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Color name
RGB 240 92.2 68.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 92.2 68.6 it is the complementary color RGB 15 162.8 186.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 92.2 68.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 92.2 68.6 shade: RGB 245 92.2 63.6, RGB 255 110.2 82.6, RGB 255 128.2 101.6, RGB 255 146.2 120.6 and RGB 255 164.2 139.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 92.2 68.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 92.2 68.6 shade: RGB 240 92.2 68.6, RGB 223 74.2 49.6, RGB 206 56.2 30.6, RGB 189 38.2 11.6 and RGB 172 20.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 92.2 68.6 shade: RGB 240 94 71 and RGB 240 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 92.2 68.6 shade: RGB 240 94 71, RGB 240 140 71, RGB 240 185 71, RGB 240 231 71 and RGB 204 240 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 92.2 68.6 shade matches the following richer shades: RGB 240 94 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 92.2 68.6 shade: RGB 240 94 71, RGB 224 106 87, RGB 208 118 103, RGB 192 129 119 and RGB 176 141 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 92.2 68.6 shade: RGB 240 71 139, RGB 240 71 94, RGB 240 94 71, RGB 240 139 71 and RGB 240 184 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 92.2 68.6 shade: RGB 211 44 17, RGB 237 61 33, RGB 240 94 71, RGB 243 128 109 and RGB 246 161 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 92.2 68.6 shade: RGB 240 92.2 68.6, RGB 184 240 71 and RGB 71 116 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 92.2 68.6 shade: RGB 240 92.2 68.6, RGB 71 240 94 and RGB 94 71 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 92.2 68.6 shade: RGB 240 92.2 68.6, RGB 184 240 71, RGB 71 218 240 and RGB 127 71 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 92.2 68.6 shade: RGB 240 92.2 68.6, RGB 133 240 71, RGB 71 218 240 and RGB 178 71 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 71 / 6

HEX #F05C44

RGB 240 92.2 68.6

HSL 8.26, 0.85%, 0.61%

LAB 58.64, 55.59, 43.03

 

Complementary color

CMYK 92 / 13 / 0 / 27

HEX #0FA2BA

RGB 15 162.8 186.4

HSL 188.26, 0.85%, 0.39%

LAB 61.47, -26.17, -22.02

 

CMYK 0 / 62 / 74 / 4

HEX #F55C3F

RGB 245 92.2 63.6

HSL 9.46, 0.9%, 0.61%

LAB 59.4, 57.07, 46.74

 

CMYK 0 / 57 / 68 / 0

HEX #FF6E52

RGB 255 110.2 82.6

HSL 9.61, 1%, 0.66%

LAB 64.22, 53.45, 42.59

 

CMYK 0 / 50 / 60 / 0

HEX #FF8065

RGB 255 128.2 101.6

HSL 10.4, 1%, 0.7%

LAB 67.8, 46.06, 36.71

 

CMYK 0 / 43 / 53 / 0

HEX #FF9278

RGB 255 146.2 120.6

HSL 11.43, 1%, 0.74%

LAB 71.72, 38.47, 31.43

 

CMYK 0 / 36 / 45 / 0

HEX #FFA48B

RGB 255 164.2 139.6

HSL 12.79, 1%, 0.77%

LAB 75.92, 30.91, 26.72

 

CMYK 0 / 62 / 71 / 6

HEX #F05C44

RGB 240 92.2 68.6

HSL 8.26, 0.85%, 0.61%

LAB 58.64, 55.59, 43.03

 

CMYK 0 / 67 / 78 / 13

HEX #DF4A31

RGB 223 74.2 49.6

HSL 8.51, 0.73%, 0.53%

LAB 52.77, 56.61, 45.87

 

CMYK 0 / 73 / 85 / 19

HEX #CE381E

RGB 206 56.2 30.6

HSL 8.76, 0.74%, 0.46%

LAB 47.06, 57.35, 48.72

 

CMYK 0 / 80 / 94 / 26

HEX #BD260B

RGB 189 38.2 11.6

HSL 9, 0.88%, 0.39%

LAB 41.6, 57.55, 50.82

 

CMYK 0 / 88 / 100 / 33

HEX #AC1400

RGB 172 20.2 0

HSL 7.05, 1%, 0.34%

LAB 36.51, 56.83, 50.36

 

CMYK 0 / 61 / 70 / 6

HEX #F05E47

RGB 240 94 71

HSL 8.17, 0.85%, 0.61%

LAB 58.96, 54.91, 42.11

 

CMYK 0 / 70 / 70 / 6

HEX #F04747

RGB 240 71 71

HSL 0, 0.85%, 0.61%

LAB 55.57, 64.09, 38.18

 

CMYK 0 / 61 / 70 / 6

HEX #F05E47

RGB 240 94 71

HSL 8.17, 0.85%, 0.61%

LAB 58.96, 54.91, 42.11

 

CMYK 0 / 42 / 70 / 6

HEX #F08C47

RGB 240 140 71

HSL 24.5, 0.85%, 0.61%

LAB 67.83, 32.52, 51.96

 

CMYK 0 / 23 / 70 / 6

HEX #F0B947

RGB 240 185 71

HSL 40.47, 0.85%, 0.61%

LAB 78.27, 8.84, 62.93

 

CMYK 0 / 4 / 70 / 6

HEX #F0E747

RGB 240 231 71

HSL 56.8, 0.85%, 0.61%

LAB 89.92, -14.58, 74.51

 

CMYK 15 / 0 / 70 / 6

HEX #CCF047

RGB 204 240 71

HSL 72.78, 0.85%, 0.61%

LAB 89.68, -33.38, 73.38

 

CMYK 0 / 61 / 70 / 6

HEX #F05E47

RGB 240 94 71

HSL 8.17, 0.85%, 0.61%

LAB 58.96, 54.91, 42.11

 

CMYK 0 / 61 / 70 / 6

HEX #F05E47

RGB 240 94 71

HSL 8.17, 0.85%, 0.61%

LAB 58.96, 54.91, 42.11

 

CMYK 0 / 53 / 61 / 12

HEX #E06A57

RGB 224 106 87

HSL 8.32, 0.69%, 0.61%

LAB 58.83, 44.55, 32.56

 

CMYK 0 / 43 / 50 / 18

HEX #D07667

RGB 208 118 103

HSL 8.57, 0.53%, 0.61%

LAB 59.29, 33.63, 23.69

 

CMYK 0 / 33 / 38 / 25

HEX #C08177

RGB 192 129 119

HSL 8.22, 0.37%, 0.61%

LAB 60.1, 23.1, 15.35

 

CMYK 0 / 20 / 23 / 31

HEX #B08D87

RGB 176 141 135

HSL 8.78, 0.21%, 0.61%

LAB 61.68, 12.29, 8.21

 

CMYK 0 / 70 / 42 / 6

HEX #F0478B

RGB 240 71 139

HSL 335.86, 0.85%, 0.61%

LAB 56.97, 68.84, 0.21

 

CMYK 0 / 70 / 61 / 6

HEX #F0475E

RGB 240 71 94

HSL 351.83, 0.85%, 0.61%

LAB 55.93, 65.31, 25.35

 

CMYK 0 / 61 / 70 / 6

HEX #F05E47

RGB 240 94 71

HSL 8.17, 0.85%, 0.61%

LAB 58.96, 54.91, 42.11

 

CMYK 0 / 42 / 70 / 6

HEX #F08B47

RGB 240 139 71

HSL 24.14, 0.85%, 0.61%

LAB 67.61, 33.04, 51.72

 

CMYK 0 / 23 / 70 / 6

HEX #F0B847

RGB 240 184 71

HSL 40.12, 0.85%, 0.61%

LAB 78.03, 9.36, 62.68

 

CMYK 0 / 79 / 92 / 17

HEX #D32C11

RGB 211 44 17

HSL 8.35, 0.85%, 0.45%

LAB 46.57, 62.48, 54.32

 

CMYK 0 / 74 / 86 / 7

HEX #ED3D21

RGB 237 61 33

HSL 8.24, 0.85%, 0.53%

LAB 53.44, 65.34, 55.32

 

CMYK 0 / 61 / 70 / 6

HEX #F05E47

RGB 240 94 71

HSL 8.17, 0.85%, 0.61%

LAB 58.96, 54.91, 42.11

 

CMYK 0 / 47 / 55 / 5

HEX #F3806D

RGB 243 128 109

HSL 8.51, 0.85%, 0.69%

LAB 66.21, 42.26, 30.3

 

CMYK 0 / 35 / 40 / 4

HEX #F6A193

RGB 246 161 147

HSL 8.48, 0.85%, 0.77%

LAB 74.31, 29.94, 20.34

 

CMYK 0 / 62 / 71 / 6

HEX #F05C44

RGB 240 92.2 68.6

HSL 8.26, 0.85%, 0.61%

LAB 58.64, 55.59, 43.03

 

CMYK 23 / 0 / 70 / 6

HEX #B8F047

RGB 184 240 71

HSL 79.88, 0.85%, 0.61%

LAB 88.43, -41.03, 71.73

 

CMYK 70 / 52 / 0 / 6

HEX #4774F0

RGB 71 116 240

HSL 224.02, 0.85%, 0.61%

LAB 51.97, 25.53, -66.98

 

CMYK 0 / 62 / 71 / 6

HEX #F05C44

RGB 240 92.2 68.6

HSL 8.26, 0.85%, 0.61%

LAB 58.64, 55.59, 43.03

 

CMYK 70 / 0 / 61 / 6

HEX #47F05E

RGB 71 240 94

HSL 128.17, 0.85%, 0.61%

LAB 84.21, -70.91, 56.95

 

CMYK 61 / 70 / 0 / 6

HEX #5E47F0

RGB 94 71 240

HSL 248.17, 0.85%, 0.61%

LAB 43.03, 55.31, -81.5

 

CMYK 0 / 62 / 71 / 6

HEX #F05C44

RGB 240 92.2 68.6

HSL 8.26, 0.85%, 0.61%

LAB 58.64, 55.59, 43.03

 

CMYK 23 / 0 / 70 / 6

HEX #B8F047

RGB 184 240 71

HSL 79.88, 0.85%, 0.61%

LAB 88.43, -41.03, 71.73

 

CMYK 70 / 9 / 0 / 6

HEX #47DAF0

RGB 71 218 240

HSL 187.81, 0.85%, 0.61%

LAB 80.61, -31.42, -22.02

 

CMYK 47 / 70 / 0 / 6

HEX #7F47F0

RGB 127 71 240

HSL 259.88, 0.85%, 0.61%

LAB 46.06, 60.12, -76.43

 

CMYK 0 / 62 / 71 / 6

HEX #F05C44

RGB 240 92.2 68.6

HSL 8.26, 0.85%, 0.61%

LAB 58.64, 55.59, 43.03

 

CMYK 45 / 0 / 70 / 6

HEX #85F047

RGB 133 240 71

HSL 97.99, 0.85%, 0.61%

LAB 85.89, -58.42, 68.34

 

CMYK 70 / 9 / 0 / 6

HEX #47DAF0

RGB 71 218 240

HSL 187.81, 0.85%, 0.61%

LAB 80.61, -31.42, -22.02

 

CMYK 26 / 70 / 0 / 6

HEX #B247F0

RGB 178 71 240

HSL 277.99, 0.85%, 0.61%

LAB 52.13, 69.23, -66.27

 

Description

Color code: RGB 240 92.2 68.6 | qconv.com Color code: RGB 240 92.2 68.6 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 92.2 green and 68.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 92.2 68.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 71 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 71% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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