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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 200.6 0 it is the complementary color RGB 14 54.4 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 200.6 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 200.6 0 shade: RGB 246 200.6 0, RGB 255 218.6 14, RGB 255 236.6 33, RGB 255 254.6 52 and RGB 255 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 200.6 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 200.6 0 shade: RGB 241 200.6 0, RGB 224 182.6 0, RGB 207 164.6 0, RGB 190 146.6 0 and RGB 173 128.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 200.6 0 shade: RGB 240 200 0, RGB 240 135 0, RGB 240 70 0, RGB 240 6 0 and RGB 240 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 200.6 0 shade: RGB 240 200 0, RGB 215 240 0, RGB 151 240 0, RGB 86 240 0 and RGB 21 240 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 200.6 0 shade matches the following richer shades: RGB 240 200 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 200.6 0 shade: RGB 240 200 0, RGB 220 187 19, RGB 201 174 39, RGB 182 161 58 and RGB 162 148 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 200.6 0 shade: RGB 240 68 0, RGB 240 132 0, RGB 240 196 0, RGB 220 240 0 and RGB 156 240 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 200.6 0 shade: RGB 157 131 0, RGB 198 165 0, RGB 240 200 0, RGB 255 217 26 and RGB 255 224 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 200.6 0 shade: RGB 241 200.6 0, RGB 0 240 4 and RGB 100 0 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 200.6 0 shade: RGB 241 200.6 0, RGB 0 240 196 and RGB 196 0 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 200.6 0 shade: RGB 241 200.6 0, RGB 0 240 4, RGB 0 44 240 and RGB 240 0 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 200.6 0 shade: RGB 241 200.6 0, RGB 0 240 76, RGB 0 44 240 and RGB 240 0 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 100 / 5

HEX #F1C800

RGB 241 200.6 0

HSL 49.94, 1%, 0.47%

LAB 81.99, -0.57, 83.05

 

Complementary color

CMYK 95 / 79 / 0 / 0

HEX #0E36FF

RGB 14 54.4 255

HSL 229.94, 1%, 0.53%

LAB 37.82, 63.25, -98.65

 

CMYK 0 / 18 / 100 / 4

HEX #F6C800

RGB 246 200.6 0

HSL 48.93, 1%, 0.48%

LAB 82.48, 1.58, 83.61

 

CMYK 0 / 14 / 95 / 0

HEX #FFDA0E

RGB 255 218.6 14

HSL 50.94, 1%, 0.53%

LAB 87.85, -3.63, 86.59

 

CMYK 0 / 7 / 87 / 0

HEX #FFEC21

RGB 255 236.6 33

HSL 55.03, 1%, 0.56%

LAB 92.45, -12.31, 87.41

 

CMYK 0 / 0 / 80 / 0

HEX #FFFE34

RGB 255 254.6 52

HSL 59.88, 1%, 0.6%

LAB 97.14, -20.55, 87.22

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 17 / 100 / 5

HEX #F1C800

RGB 241 200.6 0

HSL 49.94, 1%, 0.47%

LAB 81.99, -0.57, 83.05

 

CMYK 0 / 18 / 100 / 12

HEX #E0B600

RGB 224 182.6 0

HSL 48.91, 1%, 0.44%

LAB 75.79, 1.38, 77.93

 

CMYK 0 / 20 / 100 / 19

HEX #CFA400

RGB 207 164.6 0

HSL 47.71, 1%, 0.41%

LAB 69.49, 3.41, 72.74

 

CMYK 0 / 23 / 100 / 25

HEX #BE9200

RGB 190 146.6 0

HSL 46.29, 1%, 0.37%

LAB 63.09, 5.52, 67.46

 

CMYK 0 / 26 / 100 / 32

HEX #AD8000

RGB 173 128.6 0

HSL 44.6, 1%, 0.34%

LAB 56.56, 7.71, 62.1

 

CMYK 0 / 17 / 100 / 6

HEX #F0C800

RGB 240 200 0

HSL 50, 1%, 0.47%

LAB 81.75, -0.69, 82.83

 

CMYK 0 / 44 / 100 / 6

HEX #F08700

RGB 240 135 0

HSL 33.75, 1%, 0.47%

LAB 66.41, 33.33, 72.58

 

CMYK 0 / 71 / 100 / 6

HEX #F04600

RGB 240 70 0

HSL 17.5, 1%, 0.47%

LAB 54.97, 62.82, 66.2

 

CMYK 0 / 98 / 100 / 6

HEX #F00600

RGB 240 6 0

HSL 1.5, 1%, 0.47%

LAB 50.28, 76.07, 64.26

 

CMYK 0 / 100 / 100 / 6

HEX #F00000

RGB 240 0 0

HSL 0, 1%, 0.47%

LAB 50.13, 76.52, 64.2

 

CMYK 0 / 17 / 100 / 6

HEX #F0C800

RGB 240 200 0

HSL 50, 1%, 0.47%

LAB 81.75, -0.69, 82.83

 

CMYK 10 / 0 / 100 / 6

HEX #D7F000

RGB 215 240 0

HSL 66.25, 1%, 0.47%

LAB 90.21, -30.85, 88.05

 

CMYK 37 / 0 / 100 / 6

HEX #97F000

RGB 151 240 0

HSL 82.25, 1%, 0.47%

LAB 86.45, -55.05, 83.54

 

CMYK 64 / 0 / 100 / 6

HEX #56F000

RGB 86 240 0

HSL 98.5, 1%, 0.47%

LAB 84.12, -73.18, 80.71

 

CMYK 91 / 0 / 100 / 6

HEX #15F000

RGB 21 240 0

HSL 114.75, 1%, 0.47%

LAB 83.17, -81.55, 79.55

 

CMYK 0 / 17 / 100 / 6

HEX #F0C800

RGB 240 200 0

HSL 50, 1%, 0.47%

LAB 81.75, -0.69, 82.83

 

CMYK 0 / 17 / 100 / 6

HEX #F0C800

RGB 240 200 0

HSL 50, 1%, 0.47%

LAB 81.75, -0.69, 82.83

 

CMYK 0 / 15 / 91 / 14

HEX #DCBB13

RGB 220 187 19

HSL 50.15, 0.84%, 0.47%

LAB 76.56, -2.45, 76.09

 

CMYK 0 / 13 / 81 / 21

HEX #C9AE27

RGB 201 174 39

HSL 50, 0.68%, 0.47%

LAB 71.44, -3.5, 66.65

 

CMYK 0 / 12 / 68 / 29

HEX #B6A13A

RGB 182 161 58

HSL 49.84, 0.52%, 0.47%

LAB 66.32, -4.12, 54.26

 

CMYK 0 / 9 / 52 / 36

HEX #A2944E

RGB 162 148 78

HSL 50, 0.35%, 0.47%

LAB 61.14, -4.38, 38.55

 

CMYK 0 / 72 / 100 / 6

HEX #F04400

RGB 240 68 0

HSL 17, 1%, 0.47%

LAB 54.72, 63.52, 66.08

 

CMYK 0 / 45 / 100 / 6

HEX #F08400

RGB 240 132 0

HSL 33, 1%, 0.47%

LAB 65.77, 34.88, 72.18

 

CMYK 0 / 18 / 100 / 6

HEX #F0C400

RGB 240 196 0

HSL 49, 1%, 0.47%

LAB 80.74, 1.36, 82.13

 

CMYK 8 / 0 / 100 / 6

HEX #DCF000

RGB 220 240 0

HSL 65, 1%, 0.47%

LAB 90.57, -28.82, 88.47

 

CMYK 35 / 0 / 100 / 6

HEX #9CF000

RGB 156 240 0

HSL 81, 1%, 0.47%

LAB 86.7, -53.33, 83.83

 

CMYK 0 / 17 / 100 / 38

HEX #9D8300

RGB 157 131 0

HSL 50.06, 1%, 0.31%

LAB 55.48, -1.02, 60.54

 

CMYK 0 / 17 / 100 / 22

HEX #C6A500

RGB 198 165 0

HSL 50, 1%, 0.39%

LAB 68.69, -0.81, 71.75

 

CMYK 0 / 17 / 100 / 6

HEX #F0C800

RGB 240 200 0

HSL 50, 1%, 0.47%

LAB 81.75, -0.69, 82.83

 

CMYK 0 / 15 / 90 / 0

HEX #FFD91A

RGB 255 217 26

HSL 50.04, 1%, 0.55%

LAB 87.47, -2.67, 84.73

 

CMYK 0 / 12 / 74 / 0

HEX #FFE043

RGB 255 224 67

HSL 50.11, 1%, 0.63%

LAB 89.38, -5.06, 75.82

 

CMYK 0 / 17 / 100 / 5

HEX #F1C800

RGB 241 200.6 0

HSL 49.94, 1%, 0.47%

LAB 81.99, -0.57, 83.05

 

CMYK 100 / 0 / 98 / 6

HEX #00F004

RGB 0 240 4

HSL 121, 1%, 0.47%

LAB 83.09, -82.26, 79.12

 

CMYK 58 / 100 / 0 / 6

HEX #6400F0

RGB 100 0 240

HSL 265, 1%, 0.47%

LAB 35.99, 78.12, -93.12

 

CMYK 0 / 17 / 100 / 5

HEX #F1C800

RGB 241 200.6 0

HSL 49.94, 1%, 0.47%

LAB 81.99, -0.57, 83.05

 

CMYK 100 / 0 / 18 / 6

HEX #00F0C4

RGB 0 240 196

HSL 169, 1%, 0.47%

LAB 85.15, -57.83, 7.87

 

CMYK 18 / 100 / 0 / 6

HEX #C400F0

RGB 196 0 240

HSL 289, 1%, 0.47%

LAB 49.53, 87.48, -70.37

 

CMYK 0 / 17 / 100 / 5

HEX #F1C800

RGB 241 200.6 0

HSL 49.94, 1%, 0.47%

LAB 81.99, -0.57, 83.05

 

CMYK 100 / 0 / 98 / 6

HEX #00F004

RGB 0 240 4

HSL 121, 1%, 0.47%

LAB 83.09, -82.26, 79.12

 

CMYK 100 / 82 / 0 / 6

HEX #002CF0

RGB 0 44 240

HSL 229, 1%, 0.47%

LAB 34.18, 63.38, -96.28

 

CMYK 0 / 100 / 2 / 6

HEX #F000EC

RGB 240 0 236

HSL 301, 1%, 0.47%

LAB 56.67, 93.29, -56.24

 

CMYK 0 / 17 / 100 / 5

HEX #F1C800

RGB 241 200.6 0

HSL 49.94, 1%, 0.47%

LAB 81.99, -0.57, 83.05

 

CMYK 100 / 0 / 68 / 6

HEX #00F04C

RGB 0 240 76

HSL 139, 1%, 0.47%

LAB 83.36, -78.76, 63.08

 

CMYK 100 / 82 / 0 / 6

HEX #002CF0

RGB 0 44 240

HSL 229, 1%, 0.47%

LAB 34.18, 63.38, -96.28

 

CMYK 0 / 100 / 32 / 6

HEX #F000A4

RGB 240 0 164

HSL 319, 1%, 0.47%

LAB 53.17, 84.59, -20.26

 

Description

Color code: RGB 241 200.6 0 | qconv.com Color code: RGB 241 200.6 0 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 200.6 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 200.6 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 100% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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