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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 20 238 it is the complementary color RGB 232 235 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 20 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 20 238 shade: RGB 28 20 233, RGB 45 38 252, RGB 62 56 255, RGB 79 74 255 and RGB 96 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 20 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 20 238 shade: RGB 23 20 238, RGB 6 2 219, RGB 0 0 200, RGB 0 0 181 and RGB 0 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 20 238 shade: RGB 24 21 238, RGB 82 21 238, RGB 141 21 238, RGB 200 21 238 and RGB 238 21 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 20 238 shade: RGB 24 21 238 and RGB 21 21 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 20 238 shade matches the following richer shades: RGB 24 21 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 20 238 shade: RGB 24 21 238, RGB 44 41 218, RGB 63 61 198, RGB 83 81 178 and RGB 102 102 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 20 238 shade: RGB 21 137 238, RGB 21 79 238, RGB 21 21 238, RGB 79 21 238 and RGB 137 21 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 20 238 shade: RGB 13 11 166, RGB 16 14 204, RGB 24 21 238, RGB 62 59 241 and RGB 100 98 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 20 238 shade: RGB 23 20 238, RGB 238 21 195 and RGB 108 238 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 20 238 shade: RGB 23 20 238, RGB 238 21 21 and RGB 21 238 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 20 238 shade: RGB 23 20 238, RGB 238 21 195, RGB 238 238 21 and RGB 21 238 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 20 238 shade: RGB 23 20 238, RGB 238 21 130, RGB 238 238 21 and RGB 21 238 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 92 / 0 / 7

HEX #1714EE

RGB 23 20 238

HSL 240.83, 0.87%, 0.51%

LAB 31.48, 71.65, -99.64

 

Complementary color

CMYK 1 / 0 / 93 / 8

HEX #E8EB11

RGB 232 235 17

HSL 60.83, 0.87%, 0.49%

LAB 90.14, -21.36, 87.13

 

CMYK 88 / 91 / 0 / 9

HEX #1C14E9

RGB 28 20 233

HSL 242.25, 0.84%, 0.5%

LAB 30.95, 70.43, -97.67

 

CMYK 82 / 85 / 0 / 1

HEX #2D26FC

RGB 45 38 252

HSL 241.96, 0.97%, 0.57%

LAB 35.93, 70.28, -100.09

 

CMYK 76 / 78 / 0 / 0

HEX #3E38FF

RGB 62 56 255

HSL 241.81, 1%, 0.61%

LAB 39.7, 64.32, -95.48

 

CMYK 69 / 71 / 0 / 0

HEX #4F4AFF

RGB 79 74 255

HSL 241.66, 1%, 0.65%

LAB 43.92, 56.55, -88.49

 

CMYK 62 / 64 / 0 / 0

HEX #605CFF

RGB 96 92 255

HSL 241.47, 1%, 0.68%

LAB 48.71, 48.54, -80.57

 

CMYK 90 / 92 / 0 / 7

HEX #1714EE

RGB 23 20 238

HSL 240.83, 0.87%, 0.51%

LAB 31.48, 71.65, -99.64

 

CMYK 97 / 99 / 0 / 14

HEX #0602DB

RGB 6 2 219

HSL 241.11, 0.98%, 0.43%

LAB 27.29, 70.26, -95.77

 

CMYK 100 / 100 / 0 / 22

HEX #0000C8

RGB 0 0 200

HSL 240, 1%, 0.39%

LAB 24.23, 65.95, -89.83

 

CMYK 100 / 100 / 0 / 29

HEX #0000B5

RGB 0 0 181

HSL 240, 1%, 0.35%

LAB 21.34, 61.23, -83.39

 

CMYK 100 / 100 / 0 / 36

HEX #0000A2

RGB 0 0 162

HSL 240, 1%, 0.32%

LAB 18.4, 56.41, -76.82

 

CMYK 90 / 91 / 0 / 7

HEX #1815EE

RGB 24 21 238

HSL 240.83, 0.86%, 0.51%

LAB 31.59, 71.41, -99.45

 

CMYK 66 / 91 / 0 / 7

HEX #5215EE

RGB 82 21 238

HSL 256.87, 0.86%, 0.51%

LAB 35.01, 73.41, -93.66

 

CMYK 41 / 91 / 0 / 7

HEX #8D15EE

RGB 141 21 238

HSL 273.18, 0.86%, 0.51%

LAB 41.8, 78.26, -82.21

 

CMYK 16 / 91 / 0 / 7

HEX #C815EE

RGB 200 21 238

HSL 289.49, 0.86%, 0.51%

LAB 50.67, 85.8, -67.35

 

CMYK 0 / 91 / 8 / 7

HEX #EE15DA

RGB 238 21 218

HSL 305.53, 0.86%, 0.51%

LAB 55.86, 88.93, -47.37

 

CMYK 90 / 91 / 0 / 7

HEX #1815EE

RGB 24 21 238

HSL 240.83, 0.86%, 0.51%

LAB 31.59, 71.41, -99.45

 

CMYK 91 / 91 / 0 / 7

HEX #1515EE

RGB 21 21 238

HSL 240, 0.86%, 0.51%

LAB 31.51, 71.37, -99.59

 

CMYK 90 / 91 / 0 / 7

HEX #1815EE

RGB 24 21 238

HSL 240.83, 0.86%, 0.51%

LAB 31.59, 71.41, -99.45

 

CMYK 90 / 91 / 0 / 7

HEX #1815EE

RGB 24 21 238

HSL 240.83, 0.86%, 0.51%

LAB 31.59, 71.41, -99.45

 

CMYK 80 / 81 / 0 / 15

HEX #2C29DA

RGB 44 41 218

HSL 241.02, 0.71%, 0.51%

LAB 32.22, 59.23, -86.93

 

CMYK 68 / 69 / 0 / 22

HEX #3F3DC6

RGB 63 61 198

HSL 240.88, 0.55%, 0.51%

LAB 34.95, 43.91, -70.79

 

CMYK 53 / 54 / 0 / 30

HEX #5351B2

RGB 83 81 178

HSL 241.24, 0.39%, 0.51%

LAB 39.48, 28.32, -51.61

 

CMYK 35 / 35 / 0 / 38

HEX #66669D

RGB 102 102 157

HSL 240, 0.22%, 0.51%

LAB 45.31, 13.64, -29.84

 

CMYK 91 / 42 / 0 / 7

HEX #1589EE

RGB 21 137 238

HSL 207.93, 0.86%, 0.51%

LAB 56.31, 7.33, -58.95

 

CMYK 91 / 67 / 0 / 7

HEX #154FEE

RGB 21 79 238

HSL 223.96, 0.86%, 0.51%

LAB 41.1, 43.86, -83.68

 

CMYK 91 / 91 / 0 / 7

HEX #1515EE

RGB 21 21 238

HSL 240, 0.86%, 0.51%

LAB 31.51, 71.37, -99.59

 

CMYK 67 / 91 / 0 / 7

HEX #4F15EE

RGB 79 21 238

HSL 256.04, 0.86%, 0.51%

LAB 34.75, 73.24, -94.11

 

CMYK 42 / 91 / 0 / 7

HEX #8915EE

RGB 137 21 238

HSL 272.07, 0.86%, 0.51%

LAB 41.26, 77.84, -83.12

 

CMYK 92 / 93 / 0 / 35

HEX #0D0BA6

RGB 13 11 166

HSL 240.77, 0.88%, 0.35%

LAB 20.35, 54.55, -75.99

 

CMYK 92 / 93 / 0 / 20

HEX #100ECC

RGB 16 14 204

HSL 240.63, 0.87%, 0.43%

LAB 26.11, 64.13, -89.01

 

CMYK 90 / 91 / 0 / 7

HEX #1815EE

RGB 24 21 238

HSL 240.83, 0.86%, 0.51%

LAB 31.59, 71.41, -99.45

 

CMYK 74 / 76 / 0 / 5

HEX #3E3BF1

RGB 62 59 241

HSL 240.99, 0.87%, 0.59%

LAB 38.73, 58.62, -89.23

 

CMYK 59 / 60 / 0 / 4

HEX #6462F4

RGB 100 98 244

HSL 240.82, 0.87%, 0.67%

LAB 49.47, 42.19, -73.2

 

CMYK 90 / 92 / 0 / 7

HEX #1714EE

RGB 23 20 238

HSL 240.83, 0.87%, 0.51%

LAB 31.48, 71.65, -99.64

 

CMYK 0 / 91 / 18 / 7

HEX #EE15C3

RGB 238 21 195

HSL 311.89, 0.86%, 0.51%

LAB 54.71, 85.99, -36.01

 

CMYK 55 / 0 / 91 / 7

HEX #6CEE15

RGB 108 238 21

HSL 95.94, 0.86%, 0.51%

LAB 84.17, -67.03, 79.01

 

CMYK 90 / 92 / 0 / 7

HEX #1714EE

RGB 23 20 238

HSL 240.83, 0.87%, 0.51%

LAB 31.48, 71.65, -99.64

 

CMYK 0 / 91 / 91 / 7

HEX #EE1515

RGB 238 21 21

HSL 0, 0.86%, 0.51%

LAB 50.41, 74.36, 58.03

 

CMYK 91 / 0 / 91 / 7

HEX #15EE15

RGB 21 238 21

HSL 120, 0.86%, 0.51%

LAB 82.57, -80.64, 77.04

 

CMYK 90 / 92 / 0 / 7

HEX #1714EE

RGB 23 20 238

HSL 240.83, 0.87%, 0.51%

LAB 31.48, 71.65, -99.64

 

CMYK 0 / 91 / 18 / 7

HEX #EE15C3

RGB 238 21 195

HSL 311.89, 0.86%, 0.51%

LAB 54.71, 85.99, -36.01

 

CMYK 0 / 0 / 91 / 7

HEX #EEEE15

RGB 238 238 21

HSL 60, 0.86%, 0.51%

LAB 91.41, -20.26, 87.84

 

CMYK 91 / 0 / 73 / 7

HEX #15EE40

RGB 21 238 64

HSL 131.89, 0.86%, 0.51%

LAB 82.74, -78.47, 66.77

 

CMYK 90 / 92 / 0 / 7

HEX #1714EE

RGB 23 20 238

HSL 240.83, 0.87%, 0.51%

LAB 31.48, 71.65, -99.64

 

CMYK 0 / 91 / 45 / 7

HEX #EE1582

RGB 238 21 130

HSL 329.86, 0.86%, 0.51%

LAB 52.2, 79.33, -1.45

 

CMYK 0 / 0 / 91 / 7

HEX #EEEE15

RGB 238 238 21

HSL 60, 0.86%, 0.51%

LAB 91.41, -20.26, 87.84

 

CMYK 91 / 0 / 45 / 7

HEX #15EE82

RGB 21 238 130

HSL 150.14, 0.86%, 0.51%

LAB 83.4, -70.36, 39.21

 

Description

Color code: RGB 23 20 238 | qconv.com Color code: RGB 23 20 238 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 20 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 20 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 92 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 92% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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