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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 174 161 it is the complementary color RGB 14 81 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 174 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 174 161 shade: RGB 246 174 156, RGB 255 192 175, RGB 255 210 194, RGB 255 228 213 and RGB 255 246 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 174 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 224 156 142, RGB 207 138 123, RGB 190 120 104 and RGB 173 102 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 174 161 shade: RGB 241 174 161 and RGB 241 161 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 241 196 161, RGB 241 217 161, RGB 241 238 161 and RGB 221 241 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 174 161 shade matches the following richer shades: RGB 241 174 161 and RGB 249 168 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 232 180 170, RGB 223 186 179, RGB 215 192 187 and RGB 206 198 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 174 161 shade: RGB 241 161 192, RGB 241 161 171, RGB 241 173 161, RGB 241 194 161 and RGB 241 215 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 174 161 shade: RGB 230 112 90, RGB 235 143 125, RGB 241 174 161, RGB 246 205 197 and RGB 251 236 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 213 241 161 and RGB 161 181 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 161 241 173 and RGB 173 161 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 213 241 161, RGB 161 229 241 and RGB 189 161 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 174 161 shade: RGB 241 174 161, RGB 189 241 161, RGB 161 229 241 and RGB 213 161 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

Complementary color

CMYK 85 / 14 / 0 / 63

HEX #0E515E

RGB 14 81 94

HSL 189.75, 0.74%, 0.21%

LAB 31.32, -14.82, -13.31

 

CMYK 0 / 29 / 37 / 4

HEX #F6AE9C

RGB 246 174 156

HSL 12, 0.83%, 0.79%

LAB 77.44, 24.11, 19.77

 

CMYK 0 / 25 / 31 / 0

HEX #FFC0AF

RGB 255 192 175

HSL 12.75, 1%, 0.84%

LAB 82.94, 20.34, 17.37

 

CMYK 0 / 18 / 24 / 0

HEX #FFD2C2

RGB 255 210 194

HSL 15.74, 1%, 0.88%

LAB 87.61, 13.45, 13.86

 

CMYK 0 / 11 / 16 / 0

HEX #FFE4D5

RGB 255 228 213

HSL 21.43, 1%, 0.92%

LAB 92.38, 6.89, 10.68

 

CMYK 0 / 4 / 9 / 0

HEX #FFF6E8

RGB 255 246 232

HSL 36.52, 1%, 0.95%

LAB 97.23, 0.68, 7.79

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 0 / 30 / 37 / 12

HEX #E09C8E

RGB 224 156 142

HSL 10.24, 0.57%, 0.72%

LAB 70.58, 23.63, 17.54

 

CMYK 0 / 33 / 41 / 19

HEX #CF8A7B

RGB 207 138 123

HSL 10.71, 0.47%, 0.65%

LAB 64.06, 24.54, 18.82

 

CMYK 0 / 37 / 45 / 25

HEX #BE7868

RGB 190 120 104

HSL 11.16, 0.4%, 0.58%

LAB 57.44, 25.56, 20.23

 

CMYK 0 / 41 / 51 / 32

HEX #AD6655

RGB 173 102 85

HSL 11.59, 0.35%, 0.51%

LAB 50.74, 26.71, 21.85

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 0 / 33 / 33 / 5

HEX #F1A1A1

RGB 241 161 161

HSL 0, 0.74%, 0.79%

LAB 74.04, 29.7, 12.21

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 0 / 19 / 33 / 5

HEX #F1C4A1

RGB 241 196 161

HSL 26.25, 0.74%, 0.79%

LAB 82.25, 11.2, 23.62

 

CMYK 0 / 10 / 33 / 5

HEX #F1D9A1

RGB 241 217 161

HSL 42, 0.74%, 0.79%

LAB 87.44, 0.29, 30.65

 

CMYK 0 / 1 / 33 / 5

HEX #F1EEA1

RGB 241 238 161

HSL 57.75, 0.74%, 0.79%

LAB 92.76, -10.31, 37.7

 

CMYK 8 / 0 / 33 / 5

HEX #DDF1A1

RGB 221 241 161

HSL 75, 0.74%, 0.79%

LAB 92.07, -19.26, 36.52

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 0 / 33 / 39 / 2

HEX #F9A899

RGB 249 168 153

HSL 9.38, 0.89%, 0.79%

LAB 76.34, 28.06, 19.93

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 0 / 22 / 27 / 9

HEX #E8B4AA

RGB 232 180 170

HSL 9.68, 0.57%, 0.79%

LAB 77.7, 17.42, 12.35

 

CMYK 0 / 17 / 20 / 13

HEX #DFBAB3

RGB 223 186 179

HSL 9.55, 0.41%, 0.79%

LAB 78.5, 12.17, 8.5

 

CMYK 0 / 11 / 13 / 16

HEX #D7C0BB

RGB 215 192 187

HSL 10.71, 0.26%, 0.79%

LAB 79.46, 7.3, 5.48

 

CMYK 0 / 4 / 5 / 19

HEX #CEC6C4

RGB 206 198 196

HSL 12, 0.09%, 0.79%

LAB 80.46, 2.43, 1.98

 

CMYK 0 / 33 / 20 / 5

HEX #F1A1C0

RGB 241 161 192

HSL 336.75, 0.74%, 0.79%

LAB 74.82, 33.92, -3.7

 

CMYK 0 / 33 / 29 / 5

HEX #F1A1AB

RGB 241 161 171

HSL 352.5, 0.74%, 0.79%

LAB 74.27, 30.98, 7.05

 

CMYK 0 / 28 / 33 / 5

HEX #F1ADA1

RGB 241 173 161

HSL 9, 0.74%, 0.79%

LAB 76.78, 23.35, 16.06

 

CMYK 0 / 20 / 33 / 5

HEX #F1C2A1

RGB 241 194 161

HSL 24.75, 0.74%, 0.79%

LAB 81.76, 12.25, 22.96

 

CMYK 0 / 11 / 33 / 5

HEX #F1D7A1

RGB 241 215 161

HSL 40.5, 0.74%, 0.79%

LAB 86.94, 1.32, 29.98

 

CMYK 0 / 51 / 61 / 10

HEX #E6705A

RGB 230 112 90

HSL 9.43, 0.74%, 0.63%

LAB 60.91, 44.02, 33.68

 

CMYK 0 / 39 / 47 / 8

HEX #EB8F7D

RGB 235 143 125

HSL 9.82, 0.73%, 0.71%

LAB 68.6, 32.93, 24.43

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 0 / 17 / 20 / 4

HEX #F6CDC5

RGB 246 205 197

HSL 9.8, 0.73%, 0.87%

LAB 85.65, 13.21, 9.37

 

CMYK 0 / 6 / 7 / 2

HEX #FBECE9

RGB 251 236 233

HSL 10, 0.69%, 0.95%

LAB 94.48, 4.56, 3.26

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 12 / 0 / 33 / 5

HEX #D5F1A1

RGB 213 241 161

HSL 81, 0.74%, 0.79%

LAB 91.52, -22.18, 35.69

 

CMYK 33 / 25 / 0 / 5

HEX #A1B5F1

RGB 161 181 241

HSL 225, 0.74%, 0.79%

LAB 74.17, 6.98, -32.09

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 33 / 0 / 28 / 5

HEX #A1F1AD

RGB 161 241 173

HSL 129, 0.74%, 0.79%

LAB 88.69, -37.9, 25.28

 

CMYK 28 / 33 / 0 / 5

HEX #ADA1F1

RGB 173 161 241

HSL 249, 0.74%, 0.79%

LAB 69.98, 21.54, -38.52

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 12 / 0 / 33 / 5

HEX #D5F1A1

RGB 213 241 161

HSL 81, 0.74%, 0.79%

LAB 91.52, -22.18, 35.69

 

CMYK 33 / 5 / 0 / 5

HEX #A1E5F1

RGB 161 229 241

HSL 189, 0.74%, 0.79%

LAB 86.98, -18.34, -12.64

 

CMYK 22 / 33 / 0 / 5

HEX #BDA1F1

RGB 189 161 241

HSL 261, 0.74%, 0.79%

LAB 71.32, 26.18, -36.33

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA1

RGB 241 174 161

HSL 9.75, 0.74%, 0.79%

LAB 77.01, 22.82, 16.39

 

CMYK 22 / 0 / 33 / 5

HEX #BDF1A1

RGB 189 241 161

HSL 99, 0.74%, 0.79%

LAB 90, -30.68, 33.41

 

CMYK 33 / 5 / 0 / 5

HEX #A1E5F1

RGB 161 229 241

HSL 189, 0.74%, 0.79%

LAB 86.98, -18.34, -12.64

 

CMYK 12 / 33 / 0 / 5

HEX #D5A1F1

RGB 213 161 241

HSL 279, 0.74%, 0.79%

LAB 73.54, 33.39, -32.72

 

Description

Color code: RGB 241 174 161 | qconv.com Color code: RGB 241 174 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 174 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 174 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Ebyz.cz Startup Blog
Link: http://blog.ebyz.cz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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