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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 103 243 it is the complementary color RGB 12 152 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 103 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 103 243 shade: RGB 248 103 238, RGB 255 121 255, RGB 255 139 255, RGB 255 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 103 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 103 243 shade: RGB 243 103 243, RGB 226 85 224, RGB 209 67 205, RGB 192 49 186 and RGB 175 31 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 103 243 shade: RGB 242 104 242, RGB 242 104 205, RGB 242 104 167, RGB 242 104 130 and RGB 242 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 103 243 shade: RGB 242 104 242, RGB 205 104 242, RGB 167 104 242, RGB 130 104 242 and RGB 104 104 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 103 243 shade matches the following richer shades: RGB 242 104 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 103 243 shade: RGB 242 104 242, RGB 229 117 229, RGB 216 130 216, RGB 203 143 203 and RGB 189 156 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 103 243 shade: RGB 168 104 242, RGB 205 104 242, RGB 242 104 242, RGB 242 104 205 and RGB 242 104 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 103 243 shade: RGB 236 27 236, RGB 239 65 239, RGB 242 104 242, RGB 245 142 245 and RGB 248 180 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 103 243 shade: RGB 243 103 243, RGB 242 131 104 and RGB 104 242 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 103 243 shade: RGB 243 103 243, RGB 242 242 104 and RGB 104 242 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 103 243 shade: RGB 243 103 243, RGB 242 131 104, RGB 104 242 104 and RGB 104 215 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 103 243 shade: RGB 243 103 243, RGB 242 173 104, RGB 104 242 104 and RGB 104 173 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 0 / 5

HEX #F367F3

RGB 243 103 243

HSL 300, 0.85%, 0.68%

LAB 65.92, 70.95, -45.43

 

Complementary color

CMYK 92 / 0 / 92 / 40

HEX #0C980C

RGB 12 152 12

HSL 120, 0.85%, 0.32%

LAB 54.62, -57.47, 54.72

 

CMYK 0 / 58 / 4 / 3

HEX #F867EE

RGB 248 103 238

HSL 304.14, 0.91%, 0.69%

LAB 66.39, 71.38, -41.88

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 58 / 0 / 5

HEX #F367F3

RGB 243 103 243

HSL 300, 0.85%, 0.68%

LAB 65.92, 70.95, -45.43

 

CMYK 0 / 62 / 1 / 11

HEX #E255E0

RGB 226 85 224

HSL 300.85, 0.71%, 0.61%

LAB 59.93, 71.07, -44.45

 

CMYK 0 / 68 / 2 / 18

HEX #D143CD

RGB 209 67 205

HSL 301.69, 0.61%, 0.54%

LAB 54, 70.83, -43.21

 

CMYK 0 / 74 / 3 / 25

HEX #C031BA

RGB 192 49 186

HSL 302.52, 0.59%, 0.47%

LAB 48.19, 70.04, -41.59

 

CMYK 0 / 82 / 5 / 31

HEX #AF1FA7

RGB 175 31 167

HSL 303.33, 0.7%, 0.4%

LAB 42.59, 68.44, -39.45

 

CMYK 0 / 57 / 0 / 5

HEX #F268F2

RGB 242 104 242

HSL 300, 0.84%, 0.68%

LAB 65.9, 70.11, -44.93

 

CMYK 0 / 57 / 15 / 5

HEX #F268CD

RGB 242 104 205

HSL 316.09, 0.84%, 0.68%

LAB 64.31, 64.31, -26.76

 

CMYK 0 / 57 / 31 / 5

HEX #F268A7

RGB 242 104 167

HSL 332.61, 0.84%, 0.68%

LAB 62.98, 59.22, -7.17

 

CMYK 0 / 57 / 46 / 5

HEX #F26882

RGB 242 104 130

HSL 348.7, 0.84%, 0.68%

LAB 61.99, 55.26, 12.68

 

CMYK 0 / 57 / 57 / 5

HEX #F26868

RGB 242 104 104

HSL 0, 0.84%, 0.68%

LAB 61.46, 53.1, 26.88

 

CMYK 0 / 57 / 0 / 5

HEX #F268F2

RGB 242 104 242

HSL 300, 0.84%, 0.68%

LAB 65.9, 70.11, -44.93

 

CMYK 15 / 57 / 0 / 5

HEX #CD68F2

RGB 205 104 242

HSL 283.91, 0.84%, 0.68%

LAB 61.04, 60.94, -52.93

 

CMYK 31 / 57 / 0 / 5

HEX #A768F2

RGB 167 104 242

HSL 267.39, 0.84%, 0.68%

LAB 56.61, 51.82, -60.25

 

CMYK 46 / 57 / 0 / 5

HEX #8268F2

RGB 130 104 242

HSL 251.3, 0.84%, 0.68%

LAB 53.01, 43.66, -66.23

 

CMYK 57 / 57 / 0 / 5

HEX #6868F2

RGB 104 104 242

HSL 240, 0.84%, 0.68%

LAB 50.98, 38.68, -69.61

 

CMYK 0 / 57 / 0 / 5

HEX #F268F2

RGB 242 104 242

HSL 300, 0.84%, 0.68%

LAB 65.9, 70.11, -44.93

 

CMYK 0 / 57 / 0 / 5

HEX #F268F2

RGB 242 104 242

HSL 300, 0.84%, 0.68%

LAB 65.9, 70.11, -44.93

 

CMYK 0 / 49 / 0 / 10

HEX #E575E5

RGB 229 117 229

HSL 300, 0.68%, 0.68%

LAB 65.78, 58.58, -38.04

 

CMYK 0 / 40 / 0 / 15

HEX #D882D8

RGB 216 130 216

HSL 300, 0.52%, 0.68%

LAB 66.15, 45.98, -30.36

 

CMYK 0 / 30 / 0 / 20

HEX #CB8FCB

RGB 203 143 203

HSL 300, 0.37%, 0.68%

LAB 67.02, 32.53, -21.91

 

CMYK 0 / 17 / 0 / 26

HEX #BD9CBD

RGB 189 156 189

HSL 300, 0.2%, 0.68%

LAB 68.22, 18.01, -12.43

 

CMYK 31 / 57 / 0 / 5

HEX #A868F2

RGB 168 104 242

HSL 267.83, 0.84%, 0.68%

LAB 56.72, 52.05, -60.07

 

CMYK 15 / 57 / 0 / 5

HEX #CD68F2

RGB 205 104 242

HSL 283.91, 0.84%, 0.68%

LAB 61.04, 60.94, -52.93

 

CMYK 0 / 57 / 0 / 5

HEX #F268F2

RGB 242 104 242

HSL 300, 0.84%, 0.68%

LAB 65.9, 70.11, -44.93

 

CMYK 0 / 57 / 15 / 5

HEX #F268CD

RGB 242 104 205

HSL 316.09, 0.84%, 0.68%

LAB 64.31, 64.31, -26.76

 

CMYK 0 / 57 / 31 / 5

HEX #F268A8

RGB 242 104 168

HSL 332.17, 0.84%, 0.68%

LAB 63.02, 59.34, -7.7

 

CMYK 0 / 89 / 0 / 7

HEX #EC1BEC

RGB 236 27 236

HSL 300, 0.85%, 0.52%

LAB 56.76, 90.36, -56.13

 

CMYK 0 / 73 / 0 / 6

HEX #EF41EF

RGB 239 65 239

HSL 300, 0.84%, 0.6%

LAB 60.22, 83.2, -52.27

 

CMYK 0 / 57 / 0 / 5

HEX #F268F2

RGB 242 104 242

HSL 300, 0.84%, 0.68%

LAB 65.9, 70.11, -44.93

 

CMYK 0 / 42 / 0 / 4

HEX #F58EF5

RGB 245 142 245

HSL 300, 0.84%, 0.76%

LAB 73.12, 53.66, -35.26

 

CMYK 0 / 27 / 0 / 3

HEX #F8B4F8

RGB 248 180 248

HSL 300, 0.83%, 0.84%

LAB 81.5, 35.49, -23.99

 

CMYK 0 / 58 / 0 / 5

HEX #F367F3

RGB 243 103 243

HSL 300, 0.85%, 0.68%

LAB 65.92, 70.95, -45.43

 

CMYK 0 / 46 / 57 / 5

HEX #F28368

RGB 242 131 104

HSL 11.74, 0.84%, 0.68%

LAB 66.6, 39.99, 33.52

 

CMYK 57 / 0 / 23 / 5

HEX #68F2BB

RGB 104 242 187

HSL 156.09, 0.84%, 0.68%

LAB 87.01, -50.24, 15.41

 

CMYK 0 / 58 / 0 / 5

HEX #F367F3

RGB 243 103 243

HSL 300, 0.85%, 0.68%

LAB 65.92, 70.95, -45.43

 

CMYK 0 / 0 / 57 / 5

HEX #F2F268

RGB 242 242 104

HSL 60, 0.84%, 0.68%

LAB 93.18, -17.21, 65.04

 

CMYK 57 / 0 / 0 / 5

HEX #68F2F2

RGB 104 242 242

HSL 180, 0.84%, 0.68%

LAB 88.38, -37.11, -11.31

 

CMYK 0 / 58 / 0 / 5

HEX #F367F3

RGB 243 103 243

HSL 300, 0.85%, 0.68%

LAB 65.92, 70.95, -45.43

 

CMYK 0 / 46 / 57 / 5

HEX #F28368

RGB 242 131 104

HSL 11.74, 0.84%, 0.68%

LAB 66.6, 39.99, 33.52

 

CMYK 57 / 0 / 57 / 5

HEX #68F268

RGB 104 242 104

HSL 120, 0.84%, 0.68%

LAB 85.73, -63.92, 54.57

 

CMYK 57 / 11 / 0 / 5

HEX #68D7F2

RGB 104 215 242

HSL 191.74, 0.84%, 0.68%

LAB 80.71, -24.2, -22.85

 

CMYK 0 / 58 / 0 / 5

HEX #F367F3

RGB 243 103 243

HSL 300, 0.85%, 0.68%

LAB 65.92, 70.95, -45.43

 

CMYK 0 / 29 / 57 / 5

HEX #F2AD68

RGB 242 173 104

HSL 30, 0.84%, 0.68%

LAB 75.92, 18.05, 45.08

 

CMYK 57 / 0 / 57 / 5

HEX #68F268

RGB 104 242 104

HSL 120, 0.84%, 0.68%

LAB 85.73, -63.92, 54.57

 

CMYK 57 / 29 / 0 / 5

HEX #68ADF2

RGB 104 173 242

HSL 210, 0.84%, 0.68%

LAB 68.93, -2.03, -41.03

 

Description

Color code: RGB 243 103 243 | qconv.com Color code: RGB 243 103 243 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 103 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 103 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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