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Color name
RGB 241 24 158

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 24 158 it is the complementary color RGB 14 231 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 24 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 24 158 shade: RGB 246 24 153, RGB 255 42 172, RGB 255 60 191, RGB 255 78 210 and RGB 255 96 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 24 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 24 158 shade: RGB 241 24 158, RGB 224 6 139, RGB 207 0 120, RGB 190 0 101 and RGB 173 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 24 158 shade: RGB 242 24 158, RGB 242 24 99, RGB 242 24 41 and RGB 242 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 24 158 shade: RGB 242 24 158, RGB 242 24 217, RGB 207 24 242, RGB 149 24 242 and RGB 90 24 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 24 158 shade matches the following richer shades: RGB 242 24 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 24 158 shade: RGB 242 24 158, RGB 222 43 154, RGB 202 63 149, RGB 182 83 144 and RGB 162 103 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 24 158 shade: RGB 205 24 242, RGB 242 24 220, RGB 242 24 162, RGB 242 24 104 and RGB 242 24 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 24 158 shade: RGB 173 10 110, RGB 212 12 135, RGB 242 24 158, RGB 244 63 175 and RGB 246 102 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 24 158 shade: RGB 241 24 158, RGB 242 147 24 and RGB 24 242 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 24 158 shade: RGB 241 24 158, RGB 162 242 24 and RGB 24 162 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 24 158 shade: RGB 241 24 158, RGB 242 147 24, RGB 24 242 104 and RGB 24 118 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 24 158 shade: RGB 241 24 158, RGB 242 212 24, RGB 24 242 104 and RGB 24 53 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 34 / 5

HEX #F1189E

RGB 241 24 158

HSL 322.95, 0.89%, 0.52%

LAB 53.84, 82.14, -15.68

 

Complementary color

CMYK 94 / 0 / 58 / 9

HEX #0EE761

RGB 14 231 97

HSL 142.95, 0.89%, 0.48%

LAB 80.8, -73.38, 51.53

 

CMYK 0 / 90 / 38 / 4

HEX #F61899

RGB 246 24 153

HSL 325.14, 0.93%, 0.53%

LAB 54.6, 82.71, -11.47

 

CMYK 0 / 84 / 33 / 0

HEX #FF2AAC

RGB 255 42 172

HSL 323.38, 1%, 0.58%

LAB 57.94, 83.62, -17.44

 

CMYK 0 / 76 / 25 / 0

HEX #FF3CBF

RGB 255 60 191

HSL 319.69, 1%, 0.62%

LAB 60.12, 81.53, -25.08

 

CMYK 0 / 69 / 18 / 0

HEX #FF4ED2

RGB 255 78 210

HSL 315.25, 1%, 0.65%

LAB 62.81, 78.45, -31.74

 

CMYK 0 / 62 / 10 / 0

HEX #FF60E5

RGB 255 96 229

HSL 309.81, 1%, 0.69%

LAB 65.97, 74.57, -37.48

 

CMYK 0 / 90 / 34 / 5

HEX #F1189E

RGB 241 24 158

HSL 322.95, 0.89%, 0.52%

LAB 53.84, 82.14, -15.68

 

CMYK 0 / 97 / 38 / 12

HEX #E0068B

RGB 224 6 139

HSL 323.39, 0.95%, 0.45%

LAB 49.3, 78.48, -11.49

 

CMYK 0 / 100 / 42 / 19

HEX #CF0078

RGB 207 0 120

HSL 325.22, 1%, 0.41%

LAB 45.11, 73.67, -6.51

 

CMYK 0 / 100 / 47 / 25

HEX #BE0065

RGB 190 0 101

HSL 328.11, 1%, 0.37%

LAB 41.04, 68.35, -1.05

 

CMYK 0 / 100 / 53 / 32

HEX #AD0052

RGB 173 0 82

HSL 331.56, 1%, 0.34%

LAB 36.92, 63.01, 4.68

 

CMYK 0 / 90 / 35 / 5

HEX #F2189E

RGB 242 24 158

HSL 323.12, 0.89%, 0.52%

LAB 54.03, 82.35, -15.38

 

CMYK 0 / 90 / 59 / 5

HEX #F21863

RGB 242 24 99

HSL 339.36, 0.89%, 0.52%

LAB 52.32, 77.68, 17.62

 

CMYK 0 / 90 / 83 / 5

HEX #F21829

RGB 242 24 41

HSL 355.32, 0.89%, 0.52%

LAB 51.49, 75.33, 50.26

 

CMYK 0 / 90 / 90 / 5

HEX #F21818

RGB 242 24 24

HSL 0, 0.89%, 0.52%

LAB 51.38, 75.02, 57.91

 

CMYK 0 / 90 / 35 / 5

HEX #F2189E

RGB 242 24 158

HSL 323.12, 0.89%, 0.52%

LAB 54.03, 82.35, -15.38

 

CMYK 0 / 90 / 10 / 5

HEX #F218D9

RGB 242 24 217

HSL 306.88, 0.89%, 0.52%

LAB 56.62, 89.16, -45.55

 

CMYK 14 / 90 / 0 / 5

HEX #CF18F2

RGB 207 24 242

HSL 290.37, 0.89%, 0.52%

LAB 52.21, 87.1, -67.07

 

CMYK 38 / 90 / 0 / 5

HEX #9518F2

RGB 149 24 242

HSL 274.4, 0.89%, 0.52%

LAB 43.44, 79.43, -81.74

 

CMYK 63 / 90 / 0 / 5

HEX #5A18F2

RGB 90 24 242

HSL 258.17, 0.89%, 0.52%

LAB 36.44, 74.17, -93.53

 

CMYK 0 / 90 / 35 / 5

HEX #F2189E

RGB 242 24 158

HSL 323.12, 0.89%, 0.52%

LAB 54.03, 82.35, -15.38

 

CMYK 0 / 90 / 35 / 5

HEX #F2189E

RGB 242 24 158

HSL 323.12, 0.89%, 0.52%

LAB 54.03, 82.35, -15.38

 

CMYK 0 / 81 / 31 / 13

HEX #DE2B9A

RGB 222 43 154

HSL 322.79, 0.73%, 0.52%

LAB 51.37, 74.1, -17.38

 

CMYK 0 / 69 / 26 / 21

HEX #CA3F95

RGB 202 63 149

HSL 322.88, 0.57%, 0.52%

LAB 49.84, 62.46, -17.06

 

CMYK 0 / 54 / 21 / 29

HEX #B65390

RGB 182 83 144

HSL 323.03, 0.4%, 0.52%

LAB 49.67, 47.31, -14.62

 

CMYK 0 / 36 / 14 / 36

HEX #A2678C

RGB 162 103 140

HSL 322.37, 0.24%, 0.52%

LAB 51.01, 29.31, -10.49

 

CMYK 15 / 90 / 0 / 5

HEX #CD18F2

RGB 205 24 242

HSL 289.82, 0.89%, 0.52%

LAB 51.89, 86.8, -67.6

 

CMYK 0 / 90 / 9 / 5

HEX #F218DC

RGB 242 24 220

HSL 306.06, 0.89%, 0.52%

LAB 56.78, 89.55, -47.01

 

CMYK 0 / 90 / 33 / 5

HEX #F218A2

RGB 242 24 162

HSL 322.02, 0.89%, 0.52%

LAB 54.17, 82.74, -17.52

 

CMYK 0 / 90 / 57 / 5

HEX #F21868

RGB 242 24 104

HSL 337.98, 0.89%, 0.52%

LAB 52.43, 77.99, 14.74

 

CMYK 0 / 90 / 81 / 5

HEX #F2182D

RGB 242 24 45

HSL 354.22, 0.89%, 0.52%

LAB 51.52, 75.42, 48.22

 

CMYK 0 / 94 / 36 / 32

HEX #AD0A6E

RGB 173 10 110

HSL 323.19, 0.89%, 0.36%

LAB 38.25, 64.35, -11.27

 

CMYK 0 / 94 / 36 / 17

HEX #D40C87

RGB 212 12 135

HSL 323.1, 0.89%, 0.44%

LAB 46.99, 75.09, -12.79

 

CMYK 0 / 90 / 35 / 5

HEX #F2189E

RGB 242 24 158

HSL 323.12, 0.89%, 0.52%

LAB 54.03, 82.35, -15.38

 

CMYK 0 / 74 / 28 / 4

HEX #F43FAF

RGB 244 63 175

HSL 322.87, 0.89%, 0.6%

LAB 57.93, 76.25, -19.37

 

CMYK 0 / 59 / 22 / 4

HEX #F666BF

RGB 246 102 191

HSL 322.92, 0.89%, 0.68%

LAB 64.05, 64.34, -19.2

 

CMYK 0 / 90 / 34 / 5

HEX #F1189E

RGB 241 24 158

HSL 322.95, 0.89%, 0.52%

LAB 53.84, 82.14, -15.68

 

CMYK 0 / 39 / 90 / 5

HEX #F29318

RGB 242 147 24

HSL 33.85, 0.89%, 0.52%

LAB 69.33, 28.17, 70.77

 

CMYK 90 / 0 / 3 / 5

HEX #18F2EA

RGB 24 242 234

HSL 177.8, 0.89%, 0.52%

LAB 86.82, -47.86, -9.59

 

CMYK 0 / 90 / 34 / 5

HEX #F1189E

RGB 241 24 158

HSL 322.95, 0.89%, 0.52%

LAB 53.84, 82.14, -15.68

 

CMYK 33 / 0 / 90 / 5

HEX #A2F218

RGB 162 242 24

HSL 82.02, 0.89%, 0.52%

LAB 87.61, -51.71, 82.35

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 0 / 90 / 34 / 5

HEX #F1189E

RGB 241 24 158

HSL 322.95, 0.89%, 0.52%

LAB 53.84, 82.14, -15.68

 

CMYK 0 / 39 / 90 / 5

HEX #F29318

RGB 242 147 24

HSL 33.85, 0.89%, 0.52%

LAB 69.33, 28.17, 70.77

 

CMYK 90 / 0 / 57 / 5

HEX #18F268

RGB 24 242 104

HSL 142.02, 0.89%, 0.52%

LAB 84.33, -75.34, 52.57

 

CMYK 90 / 51 / 0 / 5

HEX #1876F2

RGB 24 118 242

HSL 214.13, 0.89%, 0.52%

LAB 51.34, 20.79, -69.18

 

CMYK 0 / 90 / 34 / 5

HEX #F1189E

RGB 241 24 158

HSL 322.95, 0.89%, 0.52%

LAB 53.84, 82.14, -15.68

 

CMYK 0 / 12 / 90 / 5

HEX #F2D418

RGB 242 212 24

HSL 51.74, 0.89%, 0.52%

LAB 85.01, -5.7, 82.65

 

CMYK 90 / 0 / 57 / 5

HEX #18F268

RGB 24 242 104

HSL 142.02, 0.89%, 0.52%

LAB 84.33, -75.34, 52.57

 

CMYK 90 / 78 / 0 / 5

HEX #1835F2

RGB 24 53 242

HSL 232.02, 0.89%, 0.52%

LAB 36.27, 60.08, -93.91

 

Description

Color code: RGB 241 24 158 | qconv.com Color code: RGB 241 24 158 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 24 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 24 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 34% 5% C M Y K

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Provide designers and agencies with accurate color values.

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