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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24.3 216.4 243 it is the complementary color RGB 230.7 38.6 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24.3 216.4 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24.3 216.4 243 shade: RGB 29.3 216.4 238, RGB 46.3 234.4 255, RGB 63.3 252.4 255, RGB 80.3 255 255 and RGB 97.3 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24.3 216.4 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24.3 216.4 243 shade: RGB 24.3 216.4 243, RGB 7.3 198.4 224, RGB 0 180.4 205, RGB 0 162.4 186 and RGB 0 144.4 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24.3 216.4 243 shade: RGB 22 216 243, RGB 22 157 243, RGB 22 97 243, RGB 22 38 243 and RGB 67 22 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24.3 216.4 243 shade: RGB 22 216 243, RGB 22 157 243, RGB 22 97 243, RGB 22 38 243 and RGB 22 22 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24.3 216.4 243 shade matches the following richer shades: RGB 22 216 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24.3 216.4 243 shade: RGB 22 216 243, RGB 42 201 223, RGB 62 186 203, RGB 82 171 183 and RGB 102 156 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24.3 216.4 243 shade: RGB 22 243 151, RGB 22 243 210, RGB 22 217 243, RGB 22 158 243 and RGB 22 100 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24.3 216.4 243 shade: RGB 9 154 174, RGB 11 188 213, RGB 22 216 243, RGB 62 223 245 and RGB 101 229 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24.3 216.4 243 shade: RGB 24.3 216.4 243, RGB 92 22 243 and RGB 243 180 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24.3 216.4 243 shade: RGB 24.3 216.4 243, RGB 243 22 217 and RGB 217 243 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24.3 216.4 243 shade: RGB 24.3 216.4 243, RGB 92 22 243, RGB 243 48 22 and RGB 173 243 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24.3 216.4 243 shade: RGB 24.3 216.4 243, RGB 158 22 243, RGB 243 48 22 and RGB 107 243 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 11 / 0 / 5

HEX #18D8F3

RGB 24.3 216.4 243

HSL 187.3, 0.9%, 0.52%

LAB 79.61, -33.63, -25.21

 

Complementary color

CMYK 0 / 83 / 95 / 10

HEX #E6260C

RGB 230.7 38.6 12

HSL 7.3, 0.9%, 0.48%

LAB 49.97, 69.33, 59.89

 

CMYK 88 / 9 / 0 / 7

HEX #1DD8EE

RGB 29.3 216.4 238

HSL 186.21, 0.86%, 0.52%

LAB 79.47, -34.95, -22.75

 

CMYK 82 / 8 / 0 / 0

HEX #2EEAFF

RGB 46.3 234.4 255

HSL 185.92, 1%, 0.59%

LAB 85.44, -37.09, -22.66

 

CMYK 75 / 1 / 0 / 0

HEX #3FFCFF

RGB 63.3 252.4 255

HSL 180.81, 1%, 0.62%

LAB 90.85, -43.77, -14.48

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80.3 255 255

HSL 180, 1%, 0.66%

LAB 91.89, -43.04, -12.9

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97.3 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.68, -12.3

 

CMYK 90 / 11 / 0 / 5

HEX #18D8F3

RGB 24.3 216.4 243

HSL 187.3, 0.9%, 0.52%

LAB 79.61, -33.63, -25.21

 

CMYK 97 / 11 / 0 / 12

HEX #07C6E0

RGB 7.3 198.4 224

HSL 187.09, 0.94%, 0.45%

LAB 73.55, -31.62, -24.27

 

CMYK 100 / 12 / 0 / 20

HEX #00B4CD

RGB 0 180.4 205

HSL 187.2, 1%, 0.4%

LAB 67.44, -29.25, -23.24

 

CMYK 100 / 13 / 0 / 27

HEX #00A2BA

RGB 0 162.4 186

HSL 187.61, 1%, 0.36%

LAB 61.24, -26.63, -22.14

 

CMYK 100 / 14 / 0 / 35

HEX #0090A7

RGB 0 144.4 167

HSL 188.12, 1%, 0.33%

LAB 54.93, -23.95, -21.04

 

CMYK 91 / 11 / 0 / 5

HEX #16D8F3

RGB 22 216 243

HSL 187.33, 0.9%, 0.52%

LAB 79.47, -33.53, -25.42

 

CMYK 91 / 35 / 0 / 5

HEX #169DF3

RGB 22 157 243

HSL 203.35, 0.9%, 0.52%

LAB 62.3, -2.59, -52.16

 

CMYK 91 / 60 / 0 / 5

HEX #1661F3

RGB 22 97 243

HSL 219.64, 0.9%, 0.52%

LAB 45.89, 34.44, -78.61

 

CMYK 91 / 84 / 0 / 5

HEX #1626F3

RGB 22 38 243

HSL 235.66, 0.9%, 0.52%

LAB 34.04, 67.13, -98.19

 

CMYK 72 / 91 / 0 / 5

HEX #4316F3

RGB 67 22 243

HSL 252.22, 0.9%, 0.52%

LAB 34.47, 73.66, -97.41

 

CMYK 91 / 11 / 0 / 5

HEX #16D8F3

RGB 22 216 243

HSL 187.33, 0.9%, 0.52%

LAB 79.47, -33.53, -25.42

 

CMYK 91 / 35 / 0 / 5

HEX #169DF3

RGB 22 157 243

HSL 203.35, 0.9%, 0.52%

LAB 62.3, -2.59, -52.16

 

CMYK 91 / 60 / 0 / 5

HEX #1661F3

RGB 22 97 243

HSL 219.64, 0.9%, 0.52%

LAB 45.89, 34.44, -78.61

 

CMYK 91 / 84 / 0 / 5

HEX #1626F3

RGB 22 38 243

HSL 235.66, 0.9%, 0.52%

LAB 34.04, 67.13, -98.19

 

CMYK 91 / 91 / 0 / 5

HEX #1616F3

RGB 22 22 243

HSL 240, 0.9%, 0.52%

LAB 32.29, 72.42, -101.11

 

CMYK 91 / 11 / 0 / 5

HEX #16D8F3

RGB 22 216 243

HSL 187.33, 0.9%, 0.52%

LAB 79.47, -33.53, -25.42

 

CMYK 91 / 11 / 0 / 5

HEX #16D8F3

RGB 22 216 243

HSL 187.33, 0.9%, 0.52%

LAB 79.47, -33.53, -25.42

 

CMYK 81 / 10 / 0 / 13

HEX #2AC9DF

RGB 42 201 223

HSL 187.29, 0.74%, 0.52%

LAB 74.57, -31.45, -22.15

 

CMYK 69 / 8 / 0 / 20

HEX #3EBACB

RGB 62 186 203

HSL 187.23, 0.58%, 0.52%

LAB 69.79, -28.13, -18.48

 

CMYK 55 / 7 / 0 / 28

HEX #52ABB7

RGB 82 171 183

HSL 187.13, 0.41%, 0.52%

LAB 65.23, -23.12, -14.27

 

CMYK 38 / 5 / 0 / 36

HEX #669CA4

RGB 102 156 164

HSL 187.74, 0.25%, 0.52%

LAB 61.03, -15.69, -9.84

 

CMYK 91 / 0 / 38 / 5

HEX #16F397

RGB 22 243 151

HSL 155.02, 0.9%, 0.52%

LAB 85.25, -68.2, 31.2

 

CMYK 91 / 0 / 14 / 5

HEX #16F3D2

RGB 22 243 210

HSL 171.04, 0.9%, 0.52%

LAB 86.47, -54.84, 2.46

 

CMYK 91 / 11 / 0 / 5

HEX #16D9F3

RGB 22 217 243

HSL 187.06, 0.9%, 0.52%

LAB 79.77, -34.01, -24.97

 

CMYK 91 / 35 / 0 / 5

HEX #169EF3

RGB 22 158 243

HSL 203.08, 0.9%, 0.52%

LAB 62.59, -3.16, -51.7

 

CMYK 91 / 59 / 0 / 5

HEX #1664F3

RGB 22 100 243

HSL 218.82, 0.9%, 0.52%

LAB 46.65, 32.53, -77.37

 

CMYK 95 / 11 / 0 / 32

HEX #099AAE

RGB 9 154 174

HSL 187.27, 0.9%, 0.36%

LAB 58.25, -26.12, -19.95

 

CMYK 95 / 12 / 0 / 16

HEX #0BBCD5

RGB 11 188 213

HSL 187.43, 0.9%, 0.44%

LAB 70.06, -30.04, -23.6

 

CMYK 91 / 11 / 0 / 5

HEX #16D8F3

RGB 22 216 243

HSL 187.33, 0.9%, 0.52%

LAB 79.47, -33.53, -25.42

 

CMYK 75 / 9 / 0 / 4

HEX #3EDFF5

RGB 62 223 245

HSL 187.21, 0.9%, 0.6%

LAB 82.05, -33.35, -22.51

 

CMYK 59 / 7 / 0 / 3

HEX #65E5F7

RGB 101 229 247

HSL 187.4, 0.9%, 0.68%

LAB 84.75, -30.18, -19.39

 

CMYK 90 / 11 / 0 / 5

HEX #18D8F3

RGB 24.3 216.4 243

HSL 187.3, 0.9%, 0.52%

LAB 79.61, -33.63, -25.21

 

CMYK 62 / 91 / 0 / 5

HEX #5C16F3

RGB 92 22 243

HSL 259, 0.9%, 0.52%

LAB 36.59, 74.99, -93.83

 

CMYK 0 / 26 / 91 / 5

HEX #F3B416

RGB 243 180 22

HSL 42.9, 0.9%, 0.52%

LAB 77.13, 11.21, 77.04

 

CMYK 90 / 11 / 0 / 5

HEX #18D8F3

RGB 24.3 216.4 243

HSL 187.3, 0.9%, 0.52%

LAB 79.61, -33.63, -25.21

 

CMYK 0 / 91 / 11 / 5

HEX #F316D9

RGB 243 22 217

HSL 307.06, 0.9%, 0.52%

LAB 56.72, 89.56, -45.39

 

CMYK 11 / 0 / 91 / 5

HEX #D9F316

RGB 217 243 22

HSL 67.06, 0.9%, 0.52%

LAB 91.19, -31.2, 86.88

 

CMYK 90 / 11 / 0 / 5

HEX #18D8F3

RGB 24.3 216.4 243

HSL 187.3, 0.9%, 0.52%

LAB 79.61, -33.63, -25.21

 

CMYK 62 / 91 / 0 / 5

HEX #5C16F3

RGB 92 22 243

HSL 259, 0.9%, 0.52%

LAB 36.59, 74.99, -93.83

 

CMYK 0 / 80 / 91 / 5

HEX #F33016

RGB 243 48 22

HSL 7.06, 0.9%, 0.52%

LAB 53.2, 70.61, 59.96

 

CMYK 29 / 0 / 91 / 5

HEX #ADF316

RGB 173 243 22

HSL 79, 0.9%, 0.52%

LAB 88.47, -48.21, 83.56

 

CMYK 90 / 11 / 0 / 5

HEX #18D8F3

RGB 24.3 216.4 243

HSL 187.3, 0.9%, 0.52%

LAB 79.61, -33.63, -25.21

 

CMYK 35 / 91 / 0 / 5

HEX #9E16F3

RGB 158 22 243

HSL 276.92, 0.9%, 0.52%

LAB 44.68, 81.01, -80.21

 

CMYK 0 / 80 / 91 / 5

HEX #F33016

RGB 243 48 22

HSL 7.06, 0.9%, 0.52%

LAB 53.2, 70.61, 59.96

 

CMYK 56 / 0 / 91 / 5

HEX #6BF316

RGB 107 243 22

HSL 96.92, 0.9%, 0.52%

LAB 85.65, -68.96, 80.09

 

Description

Color code: RGB 24.3 216.4 243 | qconv.com Color code: RGB 24.3 216.4 243 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24.3 red, 216.4 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24.3 216.4 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 11 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 11% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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