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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 241 160 it is the complementary color RGB 232 14 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 241 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 241 160 shade: RGB 28 241 155, RGB 45 255 174, RGB 62 255 193, RGB 79 255 212 and RGB 96 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 241 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 241 160 shade: RGB 23 241 160, RGB 6 223 141, RGB 0 205 122, RGB 0 187 103 and RGB 0 169 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 241 160 shade: RGB 24 242 161, RGB 24 242 102, RGB 24 242 43, RGB 63 242 24 and RGB 122 242 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 241 160 shade: RGB 24 242 161, RGB 24 242 219, RGB 24 205 242, RGB 24 146 242 and RGB 24 87 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 241 160 shade matches the following richer shades: RGB 24 242 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 241 160 shade: RGB 24 242 161, RGB 43 222 156, RGB 63 202 150, RGB 83 182 145 and RGB 103 162 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 241 160 shade: RGB 24 242 42, RGB 24 242 100, RGB 24 242 158, RGB 24 242 216 and RGB 24 209 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 241 160 shade: RGB 10 173 112, RGB 12 212 138, RGB 24 242 161, RGB 63 244 177 and RGB 102 246 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 241 160 shade: RGB 23 241 160, RGB 24 64 242 and RGB 242 71 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 241 160 shade: RGB 23 241 160, RGB 158 24 242 and RGB 242 158 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 241 160 shade: RGB 23 241 160, RGB 24 64 242, RGB 242 24 107 and RGB 242 202 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 241 160 shade: RGB 23 241 160, RGB 49 24 242, RGB 242 24 107 and RGB 216 242 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 34 / 5

HEX #17F1A0

RGB 23 241 160

HSL 157.71, 0.89%, 0.52%

LAB 84.81, -65.68, 26.04

 

Complementary color

CMYK 0 / 94 / 59 / 9

HEX #E80E5F

RGB 232 14 95

HSL 337.71, 0.89%, 0.48%

LAB 49.85, 76.23, 16.37

 

CMYK 88 / 0 / 36 / 5

HEX #1CF19B

RGB 28 241 155

HSL 155.77, 0.88%, 0.53%

LAB 84.75, -66.42, 28.51

 

CMYK 82 / 0 / 32 / 0

HEX #2DFFAE

RGB 45 255 174

HSL 156.86, 1%, 0.59%

LAB 89.46, -66.35, 25.29

 

CMYK 76 / 0 / 24 / 0

HEX #3EFFC1

RGB 62 255 193

HSL 160.73, 1%, 0.62%

LAB 90.04, -60.65, 16.44

 

CMYK 69 / 0 / 17 / 0

HEX #4FFFD4

RGB 79 255 212

HSL 165.34, 1%, 0.65%

LAB 90.75, -54.18, 7.7

 

CMYK 62 / 0 / 9 / 0

HEX #60FFE7

RGB 96 255 231

HSL 170.94, 1%, 0.69%

LAB 91.58, -47.05, -0.88

 

CMYK 90 / 0 / 34 / 5

HEX #17F1A0

RGB 23 241 160

HSL 157.71, 0.89%, 0.52%

LAB 84.81, -65.68, 26.04

 

CMYK 97 / 0 / 37 / 13

HEX #06DF8D

RGB 6 223 141

HSL 157.33, 0.95%, 0.45%

LAB 78.89, -63.84, 27.76

 

CMYK 100 / 0 / 40 / 20

HEX #00CD7A

RGB 0 205 122

HSL 155.71, 1%, 0.4%

LAB 72.94, -61.52, 29.62

 

CMYK 100 / 0 / 45 / 27

HEX #00BB67

RGB 0 187 103

HSL 153.05, 1%, 0.37%

LAB 66.92, -58.92, 31.56

 

CMYK 100 / 0 / 50 / 34

HEX #00A954

RGB 0 169 84

HSL 149.82, 1%, 0.33%

LAB 60.8, -56.16, 33.53

 

CMYK 90 / 0 / 33 / 5

HEX #18F2A1

RGB 24 242 161

HSL 157.71, 0.89%, 0.52%

LAB 85.13, -65.78, 25.97

 

CMYK 90 / 0 / 58 / 5

HEX #18F266

RGB 24 242 102

HSL 141.47, 0.89%, 0.52%

LAB 84.31, -75.6, 53.43

 

CMYK 90 / 0 / 82 / 5

HEX #18F22B

RGB 24 242 43

HSL 125.23, 0.89%, 0.52%

LAB 83.9, -80.73, 74.02

 

CMYK 74 / 0 / 90 / 5

HEX #3FF218

RGB 63 242 24

HSL 109.27, 0.89%, 0.52%

LAB 84.29, -77.47, 78.25

 

CMYK 50 / 0 / 90 / 5

HEX #7AF218

RGB 122 242 24

HSL 93.03, 0.89%, 0.52%

LAB 85.86, -64.54, 80.19

 

CMYK 90 / 0 / 33 / 5

HEX #18F2A1

RGB 24 242 161

HSL 157.71, 0.89%, 0.52%

LAB 85.13, -65.78, 25.97

 

CMYK 90 / 0 / 10 / 5

HEX #18F2DB

RGB 24 242 219

HSL 173.67, 0.89%, 0.52%

LAB 86.41, -51.98, -2.33

 

CMYK 90 / 15 / 0 / 5

HEX #18CDF2

RGB 24 205 242

HSL 190.18, 0.89%, 0.52%

LAB 76.23, -28.46, -29.84

 

CMYK 90 / 40 / 0 / 5

HEX #1892F2

RGB 24 146 242

HSL 206.42, 0.89%, 0.52%

LAB 59.12, 3.58, -56.66

 

CMYK 90 / 64 / 0 / 5

HEX #1857F2

RGB 24 87 242

HSL 222.66, 0.89%, 0.52%

LAB 43.39, 40.46, -82.15

 

CMYK 90 / 0 / 33 / 5

HEX #18F2A1

RGB 24 242 161

HSL 157.71, 0.89%, 0.52%

LAB 85.13, -65.78, 25.97

 

CMYK 90 / 0 / 33 / 5

HEX #18F2A1

RGB 24 242 161

HSL 157.71, 0.89%, 0.52%

LAB 85.13, -65.78, 25.97

 

CMYK 81 / 0 / 30 / 13

HEX #2BDE9C

RGB 43 222 156

HSL 157.88, 0.73%, 0.52%

LAB 79.13, -58.21, 20.36

 

CMYK 69 / 0 / 26 / 21

HEX #3FCA96

RGB 63 202 150

HSL 157.55, 0.57%, 0.52%

LAB 73.22, -49.22, 15.37

 

CMYK 54 / 0 / 20 / 29

HEX #53B691

RGB 83 182 145

HSL 157.58, 0.4%, 0.52%

LAB 67.53, -37.96, 10.14

 

CMYK 36 / 0 / 14 / 36

HEX #67A28C

RGB 103 162 140

HSL 157.63, 0.24%, 0.52%

LAB 62.18, -24.31, 5.39

 

CMYK 90 / 0 / 83 / 5

HEX #18F22A

RGB 24 242 42

HSL 124.95, 0.89%, 0.52%

LAB 83.9, -80.78, 74.25

 

CMYK 90 / 0 / 59 / 5

HEX #18F264

RGB 24 242 100

HSL 140.92, 0.89%, 0.52%

LAB 84.29, -75.85, 54.29

 

CMYK 90 / 0 / 35 / 5

HEX #18F29E

RGB 24 242 158

HSL 156.88, 0.89%, 0.52%

LAB 85.08, -66.39, 27.43

 

CMYK 90 / 0 / 11 / 5

HEX #18F2D8

RGB 24 242 216

HSL 172.84, 0.89%, 0.52%

LAB 86.33, -52.78, -0.87

 

CMYK 90 / 14 / 0 / 5

HEX #18D1F2

RGB 24 209 242

HSL 189.08, 0.89%, 0.52%

LAB 77.4, -30.41, -28.05

 

CMYK 94 / 0 / 35 / 32

HEX #0AAD70

RGB 10 173 112

HSL 157.55, 0.89%, 0.36%

LAB 62.61, -51.74, 21.11

 

CMYK 94 / 0 / 35 / 17

HEX #0CD48A

RGB 12 212 138

HSL 157.8, 0.89%, 0.44%

LAB 75.45, -60.38, 24.69

 

CMYK 90 / 0 / 33 / 5

HEX #18F2A1

RGB 24 242 161

HSL 157.71, 0.89%, 0.52%

LAB 85.13, -65.78, 25.97

 

CMYK 74 / 0 / 27 / 4

HEX #3FF4B1

RGB 63 244 177

HSL 157.79, 0.89%, 0.6%

LAB 86.47, -59.83, 19.68

 

CMYK 59 / 0 / 22 / 4

HEX #66F6C0

RGB 102 246 192

HSL 157.5, 0.89%, 0.68%

LAB 88.23, -51.23, 14.52

 

CMYK 90 / 0 / 34 / 5

HEX #17F1A0

RGB 23 241 160

HSL 157.71, 0.89%, 0.52%

LAB 84.81, -65.68, 26.04

 

CMYK 90 / 74 / 0 / 5

HEX #1840F2

RGB 24 64 242

HSL 228.99, 0.89%, 0.52%

LAB 38.33, 54.22, -90.51

 

CMYK 0 / 71 / 90 / 5

HEX #F24718

RGB 242 71 24

HSL 12.94, 0.89%, 0.52%

LAB 55.53, 63.33, 60.77

 

CMYK 90 / 0 / 34 / 5

HEX #17F1A0

RGB 23 241 160

HSL 157.71, 0.89%, 0.52%

LAB 84.81, -65.68, 26.04

 

CMYK 35 / 90 / 0 / 5

HEX #9E18F2

RGB 158 24 242

HSL 276.88, 0.89%, 0.52%

LAB 44.71, 80.47, -79.61

 

CMYK 0 / 35 / 90 / 5

HEX #F29E18

RGB 242 158 24

HSL 36.88, 0.89%, 0.52%

LAB 71.82, 22.39, 72.63

 

CMYK 90 / 0 / 34 / 5

HEX #17F1A0

RGB 23 241 160

HSL 157.71, 0.89%, 0.52%

LAB 84.81, -65.68, 26.04

 

CMYK 90 / 74 / 0 / 5

HEX #1840F2

RGB 24 64 242

HSL 228.99, 0.89%, 0.52%

LAB 38.33, 54.22, -90.51

 

CMYK 0 / 90 / 56 / 5

HEX #F2186B

RGB 242 24 107

HSL 337.16, 0.89%, 0.52%

LAB 52.5, 78.18, 13.01

 

CMYK 0 / 17 / 90 / 5

HEX #F2CA18

RGB 242 202 24

HSL 48.99, 0.89%, 0.52%

LAB 82.48, -0.61, 80.71

 

CMYK 90 / 0 / 34 / 5

HEX #17F1A0

RGB 23 241 160

HSL 157.71, 0.89%, 0.52%

LAB 84.81, -65.68, 26.04

 

CMYK 80 / 90 / 0 / 5

HEX #3118F2

RGB 49 24 242

HSL 246.88, 0.89%, 0.52%

LAB 33.39, 72.23, -98.69

 

CMYK 0 / 90 / 56 / 5

HEX #F2186B

RGB 242 24 107

HSL 337.16, 0.89%, 0.52%

LAB 52.5, 78.18, 13.01

 

CMYK 11 / 0 / 90 / 5

HEX #D8F218

RGB 216 242 24

HSL 67.16, 0.89%, 0.52%

LAB 90.86, -31.11, 86.32

 

Description

Color code: RGB 23 241 160 | qconv.com Color code: RGB 23 241 160 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 241 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 241 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 34% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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