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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241.3 144.4 100 it is the complementary color RGB 13.7 110.6 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241.3 144.4 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241.3 144.4 100 shade: RGB 246.3 144.4 95, RGB 255 162.4 114, RGB 255 180.4 133, RGB 255 198.4 152 and RGB 255 216.4 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241.3 144.4 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241.3 144.4 100 shade: RGB 241.3 144.4 100, RGB 224.3 126.4 81, RGB 207.3 108.4 62, RGB 190.3 90.4 43 and RGB 173.3 72.4 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241.3 144.4 100 shade: RGB 242 145 100, RGB 242 106 100 and RGB 242 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241.3 144.4 100 shade: RGB 242 145 100, RGB 242 183 100, RGB 242 221 100, RGB 224 242 100 and RGB 186 242 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241.3 144.4 100 shade matches the following richer shades: RGB 242 145 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241.3 144.4 100 shade: RGB 242 145 100, RGB 228 150 114, RGB 214 155 127, RGB 201 160 141 and RGB 187 165 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241.3 144.4 100 shade: RGB 242 100 133, RGB 242 105 100, RGB 242 143 100, RGB 242 180 100 and RGB 242 218 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241.3 144.4 100 shade: RGB 235 90 24, RGB 238 118 62, RGB 242 145 100, RGB 245 172 138 and RGB 248 199 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241.3 144.4 100 shade: RGB 241.3 144.4 100, RGB 171 242 100 and RGB 100 114 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241.3 144.4 100 shade: RGB 241.3 144.4 100, RGB 100 242 143 and RGB 143 100 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241.3 144.4 100 shade: RGB 241.3 144.4 100, RGB 171 242 100, RGB 100 199 242 and RGB 171 100 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241.3 144.4 100 shade: RGB 241.3 144.4 100, RGB 128 242 100, RGB 100 199 242 and RGB 213 100 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241.3 144.4 100

HSL 18.85, 0.84%, 0.67%

LAB 69.29, 32.52, 39.01

 

Complementary color

CMYK 91 / 29 / 0 / 39

HEX #0D6E9B

RGB 13.7 110.6 155

HSL 198.85, 0.84%, 0.33%

LAB 43.86, -9.04, -31.2

 

CMYK 0 / 41 / 61 / 3

HEX #F6905F

RGB 246.3 144.4 95

HSL 19.59, 0.9%, 0.67%

LAB 69.85, 34.14, 42.47

 

CMYK 0 / 36 / 55 / 0

HEX #FFA272

RGB 255 162.4 114

HSL 20.6, 1%, 0.72%

LAB 75.11, 29.58, 39.28

 

CMYK 0 / 29 / 48 / 0

HEX #FFB485

RGB 255 180.4 133

HSL 23.31, 1%, 0.76%

LAB 79.48, 21.81, 34.92

 

CMYK 0 / 22 / 40 / 0

HEX #FFC698

RGB 255 198.4 152

HSL 27.03, 1%, 0.8%

LAB 84.02, 14.31, 30.97

 

CMYK 0 / 15 / 33 / 0

HEX #FFD8AB

RGB 255 216.4 171

HSL 32.43, 1%, 0.84%

LAB 88.69, 7.15, 27.39

 

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241.3 144.4 100

HSL 18.85, 0.84%, 0.67%

LAB 69.29, 32.52, 39.01

 

CMYK 0 / 44 / 64 / 12

HEX #E07E51

RGB 224.3 126.4 81

HSL 19.01, 0.7%, 0.6%

LAB 62.94, 33.91, 40.83

 

CMYK 0 / 48 / 70 / 19

HEX #CF6C3E

RGB 207.3 108.4 62

HSL 19.16, 0.6%, 0.53%

LAB 56.55, 35.44, 42.78

 

CMYK 0 / 52 / 77 / 25

HEX #BE5A2B

RGB 190.3 90.4 43

HSL 19.31, 0.63%, 0.46%

LAB 50.14, 37.1, 44.77

 

CMYK 0 / 58 / 86 / 32

HEX #AD4818

RGB 173.3 72.4 24

HSL 19.45, 0.76%, 0.39%

LAB 43.76, 38.87, 46.5

 

CMYK 0 / 40 / 59 / 5

HEX #F29164

RGB 242 145 100

HSL 19.01, 0.85%, 0.67%

LAB 69.5, 32.49, 39.3

 

CMYK 0 / 56 / 59 / 5

HEX #F26A64

RGB 242 106 100

HSL 2.54, 0.85%, 0.67%

LAB 61.75, 51.89, 29.51

 

CMYK 0 / 59 / 59 / 5

HEX #F26464

RGB 242 100 100

HSL 0, 0.85%, 0.67%

LAB 60.7, 54.63, 28.17

 

CMYK 0 / 40 / 59 / 5

HEX #F29164

RGB 242 145 100

HSL 19.01, 0.85%, 0.67%

LAB 69.5, 32.49, 39.3

 

CMYK 0 / 24 / 59 / 5

HEX #F2B764

RGB 242 183 100

HSL 35.07, 0.85%, 0.67%

LAB 78.27, 12.48, 49.85

 

CMYK 0 / 9 / 59 / 5

HEX #F2DD64

RGB 242 221 100

HSL 51.13, 0.85%, 0.67%

LAB 87.73, -7.12, 60.7

 

CMYK 7 / 0 / 59 / 5

HEX #E0F264

RGB 224 242 100

HSL 67.61, 0.85%, 0.67%

LAB 91.81, -24.64, 64.83

 

CMYK 23 / 0 / 59 / 5

HEX #BAF264

RGB 186 242 100

HSL 83.66, 0.85%, 0.67%

LAB 89.33, -39.12, 61.39

 

CMYK 0 / 40 / 59 / 5

HEX #F29164

RGB 242 145 100

HSL 19.01, 0.85%, 0.67%

LAB 69.5, 32.49, 39.3

 

CMYK 0 / 40 / 59 / 5

HEX #F29164

RGB 242 145 100

HSL 19.01, 0.85%, 0.67%

LAB 69.5, 32.49, 39.3

 

CMYK 0 / 34 / 50 / 11

HEX #E49672

RGB 228 150 114

HSL 18.95, 0.68%, 0.67%

LAB 69.13, 25.46, 30.99

 

CMYK 0 / 28 / 41 / 16

HEX #D69B7F

RGB 214 155 127

HSL 19.31, 0.51%, 0.67%

LAB 68.95, 18.53, 23.38

 

CMYK 0 / 20 / 30 / 21

HEX #C9A08D

RGB 201 160 141

HSL 19, 0.36%, 0.67%

LAB 69.1, 12.41, 15.67

 

CMYK 0 / 12 / 17 / 27

HEX #BBA59B

RGB 187 165 155

HSL 18.75, 0.19%, 0.67%

LAB 69.36, 6.36, 8.11

 

CMYK 0 / 59 / 45 / 5

HEX #F26485

RGB 242 100 133

HSL 346.06, 0.85%, 0.67%

LAB 61.38, 57.33, 10.09

 

CMYK 0 / 57 / 59 / 5

HEX #F26964

RGB 242 105 100

HSL 2.11, 0.85%, 0.67%

LAB 61.57, 52.35, 29.29

 

CMYK 0 / 41 / 59 / 5

HEX #F28F64

RGB 242 143 100

HSL 18.17, 0.85%, 0.67%

LAB 69.07, 33.53, 38.77

 

CMYK 0 / 26 / 59 / 5

HEX #F2B464

RGB 242 180 100

HSL 33.8, 0.85%, 0.67%

LAB 77.54, 14.06, 49

 

CMYK 0 / 10 / 59 / 5

HEX #F2DA64

RGB 242 218 100

HSL 49.86, 0.85%, 0.67%

LAB 86.97, -5.6, 59.84

 

CMYK 0 / 62 / 90 / 8

HEX #EB5A18

RGB 235 90 24

HSL 18.77, 0.84%, 0.51%

LAB 57.11, 53.46, 61.34

 

CMYK 0 / 50 / 74 / 7

HEX #EE763E

RGB 238 118 62

HSL 19.09, 0.84%, 0.59%

LAB 62.91, 42.53, 50.95

 

CMYK 0 / 40 / 59 / 5

HEX #F29164

RGB 242 145 100

HSL 19.01, 0.85%, 0.67%

LAB 69.5, 32.49, 39.3

 

CMYK 0 / 30 / 44 / 4

HEX #F5AC8A

RGB 245 172 138

HSL 19.07, 0.84%, 0.75%

LAB 76.53, 22.81, 28.19

 

CMYK 0 / 20 / 29 / 3

HEX #F8C7B0

RGB 248 199 176

HSL 19.17, 0.84%, 0.83%

LAB 83.93, 14.18, 18.12

 

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241.3 144.4 100

HSL 18.85, 0.84%, 0.67%

LAB 69.29, 32.52, 39.01

 

CMYK 29 / 0 / 59 / 5

HEX #ABF264

RGB 171 242 100

HSL 90, 0.85%, 0.67%

LAB 88.49, -44.48, 60.21

 

CMYK 59 / 53 / 0 / 5

HEX #6472F2

RGB 100 114 242

HSL 234.08, 0.85%, 0.67%

LAB 53.12, 31.97, -66.17

 

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241.3 144.4 100

HSL 18.85, 0.84%, 0.67%

LAB 69.29, 32.52, 39.01

 

CMYK 59 / 0 / 41 / 5

HEX #64F28F

RGB 100 242 143

HSL 138.17, 0.85%, 0.67%

LAB 86.1, -59.37, 36.56

 

CMYK 41 / 59 / 0 / 5

HEX #8F64F2

RGB 143 100 242

HSL 258.17, 0.85%, 0.67%

LAB 53.35, 48.61, -65.63

 

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241.3 144.4 100

HSL 18.85, 0.84%, 0.67%

LAB 69.29, 32.52, 39.01

 

CMYK 29 / 0 / 59 / 5

HEX #ABF264

RGB 171 242 100

HSL 90, 0.85%, 0.67%

LAB 88.49, -44.48, 60.21

 

CMYK 59 / 18 / 0 / 5

HEX #64C7F2

RGB 100 199 242

HSL 198.17, 0.85%, 0.67%

LAB 76.05, -16.82, -30

 

CMYK 29 / 59 / 0 / 5

HEX #AB64F2

RGB 171 100 242

HSL 270, 0.85%, 0.67%

LAB 56.27, 54.81, -60.77

 

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241.3 144.4 100

HSL 18.85, 0.84%, 0.67%

LAB 69.29, 32.52, 39.01

 

CMYK 47 / 0 / 59 / 5

HEX #80F264

RGB 128 242 100

HSL 108.17, 0.85%, 0.67%

LAB 86.51, -58.16, 57.44

 

CMYK 59 / 18 / 0 / 5

HEX #64C7F2

RGB 100 199 242

HSL 198.17, 0.85%, 0.67%

LAB 76.05, -16.82, -30

 

CMYK 12 / 59 / 0 / 5

HEX #D564F2

RGB 213 100 242

HSL 287.75, 0.85%, 0.67%

LAB 61.37, 64.75, -52.33

 

Description

Color code: RGB 241.3 144.4 100 | qconv.com Color code: RGB 241.3 144.4 100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241.3 red, 144.4 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241.3 144.4 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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