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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 90.8 250.4 it is the complementary color RGB 232 164.2 4.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 90.8 250.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 90.8 250.4 shade: RGB 28 90.8 245.4, RGB 45 108.8 255, RGB 62 126.8 255, RGB 79 144.8 255 and RGB 96 162.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 90.8 250.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 90.8 250.4 shade: RGB 23 90.8 250.4, RGB 6 72.8 231.4, RGB 0 54.8 212.4, RGB 0 36.8 193.4 and RGB 0 18.8 174.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 90.8 250.4 shade: RGB 25 92 250, RGB 25 32 250, RGB 79 25 250, RGB 140 25 250 and RGB 201 25 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 90.8 250.4 shade: RGB 25 92 250, RGB 25 32 250 and RGB 25 25 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 90.8 250.4 shade matches the following richer shades: RGB 25 92 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 90.8 250.4 shade: RGB 25 92 250, RGB 44 100 231, RGB 63 108 212, RGB 82 115 193 and RGB 101 123 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 90.8 250.4 shade: RGB 25 213 250, RGB 25 153 250, RGB 25 93 250, RGB 25 33 250 and RGB 78 25 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 90.8 250.4 shade: RGB 4 59 189, RGB 5 72 229, RGB 25 92 250, RGB 66 121 251 and RGB 106 149 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 90.8 250.4 shade: RGB 23 90.8 250.4, RGB 228 25 250 and RGB 183 250 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 90.8 250.4 shade: RGB 23 90.8 250.4, RGB 250 25 93 and RGB 93 250 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 90.8 250.4 shade: RGB 23 90.8 250.4, RGB 228 25 250, RGB 250 183 25 and RGB 48 250 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 90.8 250.4 shade: RGB 23 90.8 250.4, RGB 250 25 205, RGB 250 183 25 and RGB 25 250 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 64 / 0 / 2

HEX #175AFA

RGB 23 90.8 250.4

HSL 222.11, 0.96%, 0.54%

LAB 45.02, 41.13, -84.18

 

Complementary color

CMYK 0 / 29 / 98 / 9

HEX #E8A404

RGB 232 164.2 4.6

HSL 42.11, 0.96%, 0.46%

LAB 72.09, 14.62, 75.23

 

CMYK 89 / 63 / 0 / 4

HEX #1C5AF5

RGB 28 90.8 245.4

HSL 222.67, 0.92%, 0.54%

LAB 44.68, 39.51, -81.95

 

CMYK 82 / 57 / 0 / 0

HEX #2D6CFF

RGB 45 108.8 255

HSL 221.77, 1%, 0.59%

LAB 50.3, 32.77, -78.07

 

CMYK 76 / 50 / 0 / 0

HEX #3E7EFF

RGB 62 126.8 255

HSL 219.85, 1%, 0.62%

LAB 55.45, 23.12, -69.69

 

CMYK 69 / 43 / 0 / 0

HEX #4F90FF

RGB 79 144.8 255

HSL 217.57, 1%, 0.65%

LAB 60.85, 14.31, -60.98

 

CMYK 62 / 36 / 0 / 0

HEX #60A2FF

RGB 96 162.8 255

HSL 214.79, 1%, 0.69%

LAB 66.39, 6.42, -52.11

 

CMYK 91 / 64 / 0 / 2

HEX #175AFA

RGB 23 90.8 250.4

HSL 222.11, 0.96%, 0.54%

LAB 45.02, 41.13, -84.18

 

CMYK 97 / 69 / 0 / 9

HEX #0648E7

RGB 6 72.8 231.4

HSL 222.22, 0.95%, 0.47%

LAB 38.85, 44.89, -83.66

 

CMYK 100 / 74 / 0 / 17

HEX #0036D4

RGB 0 54.8 212.4

HSL 224.52, 1%, 0.42%

LAB 32.89, 48.79, -82.62

 

CMYK 100 / 81 / 0 / 24

HEX #0024C1

RGB 0 36.8 193.4

HSL 228.58, 1%, 0.38%

LAB 27.24, 52.21, -80.92

 

CMYK 100 / 89 / 0 / 32

HEX #0012AE

RGB 0 18.8 174.4

HSL 233.53, 1%, 0.34%

LAB 22.05, 54.26, -78.24

 

CMYK 90 / 63 / 0 / 2

HEX #195CFA

RGB 25 92 250

HSL 222.13, 0.96%, 0.54%

LAB 45.31, 40.31, -83.48

 

CMYK 90 / 87 / 0 / 2

HEX #1920FA

RGB 25 32 250

HSL 238.13, 0.96%, 0.54%

LAB 34.28, 71.34, -101.74

 

CMYK 68 / 90 / 0 / 2

HEX #4F19FA

RGB 79 25 250

HSL 254.4, 0.96%, 0.54%

LAB 36.48, 75.24, -98

 

CMYK 44 / 90 / 0 / 2

HEX #8C19FA

RGB 140 25 250

HSL 270.67, 0.96%, 0.54%

LAB 43.02, 79.93, -86.96

 

CMYK 20 / 90 / 0 / 2

HEX #C919FA

RGB 201 25 250

HSL 286.93, 0.96%, 0.54%

LAB 51.85, 87.43, -72.16

 

CMYK 90 / 63 / 0 / 2

HEX #195CFA

RGB 25 92 250

HSL 222.13, 0.96%, 0.54%

LAB 45.31, 40.31, -83.48

 

CMYK 90 / 87 / 0 / 2

HEX #1920FA

RGB 25 32 250

HSL 238.13, 0.96%, 0.54%

LAB 34.28, 71.34, -101.74

 

CMYK 90 / 90 / 0 / 2

HEX #1919FA

RGB 25 25 250

HSL 240, 0.96%, 0.54%

LAB 33.57, 73.48, -102.92

 

CMYK 90 / 63 / 0 / 2

HEX #195CFA

RGB 25 92 250

HSL 222.13, 0.96%, 0.54%

LAB 45.31, 40.31, -83.48

 

CMYK 90 / 63 / 0 / 2

HEX #195CFA

RGB 25 92 250

HSL 222.13, 0.96%, 0.54%

LAB 45.31, 40.31, -83.48

 

CMYK 81 / 57 / 0 / 9

HEX #2C64E7

RGB 44 100 231

HSL 222.03, 0.8%, 0.54%

LAB 46.2, 29.38, -71.34

 

CMYK 70 / 49 / 0 / 17

HEX #3F6CD4

RGB 63 108 212

HSL 221.88, 0.63%, 0.54%

LAB 47.67, 19.43, -58.16

 

CMYK 58 / 40 / 0 / 24

HEX #5273C1

RGB 82 115 193

HSL 222.16, 0.47%, 0.54%

LAB 49.38, 11.74, -44.5

 

CMYK 42 / 29 / 0 / 32

HEX #657BAE

RGB 101 123 174

HSL 221.92, 0.31%, 0.54%

LAB 51.82, 5.49, -29.62

 

CMYK 90 / 15 / 0 / 2

HEX #19D5FA

RGB 25 213 250

HSL 189.87, 0.96%, 0.54%

LAB 78.87, -29.74, -30.07

 

CMYK 90 / 39 / 0 / 2

HEX #1999FA

RGB 25 153 250

HSL 205.87, 0.96%, 0.54%

LAB 61.56, 2.48, -57.17

 

CMYK 90 / 63 / 0 / 2

HEX #195DFA

RGB 25 93 250

HSL 221.87, 0.96%, 0.54%

LAB 45.55, 39.69, -83.09

 

CMYK 90 / 87 / 0 / 2

HEX #1921FA

RGB 25 33 250

HSL 237.87, 0.96%, 0.54%

LAB 34.39, 71, -101.56

 

CMYK 69 / 90 / 0 / 2

HEX #4E19FA

RGB 78 25 250

HSL 254.13, 0.96%, 0.54%

LAB 36.4, 75.18, -98.14

 

CMYK 98 / 69 / 0 / 26

HEX #043BBD

RGB 4 59 189

HSL 222.16, 0.96%, 0.38%

LAB 31.41, 37.81, -71.41

 

CMYK 98 / 69 / 0 / 10

HEX #0548E5

RGB 5 72 229

HSL 222.05, 0.96%, 0.46%

LAB 38.42, 44.49, -83

 

CMYK 90 / 63 / 0 / 2

HEX #195CFA

RGB 25 92 250

HSL 222.13, 0.96%, 0.54%

LAB 45.31, 40.31, -83.48

 

CMYK 74 / 52 / 0 / 2

HEX #4279FB

RGB 66 121 251

HSL 222.16, 0.96%, 0.62%

LAB 53.81, 25.71, -70.12

 

CMYK 58 / 41 / 0 / 1

HEX #6A95FC

RGB 106 149 252

HSL 222.33, 0.96%, 0.7%

LAB 63, 15.33, -55.83

 

CMYK 91 / 64 / 0 / 2

HEX #175AFA

RGB 23 90.8 250.4

HSL 222.11, 0.96%, 0.54%

LAB 45.02, 41.13, -84.18

 

CMYK 9 / 90 / 0 / 2

HEX #E419FA

RGB 228 25 250

HSL 294.13, 0.96%, 0.54%

LAB 56.18, 91.43, -64.96

 

CMYK 27 / 0 / 90 / 2

HEX #B7FA19

RGB 183 250 25

HSL 77.87, 0.96%, 0.54%

LAB 91.01, -47.42, 85.44

 

CMYK 91 / 64 / 0 / 2

HEX #175AFA

RGB 23 90.8 250.4

HSL 222.11, 0.96%, 0.54%

LAB 45.02, 41.13, -84.18

 

CMYK 0 / 90 / 63 / 2

HEX #FA195D

RGB 250 25 93

HSL 341.87, 0.96%, 0.54%

LAB 53.82, 79.11, 23.53

 

CMYK 63 / 0 / 90 / 2

HEX #5DFA19

RGB 93 250 25

HSL 101.87, 0.96%, 0.54%

LAB 87.37, -74.42, 80.95

 

CMYK 91 / 64 / 0 / 2

HEX #175AFA

RGB 23 90.8 250.4

HSL 222.11, 0.96%, 0.54%

LAB 45.02, 41.13, -84.18

 

CMYK 9 / 90 / 0 / 2

HEX #E419FA

RGB 228 25 250

HSL 294.13, 0.96%, 0.54%

LAB 56.18, 91.43, -64.96

 

CMYK 0 / 27 / 90 / 2

HEX #FAB719

RGB 250 183 25

HSL 42.13, 0.96%, 0.54%

LAB 78.61, 12.67, 77.94

 

CMYK 81 / 0 / 90 / 2

HEX #30FA19

RGB 48 250 25

HSL 113.87, 0.96%, 0.54%

LAB 86.54, -81.63, 79.91

 

CMYK 91 / 64 / 0 / 2

HEX #175AFA

RGB 23 90.8 250.4

HSL 222.11, 0.96%, 0.54%

LAB 45.02, 41.13, -84.18

 

CMYK 0 / 90 / 18 / 2

HEX #FA19CD

RGB 250 25 205

HSL 312, 0.96%, 0.54%

LAB 57.49, 88.98, -37.25

 

CMYK 0 / 27 / 90 / 2

HEX #FAB719

RGB 250 183 25

HSL 42.13, 0.96%, 0.54%

LAB 78.61, 12.67, 77.94

 

CMYK 90 / 0 / 72 / 2

HEX #19FA46

RGB 25 250 70

HSL 132, 0.96%, 0.54%

LAB 86.51, -81.14, 68.56

 

Description

Color code: RGB 23 90.8 250.4 | qconv.com Color code: RGB 23 90.8 250.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 90.8 green and 250.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 90.8 250.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 64 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 64% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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