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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 103 44 it is the complementary color RGB 15 152 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 103 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 103 44 shade: RGB 245 103 39, RGB 255 121 58, RGB 255 139 77, RGB 255 157 96 and RGB 255 175 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 103 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 103 44 shade: RGB 240 103 44, RGB 223 85 25, RGB 206 67 6, RGB 189 49 0 and RGB 172 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 103 44 shade: RGB 240 103 45, RGB 240 51 45 and RGB 240 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 103 44 shade: RGB 240 103 45, RGB 240 156 45, RGB 240 209 45, RGB 218 240 45 and RGB 166 240 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 103 44 shade matches the following richer shades: RGB 240 103 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 103 44 shade: RGB 240 103 45, RGB 222 111 63, RGB 204 118 81, RGB 185 125 99 and RGB 167 132 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 103 44 shade: RGB 240 45 90, RGB 240 51 45, RGB 240 103 45, RGB 240 155 45 and RGB 240 207 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 103 44 shade: RGB 189 66 13, RGB 228 79 15, RGB 240 103 45, RGB 243 131 83 and RGB 245 159 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 103 44 shade: RGB 240 103 44, RGB 142 240 45 and RGB 45 64 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 103 44 shade: RGB 240 103 44, RGB 45 240 103 and RGB 103 45 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 103 44 shade: RGB 240 103 44, RGB 142 240 45, RGB 45 181 240 and RGB 142 45 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 103 44 shade: RGB 240 103 44, RGB 84 240 45, RGB 45 181 240 and RGB 201 45 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 82 / 6

HEX #F0672C

RGB 240 103 44

HSL 18.06, 0.87%, 0.56%

LAB 60.26, 49.84, 56.69

 

Complementary color

CMYK 93 / 28 / 0 / 17

HEX #0F98D3

RGB 15 152 211

HSL 198.06, 0.87%, 0.44%

LAB 59.22, -11.8, -39.3

 

CMYK 0 / 58 / 84 / 4

HEX #F56727

RGB 245 103 39

HSL 18.64, 0.91%, 0.56%

LAB 61.01, 51.52, 59.72

 

CMYK 0 / 53 / 77 / 0

HEX #FF793A

RGB 255 121 58

HSL 19.19, 1%, 0.61%

LAB 65.94, 47.32, 56.7

 

CMYK 0 / 45 / 70 / 0

HEX #FF8B4D

RGB 255 139 77

HSL 20.9, 1%, 0.65%

LAB 69.66, 39.24, 51.63

 

CMYK 0 / 38 / 62 / 0

HEX #FF9D60

RGB 255 157 96

HSL 23.02, 1%, 0.69%

LAB 73.69, 31.1, 46.8

 

CMYK 0 / 31 / 55 / 0

HEX #FFAF73

RGB 255 175 115

HSL 25.71, 1%, 0.73%

LAB 77.97, 23.08, 42.33

 

CMYK 0 / 57 / 82 / 6

HEX #F0672C

RGB 240 103 44

HSL 18.06, 0.87%, 0.56%

LAB 60.26, 49.84, 56.69

 

CMYK 0 / 62 / 89 / 13

HEX #DF5519

RGB 223 85 25

HSL 18.18, 0.8%, 0.49%

LAB 54.3, 51.43, 58.03

 

CMYK 0 / 67 / 97 / 19

HEX #CE4306

RGB 206 67 6

HSL 18.3, 0.94%, 0.42%

LAB 48.45, 52.88, 58.05

 

CMYK 0 / 74 / 100 / 26

HEX #BD3100

RGB 189 49 0

HSL 15.56, 1%, 0.37%

LAB 42.79, 54, 55.09

 

CMYK 0 / 82 / 100 / 33

HEX #AC1F00

RGB 172 31 0

HSL 10.81, 1%, 0.34%

LAB 37.39, 54.33, 50.74

 

CMYK 0 / 57 / 81 / 6

HEX #F0672D

RGB 240 103 45

HSL 17.85, 0.87%, 0.56%

LAB 60.26, 49.87, 56.27

 

CMYK 0 / 79 / 81 / 6

HEX #F0332D

RGB 240 51 45

HSL 1.85, 0.87%, 0.56%

LAB 53.04, 69.44, 49.53

 

CMYK 0 / 81 / 81 / 6

HEX #F02D2D

RGB 240 45 45

HSL 0, 0.87%, 0.56%

LAB 52.5, 70.96, 49.01

 

CMYK 0 / 57 / 81 / 6

HEX #F0672D

RGB 240 103 45

HSL 17.85, 0.87%, 0.56%

LAB 60.26, 49.87, 56.27

 

CMYK 0 / 35 / 81 / 6

HEX #F09C2D

RGB 240 156 45

HSL 34.15, 0.87%, 0.56%

LAB 71.21, 23.09, 66.11

 

CMYK 0 / 13 / 81 / 6

HEX #F0D12D

RGB 240 209 45

HSL 50.46, 0.87%, 0.56%

LAB 84.13, -4.57, 77.35

 

CMYK 9 / 0 / 81 / 6

HEX #DAF02D

RGB 218 240 45

HSL 66.77, 0.87%, 0.56%

LAB 90.51, -28.89, 82.14

 

CMYK 31 / 0 / 81 / 6

HEX #A6F02D

RGB 166 240 45

HSL 82.77, 0.87%, 0.56%

LAB 87.3, -48.86, 78.08

 

CMYK 0 / 57 / 81 / 6

HEX #F0672D

RGB 240 103 45

HSL 17.85, 0.87%, 0.56%

LAB 60.26, 49.87, 56.27

 

CMYK 0 / 57 / 81 / 6

HEX #F0672D

RGB 240 103 45

HSL 17.85, 0.87%, 0.56%

LAB 60.26, 49.87, 56.27

 

CMYK 0 / 50 / 72 / 13

HEX #DE6F3F

RGB 222 111 63

HSL 18.11, 0.71%, 0.56%

LAB 59.21, 39.92, 45.81

 

CMYK 0 / 42 / 60 / 20

HEX #CC7651

RGB 204 118 81

HSL 18.05, 0.55%, 0.56%

LAB 58.4, 30.24, 34.72

 

CMYK 0 / 32 / 46 / 27

HEX #B97D63

RGB 185 125 99

HSL 18.14, 0.38%, 0.56%

LAB 57.93, 20.24, 23.61

 

CMYK 0 / 21 / 30 / 35

HEX #A78475

RGB 167 132 117

HSL 18, 0.22%, 0.56%

LAB 58.04, 11.16, 13.2

 

CMYK 0 / 81 / 63 / 6

HEX #F02D5A

RGB 240 45 90

HSL 346.15, 0.87%, 0.56%

LAB 53.1, 72.8, 24.02

 

CMYK 0 / 79 / 81 / 6

HEX #F0332D

RGB 240 51 45

HSL 1.85, 0.87%, 0.56%

LAB 53.04, 69.44, 49.53

 

CMYK 0 / 57 / 81 / 6

HEX #F0672D

RGB 240 103 45

HSL 17.85, 0.87%, 0.56%

LAB 60.26, 49.87, 56.27

 

CMYK 0 / 35 / 81 / 6

HEX #F09B2D

RGB 240 155 45

HSL 33.85, 0.87%, 0.56%

LAB 70.98, 23.62, 65.91

 

CMYK 0 / 14 / 81 / 6

HEX #F0CF2D

RGB 240 207 45

HSL 49.85, 0.87%, 0.56%

LAB 83.62, -3.55, 76.91

 

CMYK 0 / 65 / 93 / 26

HEX #BD420D

RGB 189 66 13

HSL 18.07, 0.87%, 0.4%

LAB 45.28, 47.46, 52.76

 

CMYK 0 / 65 / 93 / 11

HEX #E44F0F

RGB 228 79 15

HSL 18.03, 0.88%, 0.48%

LAB 54.15, 55.57, 61.34

 

CMYK 0 / 57 / 81 / 6

HEX #F0672D

RGB 240 103 45

HSL 17.85, 0.87%, 0.56%

LAB 60.26, 49.87, 56.27

 

CMYK 0 / 46 / 66 / 5

HEX #F38353

RGB 243 131 83

HSL 18, 0.87%, 0.64%

LAB 66.45, 38.98, 44.55

 

CMYK 0 / 35 / 50 / 4

HEX #F59F7A

RGB 245 159 122

HSL 18.05, 0.86%, 0.72%

LAB 73.29, 28.12, 32.49

 

CMYK 0 / 57 / 82 / 6

HEX #F0672C

RGB 240 103 44

HSL 18.06, 0.87%, 0.56%

LAB 60.26, 49.84, 56.69

 

CMYK 41 / 0 / 81 / 6

HEX #8EF02D

RGB 142 240 45

HSL 90.15, 0.87%, 0.56%

LAB 86.14, -57.04, 76.61

 

CMYK 81 / 73 / 0 / 6

HEX #2D40F0

RGB 45 64 240

HSL 234.15, 0.87%, 0.56%

LAB 38.75, 54.51, -88.65

 

CMYK 0 / 57 / 82 / 6

HEX #F0672C

RGB 240 103 44

HSL 18.06, 0.87%, 0.56%

LAB 60.26, 49.84, 56.69

 

CMYK 81 / 0 / 57 / 6

HEX #2DF067

RGB 45 240 103

HSL 137.85, 0.87%, 0.56%

LAB 83.89, -73.24, 52.55

 

CMYK 57 / 81 / 0 / 6

HEX #672DF0

RGB 103 45 240

HSL 257.85, 0.87%, 0.56%

LAB 39.67, 68.26, -87.01

 

CMYK 0 / 57 / 82 / 6

HEX #F0672C

RGB 240 103 44

HSL 18.06, 0.87%, 0.56%

LAB 60.26, 49.84, 56.69

 

CMYK 41 / 0 / 81 / 6

HEX #8EF02D

RGB 142 240 45

HSL 90.15, 0.87%, 0.56%

LAB 86.14, -57.04, 76.61

 

CMYK 81 / 25 / 0 / 6

HEX #2DB5F0

RGB 45 181 240

HSL 198.15, 0.87%, 0.56%

LAB 69.4, -15.48, -39.33

 

CMYK 41 / 81 / 0 / 6

HEX #8E2DF0

RGB 142 45 240

HSL 269.85, 0.87%, 0.56%

LAB 44.12, 72.86, -79.53

 

CMYK 0 / 57 / 82 / 6

HEX #F0672C

RGB 240 103 44

HSL 18.06, 0.87%, 0.56%

LAB 60.26, 49.84, 56.69

 

CMYK 65 / 0 / 81 / 6

HEX #54F02D

RGB 84 240 45

HSL 108, 0.87%, 0.56%

LAB 84.17, -72.4, 74.09

 

CMYK 81 / 25 / 0 / 6

HEX #2DB5F0

RGB 45 181 240

HSL 198.15, 0.87%, 0.56%

LAB 69.4, -15.48, -39.33

 

CMYK 16 / 81 / 0 / 6

HEX #C92DF0

RGB 201 45 240

HSL 288, 0.87%, 0.56%

LAB 52.49, 81.81, -65.53

 

Description

Color code: RGB 240 103 44 | qconv.com Color code: RGB 240 103 44 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 103 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 103 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 82 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 82% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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