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Color name
RGB 242 105 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 105 42 it is the complementary color RGB 13 150 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 105 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 105 42 shade: RGB 247 105 37, RGB 255 123 56, RGB 255 141 75, RGB 255 159 94 and RGB 255 177 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 105 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 105 42 shade: RGB 242 105 42, RGB 225 87 23, RGB 208 69 4, RGB 191 51 0 and RGB 174 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 105 42 shade: RGB 241 106 44, RGB 241 53 44 and RGB 241 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 105 42 shade: RGB 241 106 44, RGB 241 159 44, RGB 241 212 44, RGB 217 241 44 and RGB 163 241 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 105 42 shade matches the following richer shades: RGB 241 106 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 105 42 shade: RGB 241 106 44, RGB 223 112 62, RGB 205 119 80, RGB 187 126 98 and RGB 168 133 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 105 42 shade: RGB 241 44 90, RGB 241 50 44, RGB 241 103 44, RGB 241 155 44 and RGB 241 208 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 105 42 shade: RGB 190 68 12, RGB 229 82 14, RGB 241 106 44, RGB 244 133 82 and RGB 246 160 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 105 42 shade: RGB 242 105 42, RGB 142 241 44 and RGB 44 63 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 105 42 shade: RGB 242 105 42, RGB 44 241 103 and RGB 103 44 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 105 42 shade: RGB 242 105 42, RGB 142 241 44, RGB 44 182 241 and RGB 142 44 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 105 42 shade: RGB 242 105 42, RGB 83 241 44, RGB 44 182 241 and RGB 202 44 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 83 / 5

HEX #F2692A

RGB 242 105 42

HSL 18.9, 0.88%, 0.56%

LAB 60.91, 49.59, 58.24

 

Complementary color

CMYK 94 / 30 / 0 / 16

HEX #0D96D5

RGB 13 150 213

HSL 198.9, 0.88%, 0.44%

LAB 58.7, -10.02, -41.23

 

CMYK 0 / 57 / 85 / 3

HEX #F76925

RGB 247 105 37

HSL 19.43, 0.93%, 0.56%

LAB 61.66, 51.28, 61.17

 

CMYK 0 / 52 / 78 / 0

HEX #FF7B38

RGB 255 123 56

HSL 20.2, 1%, 0.61%

LAB 66.3, 46.28, 57.95

 

CMYK 0 / 45 / 71 / 0

HEX #FF8D4B

RGB 255 141 75

HSL 22, 1%, 0.65%

LAB 70.05, 38.13, 53.02

 

CMYK 0 / 38 / 63 / 0

HEX #FF9F5E

RGB 255 159 94

HSL 24.22, 1%, 0.68%

LAB 74.1, 29.94, 48.29

 

CMYK 0 / 31 / 56 / 0

HEX #FFB171

RGB 255 177 113

HSL 27.04, 1%, 0.72%

LAB 78.4, 21.88, 43.88

 

CMYK 0 / 57 / 83 / 5

HEX #F2692A

RGB 242 105 42

HSL 18.9, 0.88%, 0.56%

LAB 60.91, 49.59, 58.24

 

CMYK 0 / 61 / 90 / 12

HEX #E15717

RGB 225 87 23

HSL 19.01, 0.81%, 0.49%

LAB 54.95, 51.22, 59.33

 

CMYK 0 / 67 / 98 / 18

HEX #D04504

RGB 208 69 4

HSL 19.12, 0.96%, 0.42%

LAB 49.1, 52.73, 59.1

 

CMYK 0 / 73 / 100 / 25

HEX #BF3300

RGB 191 51 0

HSL 16.02, 1%, 0.37%

LAB 43.42, 53.94, 55.6

 

CMYK 0 / 81 / 100 / 32

HEX #AE2100

RGB 174 33 0

HSL 11.38, 1%, 0.34%

LAB 38, 54.38, 51.24

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 0 / 78 / 82 / 5

HEX #F1352C

RGB 241 53 44

HSL 2.74, 0.88%, 0.56%

LAB 53.42, 69.15, 50.45

 

CMYK 0 / 82 / 82 / 5

HEX #F12C2C

RGB 241 44 44

HSL 0, 0.88%, 0.56%

LAB 52.6, 71.45, 49.69

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 0 / 34 / 82 / 5

HEX #F19F2C

RGB 241 159 44

HSL 35.03, 0.88%, 0.56%

LAB 72.01, 21.9, 67.2

 

CMYK 0 / 12 / 82 / 5

HEX #F1D42C

RGB 241 212 44

HSL 51.17, 0.88%, 0.56%

LAB 84.98, -5.69, 78.38

 

CMYK 10 / 0 / 82 / 5

HEX #D9F12C

RGB 217 241 44

HSL 67.31, 0.88%, 0.56%

LAB 90.71, -29.79, 82.51

 

CMYK 32 / 0 / 82 / 5

HEX #A3F12C

RGB 163 241 44

HSL 83.76, 0.88%, 0.56%

LAB 87.43, -50.38, 78.38

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 0 / 50 / 72 / 13

HEX #DF703E

RGB 223 112 62

HSL 18.63, 0.72%, 0.56%

LAB 59.55, 39.76, 46.72

 

CMYK 0 / 42 / 61 / 20

HEX #CD7750

RGB 205 119 80

HSL 18.72, 0.56%, 0.56%

LAB 58.74, 30.03, 35.71

 

CMYK 0 / 33 / 48 / 27

HEX #BB7E62

RGB 187 126 98

HSL 18.88, 0.4%, 0.56%

LAB 58.39, 20.41, 24.83

 

CMYK 0 / 21 / 31 / 34

HEX #A88574

RGB 168 133 116

HSL 19.62, 0.23%, 0.56%

LAB 58.38, 10.86, 14.26

 

CMYK 0 / 82 / 63 / 5

HEX #F12C5A

RGB 241 44 90

HSL 345.99, 0.88%, 0.56%

LAB 53.21, 73.29, 24.2

 

CMYK 0 / 79 / 82 / 5

HEX #F1322C

RGB 241 50 44

HSL 1.83, 0.88%, 0.56%

LAB 53.13, 69.96, 50.18

 

CMYK 0 / 57 / 82 / 5

HEX #F1672C

RGB 241 103 44

HSL 17.97, 0.88%, 0.56%

LAB 60.41, 50.2, 56.89

 

CMYK 0 / 36 / 82 / 5

HEX #F19B2C

RGB 241 155 44

HSL 33.81, 0.88%, 0.56%

LAB 71.09, 24.01, 66.4

 

CMYK 0 / 14 / 82 / 5

HEX #F1D02C

RGB 241 208 44

HSL 49.95, 0.88%, 0.56%

LAB 83.96, -3.66, 77.51

 

CMYK 0 / 64 / 94 / 25

HEX #BE440C

RGB 190 68 12

HSL 18.88, 0.88%, 0.4%

LAB 45.78, 46.93, 53.47

 

CMYK 0 / 64 / 94 / 10

HEX #E5520E

RGB 229 82 14

HSL 18.98, 0.88%, 0.48%

LAB 54.79, 54.66, 62.08

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 0 / 45 / 66 / 4

HEX #F48552

RGB 244 133 82

HSL 18.89, 0.88%, 0.64%

LAB 66.99, 38.29, 45.72

 

CMYK 0 / 35 / 51 / 4

HEX #F6A079

RGB 246 160 121

HSL 18.72, 0.87%, 0.72%

LAB 73.62, 27.89, 33.47

 

CMYK 0 / 57 / 83 / 5

HEX #F2692A

RGB 242 105 42

HSL 18.9, 0.88%, 0.56%

LAB 60.91, 49.59, 58.24

 

CMYK 41 / 0 / 82 / 5

HEX #8EF12C

RGB 142 241 44

HSL 90.15, 0.88%, 0.56%

LAB 86.43, -57.46, 77.11

 

CMYK 82 / 74 / 0 / 5

HEX #2C3FF1

RGB 44 63 241

HSL 234.21, 0.88%, 0.56%

LAB 38.62, 55.33, -89.43

 

CMYK 0 / 57 / 83 / 5

HEX #F2692A

RGB 242 105 42

HSL 18.9, 0.88%, 0.56%

LAB 60.91, 49.59, 58.24

 

CMYK 82 / 0 / 57 / 5

HEX #2CF167

RGB 44 241 103

HSL 137.97, 0.88%, 0.56%

LAB 84.19, -73.65, 52.89

 

CMYK 57 / 82 / 0 / 5

HEX #672CF1

RGB 103 44 241

HSL 257.97, 0.88%, 0.56%

LAB 39.64, 68.88, -87.62

 

CMYK 0 / 57 / 83 / 5

HEX #F2692A

RGB 242 105 42

HSL 18.9, 0.88%, 0.56%

LAB 60.91, 49.59, 58.24

 

CMYK 41 / 0 / 82 / 5

HEX #8EF12C

RGB 142 241 44

HSL 90.15, 0.88%, 0.56%

LAB 86.43, -57.46, 77.11

 

CMYK 82 / 24 / 0 / 5

HEX #2CB6F1

RGB 44 182 241

HSL 197.97, 0.88%, 0.56%

LAB 69.71, -15.76, -39.38

 

CMYK 41 / 82 / 0 / 5

HEX #8E2CF1

RGB 142 44 241

HSL 269.85, 0.88%, 0.56%

LAB 44.09, 73.4, -80.13

 

CMYK 0 / 57 / 83 / 5

HEX #F2692A

RGB 242 105 42

HSL 18.9, 0.88%, 0.56%

LAB 60.91, 49.59, 58.24

 

CMYK 66 / 0 / 82 / 5

HEX #53F12C

RGB 83 241 44

HSL 108.12, 0.88%, 0.56%

LAB 84.45, -72.96, 74.59

 

CMYK 82 / 24 / 0 / 5

HEX #2CB6F1

RGB 44 182 241

HSL 197.97, 0.88%, 0.56%

LAB 69.71, -15.76, -39.38

 

CMYK 16 / 82 / 0 / 5

HEX #CA2CF1

RGB 202 44 241

HSL 288.12, 0.88%, 0.56%

LAB 52.63, 82.39, -65.86

 

Description

Color code: RGB 242 105 42 | qconv.com Color code: RGB 242 105 42 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 105 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 105 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 83 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 83% 5% C M Y K

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