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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 201 72 it is the complementary color RGB 232 54 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 201 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 201 72 shade: RGB 28 201 67, RGB 45 219 86, RGB 62 237 105, RGB 79 255 124 and RGB 96 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 201 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 201 72 shade: RGB 23 201 72, RGB 6 183 53, RGB 0 165 34, RGB 0 147 15 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 201 72 shade: RGB 24 201 72, RGB 24 201 25, RGB 70 201 24, RGB 118 201 24 and RGB 166 201 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 201 72 shade: RGB 24 201 72, RGB 24 201 120, RGB 24 201 168, RGB 24 186 201 and RGB 24 138 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 201 72 shade matches the following richer shades: RGB 24 201 72 and RGB 5 219 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 201 72 shade: RGB 24 201 72, RGB 42 183 81, RGB 60 165 89, RGB 78 146 97 and RGB 96 128 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 201 72 shade: RGB 71 201 24, RGB 24 201 24, RGB 24 201 71, RGB 24 201 118 and RGB 24 201 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 201 72 shade: RGB 15 127 46, RGB 19 164 59, RGB 24 201 72, RGB 36 229 89 and RGB 73 234 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 201 72 shade: RGB 23 201 72, RGB 24 118 201 and RGB 201 24 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 201 72 shade: RGB 23 201 72, RGB 71 24 201 and RGB 201 71 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 201 72 shade: RGB 23 201 72, RGB 24 118 201, RGB 201 24 154 and RGB 201 106 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 201 72 shade: RGB 23 201 72, RGB 24 65 201, RGB 201 24 154 and RGB 201 159 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 64 / 21

HEX #17C948

RGB 23 201 72

HSL 136.52, 0.79%, 0.44%

LAB 71.16, -66.81, 51.45

 

Complementary color

CMYK 0 / 77 / 21 / 9

HEX #E836B7

RGB 232 54 183

HSL 316.52, 0.79%, 0.56%

LAB 55.29, 76.98, -28.24

 

CMYK 86 / 0 / 67 / 21

HEX #1CC943

RGB 28 201 67

HSL 133.53, 0.76%, 0.45%

LAB 71.16, -66.96, 53.55

 

CMYK 79 / 0 / 61 / 14

HEX #2DDB56

RGB 45 219 86

HSL 134.14, 0.71%, 0.52%

LAB 77.22, -68.73, 52.31

 

CMYK 74 / 0 / 56 / 7

HEX #3EED69

RGB 62 237 105

HSL 134.74, 0.83%, 0.59%

LAB 83.24, -69.98, 50.94

 

CMYK 69 / 0 / 51 / 0

HEX #4FFF7C

RGB 79 255 124

HSL 135.34, 1%, 0.65%

LAB 89.22, -70.84, 49.52

 

CMYK 62 / 0 / 44 / 0

HEX #60FF8F

RGB 96 255 143

HSL 137.74, 1%, 0.69%

LAB 89.85, -65.01, 41.38

 

CMYK 89 / 0 / 64 / 21

HEX #17C948

RGB 23 201 72

HSL 136.52, 0.79%, 0.44%

LAB 71.16, -66.81, 51.45

 

CMYK 97 / 0 / 71 / 28

HEX #06B735

RGB 6 183 53

HSL 135.93, 0.94%, 0.37%

LAB 65.09, -64.27, 52.59

 

CMYK 100 / 0 / 79 / 35

HEX #00A522

RGB 0 165 34

HSL 132.36, 1%, 0.32%

LAB 59, -60.83, 53.18

 

CMYK 100 / 0 / 90 / 42

HEX #00930F

RGB 0 147 15

HSL 126.12, 1%, 0.29%

LAB 52.84, -56.67, 52.59

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 88 / 0 / 64 / 21

HEX #18C948

RGB 24 201 72

HSL 136.27, 0.79%, 0.44%

LAB 71.17, -66.74, 51.46

 

CMYK 88 / 0 / 88 / 21

HEX #18C919

RGB 24 201 25

HSL 120.34, 0.79%, 0.44%

LAB 70.9, -70.19, 66.39

 

CMYK 65 / 0 / 88 / 21

HEX #46C918

RGB 70 201 24

HSL 104.41, 0.79%, 0.44%

LAB 71.65, -63.64, 67.53

 

CMYK 41 / 0 / 88 / 21

HEX #76C918

RGB 118 201 24

HSL 88.14, 0.79%, 0.44%

LAB 73.34, -50.36, 69.65

 

CMYK 17 / 0 / 88 / 21

HEX #A6C918

RGB 166 201 24

HSL 71.86, 0.79%, 0.44%

LAB 76.04, -32.36, 72.98

 

CMYK 88 / 0 / 64 / 21

HEX #18C948

RGB 24 201 72

HSL 136.27, 0.79%, 0.44%

LAB 71.17, -66.74, 51.46

 

CMYK 88 / 0 / 40 / 21

HEX #18C978

RGB 24 201 120

HSL 152.54, 0.79%, 0.44%

LAB 71.77, -59.46, 29.14

 

CMYK 88 / 0 / 16 / 21

HEX #18C9A8

RGB 24 201 168

HSL 168.81, 0.79%, 0.44%

LAB 72.76, -48.57, 4.94

 

CMYK 88 / 7 / 0 / 21

HEX #18BAC9

RGB 24 186 201

HSL 185.08, 0.79%, 0.44%

LAB 69.13, -32.38, -18.44

 

CMYK 88 / 31 / 0 / 21

HEX #188AC9

RGB 24 138 201

HSL 201.36, 0.79%, 0.44%

LAB 54.65, -7.07, -40.85

 

CMYK 88 / 0 / 64 / 21

HEX #18C948

RGB 24 201 72

HSL 136.27, 0.79%, 0.44%

LAB 71.17, -66.74, 51.46

 

CMYK 98 / 0 / 71 / 14

HEX #05DB40

RGB 5 219 64

HSL 136.54, 0.96%, 0.44%

LAB 76.72, -73.75, 60.58

 

CMYK 88 / 0 / 64 / 21

HEX #18C948

RGB 24 201 72

HSL 136.27, 0.79%, 0.44%

LAB 71.17, -66.74, 51.46

 

CMYK 77 / 0 / 56 / 28

HEX #2AB751

RGB 42 183 81

HSL 136.6, 0.63%, 0.44%

LAB 65.71, -57.95, 41.13

 

CMYK 64 / 0 / 46 / 35

HEX #3CA559

RGB 60 165 89

HSL 136.57, 0.47%, 0.44%

LAB 60.42, -47.01, 30.65

 

CMYK 47 / 0 / 34 / 43

HEX #4E9261

RGB 78 146 97

HSL 136.76, 0.3%, 0.44%

LAB 55.11, -32.9, 19.47

 

CMYK 25 / 0 / 18 / 50

HEX #608069

RGB 96 128 105

HSL 136.88, 0.14%, 0.44%

LAB 50.62, -16.41, 8.83

 

CMYK 65 / 0 / 88 / 21

HEX #47C918

RGB 71 201 24

HSL 104.07, 0.79%, 0.44%

LAB 71.68, -63.43, 67.57

 

CMYK 88 / 0 / 88 / 21

HEX #18C918

RGB 24 201 24

HSL 120, 0.79%, 0.44%

LAB 70.89, -70.23, 66.58

 

CMYK 88 / 0 / 65 / 21

HEX #18C947

RGB 24 201 71

HSL 135.93, 0.79%, 0.44%

LAB 71.16, -66.85, 51.87

 

CMYK 88 / 0 / 41 / 21

HEX #18C976

RGB 24 201 118

HSL 151.86, 0.79%, 0.44%

LAB 71.74, -59.84, 30.13

 

CMYK 88 / 0 / 18 / 21

HEX #18C9A5

RGB 24 201 165

HSL 167.8, 0.79%, 0.44%

LAB 72.68, -49.35, 6.46

 

CMYK 88 / 0 / 64 / 50

HEX #0F7F2E

RGB 15 127 46

HSL 136.61, 0.79%, 0.28%

LAB 46.28, -46.81, 35.12

 

CMYK 88 / 0 / 64 / 36

HEX #13A43B

RGB 19 164 59

HSL 136.55, 0.79%, 0.36%

LAB 58.98, -57.05, 43.48

 

CMYK 88 / 0 / 64 / 21

HEX #18C948

RGB 24 201 72

HSL 136.27, 0.79%, 0.44%

LAB 71.17, -66.74, 51.46

 

CMYK 84 / 0 / 61 / 10

HEX #24E559

RGB 36 229 89

HSL 136.48, 0.79%, 0.52%

LAB 80.26, -72.39, 54.45

 

CMYK 69 / 0 / 50 / 8

HEX #49EA75

RGB 73 234 117

HSL 136.4, 0.79%, 0.6%

LAB 82.67, -65.63, 44.71

 

CMYK 89 / 0 / 64 / 21

HEX #17C948

RGB 23 201 72

HSL 136.52, 0.79%, 0.44%

LAB 71.16, -66.81, 51.45

 

CMYK 88 / 41 / 0 / 21

HEX #1876C9

RGB 24 118 201

HSL 208.14, 0.79%, 0.44%

LAB 48.72, 4.93, -50.25

 

CMYK 0 / 88 / 77 / 21

HEX #C9182F

RGB 201 24 47

HSL 352.2, 0.79%, 0.44%

LAB 43.18, 64.98, 35.89

 

CMYK 89 / 0 / 64 / 21

HEX #17C948

RGB 23 201 72

HSL 136.52, 0.79%, 0.44%

LAB 71.16, -66.81, 51.45

 

CMYK 65 / 88 / 0 / 21

HEX #4718C9

RGB 71 24 201

HSL 255.93, 0.79%, 0.44%

LAB 29.94, 62.67, -80.8

 

CMYK 0 / 65 / 88 / 21

HEX #C94718

RGB 201 71 24

HSL 15.93, 0.79%, 0.44%

LAB 48.25, 49.74, 52.12

 

CMYK 89 / 0 / 64 / 21

HEX #17C948

RGB 23 201 72

HSL 136.52, 0.79%, 0.44%

LAB 71.16, -66.81, 51.45

 

CMYK 88 / 41 / 0 / 21

HEX #1876C9

RGB 24 118 201

HSL 208.14, 0.79%, 0.44%

LAB 48.72, 4.93, -50.25

 

CMYK 0 / 88 / 23 / 21

HEX #C9189A

RGB 201 24 154

HSL 315.93, 0.79%, 0.44%

LAB 46.18, 73.34, -25.69

 

CMYK 0 / 47 / 88 / 21

HEX #C96A18

RGB 201 106 24

HSL 27.8, 0.79%, 0.44%

LAB 54.86, 32.75, 57.31

 

CMYK 89 / 0 / 64 / 21

HEX #17C948

RGB 23 201 72

HSL 136.52, 0.79%, 0.44%

LAB 71.16, -66.81, 51.45

 

CMYK 88 / 68 / 0 / 21

HEX #1841C9

RGB 24 65 201

HSL 226.1, 0.79%, 0.44%

LAB 34.38, 39.2, -73.54

 

CMYK 0 / 88 / 23 / 21

HEX #C9189A

RGB 201 24 154

HSL 315.93, 0.79%, 0.44%

LAB 46.18, 73.34, -25.69

 

CMYK 0 / 21 / 88 / 21

HEX #C99F18

RGB 201 159 24

HSL 45.76, 0.79%, 0.44%

LAB 67.49, 4.07, 67.3

 

Description

Color code: RGB 23 201 72 | qconv.com Color code: RGB 23 201 72 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 201 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 201 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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