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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 138 119 it is the complementary color RGB 12 117 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 138 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 243 138 119: RGB 248 138 114, RGB 255 156 133, RGB 255 174 152, RGB 255 192 171 and RGB 255 210 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 138 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 243 138 119: RGB 243 138 119, RGB 226 120 100, RGB 209 102 81, RGB 192 84 62 and RGB 175 66 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

Complementary color

CMYK 91 / 14 / 0 / 47

HEX #0C7588

RGB 12 117 136

HSL 189.19, 0.84%, 0.29%

LAB 45.05, -19.81, -18.07

 

CMYK 0 / 44 / 54 / 3

HEX #F88A72

RGB 248 138 114

HSL 10.75, 0.91%, 0.71%

LAB 69, 39.48, 31.31

 

CMYK 0 / 39 / 48 / 0

HEX #FF9C85

RGB 255 156 133

HSL 11.31, 1%, 0.76%

LAB 74.02, 34.53, 27.74

 

CMYK 0 / 32 / 40 / 0

HEX #FFAE98

RGB 255 174 152

HSL 12.82, 1%, 0.8%

LAB 78.34, 27.08, 23.32

 

CMYK 0 / 25 / 33 / 0

HEX #FFC0AB

RGB 255 192 171

HSL 15, 1%, 0.84%

LAB 82.86, 19.84, 19.38

 

CMYK 0 / 18 / 25 / 0

HEX #FFD2BE

RGB 255 210 190

HSL 18.46, 1%, 0.87%

LAB 87.52, 12.9, 15.84

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 0 / 47 / 56 / 11

HEX #E27864

RGB 226 120 100

HSL 9.52, 0.68%, 0.64%

LAB 62.1, 39.23, 29.52

 

CMYK 0 / 51 / 61 / 18

HEX #D16651

RGB 209 102 81

HSL 9.84, 0.58%, 0.57%

LAB 55.74, 40.53, 31.58

 

CMYK 0 / 56 / 68 / 25

HEX #C0543E

RGB 192 84 62

HSL 10.15, 0.51%, 0.5%

LAB 49.37, 41.89, 33.93

 

CMYK 0 / 62 / 75 / 31

HEX #AF422B

RGB 175 66 43

HSL 10.45, 0.61%, 0.43%

LAB 43.04, 43.22, 36.59

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 0 / 35 / 51 / 5

HEX #F39E76

RGB 243 158 118

HSL 19.2, 0.84%, 0.71%

LAB 72.77, 27.51, 33.9

 

CMYK 0 / 27 / 51 / 5

HEX #F3B276

RGB 243 178 118

HSL 28.8, 0.84%, 0.71%

LAB 77.4, 16.95, 39.8

 

CMYK 0 / 18 / 51 / 5

HEX #F3C776

RGB 243 199 118

HSL 38.88, 0.84%, 0.71%

LAB 82.49, 5.94, 46.12

 

CMYK 0 / 9 / 51 / 5

HEX #F3DC76

RGB 243 220 118

HSL 48.96, 0.84%, 0.71%

LAB 87.75, -4.83, 52.49

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 0 / 44 / 51 / 85

HEX #271613

RGB 39 22 19

HSL 9, 0.34%, 0.11%

LAB 9.42, 8.18, 5.46

 

CMYK 0 / 43 / 51 / 65

HEX #5A332C

RGB 90 51 44

HSL 9.13, 0.34%, 0.26%

LAB 25.93, 16.73, 11.98

 

CMYK 0 / 43 / 51 / 45

HEX #8D5045

RGB 141 80 69

HSL 9.17, 0.34%, 0.41%

LAB 40.94, 24.32, 17.58

 

CMYK 0 / 43 / 51 / 25

HEX #C06D5E

RGB 192 109 94

HSL 9.18, 0.44%, 0.56%

LAB 55.02, 31.35, 22.77

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 18 / 0 / 51 / 5

HEX #C7F376

RGB 199 243 118

HSL 81.12, 0.84%, 0.71%

LAB 90.57, -33.16, 55.06

 

CMYK 51 / 39 / 0 / 5

HEX #7695F3

RGB 118 149 243

HSL 225.12, 0.84%, 0.71%

LAB 63.19, 14.97, -50.55

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 51 / 0 / 44 / 5

HEX #76F389

RGB 118 243 137

HSL 129.12, 0.84%, 0.71%

LAB 86.88, -56.54, 40.62

 

CMYK 44 / 51 / 0 / 5

HEX #8976F3

RGB 137 118 243

HSL 249.12, 0.84%, 0.71%

LAB 56.83, 37.41, -60.61

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 18 / 0 / 51 / 5

HEX #C7F376

RGB 199 243 118

HSL 81.12, 0.84%, 0.71%

LAB 90.57, -33.16, 55.06

 

CMYK 51 / 8 / 0 / 5

HEX #76E0F3

RGB 118 224 243

HSL 189.12, 0.84%, 0.71%

LAB 83.77, -25.62, -18.7

 

CMYK 33 / 51 / 0 / 5

HEX #A276F3

RGB 162 118 243

HSL 261.12, 0.84%, 0.71%

LAB 59.08, 43.3, -56.89

 

CMYK 0 / 43 / 51 / 5

HEX #F38A77

RGB 243 138 119

HSL 9.19, 0.84%, 0.71%

LAB 68.43, 38.01, 27.7

 

CMYK 33 / 0 / 51 / 5

HEX #A2F376

RGB 162 243 118

HSL 98.88, 0.84%, 0.71%

LAB 88.49, -46.17, 52.07

 

CMYK 51 / 8 / 0 / 5

HEX #76E0F3

RGB 118 224 243

HSL 189.12, 0.84%, 0.71%

LAB 83.77, -25.62, -18.7

 

CMYK 18 / 51 / 0 / 5

HEX #C776F3

RGB 199 118 243

HSL 278.88, 0.84%, 0.71%

LAB 62.99, 52.7, -50.43

 

Description

Color code: RGB 243 138 119 | qconv.com Color code: RGB 243 138 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 138 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 138 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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