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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 74.2 134.6 it is the complementary color RGB 232 180.8 120.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 74.2 134.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 74.2 134.6 shade: RGB 28 74.2 129.6, RGB 45 92.2 148.6, RGB 62 110.2 167.6, RGB 79 128.2 186.6 and RGB 96 146.2 205.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 74.2 134.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 74.2 134.6 shade: RGB 23 74.2 134.6, RGB 6 56.2 115.6, RGB 0 38.2 96.6, RGB 0 20.2 77.6 and RGB 0 2.2 58.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 74.2 134.6 shade: RGB 23 74 135, RGB 23 44 135, RGB 32 23 135, RGB 62 23 135 and RGB 93 23 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 74.2 134.6 shade: RGB 23 74 135, RGB 23 44 135 and RGB 23 23 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 74.2 134.6 shade matches the following richer shades: RGB 23 74 135 and RGB 10 73 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 74.2 134.6 shade: RGB 23 74 135, RGB 36 75 122, RGB 49 77 110, RGB 61 78 97 and RGB 74 79 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 74.2 134.6 shade: RGB 23 135 135, RGB 23 105 135, RGB 23 75 135, RGB 23 45 135 and RGB 30 23 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 74.2 134.6 shade: RGB 11 36 65, RGB 17 55 100, RGB 23 74 135, RGB 29 94 170 and RGB 35 113 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 74.2 134.6 shade: RGB 23 74.2 134.6, RGB 105 23 135 and RGB 120 135 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 74.2 134.6 shade: RGB 23 74.2 134.6, RGB 135 23 75 and RGB 75 135 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 74.2 134.6 shade: RGB 23 74.2 134.6, RGB 105 23 135, RGB 135 83 23 and RGB 53 135 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 74.2 134.6 shade: RGB 23 74.2 134.6, RGB 135 23 131, RGB 135 83 23 and RGB 23 135 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 45 / 0 / 47

HEX #174A86

RGB 23 74.2 134.6

HSL 212.47, 0.71%, 0.31%

LAB 31.45, 6.65, -38.53

 

Complementary color

CMYK 0 / 22 / 48 / 9

HEX #E8B478

RGB 232 180.8 120.4

HSL 32.47, 0.71%, 0.69%

LAB 76.97, 11.25, 37.78

 

CMYK 78 / 43 / 0 / 49

HEX #1C4A81

RGB 28 74.2 129.6

HSL 212.72, 0.64%, 0.31%

LAB 31.28, 5.21, -35.69

 

CMYK 70 / 38 / 0 / 42

HEX #2D5C94

RGB 45 92.2 148.6

HSL 212.66, 0.54%, 0.38%

LAB 38.56, 3.37, -35.69

 

CMYK 63 / 34 / 0 / 34

HEX #3E6EA7

RGB 62 110.2 167.6

HSL 212.61, 0.46%, 0.45%

LAB 45.68, 2.02, -35.67

 

CMYK 58 / 31 / 0 / 27

HEX #4F80BA

RGB 79 128.2 186.6

HSL 212.57, 0.44%, 0.52%

LAB 52.65, 1, -35.68

 

CMYK 53 / 29 / 0 / 19

HEX #6092CD

RGB 96 146.2 205.6

HSL 212.52, 0.53%, 0.59%

LAB 59.47, 0.19, -35.71

 

CMYK 83 / 45 / 0 / 47

HEX #174A86

RGB 23 74.2 134.6

HSL 212.47, 0.71%, 0.31%

LAB 31.45, 6.65, -38.53

 

CMYK 95 / 51 / 0 / 55

HEX #063873

RGB 6 56.2 115.6

HSL 212.52, 0.9%, 0.24%

LAB 24.12, 9.64, -38.42

 

CMYK 100 / 60 / 0 / 62

HEX #002660

RGB 0 38.2 96.6

HSL 216.27, 1%, 0.19%

LAB 16.77, 13.88, -38.03

 

CMYK 100 / 74 / 0 / 70

HEX #00144D

RGB 0 20.2 77.6

HSL 224.38, 1%, 0.15%

LAB 9.42, 18.98, -37.25

 

CMYK 100 / 96 / 0 / 77

HEX #00023A

RGB 0 2.2 58.6

HSL 237.75, 1%, 0.11%

LAB 3.25, 18.9, -33.91

 

CMYK 83 / 45 / 0 / 47

HEX #174A87

RGB 23 74 135

HSL 212.68, 0.71%, 0.31%

LAB 31.41, 6.95, -38.83

 

CMYK 83 / 67 / 0 / 47

HEX #172C87

RGB 23 44 135

HSL 228.75, 0.71%, 0.31%

LAB 22.77, 27.77, -52.86

 

CMYK 76 / 83 / 0 / 47

HEX #201787

RGB 32 23 135

HSL 244.82, 0.71%, 0.31%

LAB 18.67, 41.3, -59.61

 

CMYK 54 / 83 / 0 / 47

HEX #3E1787

RGB 62 23 135

HSL 260.89, 0.71%, 0.31%

LAB 21.53, 44.44, -54.79

 

CMYK 31 / 83 / 0 / 47

HEX #5D1787

RGB 93 23 135

HSL 277.5, 0.71%, 0.31%

LAB 25.83, 49.22, -47.58

 

CMYK 83 / 45 / 0 / 47

HEX #174A87

RGB 23 74 135

HSL 212.68, 0.71%, 0.31%

LAB 31.41, 6.95, -38.83

 

CMYK 83 / 67 / 0 / 47

HEX #172C87

RGB 23 44 135

HSL 228.75, 0.71%, 0.31%

LAB 22.77, 27.77, -52.86

 

CMYK 83 / 83 / 0 / 47

HEX #171787

RGB 23 23 135

HSL 240, 0.71%, 0.31%

LAB 18.12, 40.7, -60.54

 

CMYK 83 / 45 / 0 / 47

HEX #174A87

RGB 23 74 135

HSL 212.68, 0.71%, 0.31%

LAB 31.41, 6.95, -38.83

 

CMYK 93 / 51 / 0 / 42

HEX #0A4994

RGB 10 73 148

HSL 212.61, 0.87%, 0.31%

LAB 31.73, 12.03, -46.3

 

CMYK 83 / 45 / 0 / 47

HEX #174A87

RGB 23 74 135

HSL 212.68, 0.71%, 0.31%

LAB 31.41, 6.95, -38.83

 

CMYK 70 / 39 / 0 / 52

HEX #244B7A

RGB 36 75 122

HSL 212.79, 0.54%, 0.31%

LAB 31.38, 2.92, -30.8

 

CMYK 55 / 30 / 0 / 57

HEX #314D6E

RGB 49 77 110

HSL 212.46, 0.38%, 0.31%

LAB 32, -0.01, -22.26

 

CMYK 37 / 20 / 0 / 62

HEX #3D4E61

RGB 61 78 97

HSL 211.67, 0.23%, 0.31%

LAB 32.49, -1.37, -13.24

 

CMYK 12 / 6 / 0 / 67

HEX #4A4F54

RGB 74 79 84

HSL 210, 0.06%, 0.31%

LAB 33.32, -0.85, -3.64

 

CMYK 83 / 0 / 0 / 47

HEX #178787

RGB 23 135 135

HSL 180, 0.71%, 0.31%

LAB 50.99, -28.58, -8.47

 

CMYK 83 / 22 / 0 / 47

HEX #176987

RGB 23 105 135

HSL 196.07, 0.71%, 0.31%

LAB 41.27, -12.57, -23.28

 

CMYK 83 / 44 / 0 / 47

HEX #174B87

RGB 23 75 135

HSL 212.14, 0.71%, 0.31%

LAB 31.72, 6.27, -38.34

 

CMYK 83 / 67 / 0 / 47

HEX #172D87

RGB 23 45 135

HSL 228.21, 0.71%, 0.31%

LAB 23.03, 27.09, -52.44

 

CMYK 78 / 83 / 0 / 47

HEX #1E1787

RGB 30 23 135

HSL 243.75, 0.71%, 0.31%

LAB 18.53, 41.15, -59.84

 

CMYK 83 / 45 / 0 / 75

HEX #0B2441

RGB 11 36 65

HSL 212.22, 0.71%, 0.15%

LAB 13.91, 2.42, -21.18

 

CMYK 83 / 45 / 0 / 61

HEX #113764

RGB 17 55 100

HSL 212.53, 0.71%, 0.23%

LAB 22.9, 4.74, -30.34

 

CMYK 83 / 45 / 0 / 47

HEX #174A87

RGB 23 74 135

HSL 212.68, 0.71%, 0.31%

LAB 31.41, 6.95, -38.83

 

CMYK 83 / 45 / 0 / 33

HEX #1D5EAA

RGB 29 94 170

HSL 212.34, 0.71%, 0.39%

LAB 39.86, 8.39, -46.4

 

CMYK 83 / 45 / 0 / 19

HEX #2371CE

RGB 35 113 206

HSL 212.63, 0.71%, 0.47%

LAB 47.78, 10.81, -54.6

 

CMYK 83 / 45 / 0 / 47

HEX #174A86

RGB 23 74.2 134.6

HSL 212.47, 0.71%, 0.31%

LAB 31.45, 6.65, -38.53

 

CMYK 22 / 83 / 0 / 47

HEX #691787

RGB 105 23 135

HSL 283.93, 0.71%, 0.31%

LAB 27.75, 51.37, -44.37

 

CMYK 11 / 0 / 83 / 47

HEX #788717

RGB 120 135 23

HSL 68.04, 0.71%, 0.31%

LAB 53.37, -19.71, 52.75

 

CMYK 83 / 45 / 0 / 47

HEX #174A86

RGB 23 74.2 134.6

HSL 212.47, 0.71%, 0.31%

LAB 31.45, 6.65, -38.53

 

CMYK 0 / 83 / 44 / 47

HEX #87174B

RGB 135 23 75

HSL 332.14, 0.71%, 0.31%

LAB 30.09, 49.13, -1.63

 

CMYK 44 / 0 / 83 / 47

HEX #4B8717

RGB 75 135 23

HSL 92.14, 0.71%, 0.31%

LAB 50.55, -38, 49.17

 

CMYK 83 / 45 / 0 / 47

HEX #174A86

RGB 23 74.2 134.6

HSL 212.47, 0.71%, 0.31%

LAB 31.45, 6.65, -38.53

 

CMYK 22 / 83 / 0 / 47

HEX #691787

RGB 105 23 135

HSL 283.93, 0.71%, 0.31%

LAB 27.75, 51.37, -44.37

 

CMYK 0 / 39 / 83 / 47

HEX #875317

RGB 135 83 23

HSL 32.14, 0.71%, 0.31%

LAB 40.24, 16.75, 41.58

 

CMYK 61 / 0 / 83 / 47

HEX #358717

RGB 53 135 23

HSL 103.93, 0.71%, 0.31%

LAB 49.67, -44.8, 48.04

 

CMYK 83 / 45 / 0 / 47

HEX #174A86

RGB 23 74.2 134.6

HSL 212.47, 0.71%, 0.31%

LAB 31.45, 6.65, -38.53

 

CMYK 0 / 83 / 3 / 47

HEX #871783

RGB 135 23 131

HSL 302.14, 0.71%, 0.31%

LAB 32.71, 56.58, -33.64

 

CMYK 0 / 39 / 83 / 47

HEX #875317

RGB 135 83 23

HSL 32.14, 0.71%, 0.31%

LAB 40.24, 16.75, 41.58

 

CMYK 83 / 0 / 80 / 47

HEX #17871B

RGB 23 135 27

HSL 122.14, 0.71%, 0.31%

LAB 48.99, -50.45, 45.87

 

Description

Color code: RGB 23 74.2 134.6 | qconv.com Color code: RGB 23 74.2 134.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 74.2 green and 134.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 74.2 134.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 45 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 45% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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