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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 232 105 it is the complementary color RGB 232 23 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 232 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 232 105 shade: RGB 28 232 100, RGB 45 250 119, RGB 62 255 138, RGB 79 255 157 and RGB 96 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 232 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 6 214 86, RGB 0 196 67, RGB 0 178 48 and RGB 0 160 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 23 232 49, RGB 54 232 23, RGB 110 232 23 and RGB 166 232 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 23 232 161, RGB 23 232 218, RGB 23 190 232 and RGB 23 134 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 232 105 shade matches the following richer shades: RGB 23 232 105 and RGB 2 253 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 44 211 109, RGB 64 191 114, RGB 85 170 118 and RGB 105 150 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 232 105 shade: RGB 54 232 23, RGB 23 232 47, RGB 23 232 103, RGB 23 232 159 and RGB 23 232 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 232 105 shade: RGB 16 157 71, RGB 19 195 88, RGB 23 232 105, RGB 60 236 129 and RGB 98 239 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 23 110 232 and RGB 232 23 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 103 23 232 and RGB 232 103 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 23 110 232, RGB 232 23 152 and RGB 232 145 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 232 105 shade: RGB 23 232 105, RGB 23 47 232, RGB 232 23 152 and RGB 232 208 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

Complementary color

CMYK 0 / 90 / 35 / 9

HEX #E81796

RGB 232 23 150

HSL 323.54, 0.82%, 0.5%

LAB 51.8, 79.57, -14.17

 

CMYK 88 / 0 / 57 / 9

HEX #1CE864

RGB 28 232 100

HSL 141.18, 0.82%, 0.51%

LAB 81.23, -72.57, 50.71

 

CMYK 82 / 0 / 52 / 2

HEX #2DFA77

RGB 45 250 119

HSL 141.66, 0.95%, 0.58%

LAB 87.12, -74.24, 49.15

 

CMYK 76 / 0 / 46 / 0

HEX #3EFF8A

RGB 62 255 138

HSL 143.63, 1%, 0.62%

LAB 89.1, -71.18, 42.7

 

CMYK 69 / 0 / 38 / 0

HEX #4FFF9D

RGB 79 255 157

HSL 146.59, 1%, 0.65%

LAB 89.68, -65.62, 34.21

 

CMYK 62 / 0 / 31 / 0

HEX #60FFB0

RGB 96 255 176

HSL 150.19, 1%, 0.69%

LAB 90.39, -59.23, 25.69

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 97 / 0 / 60 / 16

HEX #06D656

RGB 6 214 86

HSL 143.08, 0.95%, 0.43%

LAB 75.33, -69.91, 50.06

 

CMYK 100 / 0 / 66 / 23

HEX #00C443

RGB 0 196 67

HSL 140.51, 1%, 0.38%

LAB 69.39, -66.97, 51.56

 

CMYK 100 / 0 / 73 / 30

HEX #00B230

RGB 0 178 48

HSL 136.18, 1%, 0.35%

LAB 63.39, -63.52, 52.7

 

CMYK 100 / 0 / 82 / 37

HEX #00A01D

RGB 0 160 29

HSL 130.88, 1%, 0.31%

LAB 57.3, -59.71, 53.09

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 90 / 0 / 79 / 9

HEX #17E831

RGB 23 232 49

HSL 127.46, 0.82%, 0.5%

LAB 80.8, -77.72, 69.56

 

CMYK 77 / 0 / 90 / 9

HEX #36E817

RGB 54 232 23

HSL 111.1, 0.82%, 0.5%

LAB 81.05, -75.88, 75.6

 

CMYK 53 / 0 / 90 / 9

HEX #6EE817

RGB 110 232 23

HSL 95.02, 0.82%, 0.5%

LAB 82.43, -64.37, 77.31

 

CMYK 28 / 0 / 90 / 9

HEX #A6E817

RGB 166 232 23

HSL 78.95, 0.82%, 0.5%

LAB 84.94, -46.13, 80.4

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 90 / 0 / 31 / 9

HEX #17E8A1

RGB 23 232 161

HSL 159.62, 0.82%, 0.5%

LAB 82.09, -62.25, 21.81

 

CMYK 90 / 0 / 6 / 9

HEX #17E8DA

RGB 23 232 218

HSL 175.98, 0.82%, 0.5%

LAB 83.42, -48.11, -6.21

 

CMYK 90 / 18 / 0 / 9

HEX #17BEE8

RGB 23 190 232

HSL 192.06, 0.82%, 0.5%

LAB 71.44, -24.31, -31.83

 

CMYK 90 / 42 / 0 / 9

HEX #1786E8

RGB 23 134 232

HSL 208.13, 0.82%, 0.5%

LAB 55.13, 6.96, -57.5

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 99 / 0 / 60 / 1

HEX #02FD65

RGB 2 253 101

HSL 143.67, 0.98%, 0.5%

LAB 87.58, -79.76, 57.65

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 79 / 0 / 48 / 17

HEX #2CD36D

RGB 44 211 109

HSL 143.35, 0.65%, 0.5%

LAB 74.97, -63.04, 38.87

 

CMYK 66 / 0 / 40 / 25

HEX #40BF72

RGB 64 191 114

HSL 143.62, 0.5%, 0.5%

LAB 69.16, -52, 28.93

 

CMYK 50 / 0 / 31 / 33

HEX #55AA76

RGB 85 170 118

HSL 143.29, 0.33%, 0.5%

LAB 63.33, -37.82, 19.09

 

CMYK 30 / 0 / 18 / 41

HEX #69967B

RGB 105 150 123

HSL 144, 0.18%, 0.5%

LAB 58.27, -21.22, 9.4

 

CMYK 77 / 0 / 90 / 9

HEX #36E817

RGB 54 232 23

HSL 111.1, 0.82%, 0.5%

LAB 81.05, -75.88, 75.6

 

CMYK 90 / 0 / 80 / 9

HEX #17E82F

RGB 23 232 47

HSL 126.89, 0.82%, 0.5%

LAB 80.79, -77.84, 70.11

 

CMYK 90 / 0 / 56 / 9

HEX #17E867

RGB 23 232 103

HSL 142.97, 0.82%, 0.5%

LAB 81.22, -72.47, 49.34

 

CMYK 90 / 0 / 31 / 9

HEX #17E89F

RGB 23 232 159

HSL 159.04, 0.82%, 0.5%

LAB 82.05, -62.68, 22.79

 

CMYK 90 / 0 / 7 / 9

HEX #17E8D7

RGB 23 232 215

HSL 175.12, 0.82%, 0.5%

LAB 83.34, -48.93, -4.75

 

CMYK 90 / 0 / 55 / 38

HEX #109D47

RGB 16 157 71

HSL 143.4, 0.82%, 0.34%

LAB 56.76, -53.34, 35.16

 

CMYK 90 / 0 / 55 / 24

HEX #13C358

RGB 19 195 88

HSL 143.52, 0.82%, 0.42%

LAB 69.38, -63.15, 42.12

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 75 / 0 / 45 / 7

HEX #3CEC81

RGB 60 236 129

HSL 143.52, 0.82%, 0.58%

LAB 83.2, -66.41, 39.53

 

CMYK 59 / 0 / 36 / 6

HEX #62EF9A

RGB 98 239 154

HSL 143.83, 0.82%, 0.66%

LAB 85.33, -56.74, 30.01

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 90 / 53 / 0 / 9

HEX #176EE8

RGB 23 110 232

HSL 215.02, 0.82%, 0.5%

LAB 48.46, 21.98, -68.25

 

CMYK 0 / 90 / 89 / 9

HEX #E8171A

RGB 232 23 26

HSL 359.14, 0.82%, 0.5%

LAB 49.31, 72.65, 54.7

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 56 / 90 / 0 / 9

HEX #6717E8

RGB 103 23 232

HSL 262.97, 0.82%, 0.5%

LAB 36.6, 72.97, -87.55

 

CMYK 0 / 56 / 90 / 9

HEX #E86717

RGB 232 103 23

HSL 22.97, 0.82%, 0.5%

LAB 58.9, 46.42, 62.71

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 90 / 53 / 0 / 9

HEX #176EE8

RGB 23 110 232

HSL 215.02, 0.82%, 0.5%

LAB 48.46, 21.98, -68.25

 

CMYK 0 / 90 / 34 / 9

HEX #E81798

RGB 232 23 152

HSL 322.97, 0.82%, 0.5%

LAB 51.88, 79.77, -15.25

 

CMYK 0 / 38 / 90 / 9

HEX #E89117

RGB 232 145 23

HSL 35.02, 0.82%, 0.5%

LAB 67.63, 25.03, 69.16

 

CMYK 90 / 0 / 55 / 9

HEX #17E869

RGB 23 232 105

HSL 143.54, 0.82%, 0.5%

LAB 81.25, -72.2, 48.44

 

CMYK 90 / 80 / 0 / 9

HEX #172FE8

RGB 23 47 232

HSL 233.11, 0.82%, 0.5%

LAB 34.07, 59.89, -91.9

 

CMYK 0 / 90 / 34 / 9

HEX #E81798

RGB 232 23 152

HSL 322.97, 0.82%, 0.5%

LAB 51.88, 79.77, -15.25

 

CMYK 0 / 10 / 90 / 9

HEX #E8D017

RGB 232 208 23

HSL 53.11, 0.82%, 0.5%

LAB 83.09, -7.97, 80.94

 

Description

Color code: RGB 23 232 105 | qconv.com Color code: RGB 23 232 105 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 232 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 232 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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