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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 92.6 148.6 it is the complementary color RGB 232 162.4 106.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 92.6 148.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 92.6 148.6 shade: RGB 28 92.6 143.6, RGB 45 110.6 162.6, RGB 62 128.6 181.6, RGB 79 146.6 200.6 and RGB 96 164.6 219.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 92.6 148.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 92.6 148.6 shade: RGB 23 92.6 148.6, RGB 6 74.6 129.6, RGB 0 56.6 110.6, RGB 0 38.6 91.6 and RGB 0 20.6 72.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 92.6 148.6 shade: RGB 23 94 150, RGB 23 59 150, RGB 23 25 150, RGB 56 23 150 and RGB 90 23 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 92.6 148.6 shade: RGB 23 94 150, RGB 23 59 150, RGB 23 25 150 and RGB 23 23 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 92.6 148.6 shade matches the following richer shades: RGB 23 94 150 and RGB 9 95 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 92.6 148.6 shade: RGB 23 94 150, RGB 37 92 136, RGB 51 91 122, RGB 65 89 108 and RGB 80 87 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 92.6 148.6 shade: RGB 23 150 137, RGB 23 129 150, RGB 23 95 150, RGB 23 61 150 and RGB 23 28 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 92.6 148.6 shade: RGB 12 49 79, RGB 18 71 114, RGB 23 94 150, RGB 29 116 186 and RGB 35 138 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 92.6 148.6 shade: RGB 23 92.6 148.6, RGB 104 23 150 and RGB 146 150 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 92.6 148.6 shade: RGB 23 92.6 148.6, RGB 150 23 95 and RGB 95 150 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 92.6 148.6 shade: RGB 23 92.6 148.6, RGB 104 23 150, RGB 150 78 23 and RGB 70 150 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 92.6 148.6 shade: RGB 23 92.6 148.6, RGB 142 23 150, RGB 150 78 23 and RGB 32 150 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 38 / 0 / 42

HEX #175C94

RGB 23 92.6 148.6

HSL 206.75, 0.73%, 0.34%

LAB 38.02, 0.22, -36.58

 

Complementary color

CMYK 0 / 30 / 54 / 9

HEX #E8A26A

RGB 232 162.4 106.4

HSL 26.75, 0.73%, 0.66%

LAB 72.35, 19.79, 39.22

 

CMYK 81 / 36 / 0 / 44

HEX #1C5C8F

RGB 28 92.6 143.6

HSL 206.47, 0.67%, 0.34%

LAB 37.85, -1.22, -33.82

 

CMYK 72 / 32 / 0 / 36

HEX #2D6EA2

RGB 45 110.6 162.6

HSL 206.53, 0.57%, 0.41%

LAB 44.9, -2.93, -34

 

CMYK 66 / 29 / 0 / 29

HEX #3E80B5

RGB 62 128.6 181.6

HSL 206.59, 0.49%, 0.48%

LAB 51.81, -4.19, -34.16

 

CMYK 61 / 27 / 0 / 21

HEX #4F92C8

RGB 79 146.6 200.6

HSL 206.64, 0.53%, 0.55%

LAB 58.61, -5.15, -34.31

 

CMYK 56 / 25 / 0 / 14

HEX #60A4DB

RGB 96 164.6 219.6

HSL 206.7, 0.64%, 0.62%

LAB 65.28, -5.9, -34.46

 

CMYK 85 / 38 / 0 / 42

HEX #175C94

RGB 23 92.6 148.6

HSL 206.75, 0.73%, 0.34%

LAB 38.02, 0.22, -36.58

 

CMYK 95 / 42 / 0 / 49

HEX #064A81

RGB 6 74.6 129.6

HSL 206.7, 0.91%, 0.27%

LAB 30.92, 2.92, -36.3

 

CMYK 100 / 49 / 0 / 57

HEX #00386E

RGB 0 56.6 110.6

HSL 209.29, 1%, 0.22%

LAB 23.76, 6.67, -35.83

 

CMYK 100 / 58 / 0 / 64

HEX #00265B

RGB 0 38.6 91.6

HSL 214.72, 1%, 0.18%

LAB 16.46, 11.27, -35.22

 

CMYK 100 / 72 / 0 / 72

HEX #001448

RGB 0 20.6 72.6

HSL 222.98, 1%, 0.14%

LAB 8.97, 16.38, -34.51

 

CMYK 85 / 37 / 0 / 41

HEX #175E96

RGB 23 94 150

HSL 206.46, 0.73%, 0.34%

LAB 38.53, -0.11, -36.61

 

CMYK 85 / 61 / 0 / 41

HEX #173B96

RGB 23 59 150

HSL 222.99, 0.73%, 0.34%

LAB 28.15, 23.43, -53.34

 

CMYK 85 / 83 / 0 / 41

HEX #171996

RGB 23 25 150

HSL 239.06, 0.73%, 0.34%

LAB 20.36, 44.62, -66.17

 

CMYK 63 / 85 / 0 / 41

HEX #381796

RGB 56 23 150

HSL 255.59, 0.73%, 0.34%

LAB 22.5, 47.97, -62.55

 

CMYK 40 / 85 / 0 / 41

HEX #5A1796

RGB 90 23 150

HSL 271.65, 0.73%, 0.34%

LAB 26.7, 52.2, -55.48

 

CMYK 85 / 37 / 0 / 41

HEX #175E96

RGB 23 94 150

HSL 206.46, 0.73%, 0.34%

LAB 38.53, -0.11, -36.61

 

CMYK 85 / 61 / 0 / 41

HEX #173B96

RGB 23 59 150

HSL 222.99, 0.73%, 0.34%

LAB 28.15, 23.43, -53.34

 

CMYK 85 / 83 / 0 / 41

HEX #171996

RGB 23 25 150

HSL 239.06, 0.73%, 0.34%

LAB 20.36, 44.62, -66.17

 

CMYK 85 / 85 / 0 / 41

HEX #171796

RGB 23 23 150

HSL 240, 0.73%, 0.34%

LAB 20.03, 45.58, -66.71

 

CMYK 85 / 37 / 0 / 41

HEX #175E96

RGB 23 94 150

HSL 206.46, 0.73%, 0.34%

LAB 38.53, -0.11, -36.61

 

CMYK 95 / 42 / 0 / 36

HEX #095FA4

RGB 9 95 164

HSL 206.71, 0.9%, 0.34%

LAB 39.45, 3.95, -43.53

 

CMYK 85 / 37 / 0 / 41

HEX #175E96

RGB 23 94 150

HSL 206.46, 0.73%, 0.34%

LAB 38.53, -0.11, -36.61

 

CMYK 73 / 32 / 0 / 47

HEX #255C88

RGB 37 92 136

HSL 206.67, 0.57%, 0.34%

LAB 37.53, -2.54, -29.71

 

CMYK 58 / 25 / 0 / 52

HEX #335B7A

RGB 51 91 122

HSL 206.2, 0.41%, 0.34%

LAB 37.1, -4.24, -21.78

 

CMYK 40 / 18 / 0 / 58

HEX #41596C

RGB 65 89 108

HSL 206.51, 0.25%, 0.34%

LAB 36.65, -3.71, -13.75

 

CMYK 15 / 7 / 0 / 63

HEX #50575E

RGB 80 87 94

HSL 210, 0.08%, 0.34%

LAB 36.61, -1.12, -4.99

 

CMYK 85 / 0 / 9 / 41

HEX #179689

RGB 23 150 137

HSL 173.86, 0.73%, 0.34%

LAB 55.89, -35.08, -2.37

 

CMYK 85 / 14 / 0 / 41

HEX #178196

RGB 23 129 150

HSL 189.92, 0.73%, 0.34%

LAB 49.6, -20.54, -19.35

 

CMYK 85 / 37 / 0 / 41

HEX #175F96

RGB 23 95 150

HSL 205.98, 0.73%, 0.34%

LAB 38.84, -0.74, -36.12

 

CMYK 85 / 59 / 0 / 41

HEX #173D96

RGB 23 61 150

HSL 222.05, 0.73%, 0.34%

LAB 28.7, 22.05, -52.44

 

CMYK 85 / 81 / 0 / 41

HEX #171C96

RGB 23 28 150

HSL 237.64, 0.73%, 0.34%

LAB 20.88, 43.09, -65.3

 

CMYK 85 / 38 / 0 / 69

HEX #0C314F

RGB 12 49 79

HSL 206.87, 0.74%, 0.18%

LAB 19.39, -0.71, -22.07

 

CMYK 84 / 38 / 0 / 55

HEX #124772

RGB 18 71 114

HSL 206.88, 0.73%, 0.26%

LAB 29.03, -0.24, -29.54

 

CMYK 85 / 37 / 0 / 41

HEX #175E96

RGB 23 94 150

HSL 206.46, 0.73%, 0.34%

LAB 38.53, -0.11, -36.61

 

CMYK 84 / 38 / 0 / 27

HEX #1D74BA

RGB 29 116 186

HSL 206.75, 0.73%, 0.42%

LAB 47.36, 0.73, -43.79

 

CMYK 84 / 38 / 0 / 13

HEX #238ADD

RGB 35 138 221

HSL 206.77, 0.73%, 0.5%

LAB 55.84, 1.16, -50.21

 

CMYK 85 / 38 / 0 / 42

HEX #175C94

RGB 23 92.6 148.6

HSL 206.75, 0.73%, 0.34%

LAB 38.02, 0.22, -36.58

 

CMYK 31 / 85 / 0 / 41

HEX #681796

RGB 104 23 150

HSL 278.27, 0.73%, 0.34%

LAB 28.79, 54.37, -51.98

 

CMYK 3 / 0 / 85 / 41

HEX #929617

RGB 146 150 23

HSL 61.89, 0.73%, 0.34%

LAB 59.88, -15.86, 59.18

 

CMYK 85 / 38 / 0 / 42

HEX #175C94

RGB 23 92.6 148.6

HSL 206.75, 0.73%, 0.34%

LAB 38.02, 0.22, -36.58

 

CMYK 0 / 85 / 37 / 41

HEX #96175F

RGB 150 23 95

HSL 325.98, 0.73%, 0.34%

LAB 33.82, 55.15, -8.82

 

CMYK 37 / 0 / 85 / 41

HEX #5F9617

RGB 95 150 23

HSL 85.98, 0.73%, 0.34%

LAB 56.39, -37.24, 54.81

 

CMYK 85 / 38 / 0 / 42

HEX #175C94

RGB 23 92.6 148.6

HSL 206.75, 0.73%, 0.34%

LAB 38.02, 0.22, -36.58

 

CMYK 31 / 85 / 0 / 41

HEX #681796

RGB 104 23 150

HSL 278.27, 0.73%, 0.34%

LAB 28.79, 54.37, -51.98

 

CMYK 0 / 48 / 85 / 41

HEX #964E17

RGB 150 78 23

HSL 25.98, 0.73%, 0.34%

LAB 41.21, 26.33, 43.26

 

CMYK 53 / 0 / 85 / 41

HEX #469617

RGB 70 150 23

HSL 97.8, 0.73%, 0.34%

LAB 55.25, -45.69, 53.36

 

CMYK 85 / 38 / 0 / 42

HEX #175C94

RGB 23 92.6 148.6

HSL 206.75, 0.73%, 0.34%

LAB 38.02, 0.22, -36.58

 

CMYK 5 / 85 / 0 / 41

HEX #8E1796

RGB 142 23 150

HSL 296.22, 0.73%, 0.34%

LAB 35.13, 61.12, -41.42

 

CMYK 0 / 48 / 85 / 41

HEX #964E17

RGB 150 78 23

HSL 25.98, 0.73%, 0.34%

LAB 41.21, 26.33, 43.26

 

CMYK 79 / 0 / 85 / 41

HEX #209617

RGB 32 150 23

HSL 115.75, 0.73%, 0.34%

LAB 54.22, -54.25, 52.03

 

Description

Color code: RGB 23 92.6 148.6 | qconv.com Color code: RGB 23 92.6 148.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 92.6 green and 148.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 92.6 148.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 38 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 38% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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