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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 218.6 141.6 it is the complementary color RGB 14 36.4 113.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 218.6 141.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 218.6 141.6 shade: RGB 246 218.6 136.6, RGB 255 236.6 155.6, RGB 255 254.6 174.6, RGB 255 255 193.6 and RGB 255 255 212.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 218.6 141.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 218.6 141.6 shade: RGB 241 218.6 141.6, RGB 224 200.6 122.6, RGB 207 182.6 103.6, RGB 190 164.6 84.6 and RGB 173 146.6 65.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 218.6 141.6 shade: RGB 241 219 142, RGB 241 192 142, RGB 241 165 142 and RGB 241 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 218.6 141.6 shade: RGB 241 219 142, RGB 237 241 142, RGB 210 241 142, RGB 183 241 142 and RGB 156 241 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 218.6 141.6 shade matches the following richer shades: RGB 241 219 142 and RGB 251 224 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 218.6 141.6 shade: RGB 241 219 142, RGB 231 213 152, RGB 220 207 162, RGB 210 202 172 and RGB 200 196 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 218.6 141.6 shade: RGB 241 165 142, RGB 241 191 142, RGB 241 218 142, RGB 238 241 142 and RGB 211 241 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 218.6 141.6 shade: RGB 232 195 68, RGB 236 207 105, RGB 241 219 142, RGB 246 230 178 and RGB 250 242 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 218.6 141.6 shade: RGB 241 218.6 141.6, RGB 145 241 142 and RGB 178 142 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 218.6 141.6 shade: RGB 241 218.6 141.6, RGB 142 241 218 and RGB 218 142 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 218.6 141.6 shade: RGB 241 218.6 141.6, RGB 145 241 142, RGB 142 165 241 and RGB 238 142 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 218.6 141.6 shade: RGB 241 218.6 141.6, RGB 142 241 168, RGB 142 165 241 and RGB 241 142 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 41 / 5

HEX #F1DA8D

RGB 241 218.6 141.6

HSL 46.48, 0.78%, 0.75%

LAB 87.53, -2.7, 40.64

 

Complementary color

CMYK 88 / 68 / 0 / 56

HEX #0E2471

RGB 14 36.4 113.4

HSL 226.48, 0.78%, 0.25%

LAB 18.28, 23.62, -46.52

 

CMYK 0 / 11 / 44 / 4

HEX #F6DA88

RGB 246 218.6 136.6

HSL 44.97, 0.86%, 0.75%

LAB 87.89, -1.24, 43.69

 

CMYK 0 / 7 / 39 / 0

HEX #FFEC9B

RGB 255 236.6 155.6

HSL 48.89, 1%, 0.81%

LAB 93.44, -4.87, 41.5

 

CMYK 0 / 0 / 32 / 0

HEX #FFFEAE

RGB 255 254.6 174.6

HSL 59.7, 1%, 0.84%

LAB 98.27, -11.65, 38.38

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193.6

HSL 60, 1%, 0.88%

LAB 98.69, -9.47, 29.44

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212.6

HSL 60, 1%, 0.92%

LAB 99.05, -6.82, 20.31

 

CMYK 0 / 9 / 41 / 5

HEX #F1DA8D

RGB 241 218.6 141.6

HSL 46.48, 0.78%, 0.75%

LAB 87.53, -2.7, 40.64

 

CMYK 0 / 10 / 45 / 12

HEX #E0C87A

RGB 224 200.6 122.6

HSL 46.15, 0.62%, 0.68%

LAB 81.21, -2.15, 41.86

 

CMYK 0 / 12 / 50 / 19

HEX #CFB667

RGB 207 182.6 103.6

HSL 45.84, 0.52%, 0.61%

LAB 74.8, -1.5, 43.1

 

CMYK 0 / 13 / 55 / 25

HEX #BEA454

RGB 190 164.6 84.6

HSL 45.54, 0.45%, 0.54%

LAB 68.29, -0.73, 44.36

 

CMYK 0 / 15 / 62 / 32

HEX #AD9241

RGB 173 146.6 65.6

HSL 45.25, 0.45%, 0.47%

LAB 61.67, 0.19, 45.58

 

CMYK 0 / 9 / 41 / 5

HEX #F1DB8E

RGB 241 219 142

HSL 46.67, 0.78%, 0.75%

LAB 87.64, -2.86, 40.58

 

CMYK 0 / 20 / 41 / 5

HEX #F1C08E

RGB 241 192 142

HSL 30.3, 0.78%, 0.75%

LAB 80.93, 11.11, 31.85

 

CMYK 0 / 32 / 41 / 5

HEX #F1A58E

RGB 241 165 142

HSL 13.94, 0.78%, 0.75%

LAB 74.55, 25.38, 23.29

 

CMYK 0 / 41 / 41 / 5

HEX #F18E8E

RGB 241 142 142

HSL 0, 0.78%, 0.75%

LAB 69.47, 37.45, 16.31

 

CMYK 0 / 9 / 41 / 5

HEX #F1DB8E

RGB 241 219 142

HSL 46.67, 0.78%, 0.75%

LAB 87.64, -2.86, 40.58

 

CMYK 2 / 0 / 41 / 5

HEX #EDF18E

RGB 237 241 142

HSL 62.42, 0.78%, 0.75%

LAB 92.96, -15.41, 47.25

 

CMYK 13 / 0 / 41 / 5

HEX #D2F18E

RGB 210 241 142

HSL 78.79, 0.78%, 0.75%

LAB 91.04, -25.61, 44.43

 

CMYK 24 / 0 / 41 / 5

HEX #B7F18E

RGB 183 241 142

HSL 95.15, 0.78%, 0.75%

LAB 89.36, -35.31, 41.95

 

CMYK 35 / 0 / 41 / 5

HEX #9CF18E

RGB 156 241 142

HSL 111.52, 0.78%, 0.75%

LAB 87.94, -44.24, 39.84

 

CMYK 0 / 9 / 41 / 5

HEX #F1DB8E

RGB 241 219 142

HSL 46.67, 0.78%, 0.75%

LAB 87.64, -2.86, 40.58

 

CMYK 0 / 11 / 48 / 2

HEX #FBE083

RGB 251 224 131

HSL 46.5, 0.94%, 0.75%

LAB 89.61, -2.52, 48.67

 

CMYK 0 / 9 / 41 / 5

HEX #F1DB8E

RGB 241 219 142

HSL 46.67, 0.78%, 0.75%

LAB 87.64, -2.86, 40.58

 

CMYK 0 / 8 / 34 / 9

HEX #E7D598

RGB 231 213 152

HSL 46.33, 0.62%, 0.75%

LAB 85.43, -2.58, 32.45

 

CMYK 0 / 6 / 26 / 14

HEX #DCCFA2

RGB 220 207 162

HSL 46.55, 0.45%, 0.75%

LAB 83.15, -2.43, 24.03

 

CMYK 0 / 4 / 18 / 18

HEX #D2CAAC

RGB 210 202 172

HSL 47.37, 0.3%, 0.75%

LAB 81.25, -2.15, 15.99

 

CMYK 0 / 2 / 9 / 22

HEX #C8C4B7

RGB 200 196 183

HSL 45.88, 0.13%, 0.75%

LAB 79.14, -0.88, 7.01

 

CMYK 0 / 32 / 41 / 5

HEX #F1A58E

RGB 241 165 142

HSL 13.94, 0.78%, 0.75%

LAB 74.55, 25.38, 23.29

 

CMYK 0 / 21 / 41 / 5

HEX #F1BF8E

RGB 241 191 142

HSL 29.7, 0.78%, 0.75%

LAB 80.69, 11.64, 31.53

 

CMYK 0 / 10 / 41 / 5

HEX #F1DA8E

RGB 241 218 142

HSL 46.06, 0.78%, 0.75%

LAB 87.39, -2.35, 40.26

 

CMYK 1 / 0 / 41 / 5

HEX #EEF18E

RGB 238 241 142

HSL 61.82, 0.78%, 0.75%

LAB 93.03, -15.02, 47.37

 

CMYK 12 / 0 / 41 / 5

HEX #D3F18E

RGB 211 241 142

HSL 78.18, 0.78%, 0.75%

LAB 91.1, -25.24, 44.53

 

CMYK 0 / 16 / 71 / 9

HEX #E8C344

RGB 232 195 68

HSL 46.46, 0.78%, 0.59%

LAB 79.96, 0.1, 65.57

 

CMYK 0 / 12 / 56 / 7

HEX #ECCF69

RGB 236 207 105

HSL 46.72, 0.78%, 0.67%

LAB 83.69, -2.1, 53.67

 

CMYK 0 / 9 / 41 / 5

HEX #F1DB8E

RGB 241 219 142

HSL 46.67, 0.78%, 0.75%

LAB 87.64, -2.86, 40.58

 

CMYK 0 / 7 / 28 / 4

HEX #F6E6B2

RGB 246 230 178

HSL 45.88, 0.79%, 0.83%

LAB 91.42, -2.32, 27.35

 

CMYK 0 / 3 / 14 / 2

HEX #FAF2D7

RGB 250 242 215

HSL 46.29, 0.78%, 0.91%

LAB 95.47, -1.71, 13.99

 

CMYK 0 / 9 / 41 / 5

HEX #F1DA8D

RGB 241 218.6 141.6

HSL 46.48, 0.78%, 0.75%

LAB 87.53, -2.7, 40.64

 

CMYK 40 / 0 / 41 / 5

HEX #91F18E

RGB 145 241 142

HSL 118.18, 0.78%, 0.75%

LAB 87.43, -47.6, 39.08

 

CMYK 26 / 41 / 0 / 5

HEX #B28EF1

RGB 178 142 241

HSL 261.82, 0.78%, 0.75%

LAB 65.87, 33.62, -44.92

 

CMYK 0 / 9 / 41 / 5

HEX #F1DA8D

RGB 241 218.6 141.6

HSL 46.48, 0.78%, 0.75%

LAB 87.53, -2.7, 40.64

 

CMYK 41 / 0 / 10 / 5

HEX #8EF1DA

RGB 142 241 218

HSL 166.06, 0.78%, 0.75%

LAB 88.79, -34.36, 1.99

 

CMYK 10 / 41 / 0 / 5

HEX #DA8EF1

RGB 218 142 241

HSL 286.06, 0.78%, 0.75%

LAB 69.9, 45.05, -38.33

 

CMYK 0 / 9 / 41 / 5

HEX #F1DA8D

RGB 241 218.6 141.6

HSL 46.48, 0.78%, 0.75%

LAB 87.53, -2.7, 40.64

 

CMYK 40 / 0 / 41 / 5

HEX #91F18E

RGB 145 241 142

HSL 118.18, 0.78%, 0.75%

LAB 87.43, -47.6, 39.08

 

CMYK 41 / 32 / 0 / 5

HEX #8EA5F1

RGB 142 165 241

HSL 226.06, 0.78%, 0.75%

LAB 68.76, 10.87, -40.59

 

CMYK 1 / 41 / 0 / 5

HEX #EE8EF1

RGB 238 142 241

HSL 298.18, 0.78%, 0.75%

LAB 72.14, 50.91, -34.66

 

CMYK 0 / 9 / 41 / 5

HEX #F1DA8D

RGB 241 218.6 141.6

HSL 46.48, 0.78%, 0.75%

LAB 87.53, -2.7, 40.64

 

CMYK 41 / 0 / 30 / 5

HEX #8EF1A8

RGB 142 241 168

HSL 135.76, 0.78%, 0.75%

LAB 87.72, -44.32, 26.38

 

CMYK 41 / 32 / 0 / 5

HEX #8EA5F1

RGB 142 165 241

HSL 226.06, 0.78%, 0.75%

LAB 68.76, 10.87, -40.59

 

CMYK 0 / 41 / 11 / 5

HEX #F18ED6

RGB 241 142 214

HSL 316.36, 0.78%, 0.75%

LAB 71.49, 47.2, -20.81

 

Description

Color code: RGB 241 218.6 141.6 | qconv.com Color code: RGB 241 218.6 141.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 218.6 green and 141.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 218.6 141.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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