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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240.14 126 103 it is the complementary color RGB 14.86 129 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240.14 126 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240.14 126 103 shade: RGB 245.14 126 98, RGB 255 144 117, RGB 255 162 136, RGB 255 180 155 and RGB 255 198 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240.14 126 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240.14 126 103 shade: RGB 240.14 126 103, RGB 223.14 108 84, RGB 206.14 90 65, RGB 189.14 72 46 and RGB 172.14 54 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240.14 126 103 shade: RGB 240 125 102 and RGB 240 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240.14 126 103 shade: RGB 240 125 102, RGB 240 162 102, RGB 240 199 102, RGB 240 237 102 and RGB 206 240 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240.14 126 103 shade matches the following richer shades: RGB 240 125 102 and RGB 253 116 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240.14 126 103 shade: RGB 240 125 102, RGB 226 134 115, RGB 213 143 129, RGB 199 152 143 and RGB 185 161 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240.14 126 103 shade: RGB 240 102 152, RGB 240 102 116, RGB 240 125 102, RGB 240 162 102 and RGB 240 198 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240.14 126 103 shade: RGB 232 61 27, RGB 236 93 64, RGB 240 125 102, RGB 244 157 139 and RGB 247 189 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240.14 126 103 shade: RGB 240.14 126 103, RGB 189 240 102 and RGB 102 134 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240.14 126 103 shade: RGB 240.14 126 103, RGB 102 240 125 and RGB 125 102 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240.14 126 103 shade: RGB 240.14 126 103, RGB 189 240 102, RGB 102 217 240 and RGB 152 102 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240.14 126 103 shade: RGB 240.14 126 103, RGB 148 240 102, RGB 102 217 240 and RGB 194 102 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 57 / 6

HEX #F07E67

RGB 240.14 126 103

HSL 10.06, 0.82%, 0.67%

LAB 65.32, 41.74, 32.38

 

Complementary color

CMYK 90 / 15 / 0 / 40

HEX #0E8198

RGB 14.86 129 152

HSL 190.06, 0.82%, 0.33%

LAB 49.58, -20.43, -20.55

 

CMYK 0 / 49 / 60 / 4

HEX #F57E62

RGB 245.14 126 98

HSL 11.42, 0.88%, 0.67%

LAB 65.94, 43.25, 36.04

 

CMYK 0 / 44 / 54 / 0

HEX #FF9075

RGB 255 144 117

HSL 11.74, 1%, 0.73%

LAB 71.21, 39.3, 32.71

 

CMYK 0 / 36 / 47 / 0

HEX #FFA288

RGB 255 162 136

HSL 13.11, 1%, 0.77%

LAB 75.38, 31.71, 27.93

 

CMYK 0 / 29 / 39 / 0

HEX #FFB49B

RGB 255 180 155

HSL 15, 1%, 0.8%

LAB 79.77, 24.26, 23.66

 

CMYK 0 / 22 / 32 / 0

HEX #FFC6AE

RGB 255 198 174

HSL 17.78, 1%, 0.84%

LAB 84.33, 17.07, 19.83

 

CMYK 0 / 48 / 57 / 6

HEX #F07E67

RGB 240.14 126 103

HSL 10.06, 0.82%, 0.67%

LAB 65.32, 41.74, 32.38

 

CMYK 0 / 52 / 62 / 12

HEX #DF6C54

RGB 223.14 108 84

HSL 10.35, 0.69%, 0.6%

LAB 59.04, 43.05, 34.46

 

CMYK 0 / 56 / 68 / 19

HEX #CE5A41

RGB 206.14 90 65

HSL 10.63, 0.59%, 0.53%

LAB 52.77, 44.4, 36.82

 

CMYK 0 / 62 / 76 / 26

HEX #BD482E

RGB 189.14 72 46

HSL 10.9, 0.61%, 0.46%

LAB 46.54, 45.73, 39.43

 

CMYK 0 / 69 / 84 / 32

HEX #AC361B

RGB 172.14 54 27

HSL 11.16, 0.73%, 0.39%

LAB 40.42, 46.91, 42.15

 

CMYK 0 / 48 / 58 / 6

HEX #F07D66

RGB 240 125 102

HSL 10, 0.82%, 0.67%

LAB 65.08, 42.12, 32.62

 

CMYK 0 / 58 / 58 / 6

HEX #F06666

RGB 240 102 102

HSL 0, 0.82%, 0.67%

LAB 60.77, 53.18, 27.06

 

CMYK 0 / 48 / 58 / 6

HEX #F07D66

RGB 240 125 102

HSL 10, 0.82%, 0.67%

LAB 65.08, 42.12, 32.62

 

CMYK 0 / 33 / 58 / 6

HEX #F0A266

RGB 240 162 102

HSL 26.09, 0.82%, 0.67%

LAB 73.11, 22.9, 42.62

 

CMYK 0 / 17 / 58 / 6

HEX #F0C766

RGB 240 199 102

HSL 42.17, 0.82%, 0.67%

LAB 82.02, 3.44, 53.23

 

CMYK 0 / 1 / 58 / 6

HEX #F0ED66

RGB 240 237 102

HSL 58.7, 0.82%, 0.67%

LAB 91.71, -15.72, 64.21

 

CMYK 14 / 0 / 58 / 6

HEX #CEF066

RGB 206 240 102

HSL 74.78, 0.82%, 0.67%

LAB 90.05, -30.54, 61.68

 

CMYK 0 / 48 / 58 / 6

HEX #F07D66

RGB 240 125 102

HSL 10, 0.82%, 0.67%

LAB 65.08, 42.12, 32.62

 

CMYK 0 / 54 / 65 / 1

HEX #FD7458

RGB 253 116 88

HSL 10.18, 0.98%, 0.67%

LAB 65.02, 50.35, 40.58

 

CMYK 0 / 48 / 58 / 6

HEX #F07D66

RGB 240 125 102

HSL 10, 0.82%, 0.67%

LAB 65.08, 42.12, 32.62

 

CMYK 0 / 41 / 49 / 11

HEX #E28673

RGB 226 134 115

HSL 10.27, 0.66%, 0.67%

LAB 65.32, 33.26, 25.39

 

CMYK 0 / 33 / 39 / 16

HEX #D58F81

RGB 213 143 129

HSL 10, 0.5%, 0.67%

LAB 66.04, 24.86, 18.29

 

CMYK 0 / 24 / 28 / 22

HEX #C7988F

RGB 199 152 143

HSL 9.64, 0.33%, 0.67%

LAB 66.96, 16.28, 11.53

 

CMYK 0 / 13 / 16 / 27

HEX #B9A19C

RGB 185 161 156

HSL 10.34, 0.17%, 0.67%

LAB 68.17, 7.95, 5.83

 

CMYK 0 / 58 / 37 / 6

HEX #F06698

RGB 240 102 152

HSL 338.26, 0.82%, 0.67%

LAB 61.91, 57.76, -0.17

 

CMYK 0 / 58 / 52 / 6

HEX #F06674

RGB 240 102 116

HSL 353.91, 0.82%, 0.67%

LAB 61.04, 54.27, 19.39

 

CMYK 0 / 48 / 58 / 6

HEX #F07D66

RGB 240 125 102

HSL 10, 0.82%, 0.67%

LAB 65.08, 42.12, 32.62

 

CMYK 0 / 33 / 58 / 6

HEX #F0A266

RGB 240 162 102

HSL 26.09, 0.82%, 0.67%

LAB 73.11, 22.9, 42.62

 

CMYK 0 / 18 / 58 / 6

HEX #F0C666

RGB 240 198 102

HSL 41.74, 0.82%, 0.67%

LAB 81.77, 3.96, 52.94

 

CMYK 0 / 74 / 88 / 9

HEX #E83D1B

RGB 232 61 27

HSL 9.95, 0.82%, 0.51%

LAB 52.48, 63.71, 56.63

 

CMYK 0 / 61 / 73 / 7

HEX #EC5D40

RGB 236 93 64

HSL 10.12, 0.82%, 0.59%

LAB 58.07, 53.66, 44.65

 

CMYK 0 / 48 / 58 / 6

HEX #F07D66

RGB 240 125 102

HSL 10, 0.82%, 0.67%

LAB 65.08, 42.12, 32.62

 

CMYK 0 / 36 / 43 / 4

HEX #F49D8B

RGB 244 157 139

HSL 10.29, 0.83%, 0.75%

LAB 73.03, 30.43, 22.92

 

CMYK 0 / 23 / 28 / 3

HEX #F7BDB1

RGB 247 189 177

HSL 10.29, 0.81%, 0.83%

LAB 81.48, 19.19, 14.13

 

CMYK 0 / 48 / 57 / 6

HEX #F07E67

RGB 240.14 126 103

HSL 10.06, 0.82%, 0.67%

LAB 65.32, 41.74, 32.38

 

CMYK 21 / 0 / 58 / 6

HEX #BDF066

RGB 189 240 102

HSL 82.17, 0.82%, 0.67%

LAB 88.97, -36.95, 60.17

 

CMYK 58 / 44 / 0 / 6

HEX #6686F0

RGB 102 134 240

HSL 226.09, 0.82%, 0.67%

LAB 58.19, 19.61, -56.9

 

CMYK 0 / 48 / 57 / 6

HEX #F07E67

RGB 240.14 126 103

HSL 10.06, 0.82%, 0.67%

LAB 65.32, 41.74, 32.38

 

CMYK 58 / 0 / 48 / 6

HEX #66F07D

RGB 102 240 125

HSL 130, 0.82%, 0.67%

LAB 85.31, -60.94, 44.34

 

CMYK 48 / 58 / 0 / 6

HEX #7D66F0

RGB 125 102 240

HSL 250, 0.82%, 0.67%

LAB 52.01, 43.21, -66.75

 

CMYK 0 / 48 / 57 / 6

HEX #F07E67

RGB 240.14 126 103

HSL 10.06, 0.82%, 0.67%

LAB 65.32, 41.74, 32.38

 

CMYK 21 / 0 / 58 / 6

HEX #BDF066

RGB 189 240 102

HSL 82.17, 0.82%, 0.67%

LAB 88.97, -36.95, 60.17

 

CMYK 58 / 10 / 0 / 6

HEX #66D9F0

RGB 102 217 240

HSL 190, 0.82%, 0.67%

LAB 81.15, -26.13, -21.13

 

CMYK 37 / 58 / 0 / 6

HEX #9866F0

RGB 152 102 240

HSL 261.74, 0.82%, 0.67%

LAB 54.52, 48.96, -62.58

 

CMYK 0 / 48 / 57 / 6

HEX #F07E67

RGB 240.14 126 103

HSL 10.06, 0.82%, 0.67%

LAB 65.32, 41.74, 32.38

 

CMYK 38 / 0 / 58 / 6

HEX #94F066

RGB 148 240 102

HSL 100, 0.82%, 0.67%

LAB 86.79, -51.14, 57.1

 

CMYK 58 / 10 / 0 / 6

HEX #66D9F0

RGB 102 217 240

HSL 190, 0.82%, 0.67%

LAB 81.15, -26.13, -21.13

 

CMYK 19 / 58 / 0 / 6

HEX #C266F0

RGB 194 102 240

HSL 280, 0.82%, 0.67%

LAB 59.22, 58.81, -54.79

 

Description

Color code: RGB 240.14 126 103 | qconv.com Color code: RGB 240.14 126 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240.14 red, 126 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240.14 126 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 57 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 57% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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