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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24.9 128.2 222 it is the complementary color RGB 230.1 126.8 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24.9 128.2 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24.9 128.2 222 shade: RGB 29.9 128.2 217, RGB 46.9 146.2 236, RGB 63.9 164.2 255, RGB 80.9 182.2 255 and RGB 97.9 200.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24.9 128.2 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24.9 128.2 222 shade: RGB 24.9 128.2 222, RGB 7.9 110.2 203, RGB 0 92.2 184, RGB 0 74.2 165 and RGB 0 56.2 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24.9 128.2 222 shade: RGB 24 127 220, RGB 24 74 220, RGB 27 24 220, RGB 80 24 220 and RGB 133 24 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24.9 128.2 222 shade: RGB 24 127 220, RGB 24 74 220 and RGB 24 24 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24.9 128.2 222 shade matches the following richer shades: RGB 24 127 220 and RGB 4 128 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24.9 128.2 222 shade: RGB 24 127 220, RGB 44 126 200, RGB 64 125 180, RGB 83 124 160 and RGB 103 123 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24.9 128.2 222 shade: RGB 24 220 207, RGB 24 181 220, RGB 24 128 220, RGB 24 76 220 and RGB 24 24 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24.9 128.2 222 shade: RGB 16 84 146, RGB 20 105 183, RGB 24 127 220, RGB 53 147 232 and RGB 90 167 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24.9 128.2 222 shade: RGB 24.9 128.2 222, RGB 155 24 220 and RGB 207 220 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24.9 128.2 222 shade: RGB 24.9 128.2 222, RGB 220 24 128 and RGB 128 220 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24.9 128.2 222 shade: RGB 24.9 128.2 222, RGB 155 24 220, RGB 220 115 24 and RGB 89 220 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24.9 128.2 222 shade: RGB 24.9 128.2 222, RGB 213 24 220, RGB 220 115 24 and RGB 31 220 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 42 / 0 / 13

HEX #1880DE

RGB 24.9 128.2 222

HSL 208.55, 0.8%, 0.48%

LAB 52.92, 6.79, -55.45

 

Complementary color

CMYK 0 / 45 / 86 / 10

HEX #E67E21

RGB 230.1 126.8 33

HSL 28.55, 0.8%, 0.52%

LAB 63.41, 33.99, 63

 

CMYK 86 / 41 / 0 / 15

HEX #1D80D9

RGB 29.9 128.2 217

HSL 208.48, 0.76%, 0.48%

LAB 52.7, 5.19, -52.97

 

CMYK 80 / 38 / 0 / 7

HEX #2E92EC

RGB 46.9 146.2 236

HSL 208.49, 0.83%, 0.55%

LAB 59.23, 2.86, -53.15

 

CMYK 75 / 36 / 0 / 0

HEX #3FA4FF

RGB 63.9 164.2 255

HSL 208.51, 1%, 0.63%

LAB 65.69, 0.95, -53.29

 

CMYK 68 / 29 / 0 / 0

HEX #50B6FF

RGB 80.9 182.2 255

HSL 205.09, 1%, 0.66%

LAB 71.22, -6.93, -44.55

 

CMYK 62 / 21 / 0 / 0

HEX #61C8FF

RGB 97.9 200.2 255

HSL 200.93, 1%, 0.69%

LAB 76.81, -13.9, -35.8

 

CMYK 89 / 42 / 0 / 13

HEX #1880DE

RGB 24.9 128.2 222

HSL 208.55, 0.8%, 0.48%

LAB 52.92, 6.79, -55.45

 

CMYK 96 / 46 / 0 / 20

HEX #076ECB

RGB 7.9 110.2 203

HSL 208.54, 0.93%, 0.41%

LAB 46.39, 9.87, -55.15

 

CMYK 100 / 50 / 0 / 28

HEX #005CB8

RGB 0 92.2 184

HSL 209.93, 1%, 0.36%

LAB 39.83, 13.59, -54.72

 

CMYK 100 / 55 / 0 / 35

HEX #004AA5

RGB 0 74.2 165

HSL 213.02, 1%, 0.32%

LAB 33.22, 17.85, -54.17

 

CMYK 100 / 62 / 0 / 43

HEX #003892

RGB 0 56.2 146

HSL 216.9, 1%, 0.29%

LAB 26.51, 22.39, -53.57

 

CMYK 89 / 42 / 0 / 14

HEX #187FDC

RGB 24 127 220

HSL 208.47, 0.8%, 0.48%

LAB 52.44, 6.7, -55.08

 

CMYK 89 / 66 / 0 / 14

HEX #184ADC

RGB 24 74 220

HSL 224.69, 0.8%, 0.48%

LAB 38.3, 40.53, -78.05

 

CMYK 88 / 89 / 0 / 14

HEX #1B18DC

RGB 27 24 220

HSL 240.92, 0.8%, 0.48%

LAB 29.55, 65.81, -92.56

 

CMYK 64 / 89 / 0 / 14

HEX #5018DC

RGB 80 24 220

HSL 257.14, 0.8%, 0.48%

LAB 32.98, 68.12, -86.76

 

CMYK 40 / 89 / 0 / 14

HEX #8518DC

RGB 133 24 220

HSL 273.37, 0.8%, 0.48%

LAB 39.25, 73.04, -76.18

 

CMYK 89 / 42 / 0 / 14

HEX #187FDC

RGB 24 127 220

HSL 208.47, 0.8%, 0.48%

LAB 52.44, 6.7, -55.08

 

CMYK 89 / 66 / 0 / 14

HEX #184ADC

RGB 24 74 220

HSL 224.69, 0.8%, 0.48%

LAB 38.3, 40.53, -78.05

 

CMYK 89 / 89 / 0 / 14

HEX #1818DC

RGB 24 24 220

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.75, -92.72

 

CMYK 89 / 42 / 0 / 14

HEX #187FDC

RGB 24 127 220

HSL 208.47, 0.8%, 0.48%

LAB 52.44, 6.7, -55.08

 

CMYK 98 / 47 / 0 / 6

HEX #0480F0

RGB 4 128 240

HSL 208.47, 0.97%, 0.48%

LAB 53.77, 13.09, -64.16

 

CMYK 89 / 42 / 0 / 14

HEX #187FDC

RGB 24 127 220

HSL 208.47, 0.8%, 0.48%

LAB 52.44, 6.7, -55.08

 

CMYK 78 / 37 / 0 / 22

HEX #2C7EC8

RGB 44 126 200

HSL 208.46, 0.64%, 0.48%

LAB 51.41, 1.39, -45.37

 

CMYK 64 / 31 / 0 / 29

HEX #407DB4

RGB 64 125 180

HSL 208.45, 0.48%, 0.48%

LAB 50.75, -2.26, -34.91

 

CMYK 48 / 23 / 0 / 37

HEX #537CA0

RGB 83 124 160

HSL 208.05, 0.32%, 0.48%

LAB 50.44, -4.02, -23.72

 

CMYK 27 / 13 / 0 / 45

HEX #677B8D

RGB 103 123 141

HSL 208.42, 0.16%, 0.48%

LAB 50.66, -2.94, -12.17

 

CMYK 89 / 0 / 6 / 14

HEX #18DCCF

RGB 24 220 207

HSL 176.02, 0.8%, 0.48%

LAB 79.55, -46, -6.09

 

CMYK 89 / 18 / 0 / 14

HEX #18B5DC

RGB 24 181 220

HSL 191.94, 0.8%, 0.48%

LAB 68.32, -23.71, -30.1

 

CMYK 89 / 42 / 0 / 14

HEX #1880DC

RGB 24 128 220

HSL 208.16, 0.8%, 0.48%

LAB 52.73, 6.09, -54.62

 

CMYK 89 / 65 / 0 / 14

HEX #184CDC

RGB 24 76 220

HSL 224.08, 0.8%, 0.48%

LAB 38.78, 39.27, -77.27

 

CMYK 89 / 89 / 0 / 14

HEX #1818DC

RGB 24 24 220

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.75, -92.72

 

CMYK 89 / 42 / 0 / 43

HEX #105492

RGB 16 84 146

HSL 208.62, 0.8%, 0.32%

LAB 35.06, 4.16, -39.74

 

CMYK 89 / 43 / 0 / 28

HEX #1469B7

RGB 20 105 183

HSL 208.71, 0.8%, 0.4%

LAB 43.76, 5.77, -47.81

 

CMYK 89 / 42 / 0 / 14

HEX #187FDC

RGB 24 127 220

HSL 208.47, 0.8%, 0.48%

LAB 52.44, 6.7, -55.08

 

CMYK 77 / 37 / 0 / 9

HEX #3593E8

RGB 53 147 232

HSL 208.49, 0.8%, 0.56%

LAB 59.39, 1.56, -50.68

 

CMYK 62 / 29 / 0 / 7

HEX #5AA7EC

RGB 90 167 236

HSL 208.36, 0.79%, 0.64%

LAB 66.42, -3.21, -41.72

 

CMYK 89 / 42 / 0 / 13

HEX #1880DE

RGB 24.9 128.2 222

HSL 208.55, 0.8%, 0.48%

LAB 52.92, 6.79, -55.45

 

CMYK 30 / 89 / 0 / 14

HEX #9B18DC

RGB 155 24 220

HSL 280.1, 0.8%, 0.48%

LAB 42.44, 75.8, -70.83

 

CMYK 6 / 0 / 89 / 14

HEX #CFDC18

RGB 207 220 24

HSL 63.98, 0.8%, 0.48%

LAB 84.23, -24.45, 80.8

 

CMYK 89 / 42 / 0 / 13

HEX #1880DE

RGB 24.9 128.2 222

HSL 208.55, 0.8%, 0.48%

LAB 52.92, 6.79, -55.45

 

CMYK 0 / 89 / 42 / 14

HEX #DC1880

RGB 220 24 128

HSL 328.16, 0.8%, 0.48%

LAB 48.79, 74.74, -5.66

 

CMYK 42 / 0 / 89 / 14

HEX #80DC18

RGB 128 220 24

HSL 88.16, 0.8%, 0.48%

LAB 79.52, -54.52, 75.02

 

CMYK 89 / 42 / 0 / 13

HEX #1880DE

RGB 24.9 128.2 222

HSL 208.55, 0.8%, 0.48%

LAB 52.92, 6.79, -55.45

 

CMYK 30 / 89 / 0 / 14

HEX #9B18DC

RGB 155 24 220

HSL 280.1, 0.8%, 0.48%

LAB 42.44, 75.8, -70.83

 

CMYK 0 / 48 / 89 / 14

HEX #DC7318

RGB 220 115 24

HSL 27.86, 0.8%, 0.48%

LAB 59.47, 35.81, 62.06

 

CMYK 60 / 0 / 89 / 14

HEX #59DC18

RGB 89 220 24

HSL 100.1, 0.8%, 0.48%

LAB 78.1, -65.62, 73.24

 

CMYK 89 / 42 / 0 / 13

HEX #1880DE

RGB 24.9 128.2 222

HSL 208.55, 0.8%, 0.48%

LAB 52.92, 6.79, -55.45

 

CMYK 3 / 89 / 0 / 14

HEX #D518DC

RGB 213 24 220

HSL 297.86, 0.8%, 0.48%

LAB 51.8, 84.58, -55.24

 

CMYK 0 / 48 / 89 / 14

HEX #DC7318

RGB 220 115 24

HSL 27.86, 0.8%, 0.48%

LAB 59.47, 35.81, 62.06

 

CMYK 86 / 0 / 89 / 14

HEX #1FDC18

RGB 31 220 24

HSL 117.86, 0.8%, 0.48%

LAB 77.01, -74.98, 71.88

 

Description

Color code: RGB 24.9 128.2 222 | qconv.com Color code: RGB 24.9 128.2 222 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24.9 red, 128.2 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24.9 128.2 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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