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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241.7 92.6 155 it is the complementary color RGB 13.3 162.4 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241.7 92.6 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241.7 92.6 155 shade: RGB 246.7 92.6 150, RGB 255 110.6 169, RGB 255 128.6 188, RGB 255 146.6 207 and RGB 255 164.6 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241.7 92.6 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241.7 92.6 155 shade: RGB 241.7 92.6 155, RGB 224.7 74.6 136, RGB 207.7 56.6 117, RGB 190.7 38.6 98 and RGB 173.7 20.6 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241.7 92.6 155 shade: RGB 242 95 156, RGB 242 95 117 and RGB 242 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241.7 92.6 155 shade: RGB 242 95 156, RGB 242 95 196, RGB 242 95 236, RGB 208 95 242 and RGB 169 95 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241.7 92.6 155 shade matches the following richer shades: RGB 242 95 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241.7 92.6 155 shade: RGB 242 95 156, RGB 228 109 159, RGB 214 123 161, RGB 200 137 163 and RGB 186 151 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241.7 92.6 155 shade: RGB 242 95 237, RGB 242 95 198, RGB 242 95 158, RGB 242 95 119 and RGB 242 109 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241.7 92.6 155 shade: RGB 235 19 109, RGB 239 56 133, RGB 242 95 156, RGB 245 133 180 and RGB 248 171 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241.7 92.6 155 shade: RGB 241.7 92.6 155, RGB 242 208 95 and RGB 95 217 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241.7 92.6 155 shade: RGB 241.7 92.6 155, RGB 158 242 95 and RGB 95 158 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241.7 92.6 155 shade: RGB 241.7 92.6 155, RGB 242 208 95, RGB 95 242 178 and RGB 95 129 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241.7 92.6 155 shade: RGB 241.7 92.6 155, RGB 232 242 95, RGB 95 242 178 and RGB 104 95 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 36 / 5

HEX #F15C9B

RGB 241.7 92.6 155

HSL 334.89, 0.85%, 0.66%

LAB 60.74, 62.68, -3.59

 

Complementary color

CMYK 92 / 0 / 38 / 36

HEX #0DA264

RGB 13.3 162.4 100

HSL 154.89, 0.85%, 0.34%

LAB 58.96, -50.18, 22.73

 

CMYK 0 / 62 / 39 / 3

HEX #F65C96

RGB 246.7 92.6 150

HSL 337.65, 0.9%, 0.67%

LAB 61.38, 63.64, 0.34

 

CMYK 0 / 57 / 34 / 0

HEX #FF6EA9

RGB 255 110.6 169

HSL 335.73, 1%, 0.72%

LAB 66.06, 60.5, -3.54

 

CMYK 0 / 50 / 26 / 0

HEX #FF80BC

RGB 255 128.6 188

HSL 331.8, 1%, 0.75%

LAB 69.81, 54.49, -8.7

 

CMYK 0 / 43 / 19 / 0

HEX #FF92CF

RGB 255 146.6 207

HSL 326.57, 1%, 0.79%

LAB 73.87, 48.27, -13.18

 

CMYK 0 / 35 / 11 / 0

HEX #FFA4E2

RGB 255 164.6 226

HSL 319.25, 1%, 0.82%

LAB 78.18, 42.01, -17.09

 

CMYK 0 / 62 / 36 / 5

HEX #F15C9B

RGB 241.7 92.6 155

HSL 334.89, 0.85%, 0.66%

LAB 60.74, 62.68, -3.59

 

CMYK 0 / 67 / 39 / 12

HEX #E04A88

RGB 224.7 74.6 136

HSL 335.46, 0.71%, 0.59%

LAB 54.78, 62.91, -1.54

 

CMYK 0 / 73 / 44 / 19

HEX #CF3875

RGB 207.7 56.6 117

HSL 336.02, 0.61%, 0.52%

LAB 48.93, 62.75, 0.97

 

CMYK 0 / 80 / 49 / 25

HEX #BE2662

RGB 190.7 38.6 98

HSL 336.57, 0.66%, 0.45%

LAB 43.28, 61.95, 4.1

 

CMYK 0 / 88 / 55 / 32

HEX #AD144F

RGB 173.7 20.6 79

HSL 337.11, 0.79%, 0.38%

LAB 37.93, 60.2, 8.08

 

CMYK 0 / 61 / 36 / 5

HEX #F25F9C

RGB 242 95 156

HSL 335.1, 0.85%, 0.66%

LAB 61.19, 61.87, -3.5

 

CMYK 0 / 61 / 52 / 5

HEX #F25F75

RGB 242 95 117

HSL 351.02, 0.85%, 0.66%

LAB 60.2, 58.11, 17.72

 

CMYK 0 / 61 / 61 / 5

HEX #F25F5F

RGB 242 95 95

HSL 0, 0.85%, 0.66%

LAB 59.79, 56.5, 29.83

 

CMYK 0 / 61 / 36 / 5

HEX #F25F9C

RGB 242 95 156

HSL 335.1, 0.85%, 0.66%

LAB 61.19, 61.87, -3.5

 

CMYK 0 / 61 / 19 / 5

HEX #F25FC4

RGB 242 95 196

HSL 318.78, 0.85%, 0.66%

LAB 62.55, 66.87, -24.38

 

CMYK 0 / 61 / 2 / 5

HEX #F25FEC

RGB 242 95 236

HSL 302.45, 0.85%, 0.66%

LAB 64.26, 72.86, -44.18

 

CMYK 14 / 61 / 0 / 5

HEX #D05FF2

RGB 208 95 242

HSL 286.12, 0.85%, 0.66%

LAB 59.89, 65.81, -54.72

 

CMYK 30 / 61 / 0 / 5

HEX #A95FF2

RGB 169 95 242

HSL 270.2, 0.85%, 0.66%

LAB 55.1, 56.89, -62.66

 

CMYK 0 / 61 / 36 / 5

HEX #F25F9C

RGB 242 95 156

HSL 335.1, 0.85%, 0.66%

LAB 61.19, 61.87, -3.5

 

CMYK 0 / 61 / 36 / 5

HEX #F25F9C

RGB 242 95 156

HSL 335.1, 0.85%, 0.66%

LAB 61.19, 61.87, -3.5

 

CMYK 0 / 52 / 30 / 11

HEX #E46D9F

RGB 228 109 159

HSL 334.79, 0.69%, 0.66%

LAB 61.6, 51.5, -4.86

 

CMYK 0 / 43 / 25 / 16

HEX #D67BA1

RGB 214 123 161

HSL 334.95, 0.53%, 0.66%

LAB 62.54, 40.03, -4.82

 

CMYK 0 / 32 / 19 / 22

HEX #C889A3

RGB 200 137 163

HSL 335.24, 0.36%, 0.66%

LAB 64.01, 27.86, -3.98

 

CMYK 0 / 19 / 11 / 27

HEX #BA97A5

RGB 186 151 165

HSL 336, 0.2%, 0.66%

LAB 65.97, 15.36, -2.38

 

CMYK 0 / 61 / 2 / 5

HEX #F25FED

RGB 242 95 237

HSL 302.04, 0.85%, 0.66%

LAB 64.3, 73.02, -44.66

 

CMYK 0 / 61 / 18 / 5

HEX #F25FC6

RGB 242 95 198

HSL 317.96, 0.85%, 0.66%

LAB 62.62, 67.14, -25.4

 

CMYK 0 / 61 / 35 / 5

HEX #F25F9E

RGB 242 95 158

HSL 334.29, 0.85%, 0.66%

LAB 61.25, 62.1, -4.57

 

CMYK 0 / 61 / 51 / 5

HEX #F25F77

RGB 242 95 119

HSL 350.2, 0.85%, 0.66%

LAB 60.24, 58.27, 16.62

 

CMYK 0 / 55 / 61 / 5

HEX #F26D5F

RGB 242 109 95

HSL 5.71, 0.85%, 0.66%

LAB 62.2, 50.15, 32.9

 

CMYK 0 / 92 / 54 / 8

HEX #EB136D

RGB 235 19 109

HSL 335, 0.85%, 0.5%

LAB 50.96, 77.31, 9.43

 

CMYK 0 / 77 / 44 / 6

HEX #EF3885

RGB 239 56 133

HSL 334.75, 0.85%, 0.58%

LAB 54.94, 72.76, 0.78

 

CMYK 0 / 61 / 36 / 5

HEX #F25F9C

RGB 242 95 156

HSL 335.1, 0.85%, 0.66%

LAB 61.19, 61.87, -3.5

 

CMYK 0 / 46 / 27 / 4

HEX #F585B4

RGB 245 133 180

HSL 334.82, 0.85%, 0.74%

LAB 69.1, 48.03, -5.43

 

CMYK 0 / 31 / 18 / 3

HEX #F8ABCB

RGB 248 171 203

HSL 335.06, 0.85%, 0.82%

LAB 78.11, 32.73, -4.78

 

CMYK 0 / 62 / 36 / 5

HEX #F15C9B

RGB 241.7 92.6 155

HSL 334.89, 0.85%, 0.66%

LAB 60.74, 62.68, -3.59

 

CMYK 0 / 14 / 61 / 5

HEX #F2D05F

RGB 242 208 95

HSL 46.12, 0.85%, 0.66%

LAB 84.39, -0.86, 59.19

 

CMYK 61 / 10 / 0 / 5

HEX #5FD9F2

RGB 95 217 242

HSL 190.2, 0.85%, 0.66%

LAB 81, -26.79, -22.44

 

CMYK 0 / 62 / 36 / 5

HEX #F15C9B

RGB 241.7 92.6 155

HSL 334.89, 0.85%, 0.66%

LAB 60.74, 62.68, -3.59

 

CMYK 35 / 0 / 61 / 5

HEX #9EF25F

RGB 158 242 95

HSL 94.29, 0.85%, 0.66%

LAB 87.78, -49.36, 61.35

 

CMYK 61 / 35 / 0 / 5

HEX #5F9EF2

RGB 95 158 242

HSL 214.29, 0.85%, 0.66%

LAB 64.4, 4.77, -48.16

 

CMYK 0 / 62 / 36 / 5

HEX #F15C9B

RGB 241.7 92.6 155

HSL 334.89, 0.85%, 0.66%

LAB 60.74, 62.68, -3.59

 

CMYK 0 / 14 / 61 / 5

HEX #F2D05F

RGB 242 208 95

HSL 46.12, 0.85%, 0.66%

LAB 84.39, -0.86, 59.19

 

CMYK 61 / 0 / 26 / 5

HEX #5FF2B2

RGB 95 242 178

HSL 153.88, 0.85%, 0.66%

LAB 86.58, -53.88, 19.41

 

CMYK 61 / 47 / 0 / 5

HEX #5F81F2

RGB 95 129 242

HSL 226.12, 0.85%, 0.66%

LAB 56.63, 21.98, -60.53

 

CMYK 0 / 62 / 36 / 5

HEX #F15C9B

RGB 241.7 92.6 155

HSL 334.89, 0.85%, 0.66%

LAB 60.74, 62.68, -3.59

 

CMYK 4 / 0 / 61 / 5

HEX #E8F25F

RGB 232 242 95

HSL 64.08, 0.85%, 0.66%

LAB 92.35, -21.81, 67.66

 

CMYK 61 / 0 / 26 / 5

HEX #5FF2B2

RGB 95 242 178

HSL 153.88, 0.85%, 0.66%

LAB 86.58, -53.88, 19.41

 

CMYK 57 / 61 / 0 / 5

HEX #685FF2

RGB 104 95 242

HSL 243.67, 0.85%, 0.66%

LAB 48.93, 43.98, -72.94

 

Description

Color code: RGB 241.7 92.6 155 | qconv.com Color code: RGB 241.7 92.6 155 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241.7 red, 92.6 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241.7 92.6 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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