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Color name
RGB 241 23 43

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 23 43 it is the complementary color RGB 14 232 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 23 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 23 43 shade: RGB 246 23 38, RGB 255 41 57, RGB 255 59 76, RGB 255 77 95 and RGB 255 95 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 23 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 224 5 24, RGB 207 0 5, RGB 190 0 0 and RGB 173 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 23 43 shade: RGB 241 23 43 and RGB 241 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 241 23 102, RGB 241 23 161, RGB 241 23 219 and RGB 204 23 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 23 43 shade matches the following richer shades: RGB 241 23 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 221 43 59, RGB 201 63 75, RGB 182 83 92 and RGB 162 102 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 23 43 shade: RGB 241 23 161, RGB 241 23 103, RGB 241 23 45, RGB 241 59 23 and RGB 241 118 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 23 43 shade: RGB 172 10 24, RGB 211 12 30, RGB 241 23 43, RGB 243 62 79 and RGB 246 101 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 219 241 23 and RGB 23 132 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 45 241 23 and RGB 23 45 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 219 241 23, RGB 23 241 219 and RGB 45 23 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 23 43 shade: RGB 241 23 43, RGB 154 241 23, RGB 23 241 219 and RGB 110 23 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

Complementary color

CMYK 94 / 0 / 9 / 9

HEX #0EE8D4

RGB 14 232 212

HSL 174.5, 0.89%, 0.48%

LAB 83.21, -50.08, -3.36

 

CMYK 0 / 91 / 85 / 4

HEX #F61726

RGB 246 23 38

HSL 355.96, 0.93%, 0.53%

LAB 52.23, 76.39, 52.72

 

CMYK 0 / 84 / 78 / 0

HEX #FF2939

RGB 255 41 57

HSL 355.51, 1%, 0.58%

LAB 55.22, 76.18, 46.33

 

CMYK 0 / 77 / 70 / 0

HEX #FF3B4C

RGB 255 59 76

HSL 354.8, 1%, 0.62%

LAB 56.99, 72.51, 37.7

 

CMYK 0 / 70 / 63 / 0

HEX #FF4D5F

RGB 255 77 95

HSL 353.93, 1%, 0.65%

LAB 59.34, 67.72, 29.69

 

CMYK 0 / 63 / 55 / 0

HEX #FF5F72

RGB 255 95 114

HSL 352.88, 1%, 0.69%

LAB 62.22, 62.04, 22.54

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 0 / 98 / 89 / 12

HEX #E00518

RGB 224 5 24

HSL 354.79, 0.96%, 0.45%

LAB 47, 72.46, 53.14

 

CMYK 0 / 100 / 98 / 19

HEX #CF0005

RGB 207 0 5

HSL 358.55, 1%, 0.41%

LAB 43.18, 68.5, 55.76

 

CMYK 0 / 100 / 100 / 25

HEX #BE0000

RGB 190 0 0

HSL 0, 1%, 0.37%

LAB 39.49, 64.21, 53.88

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 0 / 90 / 58 / 5

HEX #F11766

RGB 241 23 102

HSL 338.26, 0.89%, 0.52%

LAB 52.14, 77.76, 15.52

 

CMYK 0 / 90 / 33 / 5

HEX #F117A1

RGB 241 23 161

HSL 322.02, 0.89%, 0.52%

LAB 53.91, 82.56, -17.35

 

CMYK 0 / 90 / 9 / 5

HEX #F117DB

RGB 241 23 219

HSL 306.06, 0.89%, 0.52%

LAB 56.51, 89.36, -46.87

 

CMYK 15 / 90 / 0 / 5

HEX #CC17F1

RGB 204 23 241

HSL 289.82, 0.89%, 0.52%

LAB 51.61, 86.62, -67.49

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 0 / 81 / 73 / 13

HEX #DD2B3B

RGB 221 43 59

HSL 354.61, 0.72%, 0.52%

LAB 48.78, 66.69, 36.26

 

CMYK 0 / 69 / 63 / 21

HEX #C93F4B

RGB 201 63 75

HSL 354.78, 0.56%, 0.52%

LAB 47.6, 55.1, 24.49

 

CMYK 0 / 54 / 49 / 29

HEX #B6535C

RGB 182 83 92

HSL 354.55, 0.4%, 0.52%

LAB 48.14, 40.95, 14.41

 

CMYK 0 / 37 / 33 / 36

HEX #A2666C

RGB 162 102 108

HSL 354, 0.24%, 0.52%

LAB 49.82, 24.95, 6.78

 

CMYK 0 / 90 / 33 / 5

HEX #F117A1

RGB 241 23 161

HSL 322.02, 0.89%, 0.52%

LAB 53.91, 82.56, -17.35

 

CMYK 0 / 90 / 57 / 5

HEX #F11767

RGB 241 23 103

HSL 337.98, 0.89%, 0.52%

LAB 52.17, 77.82, 14.95

 

CMYK 0 / 90 / 81 / 5

HEX #F1172D

RGB 241 23 45

HSL 353.94, 0.89%, 0.52%

LAB 51.27, 75.31, 47.91

 

CMYK 0 / 76 / 90 / 5

HEX #F13B17

RGB 241 59 23

HSL 9.91, 0.89%, 0.52%

LAB 53.91, 66.98, 59.91

 

CMYK 0 / 51 / 90 / 5

HEX #F17617

RGB 241 118 23

HSL 26.15, 0.89%, 0.52%

LAB 63.11, 42.57, 66.38

 

CMYK 0 / 94 / 86 / 33

HEX #AC0A18

RGB 172 10 24

HSL 354.81, 0.89%, 0.36%

LAB 36.09, 58.77, 39.81

 

CMYK 0 / 94 / 86 / 17

HEX #D30C1E

RGB 211 12 30

HSL 354.57, 0.89%, 0.44%

LAB 44.53, 68.72, 47.25

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 0 / 74 / 67 / 5

HEX #F33E4F

RGB 243 62 79

HSL 354.36, 0.88%, 0.6%

LAB 55.14, 68.36, 33.22

 

CMYK 0 / 59 / 54 / 4

HEX #F66572

RGB 246 101 114

HSL 354.62, 0.89%, 0.68%

LAB 61.75, 56.56, 21.66

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 9 / 0 / 90 / 5

HEX #DBF117

RGB 219 241 23

HSL 66.06, 0.89%, 0.52%

LAB 90.79, -29.45, 86.5

 

CMYK 90 / 45 / 0 / 5

HEX #1784F1

RGB 23 132 241

HSL 210, 0.89%, 0.52%

LAB 55.11, 11.63, -62.54

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 81 / 0 / 90 / 5

HEX #2DF117

RGB 45 241 23

HSL 113.94, 0.89%, 0.52%

LAB 83.72, -79.5, 77.81

 

CMYK 90 / 81 / 0 / 5

HEX #172DF1

RGB 23 45 241

HSL 233.94, 0.89%, 0.52%

LAB 34.82, 63.58, -95.76

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 9 / 0 / 90 / 5

HEX #DBF117

RGB 219 241 23

HSL 66.06, 0.89%, 0.52%

LAB 90.79, -29.45, 86.5

 

CMYK 90 / 0 / 9 / 5

HEX #17F1DB

RGB 23 241 219

HSL 173.94, 0.89%, 0.52%

LAB 86.11, -51.6, -2.77

 

CMYK 81 / 90 / 0 / 5

HEX #2D17F1

RGB 45 23 241

HSL 246.06, 0.89%, 0.52%

LAB 32.97, 72.11, -98.83

 

CMYK 0 / 90 / 82 / 5

HEX #F1172B

RGB 241 23 43

HSL 354.5, 0.89%, 0.52%

LAB 51.25, 75.26, 48.94

 

CMYK 36 / 0 / 90 / 5

HEX #9AF117

RGB 154 241 23

HSL 83.94, 0.89%, 0.52%

LAB 86.92, -54.1, 81.76

 

CMYK 90 / 0 / 9 / 5

HEX #17F1DB

RGB 23 241 219

HSL 173.94, 0.89%, 0.52%

LAB 86.11, -51.6, -2.77

 

CMYK 54 / 90 / 0 / 5

HEX #6E17F1

RGB 110 23 241

HSL 263.94, 0.89%, 0.52%

LAB 38.34, 75.61, -89.75

 

Description

Color code: RGB 241 23 43 | qconv.com Color code: RGB 241 23 43 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 23 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 23 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 82 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 82% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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