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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 162.4 61.4 it is the complementary color RGB 15 92.6 193.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 162.4 61.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 162.4 61.4 shade: RGB 245 162.4 56.4, RGB 255 180.4 75.4, RGB 255 198.4 94.4, RGB 255 216.4 113.4 and RGB 255 234.4 132.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 162.4 61.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 162.4 61.4 shade: RGB 240 162.4 61.4, RGB 223 144.4 42.4, RGB 206 126.4 23.4, RGB 189 108.4 4.4 and RGB 172 90.4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 162.4 61.4 shade: RGB 240 162 61, RGB 240 114 61, RGB 240 65 61 and RGB 240 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 162.4 61.4 shade: RGB 240 162 61, RGB 240 211 61, RGB 222 240 61, RGB 173 240 61 and RGB 125 240 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 162.4 61.4 shade matches the following richer shades: RGB 240 162 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 162.4 61.4 shade: RGB 240 162 61, RGB 223 160 77, RGB 207 158 94, RGB 190 156 111 and RGB 173 153 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 162.4 61.4 shade: RGB 240 64 61, RGB 240 111 61, RGB 240 159 61, RGB 240 207 61 and RGB 225 240 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 162.4 61.4 shade: RGB 203 121 15, RGB 237 144 22, RGB 240 162 61, RGB 243 181 99 and RGB 246 199 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 162.4 61.4 shade: RGB 240 162.4 61.4, RGB 105 240 61 and RGB 88 61 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 162.4 61.4 shade: RGB 240 162.4 61.4, RGB 61 240 159 and RGB 159 61 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 162.4 61.4 shade: RGB 240 162.4 61.4, RGB 105 240 61, RGB 61 141 240 and RGB 195 61 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 162.4 61.4 shade: RGB 240 162.4 61.4, RGB 61 240 70, RGB 61 141 240 and RGB 240 61 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 74 / 6

HEX #F0A23D

RGB 240 162.4 61.4

HSL 33.93, 0.86%, 0.59%

LAB 72.79, 20.31, 61.36

 

Complementary color

CMYK 92 / 52 / 0 / 24

HEX #0F5CC1

RGB 15 92.6 193.6

HSL 213.93, 0.86%, 0.41%

LAB 40.8, 17.79, -58.75

 

CMYK 0 / 34 / 77 / 4

HEX #F5A238

RGB 245 162.4 56.4

HSL 33.72, 0.9%, 0.59%

LAB 73.34, 22.2, 64.09

 

CMYK 0 / 29 / 70 / 0

HEX #FFB44B

RGB 255 180.4 75.4

HSL 35.08, 1%, 0.65%

LAB 78.8, 17.73, 62.12

 

CMYK 0 / 22 / 63 / 0

HEX #FFC65E

RGB 255 198.4 94.4

HSL 38.85, 1%, 0.69%

LAB 83.26, 9.42, 58.54

 

CMYK 0 / 15 / 56 / 0

HEX #FFD871

RGB 255 216.4 113.4

HSL 43.64, 1%, 0.72%

LAB 87.86, 1.48, 55.05

 

CMYK 0 / 8 / 48 / 0

HEX #FFEA84

RGB 255 234.4 132.4

HSL 49.92, 1%, 0.76%

LAB 92.58, -6.04, 51.72

 

CMYK 0 / 32 / 74 / 6

HEX #F0A23D

RGB 240 162.4 61.4

HSL 33.93, 0.86%, 0.59%

LAB 72.79, 20.31, 61.36

 

CMYK 0 / 35 / 81 / 13

HEX #DF902A

RGB 223 144.4 42.4

HSL 33.89, 0.74%, 0.52%

LAB 66.46, 22.01, 62.03

 

CMYK 0 / 39 / 89 / 19

HEX #CE7E17

RGB 206 126.4 23.4

HSL 33.84, 0.8%, 0.45%

LAB 60.08, 23.94, 61.86

 

CMYK 0 / 43 / 98 / 26

HEX #BD6C04

RGB 189 108.4 4.4

HSL 33.8, 0.95%, 0.38%

LAB 53.64, 26.12, 60.27

 

CMYK 0 / 47 / 100 / 33

HEX #AC5A00

RGB 172 90.4 0

HSL 31.53, 1%, 0.34%

LAB 47.17, 28.55, 55.92

 

CMYK 0 / 33 / 75 / 6

HEX #F0A23D

RGB 240 162 61

HSL 33.85, 0.86%, 0.59%

LAB 72.7, 20.5, 61.43

 

CMYK 0 / 53 / 75 / 6

HEX #F0723D

RGB 240 114 61

HSL 17.77, 0.86%, 0.59%

LAB 62.42, 45.21, 51.01

 

CMYK 0 / 73 / 75 / 6

HEX #F0413D

RGB 240 65 61

HSL 1.34, 0.86%, 0.59%

LAB 54.7, 65.74, 42.76

 

CMYK 0 / 75 / 75 / 6

HEX #F03D3D

RGB 240 61 61

HSL 0, 0.86%, 0.59%

LAB 54.24, 67.03, 42.25

 

CMYK 0 / 33 / 75 / 6

HEX #F0A23D

RGB 240 162 61

HSL 33.85, 0.86%, 0.59%

LAB 72.7, 20.5, 61.43

 

CMYK 0 / 12 / 75 / 6

HEX #F0D33D

RGB 240 211 61

HSL 50.28, 0.86%, 0.59%

LAB 84.72, -5.03, 72.99

 

CMYK 8 / 0 / 75 / 6

HEX #DEF03D

RGB 222 240 61

HSL 66.03, 0.86%, 0.59%

LAB 90.87, -26.7, 78.2

 

CMYK 28 / 0 / 75 / 6

HEX #ADF03D

RGB 173 240 61

HSL 82.46, 0.86%, 0.59%

LAB 87.75, -45.63, 74.16

 

CMYK 48 / 0 / 75 / 6

HEX #7DF03D

RGB 125 240 61

HSL 98.55, 0.86%, 0.59%

LAB 85.51, -61.43, 71.23

 

CMYK 0 / 33 / 75 / 6

HEX #F0A23D

RGB 240 162 61

HSL 33.85, 0.86%, 0.59%

LAB 72.7, 20.5, 61.43

 

CMYK 0 / 33 / 75 / 6

HEX #F0A23D

RGB 240 162 61

HSL 33.85, 0.86%, 0.59%

LAB 72.7, 20.5, 61.43

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04D

RGB 223 160 77

HSL 34.11, 0.7%, 0.59%

LAB 70.43, 15.24, 51.38

 

CMYK 0 / 24 / 55 / 19

HEX #CF9E5E

RGB 207 158 94

HSL 33.98, 0.54%, 0.59%

LAB 68.41, 10.8, 40.17

 

CMYK 0 / 18 / 42 / 25

HEX #BE9C6F

RGB 190 156 111

HSL 34.18, 0.38%, 0.59%

LAB 66.42, 6.47, 28.29

 

CMYK 0 / 12 / 26 / 32

HEX #AD9980

RGB 173 153 128

HSL 33.33, 0.22%, 0.59%

LAB 64.34, 3.41, 15.86

 

CMYK 0 / 73 / 75 / 6

HEX #F0403D

RGB 240 64 61

HSL 1.01, 0.86%, 0.59%

LAB 54.58, 66.07, 42.63

 

CMYK 0 / 54 / 75 / 6

HEX #F06F3D

RGB 240 111 61

HSL 16.76, 0.86%, 0.59%

LAB 61.85, 46.66, 50.42

 

CMYK 0 / 34 / 75 / 6

HEX #F09F3D

RGB 240 159 61

HSL 32.85, 0.86%, 0.59%

LAB 72, 22.09, 60.74

 

CMYK 0 / 14 / 75 / 6

HEX #F0CF3D

RGB 240 207 61

HSL 48.94, 0.86%, 0.59%

LAB 83.7, -3, 72.03

 

CMYK 6 / 0 / 75 / 6

HEX #E1F03D

RGB 225 240 61

HSL 65.03, 0.86%, 0.59%

LAB 91.08, -25.49, 78.48

 

CMYK 0 / 40 / 93 / 20

HEX #CB790F

RGB 203 121 15

HSL 33.83, 0.86%, 0.43%

LAB 58.42, 25.43, 62.46

 

CMYK 0 / 39 / 91 / 7

HEX #ED9016

RGB 237 144 22

HSL 34.05, 0.86%, 0.51%

LAB 68.03, 27.64, 69.96

 

CMYK 0 / 33 / 75 / 6

HEX #F0A23D

RGB 240 162 61

HSL 33.85, 0.86%, 0.59%

LAB 72.7, 20.5, 61.43

 

CMYK 0 / 26 / 59 / 5

HEX #F3B563

RGB 243 181 99

HSL 34.17, 0.86%, 0.67%

LAB 77.88, 13.87, 49.9

 

CMYK 0 / 19 / 44 / 4

HEX #F6C789

RGB 246 199 137

HSL 34.13, 0.86%, 0.75%

LAB 83.04, 8.91, 37.29

 

CMYK 0 / 32 / 74 / 6

HEX #F0A23D

RGB 240 162.4 61.4

HSL 33.93, 0.86%, 0.59%

LAB 72.79, 20.31, 61.36

 

CMYK 56 / 0 / 75 / 6

HEX #69F03D

RGB 105 240 61

HSL 105.25, 0.86%, 0.59%

LAB 84.82, -66.8, 70.32

 

CMYK 63 / 75 / 0 / 6

HEX #583DF0

RGB 88 61 240

HSL 249.05, 0.86%, 0.59%

LAB 40.74, 59.71, -85.29

 

CMYK 0 / 32 / 74 / 6

HEX #F0A23D

RGB 240 162.4 61.4

HSL 33.93, 0.86%, 0.59%

LAB 72.79, 20.31, 61.36

 

CMYK 75 / 0 / 34 / 6

HEX #3DF09F

RGB 61 240 159

HSL 152.85, 0.86%, 0.59%

LAB 84.9, -62.29, 26.75

 

CMYK 34 / 75 / 0 / 6

HEX #9F3DF0

RGB 159 61 240

HSL 272.85, 0.86%, 0.59%

LAB 48.26, 69.75, -72.67

 

CMYK 0 / 32 / 74 / 6

HEX #F0A23D

RGB 240 162.4 61.4

HSL 33.93, 0.86%, 0.59%

LAB 72.79, 20.31, 61.36

 

CMYK 56 / 0 / 75 / 6

HEX #69F03D

RGB 105 240 61

HSL 105.25, 0.86%, 0.59%

LAB 84.82, -66.8, 70.32

 

CMYK 75 / 41 / 0 / 6

HEX #3D8DF0

RGB 61 141 240

HSL 213.18, 0.86%, 0.59%

LAB 58.35, 8.92, -56.74

 

CMYK 19 / 75 / 0 / 6

HEX #C33DF0

RGB 195 61 240

HSL 284.92, 0.86%, 0.59%

LAB 53.2, 76.11, -64.43

 

CMYK 0 / 32 / 74 / 6

HEX #F0A23D

RGB 240 162.4 61.4

HSL 33.93, 0.86%, 0.59%

LAB 72.79, 20.31, 61.36

 

CMYK 75 / 0 / 71 / 6

HEX #3DF046

RGB 61 240 70

HSL 123.02, 0.86%, 0.59%

LAB 83.84, -74.74, 65.94

 

CMYK 75 / 41 / 0 / 6

HEX #3D8DF0

RGB 61 141 240

HSL 213.18, 0.86%, 0.59%

LAB 58.35, 8.92, -56.74

 

CMYK 0 / 75 / 4 / 6

HEX #F03DE7

RGB 240 61 231

HSL 303.02, 0.86%, 0.59%

LAB 59.56, 83.34, -48.83

 

Description

Color code: RGB 240 162.4 61.4 | qconv.com Color code: RGB 240 162.4 61.4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 162.4 green and 61.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 162.4 61.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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