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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 201 137 it is the complementary color RGB 15 54 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 201 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 201 137 shade: RGB 245 201 132, RGB 255 219 151, RGB 255 237 170, RGB 255 255 189 and RGB 255 255 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 201 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 201 137 shade: RGB 240 201 137, RGB 223 183 118, RGB 206 165 99, RGB 189 147 80 and RGB 172 129 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 201 137 shade: RGB 240 201 138, RGB 240 174 138, RGB 240 146 138 and RGB 240 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 201 137 shade: RGB 240 201 138, RGB 240 229 138, RGB 223 240 138, RGB 196 240 138 and RGB 168 240 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 201 137 shade matches the following richer shades: RGB 240 201 138 and RGB 250 204 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 201 137 shade: RGB 240 201 138, RGB 229 198 148, RGB 218 196 159, RGB 208 193 170 and RGB 197 191 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 201 137 shade: RGB 240 146 138, RGB 240 173 138, RGB 240 201 138, RGB 240 228 138 and RGB 224 240 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 201 137 shade: RGB 230 168 65, RGB 235 184 101, RGB 240 201 138, RGB 244 218 174 and RGB 249 235 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 201 137 shade: RGB 240 201 137, RGB 156 240 138 and RGB 160 138 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 201 137 shade: RGB 240 201 137, RGB 138 240 201 and RGB 201 138 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 201 137 shade: RGB 240 201 137, RGB 156 240 138, RGB 138 177 240 and RGB 221 138 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 201 137 shade: RGB 240 201 137, RGB 138 240 150, RGB 138 177 240 and RGB 240 138 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 43 / 6

HEX #F0C989

RGB 240 201 137

HSL 37.28, 0.77%, 0.74%

LAB 82.97, 5.49, 37.08

 

Complementary color

CMYK 87 / 54 / 0 / 54

HEX #0F3676

RGB 15 54 118

HSL 217.28, 0.77%, 0.26%

LAB 23.83, 12.96, -40.42

 

CMYK 0 / 18 / 46 / 4

HEX #F5C984

RGB 245 201 132

HSL 36.64, 0.85%, 0.74%

LAB 83.36, 6.98, 40.23

 

CMYK 0 / 14 / 41 / 0

HEX #FFDB97

RGB 255 219 151

HSL 39.23, 1%, 0.8%

LAB 89, 3.55, 38.04

 

CMYK 0 / 7 / 33 / 0

HEX #FFEDAA

RGB 255 237 170

HSL 47.29, 1%, 0.83%

LAB 93.77, -3.46, 34.71

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 16 / 43 / 6

HEX #F0C989

RGB 240 201 137

HSL 37.28, 0.77%, 0.74%

LAB 82.97, 5.49, 37.08

 

CMYK 0 / 18 / 47 / 13

HEX #DFB776

RGB 223 183 118

HSL 37.14, 0.62%, 0.67%

LAB 76.6, 6.21, 38.35

 

CMYK 0 / 20 / 52 / 19

HEX #CEA563

RGB 206 165 99

HSL 37.01, 0.52%, 0.6%

LAB 70.13, 7.04, 39.68

 

CMYK 0 / 22 / 58 / 26

HEX #BD9350

RGB 189 147 80

HSL 36.88, 0.45%, 0.53%

LAB 63.56, 8.01, 41.06

 

CMYK 0 / 25 / 65 / 33

HEX #AC813D

RGB 172 129 61

HSL 36.76, 0.48%, 0.46%

LAB 56.89, 9.17, 42.43

 

CMYK 0 / 16 / 43 / 6

HEX #F0C98A

RGB 240 201 138

HSL 37.06, 0.77%, 0.74%

LAB 82.98, 5.59, 36.59

 

CMYK 0 / 28 / 43 / 6

HEX #F0AE8A

RGB 240 174 138

HSL 21.18, 0.77%, 0.74%

LAB 76.46, 19.8, 28

 

CMYK 0 / 39 / 43 / 6

HEX #F0928A

RGB 240 146 138

HSL 4.71, 0.77%, 0.74%

LAB 70.12, 34.57, 19.41

 

CMYK 0 / 43 / 43 / 6

HEX #F08A8A

RGB 240 138 138

HSL 0, 0.77%, 0.74%

LAB 68.41, 38.72, 17.06

 

CMYK 0 / 16 / 43 / 6

HEX #F0C98A

RGB 240 201 138

HSL 37.06, 0.77%, 0.74%

LAB 82.98, 5.59, 36.59

 

CMYK 0 / 5 / 43 / 6

HEX #F0E58A

RGB 240 229 138

HSL 53.53, 0.77%, 0.74%

LAB 90.04, -8.71, 45.6

 

CMYK 7 / 0 / 43 / 6

HEX #DFF08A

RGB 223 240 138

HSL 70, 0.77%, 0.74%

LAB 91.61, -20.69, 47.29

 

CMYK 18 / 0 / 43 / 6

HEX #C4F08A

RGB 196 240 138

HSL 85.88, 0.77%, 0.74%

LAB 89.81, -30.73, 44.63

 

CMYK 30 / 0 / 43 / 6

HEX #A8F08A

RGB 168 240 138

HSL 102.35, 0.77%, 0.74%

LAB 88.2, -40.47, 42.26

 

CMYK 0 / 16 / 43 / 6

HEX #F0C98A

RGB 240 201 138

HSL 37.06, 0.77%, 0.74%

LAB 82.98, 5.59, 36.59

 

CMYK 0 / 18 / 49 / 2

HEX #FACC7F

RGB 250 204 127

HSL 37.56, 0.92%, 0.74%

LAB 84.51, 6.96, 44.29

 

CMYK 0 / 16 / 43 / 6

HEX #F0C98A

RGB 240 201 138

HSL 37.06, 0.77%, 0.74%

LAB 82.98, 5.59, 36.59

 

CMYK 0 / 14 / 35 / 10

HEX #E5C694

RGB 229 198 148

HSL 37.04, 0.61%, 0.74%

LAB 81.39, 3.94, 29.12

 

CMYK 0 / 10 / 27 / 15

HEX #DAC49F

RGB 218 196 159

HSL 37.63, 0.44%, 0.74%

LAB 80.12, 2.14, 21.43

 

CMYK 0 / 7 / 18 / 18

HEX #D0C1AA

RGB 208 193 170

HSL 36.32, 0.29%, 0.74%

LAB 78.72, 1.53, 13.49

 

CMYK 0 / 3 / 8 / 23

HEX #C5BFB5

RGB 197 191 181

HSL 37.5, 0.12%, 0.74%

LAB 77.56, 0.34, 5.78

 

CMYK 0 / 39 / 43 / 6

HEX #F0928A

RGB 240 146 138

HSL 4.71, 0.77%, 0.74%

LAB 70.12, 34.57, 19.41

 

CMYK 0 / 28 / 43 / 6

HEX #F0AD8A

RGB 240 173 138

HSL 20.59, 0.77%, 0.74%

LAB 76.22, 20.33, 27.68

 

CMYK 0 / 16 / 43 / 6

HEX #F0C98A

RGB 240 201 138

HSL 37.06, 0.77%, 0.74%

LAB 82.98, 5.59, 36.59

 

CMYK 0 / 5 / 43 / 6

HEX #F0E48A

RGB 240 228 138

HSL 52.94, 0.77%, 0.74%

LAB 89.79, -8.21, 45.28

 

CMYK 7 / 0 / 43 / 6

HEX #E0F08A

RGB 224 240 138

HSL 69.41, 0.77%, 0.74%

LAB 91.69, -20.31, 47.39

 

CMYK 0 / 27 / 72 / 10

HEX #E6A841

RGB 230 168 65

HSL 37.45, 0.77%, 0.58%

LAB 73.03, 13.29, 59.74

 

CMYK 0 / 22 / 57 / 8

HEX #EBB865

RGB 235 184 101

HSL 37.16, 0.77%, 0.66%

LAB 77.81, 9.14, 48.64

 

CMYK 0 / 16 / 43 / 6

HEX #F0C98A

RGB 240 201 138

HSL 37.06, 0.77%, 0.74%

LAB 82.98, 5.59, 36.59

 

CMYK 0 / 11 / 29 / 4

HEX #F4DAAE

RGB 244 218 174

HSL 37.71, 0.76%, 0.82%

LAB 88.18, 2.54, 24.97

 

CMYK 0 / 6 / 15 / 2

HEX #F9EBD3

RGB 249 235 211

HSL 37.89, 0.76%, 0.9%

LAB 93.56, 0.88, 13.34

 

CMYK 0 / 16 / 43 / 6

HEX #F0C989

RGB 240 201 137

HSL 37.28, 0.77%, 0.74%

LAB 82.97, 5.49, 37.08

 

CMYK 35 / 0 / 43 / 6

HEX #9CF08A

RGB 156 240 138

HSL 109.41, 0.77%, 0.74%

LAB 87.59, -44.36, 41.36

 

CMYK 33 / 43 / 0 / 6

HEX #A08AF0

RGB 160 138 240

HSL 252.94, 0.77%, 0.74%

LAB 63.29, 30.75, -48.54

 

CMYK 0 / 16 / 43 / 6

HEX #F0C989

RGB 240 201 137

HSL 37.28, 0.77%, 0.74%

LAB 82.97, 5.49, 37.08

 

CMYK 43 / 0 / 16 / 6

HEX #8AF0C9

RGB 138 240 201

HSL 157.06, 0.77%, 0.74%

LAB 87.94, -38.6, 9.61

 

CMYK 16 / 43 / 0 / 6

HEX #C98AF0

RGB 201 138 240

HSL 277.06, 0.77%, 0.74%

LAB 67.19, 42.07, -42.14

 

CMYK 0 / 16 / 43 / 6

HEX #F0C989

RGB 240 201 137

HSL 37.28, 0.77%, 0.74%

LAB 82.97, 5.49, 37.08

 

CMYK 35 / 0 / 43 / 6

HEX #9CF08A

RGB 156 240 138

HSL 109.41, 0.77%, 0.74%

LAB 87.59, -44.36, 41.36

 

CMYK 43 / 26 / 0 / 6

HEX #8AB1F0

RGB 138 177 240

HSL 217.06, 0.77%, 0.74%

LAB 71.65, 2.83, -35.57

 

CMYK 8 / 43 / 0 / 6

HEX #DD8AF0

RGB 221 138 240

HSL 288.82, 0.77%, 0.74%

LAB 69.36, 47.82, -38.6

 

CMYK 0 / 16 / 43 / 6

HEX #F0C989

RGB 240 201 137

HSL 37.28, 0.77%, 0.74%

LAB 82.97, 5.49, 37.08

 

CMYK 43 / 0 / 38 / 6

HEX #8AF096

RGB 138 240 150

HSL 127.06, 0.77%, 0.74%

LAB 86.96, -48, 34.44

 

CMYK 43 / 26 / 0 / 6

HEX #8AB1F0

RGB 138 177 240

HSL 217.06, 0.77%, 0.74%

LAB 71.65, 2.83, -35.57

 

CMYK 0 / 43 / 5 / 6

HEX #F08AE4

RGB 240 138 228

HSL 307.06, 0.77%, 0.74%

LAB 71.08, 51.24, -29.16

 

Description

Color code: RGB 240 201 137 | qconv.com Color code: RGB 240 201 137 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 201 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 201 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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