 / 0 / 11

HEX #E0A0E3

RGB 224 160 227

HSL 297.31, 0.54%, 0.76%

LAB 73.89, 34.62, -24.46

 

CMYK 1 / 22 / 0 / 15

HEX #D7AAD9

RGB 215 170 217

HSL 297.45, 0.38%, 0.76%

LAB 74.95, 24.42, -17.47

 

CMYK 0 / 13 / 0 / 19

HEX #CEB4CF

RGB 206 180 207

HSL 297.78, 0.22%, 0.76%

LAB 76.23, 14.08, -10.18

 

CMYK 26 / 43 / 0 / 3

HEX #B88CF7

RGB 184 140 247

HSL 264.67, 0.87%, 0.76%

LAB 66.26, 37.8, -47.56

 

CMYK 14 / 43 / 0 / 3

HEX #D58CF7

RGB 213 140 247

HSL 280.93, 0.87%, 0.76%

LAB 69.2, 45.88, -42.75

 

CMYK 2 / 43 / 0 / 3

HEX #F18CF7

RGB 241 140 247

HSL 296.64, 0.87%, 0.76%

LAB 72.34, 53.87, -37.6

 

CMYK 0 / 43 / 10 / 3

HEX #F78CDF

RGB 247 140 223

HSL 313.46, 0.87%, 0.76%

LAB 72.13, 51.53, -24.72

 

CMYK 0 / 43 / 21 / 3

HEX #F78CC3

RGB 247 140 195

HSL 329.16, 0.87%, 0.76%

LAB 71.19, 47.25, -10.66

 

CMYK 3 / 74 / 0 / 5

HEX #EA3FF1

RGB 234 63 241

HSL 297.64, 0.86%, 0.6%

LAB 59.34, 83.11, -54.82

 

CMYK 2 / 59 / 0 / 4

HEX #EE65F4

RGB 238 101 244

HSL 297.48, 0.87%, 0.68%

LAB 64.98, 70.74, -47.52

 

CMYK 2 / 43 / 0 / 3

HEX #F28CF7

RGB 242 140 247

HSL 297.2, 0.87%, 0.76%

LAB 72.46, 54.16, -37.41

 

CMYK 1 / 28 / 0 / 2

HEX #F7B3F9

RGB 247 179 249

HSL 298.29, 0.85%, 0.84%

LAB 81.21, 35.88, -24.98

 

CMYK 0 / 14 / 0 / 1

HEX #FBD9FC

RGB 251 217 252

HSL 298.29, 0.85%, 0.92%

LAB 90.4, 17.7, -12.67

 

CMYK 2 / 43 / 0 / 3

HEX #F38EF7

RGB 243 142 247

HSL 297.71, 0.87%, 0.76%

LAB 72.97, 53.44, -36.61

 

CMYK 0 / 37 / 43 / 3

HEX #F79C8C

RGB 247 156 140

HSL 8.97, 0.87%, 0.76%

LAB 73.18, 32.19, 22.64

 

CMYK 43 / 0 / 19 / 3

HEX #8CF7C7

RGB 140 247 199

HSL 153.08, 0.87%, 0.76%

LAB 89.96, -41.63, 13.53

 

CMYK 2 / 43 / 0 / 3

HEX #F38EF7

RGB 243 142 247

HSL 297.71, 0.87%, 0.76%

LAB 72.97, 53.44, -36.61

 

CMYK 0 / 2 / 43 / 3

HEX #F7F18C

RGB 247 241 140

HSL 56.64, 0.87%, 0.76%

LAB 93.7, -11.74, 49.31

 

CMYK 43 / 0 / 2 / 3

HEX #8CF7F1

RGB 140 247 241

HSL 176.64, 0.87%, 0.76%

LAB 90.98, -32.33, -6.79

 

CMYK 2 / 43 / 0 / 3

HEX #F38EF7

RGB 243 142 247

HSL 297.71, 0.87%, 0.76%

LAB 72.97, 53.44, -36.61

 

CMYK 0 / 37 / 43 / 3

HEX #F79C8C

RGB 247 156 140

HSL 8.97, 0.87%, 0.76%

LAB 73.18, 32.19, 22.64

 

CMYK 41 / 0 / 43 / 3

HEX #91F78C

RGB 145 247 140

HSL 117.2, 0.87%, 0.76%

LAB 89.13, -50.39, 42.24

 

CMYK 43 / 6 / 0 / 3

HEX #8CE7F7

RGB 140 231 247

HSL 188.97, 0.87%, 0.76%

LAB 86.72, -23.16, -16.28

 

CMYK 2 / 43 / 0 / 3

HEX #F38EF7

RGB 243 142 247

HSL 297.71, 0.87%, 0.76%

LAB 72.97, 53.44, -36.61

 

CMYK 0 / 24 / 43 / 3

HEX #F7BC8C

RGB 247 188 140

HSL 26.92, 0.87%, 0.76%

LAB 80.53, 15.36, 32.48

 

CMYK 41 / 0 / 43 / 3

HEX #91F78C

RGB 145 247 140

HSL 117.2, 0.87%, 0.76%

LAB 89.13, -50.39, 42.24

 

CMYK 43 / 19 / 0 / 3

HEX #8CC7F7

RGB 140 199 247

HSL 206.92, 0.87%, 0.76%

LAB 77.96, -6.74, -29.6

 

Description

Color code: RGB 243 142 247 | qconv.com Color code: RGB 243 142 247 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 142 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 142 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 43 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 43% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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