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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 136 247 it is the complementary color RGB 12 119 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 136 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 136 247 shade: RGB 248 136 242, RGB 255 154 255, RGB 255 172 255, RGB 255 190 255 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 136 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 136 247 shade: RGB 243 136 247, RGB 226 118 228, RGB 209 100 209, RGB 192 82 190 and RGB 175 64 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 136 247 shade: RGB 242 135 246, RGB 246 135 220, RGB 246 135 190, RGB 246 135 160 and RGB 246 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 136 247 shade: RGB 242 135 246, RGB 212 135 246, RGB 182 135 246, RGB 152 135 246 and RGB 135 135 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 136 247 shade matches the following richer shades: RGB 242 135 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 136 247 shade: RGB 242 135 246, RGB 233 146 236, RGB 223 156 226, RGB 214 166 215 and RGB 204 177 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 136 247 shade: RGB 182 135 246, RGB 211 135 246, RGB 241 135 246, RGB 246 135 222 and RGB 246 135 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 136 247 shade: RGB 234 58 241, RGB 238 97 244, RGB 242 135 246, RGB 246 174 249 and RGB 250 212 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 136 247 shade: RGB 243 136 247, RGB 246 152 135 and RGB 135 246 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 136 247 shade: RGB 243 136 247, RGB 246 241 135 and RGB 135 246 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 136 247 shade: RGB 243 136 247, RGB 246 152 135, RGB 141 246 135 and RGB 135 230 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 136 247 shade: RGB 243 136 247, RGB 246 185 135, RGB 141 246 135 and RGB 135 196 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 45 / 0 / 3

HEX #F388F7

RGB 243 136 247

HSL 297.84, 0.87%, 0.75%

LAB 71.81, 56.43, -38.41

 

Complementary color

CMYK 90 / 0 / 93 / 53

HEX #0C7708

RGB 12 119 8

HSL 117.84, 0.87%, 0.25%

LAB 43.2, -47.67, 45.7

 

CMYK 0 / 45 / 2 / 3

HEX #F888F2

RGB 248 136 242

HSL 303.21, 0.89%, 0.75%

LAB 72.21, 56.97, -35.01

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 2 / 45 / 0 / 3

HEX #F388F7

RGB 243 136 247

HSL 297.84, 0.87%, 0.75%

LAB 71.81, 56.43, -38.41

 

CMYK 1 / 48 / 0 / 11

HEX #E276E4

RGB 226 118 228

HSL 298.91, 0.67%, 0.68%

LAB 65.54, 57.09, -37.89

 

CMYK 0 / 52 / 0 / 18

HEX #D164D1

RGB 209 100 209

HSL 300, 0.54%, 0.61%

LAB 59.23, 57.67, -37.27

 

CMYK 0 / 57 / 1 / 25

HEX #C052BE

RGB 192 82 190

HSL 301.09, 0.47%, 0.54%

LAB 52.9, 58.11, -36.49

 

CMYK 0 / 63 / 2 / 31

HEX #AF40AB

RGB 175 64 171

HSL 302.16, 0.46%, 0.47%

LAB 46.61, 58.27, -35.47

 

CMYK 2 / 45 / 0 / 4

HEX #F287F6

RGB 242 135 246

HSL 297.84, 0.86%, 0.75%

LAB 71.46, 56.46, -38.42

 

CMYK 0 / 45 / 11 / 4

HEX #F687DC

RGB 246 135 220

HSL 314.05, 0.86%, 0.75%

LAB 70.93, 53.23, -24.92

 

CMYK 0 / 45 / 23 / 4

HEX #F687BE

RGB 246 135 190

HSL 330.27, 0.86%, 0.75%

LAB 69.92, 48.72, -9.79

 

CMYK 0 / 45 / 35 / 4

HEX #F687A0

RGB 246 135 160

HSL 346.49, 0.86%, 0.75%

LAB 69.08, 44.85, 5.78

 

CMYK 0 / 45 / 45 / 4

HEX #F68787

RGB 246 135 135

HSL 0, 0.86%, 0.75%

LAB 68.51, 42.14, 18.99

 

CMYK 2 / 45 / 0 / 4

HEX #F287F6

RGB 242 135 246

HSL 297.84, 0.86%, 0.75%

LAB 71.46, 56.46, -38.42

 

CMYK 14 / 45 / 0 / 4

HEX #D487F6

RGB 212 135 246

HSL 281.62, 0.86%, 0.75%

LAB 68, 48.02, -44.07

 

CMYK 26 / 45 / 0 / 4

HEX #B687F6

RGB 182 135 246

HSL 265.41, 0.86%, 0.75%

LAB 64.9, 39.78, -49.17

 

CMYK 38 / 45 / 0 / 4

HEX #9887F6

RGB 152 135 246

HSL 249.19, 0.86%, 0.75%

LAB 62.22, 32, -53.59

 

CMYK 45 / 45 / 0 / 4

HEX #8787F6

RGB 135 135 246

HSL 240, 0.86%, 0.75%

LAB 60.9, 27.91, -55.77

 

CMYK 2 / 45 / 0 / 4

HEX #F287F6

RGB 242 135 246

HSL 297.84, 0.86%, 0.75%

LAB 71.46, 56.46, -38.42

 

CMYK 2 / 45 / 0 / 4

HEX #F287F6

RGB 242 135 246

HSL 297.84, 0.86%, 0.75%

LAB 71.46, 56.46, -38.42

 

CMYK 1 / 38 / 0 / 7

HEX #E992EC

RGB 233 146 236

HSL 298, 0.7%, 0.75%

LAB 72.19, 46.46, -31.91

 

CMYK 1 / 31 / 0 / 11

HEX #DF9CE2

RGB 223 156 226

HSL 297.43, 0.55%, 0.75%

LAB 72.86, 36.26, -25.49

 

CMYK 0 / 23 / 0 / 16

HEX #D6A6D7

RGB 214 166 215

HSL 298.78, 0.38%, 0.75%

LAB 73.85, 25.88, -18.05

 

CMYK 0 / 14 / 0 / 20

HEX #CCB1CD

RGB 204 177 205

HSL 297.86, 0.22%, 0.75%

LAB 75.26, 14.65, -10.57

 

CMYK 26 / 45 / 0 / 4

HEX #B687F6

RGB 182 135 246

HSL 265.41, 0.86%, 0.75%

LAB 64.9, 39.78, -49.17

 

CMYK 14 / 45 / 0 / 4

HEX #D387F6

RGB 211 135 246

HSL 281.08, 0.86%, 0.75%

LAB 67.9, 47.75, -44.25

 

CMYK 2 / 45 / 0 / 4

HEX #F187F6

RGB 241 135 246

HSL 297.3, 0.86%, 0.75%

LAB 71.34, 56.18, -38.62

 

CMYK 0 / 45 / 10 / 4

HEX #F687DE

RGB 246 135 222

HSL 312.97, 0.86%, 0.75%

LAB 71, 53.55, -25.91

 

CMYK 0 / 45 / 22 / 4

HEX #F687C1

RGB 246 135 193

HSL 328.65, 0.86%, 0.75%

LAB 70.02, 49.15, -11.32

 

CMYK 3 / 76 / 0 / 5

HEX #EA3AF1

RGB 234 58 241

HSL 297.7, 0.87%, 0.59%

LAB 58.85, 84.51, -55.6

 

CMYK 2 / 60 / 0 / 4

HEX #EE61F4

RGB 238 97 244

HSL 297.55, 0.87%, 0.67%

LAB 64.37, 72.41, -48.48

 

CMYK 2 / 45 / 0 / 4

HEX #F287F6

RGB 242 135 246

HSL 297.84, 0.86%, 0.75%

LAB 71.46, 56.46, -38.42

 

CMYK 1 / 30 / 0 / 2

HEX #F6AEF9

RGB 246 174 249

HSL 297.6, 0.86%, 0.83%

LAB 80.01, 38.2, -26.81

 

CMYK 1 / 16 / 0 / 1

HEX #FAD4FC

RGB 250 212 252

HSL 297, 0.87%, 0.91%

LAB 89.13, 20, -14.58

 

CMYK 2 / 45 / 0 / 3

HEX #F388F7

RGB 243 136 247

HSL 297.84, 0.87%, 0.75%

LAB 71.81, 56.43, -38.41

 

CMYK 0 / 38 / 45 / 4

HEX #F69887

RGB 246 152 135

HSL 9.19, 0.86%, 0.75%

LAB 72.09, 33.4, 23.87

 

CMYK 45 / 0 / 20 / 4

HEX #87F6C4

RGB 135 246 196

HSL 152.97, 0.86%, 0.75%

LAB 89.42, -43.06, 14.29

 

CMYK 2 / 45 / 0 / 3

HEX #F388F7

RGB 243 136 247

HSL 297.84, 0.87%, 0.75%

LAB 71.81, 56.43, -38.41

 

CMYK 0 / 2 / 45 / 4

HEX #F6F187

RGB 246 241 135

HSL 57.3, 0.86%, 0.75%

LAB 93.56, -12.61, 51.51

 

CMYK 45 / 0 / 2 / 4

HEX #87F6F1

RGB 135 246 241

HSL 177.3, 0.86%, 0.75%

LAB 90.51, -33, -7.51

 

CMYK 2 / 45 / 0 / 3

HEX #F388F7

RGB 243 136 247

HSL 297.84, 0.87%, 0.75%

LAB 71.81, 56.43, -38.41

 

CMYK 0 / 38 / 45 / 4

HEX #F69887

RGB 246 152 135

HSL 9.19, 0.86%, 0.75%

LAB 72.09, 33.4, 23.87

 

CMYK 43 / 0 / 45 / 4

HEX #8DF687

RGB 141 246 135

HSL 116.76, 0.86%, 0.75%

LAB 88.6, -51.83, 43.96

 

CMYK 45 / 7 / 0 / 4

HEX #87E6F6

RGB 135 230 246

HSL 188.65, 0.86%, 0.75%

LAB 86.21, -24.08, -16.55

 

CMYK 2 / 45 / 0 / 3

HEX #F388F7

RGB 243 136 247

HSL 297.84, 0.87%, 0.75%

LAB 71.81, 56.43, -38.41

 

CMYK 0 / 25 / 45 / 4

HEX #F6B987

RGB 246 185 135

HSL 27.03, 0.86%, 0.75%

LAB 79.64, 16.04, 33.9

 

CMYK 43 / 0 / 45 / 4

HEX #8DF687

RGB 141 246 135

HSL 116.76, 0.86%, 0.75%

LAB 88.6, -51.83, 43.96

 

CMYK 45 / 20 / 0 / 4

HEX #87C4F6

RGB 135 196 246

HSL 207.03, 0.86%, 0.75%

LAB 76.85, -6.62, -30.78

 

Description

Color code: RGB 243 136 247 | qconv.com Color code: RGB 243 136 247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 136 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 136 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 45 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 45% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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