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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 161 84 it is the complementary color RGB 14 94 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 161 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 161 84 shade: RGB 246 161 79, RGB 255 179 98, RGB 255 197 117, RGB 255 215 136 and RGB 255 233 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 161 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 161 84 shade: RGB 241 161 84, RGB 224 143 65, RGB 207 125 46, RGB 190 107 27 and RGB 173 89 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 161 84 shade: RGB 241 161 85, RGB 241 119 85 and RGB 241 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 161 84 shade: RGB 241 161 85, RGB 241 203 85, RGB 236 241 85, RGB 194 241 85 and RGB 152 241 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 161 84 shade matches the following richer shades: RGB 241 161 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 161 84 shade: RGB 241 161 85, RGB 226 161 100, RGB 211 162 114, RGB 196 162 129 and RGB 181 162 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 161 84 shade: RGB 241 85 92, RGB 241 118 85, RGB 241 160 85, RGB 241 202 85 and RGB 238 241 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 161 84 shade: RGB 225 119 18, RGB 238 140 47, RGB 241 161 85, RGB 244 182 123 and RGB 247 203 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 161 84 shade: RGB 241 161 84, RGB 134 241 85 and RGB 98 85 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 161 84 shade: RGB 241 161 84, RGB 85 241 160 and RGB 160 85 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 161 84 shade: RGB 241 161 84, RGB 134 241 85, RGB 85 165 241 and RGB 191 85 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 161 84 shade: RGB 241 161 84, RGB 87 241 85, RGB 85 165 241 and RGB 238 85 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 65 / 5

HEX #F1A154

RGB 241 161 84

HSL 29.43, 0.85%, 0.64%

LAB 72.78, 22.62, 51.24

 

Complementary color

CMYK 92 / 45 / 0 / 33

HEX #0E5EAB

RGB 14 94 171

HSL 209.43, 0.85%, 0.36%

LAB 39.65, 7.69, -47.36

 

CMYK 0 / 35 / 68 / 4

HEX #F6A14F

RGB 246 161 79

HSL 29.46, 0.9%, 0.64%

LAB 73.32, 24.38, 54.37

 

CMYK 0 / 30 / 62 / 0

HEX #FFB362

RGB 255 179 98

HSL 30.96, 1%, 0.69%

LAB 78.68, 19.76, 51.66

 

CMYK 0 / 23 / 54 / 0

HEX #FFC575

RGB 255 197 117

HSL 34.78, 1%, 0.73%

LAB 83.17, 11.75, 47.71

 

CMYK 0 / 16 / 47 / 0

HEX #FFD788

RGB 255 215 136

HSL 39.83, 1%, 0.77%

LAB 87.79, 4.11, 44.03

 

CMYK 0 / 9 / 39 / 0

HEX #FFE99B

RGB 255 233 155

HSL 46.8, 1%, 0.8%

LAB 92.53, -3.13, 40.62

 

CMYK 0 / 33 / 65 / 5

HEX #F1A154

RGB 241 161 84

HSL 29.43, 0.85%, 0.64%

LAB 72.78, 22.62, 51.24

 

CMYK 0 / 36 / 71 / 12

HEX #E08F41

RGB 224 143 65

HSL 29.43, 0.72%, 0.57%

LAB 66.42, 24.1, 52.67

 

CMYK 0 / 40 / 78 / 19

HEX #CF7D2E

RGB 207 125 46

HSL 29.44, 0.64%, 0.5%

LAB 60.01, 25.78, 53.91

 

CMYK 0 / 44 / 86 / 25

HEX #BE6B1B

RGB 190 107 27

HSL 29.45, 0.75%, 0.43%

LAB 53.54, 27.69, 54.6

 

CMYK 0 / 49 / 95 / 32

HEX #AD5908

RGB 173 89 8

HSL 29.45, 0.91%, 0.35%

LAB 47.04, 29.84, 53.98

 

CMYK 0 / 33 / 65 / 5

HEX #F1A155

RGB 241 161 85

HSL 29.23, 0.85%, 0.64%

LAB 72.79, 22.68, 50.77

 

CMYK 0 / 51 / 65 / 5

HEX #F17755

RGB 241 119 85

HSL 13.08, 0.85%, 0.64%

LAB 63.8, 44.34, 40.29

 

CMYK 0 / 65 / 65 / 5

HEX #F15555

RGB 241 85 85

HSL 0, 0.85%, 0.64%

LAB 57.9, 59.77, 33.1

 

CMYK 0 / 33 / 65 / 5

HEX #F1A155

RGB 241 161 85

HSL 29.23, 0.85%, 0.64%

LAB 72.79, 22.68, 50.77

 

CMYK 0 / 16 / 65 / 5

HEX #F1CB55

RGB 241 203 85

HSL 45.38, 0.85%, 0.64%

LAB 82.95, 0.67, 61.97

 

CMYK 2 / 0 / 65 / 5

HEX #ECF155

RGB 236 241 85

HSL 61.92, 0.85%, 0.64%

LAB 92.31, -20.35, 71.67

 

CMYK 20 / 0 / 65 / 5

HEX #C2F155

RGB 194 241 85

HSL 78.08, 0.85%, 0.64%

LAB 89.41, -36.83, 67.75

 

CMYK 37 / 0 / 65 / 5

HEX #98F155

RGB 152 241 85

HSL 94.23, 0.85%, 0.64%

LAB 87.12, -51.77, 64.62

 

CMYK 0 / 33 / 65 / 5

HEX #F1A155

RGB 241 161 85

HSL 29.23, 0.85%, 0.64%

LAB 72.79, 22.68, 50.77

 

CMYK 0 / 33 / 65 / 5

HEX #F1A155

RGB 241 161 85

HSL 29.23, 0.85%, 0.64%

LAB 72.79, 22.68, 50.77

 

CMYK 0 / 29 / 56 / 11

HEX #E2A164

RGB 226 161 100

HSL 29.05, 0.68%, 0.64%

LAB 71.27, 17.57, 41.04

 

CMYK 0 / 23 / 46 / 17

HEX #D3A272

RGB 211 162 114

HSL 29.69, 0.52%, 0.64%

LAB 70.11, 12.15, 31.9

 

CMYK 0 / 17 / 34 / 23

HEX #C4A281

RGB 196 162 129

HSL 29.55, 0.36%, 0.64%

LAB 68.87, 7.78, 21.87

 

CMYK 0 / 10 / 20 / 29

HEX #B5A290

RGB 181 162 144

HSL 29.19, 0.2%, 0.64%

LAB 67.78, 3.98, 11.89

 

CMYK 0 / 65 / 62 / 5

HEX #F1555C

RGB 241 85 92

HSL 357.31, 0.85%, 0.64%

LAB 58.01, 60.18, 29.24

 

CMYK 0 / 51 / 65 / 5

HEX #F17655

RGB 241 118 85

HSL 12.69, 0.85%, 0.64%

LAB 63.6, 44.83, 40.06

 

CMYK 0 / 34 / 65 / 5

HEX #F1A055

RGB 241 160 85

HSL 28.85, 0.85%, 0.64%

LAB 72.56, 23.21, 50.5

 

CMYK 0 / 16 / 65 / 5

HEX #F1CA55

RGB 241 202 85

HSL 45, 0.85%, 0.64%

LAB 82.7, 1.18, 61.7

 

CMYK 1 / 0 / 65 / 5

HEX #EEF155

RGB 238 241 85

HSL 61.15, 0.85%, 0.64%

LAB 92.46, -19.54, 71.87

 

CMYK 0 / 47 / 92 / 12

HEX #E17712

RGB 225 119 18

HSL 29.28, 0.85%, 0.48%

LAB 61, 35.67, 65.03

 

CMYK 0 / 41 / 80 / 7

HEX #EE8C2F

RGB 238 140 47

HSL 29.21, 0.85%, 0.56%

LAB 67.38, 30.73, 61.86

 

CMYK 0 / 33 / 65 / 5

HEX #F1A155

RGB 241 161 85

HSL 29.23, 0.85%, 0.64%

LAB 72.79, 22.68, 50.77

 

CMYK 0 / 25 / 50 / 4

HEX #F4B67B

RGB 244 182 123

HSL 29.26, 0.85%, 0.72%

LAB 78.53, 15.69, 38.67

 

CMYK 0 / 18 / 35 / 3

HEX #F7CBA1

RGB 247 203 161

HSL 29.3, 0.84%, 0.8%

LAB 84.51, 9.84, 26.81

 

CMYK 0 / 33 / 65 / 5

HEX #F1A154

RGB 241 161 84

HSL 29.43, 0.85%, 0.64%

LAB 72.78, 22.62, 51.24

 

CMYK 44 / 0 / 65 / 5

HEX #86F155

RGB 134 241 85

HSL 101.15, 0.85%, 0.64%

LAB 86.32, -57.43, 63.53

 

CMYK 59 / 65 / 0 / 5

HEX #6255F1

RGB 98 85 241

HSL 245, 0.85%, 0.64%

LAB 46.24, 48.48, -76.8

 

CMYK 0 / 33 / 65 / 5

HEX #F1A154

RGB 241 161 84

HSL 29.43, 0.85%, 0.64%

LAB 72.78, 22.62, 51.24

 

CMYK 65 / 0 / 34 / 5

HEX #55F1A0

RGB 85 241 160

HSL 148.85, 0.85%, 0.64%

LAB 85.7, -58.88, 27.39

 

CMYK 34 / 65 / 0 / 5

HEX #A055F1

RGB 160 85 241

HSL 268.85, 0.85%, 0.64%

LAB 52.2, 59.66, -66.84

 

CMYK 0 / 33 / 65 / 5

HEX #F1A154

RGB 241 161 84

HSL 29.43, 0.85%, 0.64%

LAB 72.78, 22.62, 51.24

 

CMYK 44 / 0 / 65 / 5

HEX #86F155

RGB 134 241 85

HSL 101.15, 0.85%, 0.64%

LAB 86.32, -57.43, 63.53

 

CMYK 65 / 32 / 0 / 5

HEX #55A5F1

RGB 85 165 241

HSL 209.23, 0.85%, 0.64%

LAB 65.9, -1.31, -45.28

 

CMYK 21 / 65 / 0 / 5

HEX #BF55F1

RGB 191 85 241

HSL 280.77, 0.85%, 0.64%

LAB 56.01, 66.2, -60.5

 

CMYK 0 / 33 / 65 / 5

HEX #F1A154

RGB 241 161 84

HSL 29.43, 0.85%, 0.64%

LAB 72.78, 22.62, 51.24

 

CMYK 64 / 0 / 65 / 5

HEX #57F155

RGB 87 241 85

HSL 119.23, 0.85%, 0.64%

LAB 84.79, -69.27, 61.42

 

CMYK 65 / 32 / 0 / 5

HEX #55A5F1

RGB 85 165 241

HSL 209.23, 0.85%, 0.64%

LAB 65.9, -1.31, -45.28

 

CMYK 1 / 65 / 0 / 5

HEX #EE55F1

RGB 238 85 241

HSL 298.85, 0.85%, 0.64%

LAB 62.53, 76.61, -49.72

 

Description

Color code: RGB 241 161 84 | qconv.com Color code: RGB 241 161 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 161 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 161 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 65% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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