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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 38 85 it is the complementary color RGB 232 217 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 38 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 23 38 85: RGB 28 38 80, RGB 45 56 99, RGB 62 74 118, RGB 79 92 137 and RGB 96 110 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 38 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 23 38 85: RGB 23 38 85, RGB 6 20 66, RGB 0 2 47, RGB 0 0 28 and RGB 0 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

Complementary color

CMYK 0 / 6 / 27 / 9

HEX #E8D9AA

RGB 232 217 170

HSL 45.48, 0.57%, 0.79%

LAB 86.84, -1.98, 25.06

 

CMYK 65 / 53 / 0 / 69

HEX #1C2650

RGB 28 38 80

HSL 228.46, 0.48%, 0.21%

LAB 16.56, 10.68, -27.2

 

CMYK 55 / 43 / 0 / 61

HEX #2D3863

RGB 45 56 99

HSL 227.78, 0.38%, 0.28%

LAB 24.6, 9.16, -26.9

 

CMYK 47 / 37 / 0 / 54

HEX #3E4A76

RGB 62 74 118

HSL 227.14, 0.31%, 0.35%

LAB 32.32, 8.11, -26.71

 

CMYK 42 / 33 / 0 / 46

HEX #4F5C89

RGB 79 92 137

HSL 226.55, 0.27%, 0.42%

LAB 39.79, 7.32, -26.62

 

CMYK 38 / 29 / 0 / 39

HEX #606E9C

RGB 96 110 156

HSL 226, 0.24%, 0.49%

LAB 47.03, 6.7, -26.6

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 91 / 70 / 0 / 74

HEX #061442

RGB 6 20 66

HSL 226, 0.83%, 0.14%

LAB 8.41, 14.6, -30.77

 

CMYK 100 / 96 / 0 / 82

HEX #00022F

RGB 0 2 47

HSL 237.45, 1%, 0.09%

LAB 2.25, 12.23, -26.93

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 73 / 67 / 0 / 67

HEX #171C54

RGB 23 28 84

HSL 235.08, 0.57%, 0.21%

LAB 13.55, 18.69, -34.81

 

CMYK 67 / 73 / 0 / 67

HEX #1C1754

RGB 28 23 84

HSL 244.92, 0.57%, 0.21%

LAB 12.61, 23.09, -36.33

 

CMYK 55 / 73 / 0 / 67

HEX #261754

RGB 38 23 84

HSL 254.75, 0.57%, 0.21%

LAB 13.62, 25, -34.63

 

CMYK 43 / 73 / 0 / 67

HEX #301754

RGB 48 23 84

HSL 264.59, 0.57%, 0.21%

LAB 14.85, 27.21, -32.57

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 73 / 55 / 0 / 47

HEX #253D88

RGB 37 61 136

HSL 225.45, 0.57%, 0.34%

LAB 28.14, 18.09, -44.7

 

CMYK 73 / 55 / 0 / 27

HEX #3354BB

RGB 51 84 187

HSL 225.44, 0.57%, 0.47%

LAB 38.95, 24.04, -57.84

 

CMYK 73 / 55 / 0 / 7

HEX #406AEE

RGB 64 106 238

HSL 225.52, 0.84%, 0.59%

LAB 48.97, 30.17, -70.74

 

CMYK 74 / 56 / 0 / 87

HEX #090F22

RGB 9 15 34

HSL 225.6, 0.58%, 0.08%

LAB 4.65, 3.38, -13.2

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 4 / 73 / 0 / 67

HEX #511754

RGB 81 23 84

HSL 297.05, 0.57%, 0.21%

LAB 20.05, 35.62, -23.94

 

CMYK 26 / 0 / 73 / 67

HEX #3E5417

RGB 62 84 23

HSL 81.64, 0.57%, 0.21%

LAB 32.76, -19.01, 31.61

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 0 / 73 / 55 / 67

HEX #541726

RGB 84 23 38

HSL 345.25, 0.57%, 0.21%

LAB 18.53, 29.5, 5.77

 

CMYK 55 / 0 / 73 / 67

HEX #265417

RGB 38 84 23

HSL 105.25, 0.57%, 0.21%

LAB 31.38, -28.53, 29.74

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 4 / 73 / 0 / 67

HEX #511754

RGB 81 23 84

HSL 297.05, 0.57%, 0.21%

LAB 20.05, 35.62, -23.94

 

CMYK 0 / 19 / 73 / 67

HEX #544417

RGB 84 68 23

HSL 44.26, 0.57%, 0.21%

LAB 29.62, 1.11, 28.91

 

CMYK 69 / 0 / 73 / 67

HEX #1A5417

RGB 26 84 23

HSL 117.05, 0.57%, 0.21%

LAB 30.93, -32.06, 29.12

 

CMYK 73 / 55 / 0 / 67

HEX #172655

RGB 23 38 85

HSL 225.48, 0.57%, 0.21%

LAB 16.62, 11.69, -30.49

 

CMYK 0 / 73 / 19 / 67

HEX #541744

RGB 84 23 68

HSL 315.74, 0.57%, 0.21%

LAB 19.7, 33.54, -13.56

 

CMYK 0 / 19 / 73 / 67

HEX #544417

RGB 84 68 23

HSL 44.26, 0.57%, 0.21%

LAB 29.62, 1.11, 28.91

 

CMYK 73 / 0 / 55 / 67

HEX #175426

RGB 23 84 38

HSL 134.75, 0.57%, 0.21%

LAB 31.03, -30.64, 21.25

 

Description

Color code: RGB 23 38 85 | qconv.com Color code: RGB 23 38 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 38 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 38 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 55 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 55% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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