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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 103 197 it is the complementary color RGB 12 152 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 103 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 103 197 shade: RGB 248 103 192, RGB 255 121 211, RGB 255 139 230, RGB 255 157 249 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 103 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 103 197 shade: RGB 243 103 197, RGB 226 85 178, RGB 209 67 159, RGB 192 49 140 and RGB 175 31 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 103 197 shade: RGB 242 104 197, RGB 242 104 159, RGB 242 104 122 and RGB 242 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 103 197 shade: RGB 242 104 197, RGB 242 104 234, RGB 213 104 242, RGB 176 104 242 and RGB 138 104 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 103 197 shade matches the following richer shades: RGB 242 104 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 103 197 shade: RGB 242 104 197, RGB 229 117 192, RGB 216 130 188, RGB 203 143 183 and RGB 189 156 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 103 197 shade: RGB 212 104 242, RGB 242 104 235, RGB 242 104 198, RGB 242 104 161 and RGB 242 104 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 103 197 shade: RGB 236 27 167, RGB 239 65 182, RGB 242 104 197, RGB 245 142 211 and RGB 248 180 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 103 197 shade: RGB 243 103 197, RGB 242 175 104 and RGB 104 242 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 103 197 shade: RGB 243 103 197, RGB 198 242 104 and RGB 104 198 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 103 197 shade: RGB 243 103 197, RGB 242 175 104, RGB 104 242 147 and RGB 104 171 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 103 197 shade: RGB 243 103 197, RGB 242 217 104, RGB 104 242 147 and RGB 104 129 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 19 / 5

HEX #F367C5

RGB 243 103 197

HSL 319.71, 0.85%, 0.68%

LAB 63.99, 63.88, -22.73

 

Complementary color

CMYK 92 / 0 / 62 / 40

HEX #0C983A

RGB 12 152 58

HSL 139.71, 0.85%, 0.32%

LAB 54.91, -53.81, 39.29

 

CMYK 0 / 58 / 23 / 3

HEX #F867C0

RGB 248 103 192

HSL 323.17, 0.91%, 0.69%

LAB 64.53, 64.61, -19

 

CMYK 0 / 53 / 17 / 0

HEX #FF79D3

RGB 255 121 211

HSL 319.7, 1%, 0.74%

LAB 69.21, 61.24, -22.45

 

CMYK 0 / 45 / 10 / 0

HEX #FF8BE6

RGB 255 139 230

HSL 312.93, 1%, 0.77%

LAB 73.18, 55.57, -26.88

 

CMYK 0 / 38 / 2 / 0

HEX #FF9DF9

RGB 255 157 249

HSL 303.67, 1%, 0.81%

LAB 77.41, 49.76, -30.72

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 58 / 19 / 5

HEX #F367C5

RGB 243 103 197

HSL 319.71, 0.85%, 0.68%

LAB 63.99, 63.88, -22.73

 

CMYK 0 / 62 / 21 / 11

HEX #E255B2

RGB 226 85 178

HSL 320.43, 0.71%, 0.61%

LAB 57.92, 64.15, -21.37

 

CMYK 0 / 68 / 24 / 18

HEX #D1439F

RGB 209 67 159

HSL 321.13, 0.61%, 0.54%

LAB 51.92, 64.12, -19.71

 

CMYK 0 / 74 / 27 / 25

HEX #C0318C

RGB 192 49 140

HSL 321.82, 0.59%, 0.47%

LAB 46.04, 63.58, -17.61

 

CMYK 0 / 82 / 31 / 31

HEX #AF1F79

RGB 175 31 121

HSL 322.5, 0.7%, 0.4%

LAB 40.37, 62.25, -14.9

 

CMYK 0 / 57 / 19 / 5

HEX #F268C5

RGB 242 104 197

HSL 319.57, 0.84%, 0.68%

LAB 64.01, 63.16, -22.71

 

CMYK 0 / 57 / 34 / 5

HEX #F2689F

RGB 242 104 159

HSL 336.09, 0.84%, 0.68%

LAB 62.74, 58.28, -2.94

 

CMYK 0 / 57 / 50 / 5

HEX #F2687A

RGB 242 104 122

HSL 352.17, 0.84%, 0.68%

LAB 61.81, 54.54, 17.04

 

CMYK 0 / 57 / 57 / 5

HEX #F26868

RGB 242 104 104

HSL 0, 0.84%, 0.68%

LAB 61.46, 53.1, 26.88

 

CMYK 0 / 57 / 19 / 5

HEX #F268C5

RGB 242 104 197

HSL 319.57, 0.84%, 0.68%

LAB 64.01, 63.16, -22.71

 

CMYK 0 / 57 / 3 / 5

HEX #F268EA

RGB 242 104 234

HSL 303.48, 0.84%, 0.68%

LAB 65.53, 68.79, -41.08

 

CMYK 12 / 57 / 0 / 5

HEX #D568F2

RGB 213 104 242

HSL 287.39, 0.84%, 0.68%

LAB 62.05, 62.91, -51.26

 

CMYK 27 / 57 / 0 / 5

HEX #B068F2

RGB 176 104 242

HSL 271.3, 0.84%, 0.68%

LAB 57.6, 53.93, -58.61

 

CMYK 43 / 57 / 0 / 5

HEX #8A68F2

RGB 138 104 242

HSL 254.78, 0.84%, 0.68%

LAB 53.72, 45.33, -65.05

 

CMYK 0 / 57 / 19 / 5

HEX #F268C5

RGB 242 104 197

HSL 319.57, 0.84%, 0.68%

LAB 64.01, 63.16, -22.71

 

CMYK 0 / 57 / 19 / 5

HEX #F268C5

RGB 242 104 197

HSL 319.57, 0.84%, 0.68%

LAB 64.01, 63.16, -22.71

 

CMYK 0 / 49 / 16 / 10

HEX #E575C0

RGB 229 117 192

HSL 319.82, 0.68%, 0.68%

LAB 64.31, 52.52, -19.58

 

CMYK 0 / 40 / 13 / 15

HEX #D882BC

RGB 216 130 188

HSL 319.53, 0.52%, 0.68%

LAB 65.12, 41.15, -16.26

 

CMYK 0 / 30 / 10 / 20

HEX #CB8FB7

RGB 203 143 183

HSL 320, 0.37%, 0.68%

LAB 66.34, 28.93, -11.76

 

CMYK 0 / 17 / 5 / 26

HEX #BD9CB3

RGB 189 156 179

HSL 318.18, 0.2%, 0.68%

LAB 67.91, 16.14, -7.32

 

CMYK 12 / 57 / 0 / 5

HEX #D468F2

RGB 212 104 242

HSL 286.96, 0.84%, 0.68%

LAB 61.92, 62.67, -51.47

 

CMYK 0 / 57 / 3 / 5

HEX #F268EB

RGB 242 104 235

HSL 303.04, 0.84%, 0.68%

LAB 65.57, 68.96, -41.56

 

CMYK 0 / 57 / 18 / 5

HEX #F268C6

RGB 242 104 198

HSL 319.13, 0.84%, 0.68%

LAB 64.04, 63.3, -23.22

 

CMYK 0 / 57 / 33 / 5

HEX #F268A1

RGB 242 104 161

HSL 335.22, 0.84%, 0.68%

LAB 62.8, 58.51, -4

 

CMYK 0 / 57 / 49 / 5

HEX #F2687C

RGB 242 104 124

HSL 351.3, 0.84%, 0.68%

LAB 61.85, 54.71, 15.95

 

CMYK 0 / 89 / 29 / 7

HEX #EC1BA7

RGB 236 27 167

HSL 319.81, 0.85%, 0.52%

LAB 53.39, 81.61, -21.76

 

CMYK 0 / 73 / 24 / 6

HEX #EF41B6

RGB 239 65 182

HSL 319.66, 0.84%, 0.6%

LAB 57.57, 75.26, -24.05

 

CMYK 0 / 57 / 19 / 5

HEX #F268C5

RGB 242 104 197

HSL 319.57, 0.84%, 0.68%

LAB 64.01, 63.16, -22.71

 

CMYK 0 / 42 / 14 / 4

HEX #F58ED3

RGB 245 142 211

HSL 319.81, 0.84%, 0.76%

LAB 71.87, 47.99, -18.53

 

CMYK 0 / 27 / 9 / 3

HEX #F8B4E2

RGB 248 180 226

HSL 319.41, 0.83%, 0.84%

LAB 80.79, 31.66, -13.25

 

CMYK 0 / 58 / 19 / 5

HEX #F367C5

RGB 243 103 197

HSL 319.71, 0.85%, 0.68%

LAB 63.99, 63.88, -22.73

 

CMYK 0 / 28 / 57 / 5

HEX #F2AF68

RGB 242 175 104

HSL 30.87, 0.84%, 0.68%

LAB 76.4, 16.99, 45.65

 

CMYK 57 / 0 / 5 / 5

HEX #68F2E7

RGB 104 242 231

HSL 175.22, 0.84%, 0.68%

LAB 88.07, -39.95, -6.01

 

CMYK 0 / 58 / 19 / 5

HEX #F367C5

RGB 243 103 197

HSL 319.71, 0.85%, 0.68%

LAB 63.99, 63.88, -22.73

 

CMYK 18 / 0 / 57 / 5

HEX #C6F268

RGB 198 242 104

HSL 79.13, 0.84%, 0.68%

LAB 90.1, -34.33, 60.73

 

CMYK 57 / 18 / 0 / 5

HEX #68C6F2

RGB 104 198 242

HSL 199.13, 0.84%, 0.68%

LAB 75.91, -15.54, -30.2

 

CMYK 0 / 58 / 19 / 5

HEX #F367C5

RGB 243 103 197

HSL 319.71, 0.85%, 0.68%

LAB 63.99, 63.88, -22.73

 

CMYK 0 / 28 / 57 / 5

HEX #F2AF68

RGB 242 175 104

HSL 30.87, 0.84%, 0.68%

LAB 76.4, 16.99, 45.65

 

CMYK 57 / 0 / 39 / 5

HEX #68F293

RGB 104 242 147

HSL 138.7, 0.84%, 0.68%

LAB 86.28, -57.85, 34.82

 

CMYK 57 / 29 / 0 / 5

HEX #68ABF2

RGB 104 171 242

HSL 210.87, 0.84%, 0.68%

LAB 68.37, -0.91, -41.89

 

CMYK 0 / 58 / 19 / 5

HEX #F367C5

RGB 243 103 197

HSL 319.71, 0.85%, 0.68%

LAB 63.99, 63.88, -22.73

 

CMYK 0 / 10 / 57 / 5

HEX #F2D968

RGB 242 217 104

HSL 49.13, 0.84%, 0.68%

LAB 86.75, -4.81, 57.8

 

CMYK 57 / 0 / 39 / 5

HEX #68F293

RGB 104 242 147

HSL 138.7, 0.84%, 0.68%

LAB 86.28, -57.85, 34.82

 

CMYK 57 / 47 / 0 / 5

HEX #6881F2

RGB 104 129 242

HSL 229.13, 0.84%, 0.68%

LAB 57.13, 23.65, -59.7

 

Description

Color code: RGB 243 103 197 | qconv.com Color code: RGB 243 103 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 103 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 103 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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