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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 72.8 216.4 it is the complementary color RGB 232 182.2 38.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 72.8 216.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 72.8 216.4 shade: RGB 28 72.8 211.4, RGB 45 90.8 230.4, RGB 62 108.8 249.4, RGB 79 126.8 255 and RGB 96 144.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 72.8 216.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 72.8 216.4 shade: RGB 23 72.8 216.4, RGB 6 54.8 197.4, RGB 0 36.8 178.4, RGB 0 18.8 159.4 and RGB 0 0.8 140.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 72.8 216.4 shade: RGB 23 73 217, RGB 25 23 217, RGB 77 23 217, RGB 130 23 217 and RGB 182 23 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 72.8 216.4 shade: RGB 23 73 217 and RGB 23 23 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 72.8 216.4 shade matches the following richer shades: RGB 23 73 217 and RGB 3 63 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 72.8 216.4 shade: RGB 23 73 217, RGB 42 82 198, RGB 62 92 178, RGB 81 101 159 and RGB 100 110 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 72.8 216.4 shade: RGB 23 178 217, RGB 23 126 217, RGB 23 75 217, RGB 23 23 217 and RGB 75 23 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 72.8 216.4 shade: RGB 15 48 142, RGB 19 60 180, RGB 23 73 217, RGB 48 95 233 and RGB 85 124 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 72.8 216.4 shade: RGB 23 72.8 216.4, RGB 204 23 217 and RGB 152 217 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 72.8 216.4 shade: RGB 23 72.8 216.4, RGB 217 23 75 and RGB 75 217 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 72.8 216.4 shade: RGB 23 72.8 216.4, RGB 204 23 217, RGB 217 165 23 and RGB 36 217 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 72.8 216.4 shade: RGB 23 72.8 216.4, RGB 217 23 172, RGB 217 165 23 and RGB 23 217 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 66 / 0 / 15

HEX #1748D8

RGB 23 72.8 216.4

HSL 224.55, 0.81%, 0.47%

LAB 37.66, 39.91, -77.04

 

Complementary color

CMYK 0 / 21 / 83 / 9

HEX #E8B626

RGB 232 182.2 38.6

HSL 44.55, 0.81%, 0.53%

LAB 76.58, 5.67, 72.37

 

CMYK 87 / 66 / 0 / 17

HEX #1C48D3

RGB 28 72.8 211.4

HSL 225.34, 0.77%, 0.47%

LAB 37.31, 38.32, -74.73

 

CMYK 80 / 61 / 0 / 10

HEX #2D5AE6

RGB 45 90.8 230.4

HSL 225.18, 0.79%, 0.54%

LAB 43.86, 35.08, -74.83

 

CMYK 75 / 56 / 0 / 2

HEX #3E6CF9

RGB 62 108.8 249.4

HSL 225.02, 0.94%, 0.61%

LAB 50.43, 32.27, -74.73

 

CMYK 69 / 50 / 0 / 0

HEX #4F7EFF

RGB 79 126.8 255

HSL 223.7, 1%, 0.65%

LAB 56.1, 25.22, -68.61

 

CMYK 62 / 43 / 0 / 0

HEX #6090FF

RGB 96 144.8 255

HSL 221.58, 1%, 0.69%

LAB 61.56, 16.98, -59.79

 

CMYK 89 / 66 / 0 / 15

HEX #1748D8

RGB 23 72.8 216.4

HSL 224.55, 0.81%, 0.47%

LAB 37.66, 39.91, -77.04

 

CMYK 97 / 72 / 0 / 23

HEX #0636C5

RGB 6 54.8 197.4

HSL 224.7, 0.94%, 0.4%

LAB 31.35, 43.6, -76.44

 

CMYK 100 / 79 / 0 / 30

HEX #0024B2

RGB 0 36.8 178.4

HSL 227.62, 1%, 0.35%

LAB 25.39, 47.22, -75.09

 

CMYK 100 / 88 / 0 / 37

HEX #00129F

RGB 0 18.8 159.4

HSL 232.92, 1%, 0.31%

LAB 19.95, 49.75, -72.65

 

CMYK 100 / 99 / 0 / 45

HEX #00008C

RGB 0 0.8 140.4

HSL 239.66, 1%, 0.28%

LAB 15.08, 50.51, -69.03

 

CMYK 89 / 66 / 0 / 15

HEX #1749D9

RGB 23 73 217

HSL 224.54, 0.81%, 0.47%

LAB 37.77, 40.01, -77.21

 

CMYK 88 / 89 / 0 / 15

HEX #1917D9

RGB 25 23 217

HSL 240.62, 0.81%, 0.47%

LAB 28.98, 65.27, -91.78

 

CMYK 65 / 89 / 0 / 15

HEX #4D17D9

RGB 77 23 217

HSL 256.7, 0.81%, 0.47%

LAB 32.26, 67.44, -86.23

 

CMYK 40 / 89 / 0 / 15

HEX #8217D9

RGB 130 23 217

HSL 273.09, 0.81%, 0.47%

LAB 38.5, 72.27, -75.72

 

CMYK 16 / 89 / 0 / 15

HEX #B617D9

RGB 182 23 217

HSL 289.18, 0.81%, 0.47%

LAB 46.4, 79.3, -62.49

 

CMYK 89 / 66 / 0 / 15

HEX #1749D9

RGB 23 73 217

HSL 224.54, 0.81%, 0.47%

LAB 37.77, 40.01, -77.21

 

CMYK 89 / 89 / 0 / 15

HEX #1717D9

RGB 23 23 217

HSL 240, 0.81%, 0.47%

LAB 28.91, 65.23, -91.88

 

CMYK 89 / 66 / 0 / 15

HEX #1749D9

RGB 23 73 217

HSL 224.54, 0.81%, 0.47%

LAB 37.77, 40.01, -77.21

 

CMYK 99 / 73 / 0 / 7

HEX #033FEC

RGB 3 63 236

HSL 224.55, 0.97%, 0.47%

LAB 37.17, 52.28, -89.04

 

CMYK 89 / 66 / 0 / 15

HEX #1749D9

RGB 23 73 217

HSL 224.54, 0.81%, 0.47%

LAB 37.77, 40.01, -77.21

 

CMYK 79 / 59 / 0 / 22

HEX #2A52C6

RGB 42 82 198

HSL 224.62, 0.65%, 0.47%

LAB 38.91, 28.43, -64.35

 

CMYK 65 / 48 / 0 / 30

HEX #3E5CB2

RGB 62 92 178

HSL 224.48, 0.48%, 0.47%

LAB 41.05, 17.23, -49.16

 

CMYK 49 / 36 / 0 / 38

HEX #51659F

RGB 81 101 159

HSL 224.62, 0.33%, 0.47%

LAB 43.6, 9.09, -33.81

 

CMYK 28 / 21 / 0 / 45

HEX #646E8B

RGB 100 110 139

HSL 224.62, 0.16%, 0.47%

LAB 46.61, 3.24, -17.15

 

CMYK 89 / 18 / 0 / 15

HEX #17B2D9

RGB 23 178 217

HSL 192.06, 0.81%, 0.47%

LAB 67.3, -23.23, -30.03

 

CMYK 89 / 42 / 0 / 15

HEX #177ED9

RGB 23 126 217

HSL 208.14, 0.81%, 0.47%

LAB 51.97, 6.11, -54.15

 

CMYK 89 / 65 / 0 / 15

HEX #174BD9

RGB 23 75 217

HSL 223.92, 0.81%, 0.47%

LAB 38.24, 38.75, -76.43

 

CMYK 89 / 89 / 0 / 15

HEX #1717D9

RGB 23 23 217

HSL 240, 0.81%, 0.47%

LAB 28.91, 65.23, -91.88

 

CMYK 65 / 89 / 0 / 15

HEX #4B17D9

RGB 75 23 217

HSL 256.08, 0.81%, 0.47%

LAB 32.07, 67.31, -86.54

 

CMYK 89 / 66 / 0 / 44

HEX #0F308E

RGB 15 48 142

HSL 224.41, 0.81%, 0.31%

LAB 24.22, 27.22, -54.85

 

CMYK 89 / 67 / 0 / 29

HEX #133CB4

RGB 19 60 180

HSL 224.72, 0.81%, 0.39%

LAB 31.03, 34.28, -66.7

 

CMYK 89 / 66 / 0 / 15

HEX #1749D9

RGB 23 73 217

HSL 224.54, 0.81%, 0.47%

LAB 37.77, 40.01, -77.21

 

CMYK 79 / 59 / 0 / 9

HEX #305FE9

RGB 48 95 233

HSL 224.76, 0.81%, 0.55%

LAB 45.21, 33.63, -74.08

 

CMYK 64 / 48 / 0 / 7

HEX #557CED

RGB 85 124 237

HSL 224.61, 0.81%, 0.63%

LAB 54.51, 21.64, -61.18

 

CMYK 89 / 66 / 0 / 15

HEX #1748D8

RGB 23 72.8 216.4

HSL 224.55, 0.81%, 0.47%

LAB 37.66, 39.91, -77.04

 

CMYK 6 / 89 / 0 / 15

HEX #CC17D9

RGB 204 23 217

HSL 295.98, 0.81%, 0.47%

LAB 50.05, 82.78, -56.42

 

CMYK 30 / 0 / 89 / 15

HEX #98D917

RGB 152 217 23

HSL 80.1, 0.81%, 0.47%

LAB 79.82, -44.94, 75.91

 

CMYK 89 / 66 / 0 / 15

HEX #1748D8

RGB 23 72.8 216.4

HSL 224.55, 0.81%, 0.47%

LAB 37.66, 39.91, -77.04

 

CMYK 0 / 89 / 65 / 15

HEX #D9174B

RGB 217 23 75

HSL 343.92, 0.81%, 0.47%

LAB 46.81, 70.44, 24.07

 

CMYK 65 / 0 / 89 / 15

HEX #4BD917

RGB 75 217 23

HSL 103.92, 0.81%, 0.47%

LAB 76.79, -67.78, 72.15

 

CMYK 89 / 66 / 0 / 15

HEX #1748D8

RGB 23 72.8 216.4

HSL 224.55, 0.81%, 0.47%

LAB 37.66, 39.91, -77.04

 

CMYK 6 / 89 / 0 / 15

HEX #CC17D9

RGB 204 23 217

HSL 295.98, 0.81%, 0.47%

LAB 50.05, 82.78, -56.42

 

CMYK 0 / 24 / 89 / 15

HEX #D9A517

RGB 217 165 23

HSL 43.92, 0.81%, 0.47%

LAB 70.68, 7.9, 70.73

 

CMYK 83 / 0 / 89 / 15

HEX #24D917

RGB 36 217 23

HSL 115.98, 0.81%, 0.47%

LAB 76.11, -73.71, 71.3

 

CMYK 89 / 66 / 0 / 15

HEX #1748D8

RGB 23 72.8 216.4

HSL 224.55, 0.81%, 0.47%

LAB 37.66, 39.91, -77.04

 

CMYK 0 / 89 / 21 / 15

HEX #D917AC

RGB 217 23 172

HSL 313.92, 0.81%, 0.47%

LAB 49.91, 78.9, -30.38

 

CMYK 0 / 24 / 89 / 15

HEX #D9A517

RGB 217 165 23

HSL 43.92, 0.81%, 0.47%

LAB 70.68, 7.9, 70.73

 

CMYK 89 / 0 / 69 / 15

HEX #17D944

RGB 23 217 68

HSL 133.92, 0.81%, 0.47%

LAB 76.21, -72, 58.56

 

Description

Color code: RGB 23 72.8 216.4 | qconv.com Color code: RGB 23 72.8 216.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 72.8 green and 216.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 72.8 216.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 66 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 66% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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