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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243.14 200.19 189 it is the complementary color RGB 11.86 54.81 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243.14 200.19 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243.14 200.19 189 shade: RGB 248.14 200.19 184, RGB 255 218.19 203, RGB 255 236.19 222, RGB 255 254.19 241 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243.14 200.19 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243.14 200.19 189 shade: RGB 243.14 200.19 189, RGB 226.14 182.19 170, RGB 209.14 164.19 151, RGB 192.14 146.19 132 and RGB 175.14 128.19 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243.14 200.19 189 shade: RGB 244 201 190 and RGB 244 190 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243.14 200.19 189 shade: RGB 244 201 190, RGB 244 215 190, RGB 244 230 190, RGB 243 244 190 and RGB 228 244 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243.14 200.19 189 shade matches the following richer shades: RGB 244 201 190 and RGB 250 197 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243.14 200.19 189 shade: RGB 244 201 190, RGB 237 205 196, RGB 231 208 202, RGB 225 212 209 and RGB 219 216 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243.14 200.19 189 shade: RGB 244 190 208, RGB 244 190 194, RGB 244 201 190, RGB 244 215 190 and RGB 244 229 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243.14 200.19 189 shade: RGB 231 143 120, RGB 237 172 155, RGB 244 201 190, RGB 250 230 225 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243.14 200.19 189 shade: RGB 243.14 200.19 189, RGB 222 244 190 and RGB 190 201 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243.14 200.19 189 shade: RGB 243.14 200.19 189, RGB 190 244 201 and RGB 201 190 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243.14 200.19 189 shade: RGB 243.14 200.19 189, RGB 222 244 190, RGB 190 233 244 and RGB 211 190 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243.14 200.19 189 shade: RGB 243.14 200.19 189, RGB 206 244 190, RGB 190 233 244 and RGB 227 190 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 22 / 5

HEX #F3C8BD

RGB 243.14 200.19 189

HSL 12.4, 0.7%, 0.85%

LAB 84.04, 13.53, 11.3

 

Complementary color

CMYK 82 / 17 / 0 / 74

HEX #0B3642

RGB 11.86 54.81 66

HSL 192.4, 0.7%, 0.15%

LAB 20.77, -9.99, -11.15

 

CMYK 0 / 19 / 26 / 3

HEX #F8C8B8

RGB 248.14 200.19 184

HSL 15.14, 0.82%, 0.85%

LAB 84.4, 14.67, 14.53

 

CMYK 0 / 14 / 20 / 0

HEX #FFDACB

RGB 255 218.19 203

HSL 17.53, 1%, 0.9%

LAB 89.77, 10.48, 12.2

 

CMYK 0 / 7 / 13 / 0

HEX #FFECDE

RGB 255 236.19 222

HSL 25.8, 1%, 0.94%

LAB 94.58, 4.08, 9.16

 

CMYK 0 / 0 / 5 / 0

HEX #FFFEF1

RGB 255 254.19 241

HSL 56.53, 1%, 0.97%

LAB 99.46, -1.97, 6.38

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BD

RGB 243.14 200.19 189

HSL 12.4, 0.7%, 0.85%

LAB 84.04, 13.53, 11.3

 

CMYK 0 / 19 / 25 / 11

HEX #E2B6AA

RGB 226.14 182.19 170

HSL 13.03, 0.49%, 0.78%

LAB 77.65, 14.06, 12.2

 

CMYK 0 / 21 / 28 / 18

HEX #D1A497

RGB 209.14 164.19 151

HSL 13.61, 0.39%, 0.71%

LAB 71.17, 14.64, 13.17

 

CMYK 0 / 24 / 31 / 25

HEX #C09284

RGB 192.14 146.19 132

HSL 14.16, 0.32%, 0.64%

LAB 64.57, 15.31, 14.22

 

CMYK 0 / 27 / 35 / 31

HEX #AF8071

RGB 175.14 128.19 113

HSL 14.67, 0.28%, 0.56%

LAB 57.86, 16.06, 15.37

 

CMYK 0 / 18 / 22 / 4

HEX #F4C9BE

RGB 244 201 190

HSL 12.22, 0.71%, 0.85%

LAB 84.34, 13.56, 11.2

 

CMYK 0 / 22 / 22 / 4

HEX #F4BEBE

RGB 244 190 190

HSL 0, 0.71%, 0.85%

LAB 81.72, 19.36, 7.45

 

CMYK 0 / 18 / 22 / 4

HEX #F4C9BE

RGB 244 201 190

HSL 12.22, 0.71%, 0.85%

LAB 84.34, 13.56, 11.2

 

CMYK 0 / 12 / 22 / 4

HEX #F4D7BE

RGB 244 215 190

HSL 27.78, 0.71%, 0.85%

LAB 87.75, 6.26, 16.03

 

CMYK 0 / 6 / 22 / 4

HEX #F4E6BE

RGB 244 230 190

HSL 44.44, 0.71%, 0.85%

LAB 91.48, -1.45, 21.23

 

CMYK 0 / 0 / 22 / 4

HEX #F3F4BE

RGB 243 244 190

HSL 61.11, 0.71%, 0.85%

LAB 94.94, -8.86, 25.99

 

CMYK 7 / 0 / 22 / 4

HEX #E4F4BE

RGB 228 244 190

HSL 77.78, 0.71%, 0.85%

LAB 93.85, -14.24, 24.31

 

CMYK 0 / 18 / 22 / 4

HEX #F4C9BE

RGB 244 201 190

HSL 12.22, 0.71%, 0.85%

LAB 84.34, 13.56, 11.2

 

CMYK 0 / 21 / 26 / 2

HEX #FAC5B8

RGB 250 197 184

HSL 11.82, 0.87%, 0.85%

LAB 83.82, 17.03, 13.73

 

CMYK 0 / 18 / 22 / 4

HEX #F4C9BE

RGB 244 201 190

HSL 12.22, 0.71%, 0.85%

LAB 84.34, 13.56, 11.2

 

CMYK 0 / 14 / 17 / 7

HEX #EDCDC4

RGB 237 205 196

HSL 13.17, 0.53%, 0.85%

LAB 84.82, 9.8, 8.61

 

CMYK 0 / 10 / 13 / 9

HEX #E7D0CA

RGB 231 208 202

HSL 12.41, 0.38%, 0.85%

LAB 85.18, 7.02, 5.88

 

CMYK 0 / 6 / 7 / 12

HEX #E1D4D1

RGB 225 212 209

HSL 11.25, 0.21%, 0.85%

LAB 85.86, 3.96, 3.08

 

CMYK 0 / 1 / 2 / 14

HEX #DBD8D7

RGB 219 216 215

HSL 15, 0.05%, 0.85%

LAB 86.54, 0.85, 0.84

 

CMYK 0 / 22 / 15 / 4

HEX #F4BED0

RGB 244 190 208

HSL 340, 0.71%, 0.85%

LAB 82.17, 22.07, -1.56

 

CMYK 0 / 22 / 20 / 4

HEX #F4BEC2

RGB 244 190 194

HSL 355.56, 0.71%, 0.85%

LAB 81.81, 19.94, 5.44

 

CMYK 0 / 18 / 22 / 4

HEX #F4C9BE

RGB 244 201 190

HSL 12.22, 0.71%, 0.85%

LAB 84.34, 13.56, 11.2

 

CMYK 0 / 12 / 22 / 4

HEX #F4D7BE

RGB 244 215 190

HSL 27.78, 0.71%, 0.85%

LAB 87.75, 6.26, 16.03

 

CMYK 0 / 6 / 22 / 4

HEX #F4E5BE

RGB 244 229 190

HSL 43.33, 0.71%, 0.85%

LAB 91.23, -0.94, 20.88

 

CMYK 0 / 38 / 48 / 9

HEX #E78F78

RGB 231 143 120

HSL 12.43, 0.7%, 0.69%

LAB 68.01, 30.91, 26.31

 

CMYK 0 / 27 / 35 / 7

HEX #EDAC9B

RGB 237 172 155

HSL 12.44, 0.69%, 0.77%

LAB 75.99, 21.63, 18.16

 

CMYK 0 / 18 / 22 / 4

HEX #F4C9BE

RGB 244 201 190

HSL 12.22, 0.71%, 0.85%

LAB 84.34, 13.56, 11.2

 

CMYK 0 / 8 / 10 / 2

HEX #FAE6E1

RGB 250 230 225

HSL 12, 0.71%, 0.93%

LAB 92.73, 5.98, 4.88

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BD

RGB 243.14 200.19 189

HSL 12.4, 0.7%, 0.85%

LAB 84.04, 13.53, 11.3

 

CMYK 9 / 0 / 22 / 4

HEX #DEF4BE

RGB 222 244 190

HSL 84.44, 0.71%, 0.85%

LAB 93.43, -16.37, 23.67

 

CMYK 22 / 18 / 0 / 4

HEX #BEC9F4

RGB 190 201 244

HSL 227.78, 0.71%, 0.85%

LAB 81.43, 5.24, -22.42

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BD

RGB 243.14 200.19 189

HSL 12.4, 0.7%, 0.85%

LAB 84.04, 13.53, 11.3

 

CMYK 22 / 0 / 18 / 4

HEX #BEF4C9

RGB 190 244 201

HSL 132.22, 0.71%, 0.85%

LAB 91.62, -25.36, 15.2

 

CMYK 18 / 22 / 0 / 4

HEX #C9BEF4

RGB 201 190 244

HSL 252.22, 0.71%, 0.85%

LAB 79.49, 14.53, -25.3

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BD

RGB 243.14 200.19 189

HSL 12.4, 0.7%, 0.85%

LAB 84.04, 13.53, 11.3

 

CMYK 9 / 0 / 22 / 4

HEX #DEF4BE

RGB 222 244 190

HSL 84.44, 0.71%, 0.85%

LAB 93.43, -16.37, 23.67

 

CMYK 22 / 5 / 0 / 4

HEX #BEE9F4

RGB 190 233 244

HSL 192.22, 0.71%, 0.85%

LAB 89.75, -11.47, -9.92

 

CMYK 14 / 22 / 0 / 4

HEX #D3BEF4

RGB 211 190 244

HSL 263.33, 0.71%, 0.85%

LAB 80.3, 17.64, -23.99

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BD

RGB 243.14 200.19 189

HSL 12.4, 0.7%, 0.85%

LAB 84.04, 13.53, 11.3

 

CMYK 16 / 0 / 22 / 4

HEX #CEF4BE

RGB 206 244 190

HSL 102.22, 0.71%, 0.85%

LAB 92.37, -21.91, 22.05

 

CMYK 22 / 5 / 0 / 4

HEX #BEE9F4

RGB 190 233 244

HSL 192.22, 0.71%, 0.85%

LAB 89.75, -11.47, -9.92

 

CMYK 7 / 22 / 0 / 4

HEX #E3BEF4

RGB 227 190 244

HSL 281.11, 0.71%, 0.85%

LAB 81.67, 22.72, -21.78

 

Description

Color code: RGB 243.14 200.19 189 | qconv.com Color code: RGB 243.14 200.19 189 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243.14 red, 200.19 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243.14 200.19 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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