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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 252.8 241.4 it is the complementary color RGB 15 2.2 13.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 252.8 241.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 252.8 241.4 shade: RGB 245 252.8 236.4 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 252.8 241.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 252.8 241.4 shade: RGB 240 252.8 241.4, RGB 223 234.8 222.4, RGB 206 216.8 203.4, RGB 189 198.8 184.4 and RGB 172 180.8 165.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 252.8 241.4 shade: RGB 242 253 243, RGB 244 253 242, RGB 247 253 242, RGB 250 253 242 and RGB 253 253 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 252.8 241.4 shade: RGB 242 253 243, RGB 242 253 246, RGB 242 253 249, RGB 242 253 252 and RGB 242 251 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 252.8 241.4 shade matches the following richer shades: RGB 242 253 243 and RGB 240 254 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 252.8 241.4 shade: RGB 242 253 243, RGB 243 252 244, RGB 244 251 245, RGB 245 249 246 and RGB 247 248 247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 252.8 241.4 shade: RGB 247 253 242, RGB 244 253 242, RGB 242 253 243, RGB 242 253 246 and RGB 242 253 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 252.8 241.4 shade: RGB 170 242 178, RGB 206 248 210, RGB 242 253 243 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 252.8 241.4 shade: RGB 240 252.8 241.4, RGB 242 250 253 and RGB 253 242 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 252.8 241.4 shade: RGB 240 252.8 241.4, RGB 243 242 253 and RGB 253 243 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 252.8 241.4 shade: RGB 240 252.8 241.4, RGB 242 250 253, RGB 253 242 252 and RGB 253 245 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 252.8 241.4 shade: RGB 240 252.8 241.4, RGB 242 246 253, RGB 253 242 252 and RGB 253 248 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 5 / 1

HEX #F0FCF1

RGB 240 252.8 241.4

HSL 126.56, 0.74%, 0.97%

LAB 98.04, -6.22, 3.99

 

Complementary color

CMYK 0 / 85 / 9 / 94

HEX #0F020D

RGB 15 2.2 13.6

HSL 306.56, 0.74%, 0.03%

LAB 1.63, 5.18, -3.21

 

CMYK 3 / 0 / 6 / 1

HEX #F5FCEC

RGB 245 252.8 236.4

HSL 88.54, 0.79%, 0.96%

LAB 98.28, -5.41, 6.95

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 0 / 5 / 1

HEX #F0FCF1

RGB 240 252.8 241.4

HSL 126.56, 0.74%, 0.97%

LAB 98.04, -6.22, 3.99

 

CMYK 5 / 0 / 5 / 8

HEX #DFEADE

RGB 223 234.8 222.4

HSL 117.1, 0.23%, 0.9%

LAB 91.81, -6.15, 4.65

 

CMYK 5 / 0 / 6 / 15

HEX #CED8CB

RGB 206 216.8 203.4

HSL 108.36, 0.15%, 0.82%

LAB 85.49, -6.08, 5.33

 

CMYK 5 / 0 / 7 / 22

HEX #BDC6B8

RGB 189 198.8 184.4

HSL 100.83, 0.11%, 0.75%

LAB 79.07, -6.01, 6.04

 

CMYK 5 / 0 / 9 / 29

HEX #ACB4A5

RGB 172 180.8 165.4

HSL 94.29, 0.09%, 0.68%

LAB 72.54, -5.93, 6.78

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 4 / 0 / 4 / 1

HEX #F4FDF2

RGB 244 253 242

HSL 109.09, 0.73%, 0.97%

LAB 98.39, -4.89, 4.22

 

CMYK 2 / 0 / 4 / 1

HEX #F7FDF2

RGB 247 253 242

HSL 92.73, 0.73%, 0.97%

LAB 98.61, -3.89, 4.56

 

CMYK 1 / 0 / 4 / 1

HEX #FAFDF2

RGB 250 253 242

HSL 76.36, 0.73%, 0.97%

LAB 98.82, -2.89, 4.9

 

CMYK 0 / 0 / 4 / 1

HEX #FDFDF2

RGB 253 253 242

HSL 60, 0.73%, 0.97%

LAB 99.04, -1.88, 5.25

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 4 / 0 / 3 / 1

HEX #F2FDF6

RGB 242 253 246

HSL 141.82, 0.73%, 0.97%

LAB 98.35, -4.85, 2.08

 

CMYK 4 / 0 / 2 / 1

HEX #F2FDF9

RGB 242 253 249

HSL 158.18, 0.73%, 0.97%

LAB 98.42, -4.31, 0.65

 

CMYK 4 / 0 / 0 / 1

HEX #F2FDFC

RGB 242 253 252

HSL 174.55, 0.73%, 0.97%

LAB 98.49, -3.77, -0.78

 

CMYK 4 / 1 / 0 / 1

HEX #F2FBFD

RGB 242 251 253

HSL 190.91, 0.73%, 0.97%

LAB 98.02, -2.58, -1.99

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 6 / 0 / 5 / 0

HEX #F0FEF2

RGB 240 254 242

HSL 128.57, 0.88%, 0.97%

LAB 98.36, -6.71, 4.14

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 4 / 0 / 3 / 1

HEX #F3FCF4

RGB 243 252 244

HSL 126.67, 0.6%, 0.97%

LAB 98.12, -4.37, 2.79

 

CMYK 3 / 0 / 2 / 2

HEX #F4FBF5

RGB 244 251 245

HSL 128.57, 0.47%, 0.97%

LAB 97.96, -3.36, 2.06

 

CMYK 2 / 0 / 1 / 2

HEX #F5F9F6

RGB 245 249 246

HSL 135, 0.25%, 0.97%

LAB 97.56, -1.84, 0.96

 

CMYK 0 / 0 / 0 / 3

HEX #F7F8F7

RGB 247 248 247

HSL 120, 0.07%, 0.97%

LAB 97.48, -0.5, 0.35

 

CMYK 2 / 0 / 4 / 1

HEX #F7FDF2

RGB 247 253 242

HSL 92.73, 0.73%, 0.97%

LAB 98.61, -3.89, 4.56

 

CMYK 4 / 0 / 4 / 1

HEX #F4FDF2

RGB 244 253 242

HSL 109.09, 0.73%, 0.97%

LAB 98.39, -4.89, 4.22

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 4 / 0 / 3 / 1

HEX #F2FDF6

RGB 242 253 246

HSL 141.82, 0.73%, 0.97%

LAB 98.35, -4.85, 2.08

 

CMYK 4 / 0 / 2 / 1

HEX #F2FDF9

RGB 242 253 249

HSL 158.18, 0.73%, 0.97%

LAB 98.42, -4.31, 0.65

 

CMYK 30 / 0 / 26 / 5

HEX #AAF2B2

RGB 170 242 178

HSL 126.67, 0.73%, 0.81%

LAB 89.52, -34.74, 23.93

 

CMYK 17 / 0 / 15 / 3

HEX #CEF8D2

RGB 206 248 210

HSL 125.71, 0.75%, 0.89%

LAB 93.84, -20.53, 13.83

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 0 / 5 / 1

HEX #F0FCF1

RGB 240 252.8 241.4

HSL 126.56, 0.74%, 0.97%

LAB 98.04, -6.22, 3.99

 

CMYK 4 / 1 / 0 / 1

HEX #F2FAFD

RGB 242 250 253

HSL 196.36, 0.73%, 0.97%

LAB 97.77, -2.08, -2.36

 

CMYK 0 / 4 / 3 / 1

HEX #FDF2F5

RGB 253 242 245

HSL 343.64, 0.73%, 0.97%

LAB 96.4, 4.2, -0.14

 

CMYK 5 / 0 / 5 / 1

HEX #F0FCF1

RGB 240 252.8 241.4

HSL 126.56, 0.74%, 0.97%

LAB 98.04, -6.22, 3.99

 

CMYK 4 / 4 / 0 / 1

HEX #F3F2FD

RGB 243 242 253

HSL 245.45, 0.73%, 0.97%

LAB 95.85, 2.32, -5.17

 

CMYK 0 / 4 / 4 / 1

HEX #FDF3F2

RGB 253 243 242

HSL 5.45, 0.73%, 0.97%

LAB 96.57, 3.18, 1.66

 

CMYK 5 / 0 / 5 / 1

HEX #F0FCF1

RGB 240 252.8 241.4

HSL 126.56, 0.74%, 0.97%

LAB 98.04, -6.22, 3.99

 

CMYK 4 / 1 / 0 / 1

HEX #F2FAFD

RGB 242 250 253

HSL 196.36, 0.73%, 0.97%

LAB 97.77, -2.08, -2.36

 

CMYK 0 / 4 / 0 / 1

HEX #FDF2FC

RGB 253 242 252

HSL 305.45, 0.73%, 0.97%

LAB 96.58, 5.42, -3.49

 

CMYK 0 / 3 / 4 / 1

HEX #FDF5F2

RGB 253 245 242

HSL 16.36, 0.73%, 0.97%

LAB 97.06, 2.16, 2.38

 

CMYK 5 / 0 / 5 / 1

HEX #F0FCF1

RGB 240 252.8 241.4

HSL 126.56, 0.74%, 0.97%

LAB 98.04, -6.22, 3.99

 

CMYK 4 / 3 / 0 / 1

HEX #F2F6FD

RGB 242 246 253

HSL 218.18, 0.73%, 0.97%

LAB 96.77, -0.05, -3.82

 

CMYK 0 / 4 / 0 / 1

HEX #FDF2FC

RGB 253 242 252

HSL 305.45, 0.73%, 0.97%

LAB 96.58, 5.42, -3.49

 

CMYK 0 / 2 / 4 / 1

HEX #FDF8F2

RGB 253 248 242

HSL 32.73, 0.73%, 0.97%

LAB 97.8, 0.64, 3.45

 

Description

Color code: RGB 240 252.8 241.4 | qconv.com Color code: RGB 240 252.8 241.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 252.8 green and 241.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 252.8 241.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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