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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240.14 108 71 it is the complementary color RGB 14.86 147 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240.14 108 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240.14 108 71 shade: RGB 245.14 108 66, RGB 255 126 85, RGB 255 144 104, RGB 255 162 123 and RGB 255 180 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240.14 108 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240.14 108 71 shade: RGB 240.14 108 71, RGB 223.14 90 52, RGB 206.14 72 33, RGB 189.14 54 14 and RGB 172.14 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240.14 108 71 shade: RGB 240 108 71 and RGB 240 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240.14 108 71 shade: RGB 240 108 71, RGB 240 154 71, RGB 240 199 71, RGB 235 240 71 and RGB 190 240 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240.14 108 71 shade matches the following richer shades: RGB 240 108 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240.14 108 71 shade: RGB 240 108 71, RGB 224 117 87, RGB 208 126 103, RGB 192 135 119 and RGB 176 144 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240.14 108 71 shade: RGB 240 71 125, RGB 240 71 79, RGB 240 108 71, RGB 240 153 71 and RGB 240 198 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240.14 108 71 shade: RGB 211 60 17, RGB 237 78 33, RGB 240 108 71, RGB 243 139 109 and RGB 246 169 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240.14 108 71 shade: RGB 240.14 108 71, RGB 170 240 71 and RGB 71 102 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240.14 108 71 shade: RGB 240.14 108 71, RGB 71 240 108 and RGB 108 71 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240.14 108 71 shade: RGB 240.14 108 71, RGB 170 240 71, RGB 71 203 240 and RGB 141 71 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240.14 108 71 shade: RGB 240.14 108 71, RGB 119 240 71, RGB 71 203 240 and RGB 192 71 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240.14 108 71

HSL 13.13, 0.85%, 0.61%

LAB 61.42, 48.58, 44.9

 

Complementary color

CMYK 92 / 20 / 0 / 28

HEX #0E93B8

RGB 14.86 147 184

HSL 193.13, 0.85%, 0.39%

LAB 56.51, -18.78, -28.29

 

CMYK 0 / 56 / 73 / 4

HEX #F56C42

RGB 245.14 108 66

HSL 14.07, 0.9%, 0.61%

LAB 62.13, 50.17, 48.47

 

CMYK 0 / 51 / 67 / 0

HEX #FF7E55

RGB 255 126 85

HSL 14.47, 1%, 0.67%

LAB 67.16, 46.11, 44.76

 

CMYK 0 / 44 / 59 / 0

HEX #FF9068

RGB 255 144 104

HSL 15.89, 1%, 0.7%

LAB 71.01, 38.32, 39.42

 

CMYK 0 / 36 / 52 / 0

HEX #FFA27B

RGB 255 162 123

HSL 17.73, 1%, 0.74%

LAB 75.16, 30.53, 34.6

 

CMYK 0 / 29 / 44 / 0

HEX #FFB48E

RGB 255 180 142

HSL 20.18, 1%, 0.78%

LAB 79.53, 22.89, 30.26

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240.14 108 71

HSL 13.13, 0.85%, 0.61%

LAB 61.42, 48.58, 44.9

 

CMYK 0 / 60 / 77 / 12

HEX #DF5A34

RGB 223.14 90 52

HSL 13.32, 0.73%, 0.54%

LAB 55.35, 49.99, 47.3

 

CMYK 0 / 65 / 84 / 19

HEX #CE4821

RGB 206.14 72 33

HSL 13.52, 0.72%, 0.47%

LAB 49.36, 51.31, 49.64

 

CMYK 0 / 71 / 93 / 26

HEX #BD360E

RGB 189.14 54 14

HSL 13.7, 0.86%, 0.4%

LAB 43.52, 52.39, 51.28

 

CMYK 0 / 79 / 100 / 32

HEX #AC2400

RGB 172.14 36 0

HSL 12.55, 1%, 0.34%

LAB 37.93, 52.94, 50.99

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240 108 71

HSL 13.14, 0.85%, 0.61%

LAB 61.4, 48.53, 44.87

 

CMYK 0 / 70 / 70 / 6

HEX #F04747

RGB 240 71 71

HSL 0, 0.85%, 0.61%

LAB 55.57, 64.09, 38.18

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240 108 71

HSL 13.14, 0.85%, 0.61%

LAB 61.4, 48.53, 44.87

 

CMYK 0 / 36 / 70 / 6

HEX #F09A47

RGB 240 154 71

HSL 29.47, 0.85%, 0.61%

LAB 70.93, 25.19, 55.29

 

CMYK 0 / 17 / 70 / 6

HEX #F0C747

RGB 240 199 71

HSL 45.44, 0.85%, 0.61%

LAB 81.74, 1.56, 66.44

 

CMYK 2 / 0 / 70 / 6

HEX #EBF047

RGB 235 240 71

HSL 61.78, 0.85%, 0.61%

LAB 91.88, -20.99, 76.28

 

CMYK 21 / 0 / 70 / 6

HEX #BEF047

RGB 190 240 71

HSL 77.75, 0.85%, 0.61%

LAB 88.79, -38.77, 72.21

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240 108 71

HSL 13.14, 0.85%, 0.61%

LAB 61.4, 48.53, 44.87

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240 108 71

HSL 13.14, 0.85%, 0.61%

LAB 61.4, 48.53, 44.87

 

CMYK 0 / 48 / 61 / 12

HEX #E07557

RGB 224 117 87

HSL 13.14, 0.69%, 0.61%

LAB 61.01, 39.05, 35.27

 

CMYK 0 / 39 / 50 / 18

HEX #D07E67

RGB 208 126 103

HSL 13.14, 0.53%, 0.61%

LAB 61.06, 29.37, 26.02

 

CMYK 0 / 30 / 38 / 25

HEX #C08777

RGB 192 135 119

HSL 13.15, 0.37%, 0.61%

LAB 61.54, 19.78, 17.33

 

CMYK 0 / 18 / 23 / 31

HEX #B09087

RGB 176 144 135

HSL 13.17, 0.21%, 0.61%

LAB 62.45, 10.62, 9.3

 

CMYK 0 / 70 / 48 / 6

HEX #F0477D

RGB 240 71 125

HSL 340.83, 0.85%, 0.61%

LAB 56.6, 67.59, 7.94

 

CMYK 0 / 70 / 67 / 6

HEX #F0474F

RGB 240 71 79

HSL 357.16, 0.85%, 0.61%

LAB 55.68, 64.47, 33.76

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240 108 71

HSL 13.14, 0.85%, 0.61%

LAB 61.4, 48.53, 44.87

 

CMYK 0 / 36 / 70 / 6

HEX #F09947

RGB 240 153 71

HSL 29.11, 0.85%, 0.61%

LAB 70.71, 25.71, 55.04

 

CMYK 0 / 18 / 70 / 6

HEX #F0C647

RGB 240 198 71

HSL 45.09, 0.85%, 0.61%

LAB 81.49, 2.07, 66.19

 

CMYK 0 / 72 / 92 / 17

HEX #D33C11

RGB 211 60 17

HSL 13.3, 0.85%, 0.45%

LAB 48.41, 57.34, 55.54

 

CMYK 0 / 67 / 86 / 7

HEX #ED4E21

RGB 237 78 33

HSL 13.24, 0.85%, 0.53%

LAB 55.65, 59.27, 57.11

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240 108 71

HSL 13.14, 0.85%, 0.61%

LAB 61.4, 48.53, 44.87

 

CMYK 0 / 43 / 55 / 5

HEX #F38B6D

RGB 243 139 109

HSL 13.43, 0.85%, 0.69%

LAB 68.48, 36.67, 33.22

 

CMYK 0 / 31 / 40 / 4

HEX #F6A993

RGB 246 169 147

HSL 13.33, 0.85%, 0.77%

LAB 76.12, 25.73, 22.81

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240.14 108 71

HSL 13.13, 0.85%, 0.61%

LAB 61.42, 48.58, 44.9

 

CMYK 29 / 0 / 70 / 6

HEX #AAF047

RGB 170 240 71

HSL 84.85, 0.85%, 0.61%

LAB 87.64, -46.15, 70.68

 

CMYK 70 / 58 / 0 / 6

HEX #4766F0

RGB 71 102 240

HSL 228.99, 0.85%, 0.61%

LAB 48.43, 34.22, -72.73

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240.14 108 71

HSL 13.13, 0.85%, 0.61%

LAB 61.42, 48.58, 44.9

 

CMYK 70 / 0 / 55 / 6

HEX #47F06C

RGB 71 240 108

HSL 133.14, 0.85%, 0.61%

LAB 84.35, -69.23, 50.94

 

CMYK 55 / 70 / 0 / 6

HEX #6C47F0

RGB 108 71 240

HSL 253.14, 0.85%, 0.61%

LAB 44.21, 57.22, -79.52

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240.14 108 71

HSL 13.13, 0.85%, 0.61%

LAB 61.42, 48.58, 44.9

 

CMYK 29 / 0 / 70 / 6

HEX #AAF047

RGB 170 240 71

HSL 84.85, 0.85%, 0.61%

LAB 87.64, -46.15, 70.68

 

CMYK 70 / 15 / 0 / 6

HEX #47CBF0

RGB 71 203 240

HSL 193.14, 0.85%, 0.61%

LAB 76.28, -24.05, -28.64

 

CMYK 41 / 70 / 0 / 6

HEX #8D47F0

RGB 141 71 240

HSL 264.85, 0.85%, 0.61%

LAB 47.57, 62.45, -73.89

 

CMYK 0 / 55 / 70 / 6

HEX #F06C47

RGB 240.14 108 71

HSL 13.13, 0.85%, 0.61%

LAB 61.42, 48.58, 44.9

 

CMYK 50 / 0 / 70 / 6

HEX #77F047

RGB 119 240 71

HSL 102.96, 0.85%, 0.61%

LAB 85.35, -62.46, 67.62

 

CMYK 70 / 15 / 0 / 6

HEX #47CBF0

RGB 71 203 240

HSL 193.14, 0.85%, 0.61%

LAB 76.28, -24.05, -28.64

 

CMYK 20 / 70 / 0 / 6

HEX #C047F0

RGB 192 71 240

HSL 282.96, 0.85%, 0.61%

LAB 54.03, 71.96, -63.12

 

Description

Color code: RGB 240.14 108 71 | qconv.com Color code: RGB 240.14 108 71 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240.14 red, 108 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240.14 108 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 70% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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